Songs like Blame It On The Rain (Mix Cut) - Paul Oakenfold Remix by Nadine Loren
Based on a tempo of (+/- 10%) and a similar genre
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Nadine Loren
Blame It On The Rain (Paul Oakenfold Rem...
128 bpm • G Maj • 03:24 • -2.53db
1% Popularity • 60% Danceability • 93% Energy • 37% Liveness
4% Instrumentalness • 71% Positiveness
1% Popularity • 60% Danceability • 93% Energy • 37% Liveness
4% Instrumentalness • 71% Positiveness
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Amy Belle
Slipping Under
128 bpm • A# Maj • 03:55 • -8.43db
22% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Woodhouse
Suedehead
128 bpm • G# Maj • 04:12 • -7.49db
29% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Colin Hay
Into My Life
128 bpm • G Maj • 04:03 • -7.53db
35% Popularity • 65% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 65% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Suzann Rye
Because You Loved Me - Remastered
128 bpm • C# Maj • 03:31 • -4.83db
32% Popularity • 60% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 60% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Girão Sessions
Where Do The Children Play?
128 bpm • G Maj • 04:10 • -10.76db
19% Popularity • 60% Danceability • 45% Energy • 8% Liveness
28% Instrumentalness • 25% Positiveness
19% Popularity • 60% Danceability • 45% Energy • 8% Liveness
28% Instrumentalness • 25% Positiveness
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Nadine Loren
Blame It On The Rain (Mix Cut) - Paul Oa...
128 bpm • G Maj • 06:09 • -4.31db
1% Popularity • 68% Danceability • 91% Energy • 18% Liveness
64% Instrumentalness • 56% Positiveness
1% Popularity • 68% Danceability • 91% Energy • 18% Liveness
64% Instrumentalness • 56% Positiveness
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k.d. lang
Constant Craving - Edit Version
128 bpm • F min • 03:40 • -6.53db
22% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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10,000 Maniacs
More Than This - Live
128 bpm • F# Maj • 04:07 • -3.75db
15% Popularity • 48% Danceability • 84% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 48% Danceability • 84% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
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Dan Torres
Lucy In The Sky With Diamonds
127 bpm • F Maj • 04:23 • -4.87db
34% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Eric Clapton
Main Title / (I) Get Lost
127 bpm • E min • 03:57 • -12.04db
29% Popularity • 79% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 79% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Lisa Stansfield
Never, Never Gonna Give You Up - Nichola...
127 bpm • G Maj • 08:36 • -7.31db
10% Popularity • 67% Danceability • 88% Energy • 3% Liveness
30% Instrumentalness • 50% Positiveness
10% Popularity • 67% Danceability • 88% Energy • 3% Liveness
30% Instrumentalness • 50% Positiveness
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Nadine Loren
Head Over Heels (Mix Cut) - Paul Oakenfo...
128 bpm • G# Maj • 03:15 • -4db
1% Popularity • 52% Danceability • 91% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
1% Popularity • 52% Danceability • 91% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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Ricky Martin
The Best Thing About Me Is You
129 bpm • G# Maj • 03:36 • -3.98db
42% Popularity • 74% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 74% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Carly Simon
All I Want Is You
127 bpm • G# Maj • 03:57 • -15db
33% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Wilson Phillips
Daniel
126 bpm • D Maj • 04:02 • -10db
37% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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10,000 Maniacs
More Than This (Live)
130 bpm • F# Maj • 03:53 • -6.28db
14% Popularity • 46% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 46% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 45% Positiveness
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Renato Russo
The Dance
130 bpm • G Maj • 02:41 • -8db
34% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Nadine Loren
Head Over Heels (Paul Oakenfold Remix)
128 bpm • G# Maj • 03:20 • -2.9db
0% Popularity • 49% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 49% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Angela Clemmons
Give Me Just a Little More Time - John L...
126 bpm • C# Maj • 07:40 • -9.58db
28% Popularity • 86% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 86% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Carly Simon
You Know What to Do
127 bpm • F# min • 04:12 • -13.97db
41% Popularity • 74% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 74% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Paul McCartney
No Values/No More Lonely Nights - Remast...
