Songs like Blacksnake Blues by All Them Witches
Based on a tempo of (+/- 10%) and a similar genre
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Josh Teskey
Something With Feel
135 bpm • C Maj • 03:07 • -9.15db
27% Popularity • 50% Danceability • 42% Energy • 18% Liveness
4% Instrumentalness • 64% Positiveness
27% Popularity • 50% Danceability • 42% Energy • 18% Liveness
4% Instrumentalness • 64% Positiveness
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All Them Witches
Mellowing
135 bpm • G Maj • 03:10 • -13.64db
34% Popularity • 38% Danceability • 40% Energy • 38% Liveness
81% Instrumentalness • 41% Positiveness
34% Popularity • 38% Danceability • 40% Energy • 38% Liveness
81% Instrumentalness • 41% Positiveness
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Colour Haze
Turns
135 bpm • C min • 04:07 • -8.33db
28% Popularity • 39% Danceability • 47% Energy • 12% Liveness
52% Instrumentalness • 46% Positiveness
28% Popularity • 39% Danceability • 47% Energy • 12% Liveness
52% Instrumentalness • 46% Positiveness
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Buffalo Nichols
Meet Me in the Bottom
135 bpm • F# min • 03:08 • -5.92db
24% Popularity • 32% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 57% Positiveness
24% Popularity • 32% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 57% Positiveness
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Anders Osborne
Move Back To Mississippi
135 bpm • D Maj • 06:21 • -9.69db
24% Popularity • 66% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
24% Popularity • 66% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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The Heavy Eyes
Somniloquy
135 bpm • G Maj • 02:37 • -5db
41% Popularity • 34% Danceability • 83% Energy • 32% Liveness
32% Instrumentalness • 48% Positiveness
41% Popularity • 34% Danceability • 83% Energy • 32% Liveness
32% Instrumentalness • 48% Positiveness
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John The Conqueror
Let's Burn Down The Cornfield
135 bpm • C min • 02:49 • -10.45db
14% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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All Them Witches
Blacksnake Blues
135 bpm • B min • 11:14 • -6.01db
43% Popularity • 45% Danceability • 51% Energy • 10% Liveness
20% Instrumentalness • 14% Positiveness
43% Popularity • 45% Danceability • 51% Energy • 10% Liveness
20% Instrumentalness • 14% Positiveness
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Hannah Wicklund
Bomb Through the Breeze - Audiotree Live...
136 bpm • B min • 05:59 • -7db
16% Popularity • 39% Danceability • 75% Energy • 19% Liveness
77% Instrumentalness • 50% Positiveness
16% Popularity • 39% Danceability • 75% Energy • 19% Liveness
77% Instrumentalness • 50% Positiveness
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Robert Finley
Tell Everybody
136 bpm • F Maj • 04:58 • -7.54db
26% Popularity • 56% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 56% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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The Wanton Bishops
Oh Wee
134 bpm • G min • 02:37 • -6.19db
55% Popularity • 74% Danceability • 57% Energy • 12% Liveness
28% Instrumentalness • 85% Positiveness
55% Popularity • 74% Danceability • 57% Energy • 12% Liveness
28% Instrumentalness • 85% Positiveness
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Quaker City Night Hawks
Something to Burn
136 bpm • A min • 03:09 • -8.13db
37% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sleepy Sun
Desert God
133 bpm • A Maj • 05:16 • -7.95db
32% Popularity • 31% Danceability • 54% Energy • 11% Liveness
18% Instrumentalness • 20% Positiveness
32% Popularity • 31% Danceability • 54% Energy • 11% Liveness
18% Instrumentalness • 20% Positiveness
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All Them Witches
HJTC
134 bpm • E Maj • 05:48 • -9.93db
22% Popularity • 35% Danceability • 32% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
22% Popularity • 35% Danceability • 32% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Jake La Botz
I Don't Want It
134 bpm • B Maj • 02:26 • -6.86db
25% Popularity • 68% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 68% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Robin Trower
No More Worlds to Conquer
137 bpm • G Maj • 03:54 • -7.37db
27% Popularity • 63% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 63% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Bellhound Choir
No Roads Left to Follow
133 bpm • G min • 03:19 • -7.33db
39% Popularity • 45% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 45% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Zach Person
Muddy Water
133 bpm • C Maj • 04:48 • -5.17db
22% Popularity • 37% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 37% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Hooten Hallers
Cat Scrap
137 bpm • D min • 03:57 • -8.22db
21% Popularity • 51% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
