Songs like Blame It On The Summertime by Miles Kane
Based on a tempo of (+/- 10%) and a similar genre
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Miles Kane
Blame It On The Summertime
125 bpm • E Maj • 02:51 • -5db
30% Popularity • 54% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 54% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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The Clause
Tokyo
125 bpm • F min • 04:44 • -9db
28% Popularity • 57% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
28% Popularity • 57% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Ed The Dog
A Good Thing
125 bpm • E Maj • 03:44 • -5.73db
16% Popularity • 45% Danceability • 78% Energy • 32% Liveness
31% Instrumentalness • 18% Positiveness
16% Popularity • 45% Danceability • 78% Energy • 32% Liveness
31% Instrumentalness • 18% Positiveness
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Spector
Even When You Pass My Way
125 bpm • G Maj • 03:34 • -8.24db
14% Popularity • 48% Danceability • 60% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
14% Popularity • 48% Danceability • 60% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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The Magic Gang
Getting Along
125 bpm • D Maj • 02:48 • -5db
33% Popularity • 54% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 54% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Twisted Wheel
Ride
125 bpm • A Maj • 02:51 • -5db
12% Popularity • 55% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 55% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Miles Kane
Coup De Grace
125 bpm • E min • 03:55 • -6.68db
32% Popularity • 75% Danceability • 67% Energy • 43% Liveness
14% Instrumentalness • 85% Positiveness
32% Popularity • 75% Danceability • 67% Energy • 43% Liveness
14% Instrumentalness • 85% Positiveness
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Viola Beach
Get To Dancing - BBC Session
125 bpm • C# min • 03:55 • -6.49db
34% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Catfish and the Bottlemen
Oxygen
125 bpm • C# min • 02:49 • -4.65db
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Little Man Tate
This Must Be Love
125 bpm • G Maj • 03:20 • -6.64db
32% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Rifles
The General
124 bpm • C Maj • 03:49 • -9.52db
24% Popularity • 47% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 47% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Clause
Where Are You Now?
126 bpm • C Maj • 03:54 • -9db
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Miles Kane
Shavambacu
125 bpm • G min • 03:34 • -5.35db
32% Popularity • 53% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 53% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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The Magic Gang
Just a Minute
124 bpm • C Maj • 03:51 • -5.77db
32% Popularity • 65% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 28% Positiveness
32% Popularity • 65% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 28% Positiveness
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Twisted Wheel
D.N.A.
124 bpm • A min • 04:43 • -9db
7% Popularity • 28% Danceability • 63% Energy • 24% Liveness
31% Instrumentalness • 19% Positiveness
7% Popularity • 28% Danceability • 63% Energy • 24% Liveness
31% Instrumentalness • 19% Positiveness
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The Lathums
All My Life
126 bpm • C Maj • 03:47 • -4.73db
40% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sports Team
The Races
124 bpm • C# min • 03:23 • -4.37db
20% Popularity • 56% Danceability • 92% Energy • 7% Liveness
96% Instrumentalness • 59% Positiveness
20% Popularity • 56% Danceability • 92% Energy • 7% Liveness
96% Instrumentalness • 59% Positiveness
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Kaiser Chiefs
Electric Heart
124 bpm • A min • 03:09 • -4db
19% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Skinner Brothers
Nothing but an Actor
126 bpm • B Maj • 02:56 • -16db
26% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Cast
Do That
126 bpm • E Maj • 04:07 • -5.38db
22% Popularity • 66% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 66% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 89% Positiveness
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Johnny Marr
Armatopia
124 bpm • D# min • 03:38 • -5.01db
35% Popularity • 53% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 53% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
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Miles Kane
Do I Want You?