130 bpm • A min • 04:12 • -11.67db
22% Popularity • 53% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 53% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Mads Langer
You're Not Alone
126 bpm • F min • 03:10 • -9db
28% Popularity • 74% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 74% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Paula Toller
All Over
130 bpm • A min • 03:22 • -8.96db
12% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Nadine Loren
More Than This
130 bpm • G Maj • 04:11 • -9.23db
0% Popularity • 53% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 53% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Jahméne
Titanium
126 bpm • A# min • 03:52 • -7.42db
21% Popularity • 56% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 56% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Maximilian Hecker
Summerwaste - Dance Edit
126 bpm • A Maj • 03:03 • -10.63db
28% Popularity • 59% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 33% Positiveness
28% Popularity • 59% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 33% Positiveness
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Erika
I Don't Know - Bossa Mix
130 bpm • G# min • 02:57 • -8db
20% Popularity • 81% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 81% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Magic Box
If You...
130 bpm • E Maj • 03:48 • -13.92db
37% Popularity • 60% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 60% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Moony
I Don't Know Why - Alessandro Viale, Rob...
130 bpm • C# Maj • 06:57 • -7.65db
20% Popularity • 66% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
20% Popularity • 66% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Nadine Loren
I Wanna Be A Smurf (Remix By Axident)
126 bpm • B Maj • 03:21 • -5.8db
0% Popularity • 74% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 80% Positiveness
0% Popularity • 74% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 80% Positiveness
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Dollar
I Need Your Love
130 bpm • G Maj • 03:53 • -11.45db
20% Popularity • 37% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 37% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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![This Is Your Life (feat. Banderas) [7th Heaven Radio Edit] cover art](https://i.scdn.co/image/ab67616d00001e02874a3467b8b5dd7e324fa2f3)
7th Heaven
This Is Your Life [7th Heaven Radio Edi...
126 bpm • G# Maj • 03:18 • -5.82db
0% Popularity • 60% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 60% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Beulah
Seriously
130 bpm • G# min • 02:39 • -6.5db
15% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Alessi Brothers
Forever
131 bpm • F# Maj • 03:47 • -12db
37% Popularity • 64% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 64% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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N-Phase
Kiss and Say Goodbye
130 bpm • A Maj • 03:36 • -5.62db
27% Popularity • 70% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 70% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Nadine Loren
All Cried Out
130 bpm • A min • 04:17 • -7.71db
0% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Diana King
I Say A Little Prayer - Keith Andes Remi...
131 bpm • E min • 03:56 • -7.5db
16% Popularity • 62% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 62% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Renato Russo
Cathedral Song
125 bpm • A Maj • 02:57 • -10.22db
37% Popularity • 60% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
37% Popularity • 60% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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Eldissa
Ring My Bell
125 bpm • A min • 04:34 • -10db
36% Popularity • 73% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 73% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
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Richard Marx
Whatever We Started
125 bpm • B min • 03:52 • -7.15db
34% Popularity • 55% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 28% Positiveness
34% Popularity • 55% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 28% Positiveness
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Grace Jones
That's The Trouble - Bonus / Disco Mix
131 bpm • F min • 07:01 • -8.78db
11% Popularity • 61% Danceability • 80% Energy • 13% Liveness
10% Instrumentalness • 84% Positiveness
11% Popularity • 61% Danceability • 80% Energy • 13% Liveness
10% Instrumentalness • 84% Positiveness
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10,000 Maniacs
More Than This
125 bpm • F# Maj • 04:05 • -9db
47% Popularity • 62% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
47% Popularity • 62% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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TIAGO IORC
Nothing But a Song
125 bpm • F# min • 03:15 • -9.22db
37% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Hollies
Stop in the Name of Love
124 bpm • A Maj • 03:10 • -11.51db
17% Popularity • 70% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 70% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Nadine Loren