21% Popularity • 51% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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All Them Witches
Right Hand
138 bpm • F Maj • 05:53 • -6.55db
34% Popularity • 31% Danceability • 69% Energy • 10% Liveness
74% Instrumentalness • 34% Positiveness
34% Popularity • 31% Danceability • 69% Energy • 10% Liveness
74% Instrumentalness • 34% Positiveness
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John The Conqueror
Southern Boy
138 bpm • A Maj • 03:24 • -6.29db
44% Popularity • 50% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 50% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Gales
Too Close To The Fire
132 bpm • C min • 07:07 • -7db
28% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Cedric Burnside
Don't Leave Me Girl
138 bpm • D Maj • 03:42 • -7.27db
15% Popularity • 52% Danceability • 86% Energy • 15% Liveness
51% Instrumentalness • 66% Positiveness
15% Popularity • 52% Danceability • 86% Energy • 15% Liveness
51% Instrumentalness • 66% Positiveness
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Fantastic Negrito
Oh Betty - Acoustic
138 bpm • C Maj • 04:06 • -8.23db
12% Popularity • 69% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 69% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Cam Cole
I See
132 bpm • F# min • 04:06 • -6db
41% Popularity • 33% Danceability • 68% Energy • 11% Liveness
4% Instrumentalness • 39% Positiveness
41% Popularity • 33% Danceability • 68% Energy • 11% Liveness
4% Instrumentalness • 39% Positiveness
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All Them Witches
Mountain
137 bpm • C# Maj • 06:17 • -10.42db
23% Popularity • 39% Danceability • 49% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
23% Popularity • 39% Danceability • 49% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
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Marcus King
No Pain
139 bpm • D Maj • 03:53 • -10.08db
41% Popularity • 59% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
41% Popularity • 59% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Siena Root
Coincidence & Fate
131 bpm • B min • 04:40 • -8.87db
17% Popularity • 44% Danceability • 56% Energy • 30% Liveness
9% Instrumentalness • 36% Positiveness
17% Popularity • 44% Danceability • 56% Energy • 30% Liveness
9% Instrumentalness • 36% Positiveness
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Cedric Burnside
I Be Trying
132 bpm • D Maj • 03:32 • -5.59db
23% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Quaker City Night Hawks
Cold Blues
139 bpm • G Maj • 03:37 • -6.84db
35% Popularity • 54% Danceability • 67% Energy • 11% Liveness
2% Instrumentalness • 77% Positiveness
35% Popularity • 54% Danceability • 67% Energy • 11% Liveness
2% Instrumentalness • 77% Positiveness
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ZZ Top
Blue Jean Blues (2005 Remaster)
131 bpm • B min • 04:39 • -10.01db
56% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
56% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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All Them Witches
Fall Into Place
132 bpm • F# min • 03:27 • -12db
33% Popularity • 23% Danceability • 28% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
33% Popularity • 23% Danceability • 28% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
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Cam Cole
California Dreamin'
131 bpm • G# Maj • 02:42 • -7.8db
25% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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SVVAMP
Free At Last
131 bpm • F# min • 03:02 • -9.02db
13% Popularity • 79% Danceability • 33% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
13% Popularity • 79% Danceability • 33% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
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Cedric Burnside
The World Can Be So Cold
139 bpm • G Maj • 03:26 • -6.66db
30% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Wanton Bishops
Whoopy (Intro)
131 bpm • E Maj • 02:06 • -12.85db
36% Popularity • 38% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
36% Popularity • 38% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Henry's Funeral Shoe
Be Your Own Invention
130 bpm • G Maj • 05:18 • -6.27db
34% Popularity • 32% Danceability • 79% Energy • 20% Liveness
1% Instrumentalness • 34% Positiveness
34% Popularity • 32% Danceability • 79% Energy • 20% Liveness
1% Instrumentalness • 34% Positiveness
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All Them Witches
Elk.Blood.Heart
132 bpm • D min • 05:52 • -8.13db
41% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Elephant Tree
The Fall Chorus
140 bpm • G Maj • 03:44 • -17.16db
31% Popularity • 47% Danceability • 12% Energy • 11% Liveness
21% Instrumentalness • 12% Positiveness
31% Popularity • 47% Danceability • 12% Energy • 11% Liveness
21% Instrumentalness • 12% Positiveness
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Marcus King