Love Bites
124 bpm • A# min • 05:42 • -6.82db
0% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Marx
Hazard
125 bpm • G min • 04:59 • -6.8db
25% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The Beautiful South
Livin' Thing - New Version
124 bpm • C Maj • 03:13 • -5.53db
41% Popularity • 72% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 72% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Barry Harris presents
I Beg Your Pardon '14 - Division 4 Radio
124 bpm • B Maj • 03:48 • -4.61db
8% Popularity • 62% Danceability • 94% Energy • 36% Liveness
17% Instrumentalness • 56% Positiveness
8% Popularity • 62% Danceability • 94% Energy • 36% Liveness
17% Instrumentalness • 56% Positiveness
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Laid Back
People
124 bpm • E min • 03:40 • -9.16db
34% Popularity • 80% Danceability • 49% Energy • 10% Liveness
49% Instrumentalness • 91% Positiveness
34% Popularity • 80% Danceability • 49% Energy • 10% Liveness
49% Instrumentalness • 91% Positiveness
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Marcella Detroit
I Believe - Remastered
132 bpm • A min • 04:52 • -9.29db
35% Popularity • 53% Danceability • 54% Energy • 10% Liveness
19% Instrumentalness • 32% Positiveness
35% Popularity • 53% Danceability • 54% Energy • 10% Liveness
19% Instrumentalness • 32% Positiveness
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Roger Hodgson
You Make Me Love You
124 bpm • D# Maj • 05:09 • -12db
35% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Cliff
Now and Forever
123 bpm • F Maj • 04:54 • -16.25db
33% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Fiorello
You Are The Sunshine Of My Life
133 bpm • G Maj • 03:43 • -9.9db
21% Popularity • 69% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
21% Popularity • 69% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Will Young
Jealousy - Radio Edit
123 bpm • C min • 03:14 • -5.74db
21% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Mick Fleetwood
You Weren't In Love
133 bpm • F Maj • 03:57 • -13.88db
43% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Sami Chohfi
Dirty Your Soul
123 bpm • E Maj • 03:35 • -8.65db
15% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Alessi Brothers
All For A Reason
123 bpm • F# Maj • 03:55 • -11.15db
33% Popularity • 51% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 51% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Lisa Stansfield
When Love Breaks Down
134 bpm • C min • 04:18 • -7.17db
31% Popularity • 70% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 70% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Kon Kan
Liberty!
122 bpm • F# Maj • 05:01 • -10.79db
30% Popularity • 63% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 63% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Justin Williams
Turn Me Down
134 bpm • E Maj • 03:40 • -7.56db
9% Popularity • 66% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 66% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Newton
Sky High
134 bpm • D Maj • 04:03 • -7.8db
18% Popularity • 60% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 60% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Adyel Silva
I Feel Good 1
134 bpm • D min • 02:56 • -8.14db
8% Popularity • 36% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 36% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Colbie Caillat
Here Comes The Sun
134 bpm • A# Maj • 03:17 • -5db
22% Popularity • 61% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 61% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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MIKA
Relax, Take It Easy - BBC Blue Room Sess...
122 bpm • F# min • 03:45 • -16.13db
17% Popularity • 71% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
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Shakatak
Footprints
122 bpm • F Maj • 04:32 • -9.25db
21% Popularity • 78% Danceability • 89% Energy • 6% Liveness
7% Instrumentalness • 80% Positiveness
21% Popularity • 78% Danceability • 89% Energy • 6% Liveness
7% Instrumentalness • 80% Positiveness
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Kon Kan
Move to Move (Revisited)
122 bpm • E min • 04:55 • -11.04db
16% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Voice In Fashion
Give Me Your Love
122 bpm • F Maj • 05:33 • -6.02db
23% Popularity • 67% Danceability • 84% Energy • 60% Liveness
1% Instrumentalness • 74% Positiveness
23% Popularity • 67% Danceability • 84% Energy • 60% Liveness
1% Instrumentalness • 74% Positiveness
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Rod Hanna
Shallow
122 bpm • G Maj • 02:57 • -6.56db
22% Popularity • 79% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 79% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Amii Stewart
Killing Me Softly
122 bpm • F min • 04:15 • -10.71db
4% Popularity • 56% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
4% Popularity • 56% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Elton John
A Good Heart - Radio Edit
134 bpm • D# Maj • 03:53 • -6.78db
7% Popularity • 50% Danceability • 62% Energy • 12% Liveness
11% Instrumentalness • 20% Positiveness
7% Popularity • 50% Danceability • 62% Energy • 12% Liveness
11% Instrumentalness • 20% Positiveness
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Nadine Loren
Who's That Girl
122 bpm • C min • 04:29 • -7.87db
0% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Nick Heyward
Tell Me Why
122 bpm • F Maj • 03:48 • -11.84db
20% Popularity • 65% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 65% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Erasure
A Little Respect (Acoustic Version)
122 bpm • C Maj • 03:13 • -5.62db
21% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Chris de Burgh
Turning Round
135 bpm • D Maj • 06:22 • -17db
36% Popularity • 37% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 37% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Corrs
Radio - Live in Dublin
121 bpm • A Maj • 04:50 • -5.94db
22% Popularity • 53% Danceability • 81% Energy • 93% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 53% Danceability • 81% Energy • 93% Liveness
0% Instrumentalness • 48% Positiveness
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Bryan Adams
She Knows Me
121 bpm • E Maj • 03:37 • -5.52db
27% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Alma
Broke My Heart in Two
135 bpm • F min • 03:40 • -5.17db
25% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Diane Birch
Fools
121 bpm • D# min • 03:54 • -5.52db
28% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Lisa Stansfield
Never Ever
121 bpm • C Maj • 03:53 • -7.96db
32% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Information Society
How Long
121 bpm • D# Maj • 04:05 • -12.98db
35% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Erasure
A Little Respect (Live in Nashville)
121 bpm • C Maj • 03:38 • -8.82db
31% Popularity • 50% Danceability • 80% Energy • 90% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 50% Danceability • 80% Energy • 90% Liveness
0% Instrumentalness • 37% Positiveness
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EMIN
Baby Get Higher
121 bpm • F Maj • 03:27 • -3.11db
18% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Century
Jane - Guitar Chorus Version
136 bpm • G min • 04:22 • -12.39db
33% Popularity • 58% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 58% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Morris Albert
Conversation
136 bpm • G Maj • 05:06 • -8db
23% Popularity • 60% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 60% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Inner Circle
Black Roses
136 bpm • A# Maj • 04:34 • -7.3db
36% Popularity • 69% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 69% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Karise Eden
You Won't Let Me
136 bpm • F Maj • 03:37 • -3.99db
24% Popularity • 40% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 40% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Destiny Love
Call Me Tonight (Mighty Mix)
120 bpm • F Maj • 09:27 • -7db
14% Popularity • 63% Danceability • 76% Energy • 2% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 63% Danceability • 76% Energy • 2% Liveness
0% Instrumentalness • 52% Positiveness
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Kon Kan
Move to Move
120 bpm • F# min • 04:39 • -11db
30% Popularity • 71% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 71% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Gloria Estefan
Words Get In The Way - Live
136 bpm • F Maj • 04:59 • -12.94db
13% Popularity • 39% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 39% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Cerrone
Never Let a Day Go By
120 bpm • G Maj • 03:39 • -13db
16% Popularity • 62% Danceability • 66% Energy • 6% Liveness
9% Instrumentalness • 56% Positiveness
16% Popularity • 62% Danceability • 66% Energy • 6% Liveness
9% Instrumentalness • 56% Positiveness
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KT Tunstall
Feel It All – Band Jam - Radio Edit
120 bpm • C Maj • 03:49 • -8.73db
23% Popularity • 67% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
23% Popularity • 67% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
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Sixth Finger
Patience - Cool Wave Mix
120 bpm • G Maj • 05:12 • -8db
41% Popularity • 78% Danceability • 50% Energy • 10% Liveness
12% Instrumentalness • 62% Positiveness
41% Popularity • 78% Danceability • 50% Energy • 10% Liveness
12% Instrumentalness • 62% Positiveness
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Michael McDonald
Reach Out, I'll Be There
120 bpm • A# min • 03:40 • -4.79db
35% Popularity • 72% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 72% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Berk & The Virtual Band
Y.M.C.A.
120 bpm • A min • 03:34 • -5.49db
40% Popularity • 85% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 85% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Nadine Loren
I Want To Be A Smurf
120 bpm • B Maj • 02:58 • -5.42db
0% Popularity • 70% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 70% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Graziella Schazad
Take on Me
120 bpm • B Maj • 03:33 • -9db
31% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Mayer Hawthorne
Finally Falling
120 bpm • F Maj • 03:20 • -4.61db
32% Popularity • 92% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 92% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