Lie Lie Lie
140 bpm • G Maj • 03:35 • -5db
38% Popularity • 46% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 46% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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John The Conqueror
All Alone
140 bpm • G Maj • 03:49 • -9.06db
38% Popularity • 58% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
38% Popularity • 58% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Bones Owens
Tell Me
130 bpm • A# Maj • 03:17 • -6.99db
35% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Brant Bjork
Gonna Make the Pony Trot
141 bpm • G# Maj • 03:40 • -9.95db
34% Popularity • 60% Danceability • 58% Energy • 46% Liveness
25% Instrumentalness • 52% Positiveness
34% Popularity • 60% Danceability • 58% Energy • 46% Liveness
25% Instrumentalness • 52% Positiveness
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All Them Witches
Tour Death Song
131 bpm • C Maj • 04:57 • -8.64db
33% Popularity • 39% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
33% Popularity • 39% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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The Rides
By My Side
129 bpm • C Maj • 05:14 • -5.78db
30% Popularity • 44% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 44% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Jack White
All Along the Way
129 bpm • G Maj • 03:52 • -9.89db
35% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Wolfmother
High On My Own Supply - High On My Own S...
141 bpm • F# Maj • 04:02 • -5.46db
25% Popularity • 48% Danceability • 63% Energy • 21% Liveness
5% Instrumentalness • 54% Positiveness
25% Popularity • 48% Danceability • 63% Energy • 21% Liveness
5% Instrumentalness • 54% Positiveness
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Killer Boogie
Mississippi
129 bpm • E min • 01:03 • -12.52db
31% Popularity • 70% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 37% Positiveness
31% Popularity • 70% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 37% Positiveness
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Quaker City Night Hawks
Hunter's Moon
141 bpm • C# min • 02:55 • -6.43db
29% Popularity • 52% Danceability • 92% Energy • 11% Liveness
10% Instrumentalness • 60% Positiveness
29% Popularity • 52% Danceability • 92% Energy • 11% Liveness
10% Instrumentalness • 60% Positiveness
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All Them Witches
Funeral For A Great Drunken Bird
130 bpm • F Maj • 04:23 • -9.82db
29% Popularity • 19% Danceability • 71% Energy • 11% Liveness
50% Instrumentalness • 3% Positiveness
29% Popularity • 19% Danceability • 71% Energy • 11% Liveness
50% Instrumentalness • 3% Positiveness
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7Horse
Long Way
141 bpm • B Maj • 02:54 • -5.25db
38% Popularity • 51% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 51% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Howlin' Sun
Last Time
141 bpm • C# Maj • 03:22 • -6.79db
11% Popularity • 42% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 42% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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The Velvet Smash
Top Floor Bottom Buzzer
129 bpm • A min • 06:08 • -10.83db
18% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Adia Victoria
Ain’t Killed Me Yet
129 bpm • G Maj • 03:01 • -10.77db
37% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Stoned Jesus
Thoughts and Prayers
129 bpm • D# Maj • 06:22 • -6.44db
24% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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All Them Witches
3-5-7
129 bpm • F Maj • 03:56 • -7.65db
33% Popularity • 36% Danceability • 57% Energy • 10% Liveness
25% Instrumentalness • 26% Positiveness
33% Popularity • 36% Danceability • 57% Energy • 10% Liveness
25% Instrumentalness • 26% Positiveness
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Buffalo Fuzz
Perfect Man
129 bpm • E Maj • 05:25 • -10db
34% Popularity • 46% Danceability • 58% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 58% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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The Flying Eyes
Lay With Me
142 bpm • E min • 05:47 • -3.57db
33% Popularity • 29% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 29% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Eric McFadden
Headed for the Light
129 bpm • B min • 03:49 • -11.68db
21% Popularity • 74% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 39% Positiveness
21% Popularity • 74% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 39% Positiveness
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Snakes
Calling Out the Law
142 bpm • E min • 03:07 • -6.82db
19% Popularity • 45% Danceability • 90% Energy • 12% Liveness
21% Instrumentalness • 50% Positiveness
19% Popularity • 45% Danceability • 90% Energy • 12% Liveness
21% Instrumentalness • 50% Positiveness
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Fantastic Negrito
Oh Betty
142 bpm • C Maj • 03:56 • -7.93db
35% Popularity • 55% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 55% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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All Them Witches
Harvest Feast
129 bpm • F min • 10:45 • -9.7db
25% Popularity • 38% Danceability • 45% Energy • 11% Liveness
56% Instrumentalness • 25% Positiveness
25% Popularity • 38% Danceability • 45% Energy • 11% Liveness
56% Instrumentalness • 25% Positiveness
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Early James
Harder To Blame
128 bpm • B min • 04:06 • -7.78db
12% Popularity • 49% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 49% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Left Lane Cruiser
The Pusher
142 bpm • C Maj • 06:26 • -6.26db
36% Popularity • 52% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 52% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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North Mississippi Allstars
Bumpin’
128 bpm • B min • 02:52 • -13.21db
20% Popularity • 82% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 82% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jesse Redwing
Lil Flame
128 bpm • C Maj • 02:40 • -8.08db
20% Popularity • 67% Danceability • 70% Energy • 13% Liveness
5% Instrumentalness • 79% Positiveness
20% Popularity • 67% Danceability • 70% Energy • 13% Liveness
5% Instrumentalness • 79% Positiveness
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Sean Stephen
Don't Deal With The Devil
128 bpm • G# min • 03:50 • -7.27db
29% Popularity • 68% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 58% Positiveness
29% Popularity • 68% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 58% Positiveness
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Mothership
High Strangeness
128 bpm • G# min • 03:06 • -8.07db
35% Popularity • 39% Danceability • 71% Energy • 68% Liveness
88% Instrumentalness • 23% Positiveness
35% Popularity • 39% Danceability • 71% Energy • 68% Liveness
88% Instrumentalness • 23% Positiveness
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The Wanton Bishops
Sun Rising
128 bpm • C Maj • 03:13 • -7db
46% Popularity • 68% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 68% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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All Them Witches
Saturnine & Iron Jaw
143 bpm • C Maj • 06:49 • -8.56db
30% Popularity • 33% Danceability • 64% Energy • 5% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 33% Danceability • 64% Energy • 5% Liveness
70% Instrumentalness • 12% Positiveness
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Tom Killner
Cocaine Blues
128 bpm • D min • 03:23 • -10.63db
20% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Elles Bailey
Cheats and Liars
128 bpm • D Maj • 03:48 • -6.75db
41% Popularity • 49% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 49% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Marcus King
Hard Working Man
128 bpm • F min • 03:37 • -4.7db
51% Popularity • 50% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 50% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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The Shouting Matches
Heaven Knows
143 bpm • G Maj • 03:35 • -8.46db
40% Popularity • 61% Danceability • 75% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
40% Popularity • 61% Danceability • 75% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
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Siena Root
Organic Intelligence
127 bpm • D Maj • 03:36 • -10.15db
19% Popularity • 54% Danceability • 63% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
19% Popularity • 54% Danceability • 63% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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All Them Witches
Diamond - Live
128 bpm • G Maj • 06:21 • -9.08db
22% Popularity • 65% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
22% Popularity • 65% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
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Rehab
Them That Matter Don't Mind
127 bpm • E Maj • 02:49 • -9.85db
29% Popularity • 55% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 55% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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St. Paul & The Broken Bones
3000AD Mass
144 bpm • A# Maj • 01:21 • -6.45db
36% Popularity • 26% Danceability • 68% Energy • 31% Liveness
79% Instrumentalness • 18% Positiveness
36% Popularity • 26% Danceability • 68% Energy • 31% Liveness
79% Instrumentalness • 18% Positiveness
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Cam Cole
New Age Blues
144 bpm • E min • 04:17 • -5.97db
46% Popularity • 29% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 29% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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The Devil and the Almighty Blues
The Ghosts of Charlie Barracuda
144 bpm • B Maj • 07:46 • -7.26db
32% Popularity • 30% Danceability • 58% Energy • 10% Liveness
33% Instrumentalness • 39% Positiveness
32% Popularity • 30% Danceability • 58% Energy • 10% Liveness
33% Instrumentalness • 39% Positiveness
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Ida Mae
Little Liars
144 bpm • C min • 03:55 • -9.55db
22% Popularity • 72% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 72% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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All Them Witches
The Marriage Of Coyote Woman - Live
128 bpm • A# Maj • 05:46 • -10.43db
20% Popularity • 49% Danceability • 41% Energy • 8% Liveness
22% Instrumentalness • 26% Positiveness
20% Popularity • 49% Danceability • 41% Energy • 8% Liveness
22% Instrumentalness • 26% Positiveness
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Robert Finley
Sharecropper’s Son
127 bpm • A Maj • 03:06 • -6.72db
37% Popularity • 54% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 54% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Dr. John
I Walk On Guilded Splinters
144 bpm • A min • 04:53 • -12db
15% Popularity • 66% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
15% Popularity • 66% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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Quaker City Night Hawks
Tired of You Leaving
144 bpm • D min • 02:59 • -6.72db
36% Popularity • 67% Danceability • 82% Energy • 10% Liveness
7% Instrumentalness • 83% Positiveness
36% Popularity • 67% Danceability • 82% Energy • 10% Liveness
7% Instrumentalness • 83% Positiveness
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The Steepwater Band
Remember the Taker
144 bpm • A min • 06:10 • -5db
35% Popularity • 49% Danceability • 72% Energy • 8% Liveness
3% Instrumentalness • 21% Positiveness
35% Popularity • 49% Danceability • 72% Energy • 8% Liveness
3% Instrumentalness • 21% Positiveness
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Siena Root
Dusty Roads
144 bpm • A# Maj • 05:59 • -8.97db
17% Popularity • 37% Danceability • 42% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
17% Popularity • 37% Danceability • 42% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
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All Them Witches
Alabaster - Live
127 bpm • A# Maj • 07:33 • -8.63db
23% Popularity • 44% Danceability • 60% Energy • 23% Liveness
25% Instrumentalness • 9% Positiveness
23% Popularity • 44% Danceability • 60% Energy • 23% Liveness
25% Instrumentalness • 9% Positiveness
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Michael van Merwyk
Keep Sinking
126 bpm • G Maj • 03:53 • -12.28db
31% Popularity • 67% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 67% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Reverend Peyton's Big Damn Band
Nothing's Easy but You and Me
144 bpm • G Maj • 02:50 • -6.06db
10% Popularity • 49% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 49% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Ian Siegal
I'm The Shit
126 bpm • E min • 04:19 • -8.9db
14% Popularity • 71% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 71% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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Philip Sayce
Once
126 bpm • G Maj • 02:23 • -6db
34% Popularity • 41% Danceability • 61% Energy • 16% Liveness
36% Instrumentalness • 29% Positiveness
34% Popularity • 41% Danceability • 61% Energy • 16% Liveness
36% Instrumentalness • 29% Positiveness
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Reverend Meantooth
Before the Devil Knows You're Dead, Pt. ...
126 bpm • C Maj • 04:20 • -4.38db
21% Popularity • 38% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 38% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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All Them Witches
Half-Tongue
144 bpm • F min • 04:35 • -9db
28% Popularity • 38% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 49% Positiveness
28% Popularity • 38% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 49% Positiveness
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Quaker City Night Hawks
Better in the Morning
145 bpm • A# Maj • 03:14 • -6.63db
37% Popularity • 63% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 63% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Cold Stares
The Joy
145 bpm • E min • 03:45 • -9.3db
26% Popularity • 57% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 57% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Cedric Burnside
What Makes Me Think
126 bpm • D Maj • 04:29 • -7.9db
19% Popularity • 71% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
19% Popularity • 71% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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The Flying Eyes
Nowhere to Run
145 bpm • B min • 02:43 • -7.47db
24% Popularity • 30% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 30% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