124 bpm • E Maj • 02:45 • -4.53db
13% Popularity • 57% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 57% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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The Last Shadow Puppets
In The Heat Of The Morning
126 bpm • G Maj • 02:41 • -6.52db
51% Popularity • 34% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
51% Popularity • 34% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Academic
I Feel It Too
127 bpm • F Maj • 03:39 • -3.51db
41% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Afflecks Palace
It All Comes Around
127 bpm • F min • 03:39 • -6.66db
9% Popularity • 55% Danceability • 75% Energy • 27% Liveness
46% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 75% Energy • 27% Liveness
46% Instrumentalness • 70% Positiveness
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Shambolics
Chasing a Disaster
123 bpm • G Maj • 03:38 • -7.99db
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Rifles
Out in the Past
127 bpm • A Maj • 04:13 • -8db
23% Popularity • 53% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 53% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Anteros
Call Your Mother
127 bpm • D Maj • 03:23 • -5.16db
16% Popularity • 58% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
16% Popularity • 58% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
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Kaiser Chiefs
The Only Ones
127 bpm • G Maj • 03:50 • -3.82db
21% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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No Hot Ashes
Extra Terrestrial
127 bpm • B Maj • 03:30 • -5.37db
19% Popularity • 66% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 66% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 67% Positiveness
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PLANET
Reason Why
127 bpm • A# Maj • 02:57 • -4.3db
17% Popularity • 45% Danceability • 92% Energy • 15% Liveness
2% Instrumentalness • 70% Positiveness
17% Popularity • 45% Danceability • 92% Energy • 15% Liveness
2% Instrumentalness • 70% Positiveness
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Shambolics
Sandra Speed
127 bpm • C Maj • 03:42 • -7.43db
13% Popularity • 49% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 49% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Declan Welsh and The Decadent West
How Does Your Love
127 bpm • A min • 03:33 • -5.14db
25% Popularity • 59% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
25% Popularity • 59% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Black Honey
Cadillac
127 bpm • F Maj • 03:40 • -5.79db
26% Popularity • 50% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 50% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Spector
Untitled in D
128 bpm • A Maj • 02:51 • -5.33db
27% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kasabian
Good Fight
123 bpm • A Maj • 03:50 • -4db
33% Popularity • 51% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 51% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Pleasure Heads
Middle Man
128 bpm • E Maj • 03:02 • -6db
8% Popularity • 50% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 50% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Catfish and the Bottlemen
Mission
128 bpm • G# min • 03:43 • -5.1db
50% Popularity • 40% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 40% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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The Wombats
Oceans
128 bpm • D Maj • 03:40 • -5.72db
20% Popularity • 63% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 63% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Magic Gang
Caroline
122 bpm • G Maj • 04:14 • -4.11db
21% Popularity • 68% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 68% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Kaiser Chiefs
Golden Oldies
122 bpm • A# Maj • 04:03 • -2.86db
29% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Kasabian
Wasted
128 bpm • C# min • 04:07 • -6.66db
49% Popularity • 58% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 58% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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The Twang
You On My Shoulders
122 bpm • A# Maj • 03:33 • -7.63db
20% Popularity • 69% Danceability • 56% Energy • 10% Liveness
24% Instrumentalness • 48% Positiveness
20% Popularity • 69% Danceability • 56% Energy • 10% Liveness
24% Instrumentalness • 48% Positiveness
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The Fratellis
Let's Go!
122 bpm • E min • 05:09 • -6.99db
22% Popularity • 53% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 53% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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The Last Shadow Puppets
My Little Red Book - Live From The New T...
122 bpm • C Maj • 02:41 • -9.08db
33% Popularity • 62% Danceability • 65% Energy • 80% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 62% Danceability • 65% Energy • 80% Liveness
0% Instrumentalness • 29% Positiveness
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The Magic Gang
What Have You Got To Lose
122 bpm • D min • 03:51 • -4.74db
26% Popularity • 70% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
26% Popularity • 70% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Shambolics
When She Goes Home (Demo)
129 bpm • B Maj • 05:15 • -3db
31% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Viola Beach
Go Outside
129 bpm • B min • 03:48 • -7.6db
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Miles Kane and the Death Ramps
Little Illusion Machine (Wirral Riddler)
121 bpm • G min • 03:11 • -4.35db
46% Popularity • 39% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 39% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Lucia & The Best Boys
Summertime
129 bpm • C# min • 02:58 • -5db
29% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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No Hot Ashes
W.Y.N.A
121 bpm • G Maj • 02:59 • -5.27db
14% Popularity • 59% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 59% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The Academic
Anything Could Happen
121 bpm • D Maj • 03:23 • -4.21db
40% Popularity • 77% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 77% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Mini Mansions
Drive
129 bpm • G# Maj • 03:58 • -6db
22% Popularity • 57% Danceability • 74% Energy • 12% Liveness
5% Instrumentalness • 85% Positiveness
22% Popularity • 57% Danceability • 74% Energy • 12% Liveness
5% Instrumentalness • 85% Positiveness
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Ian Brown
Black Roses
129 bpm • E min • 02:38 • -6.14db
29% Popularity • 53% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 53% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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The Enemy
Sing When You're in Love
120 bpm • E Maj • 03:37 • -6db
24% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Bugg
Two Fingers
121 bpm • F Maj • 03:15 • -5.23db
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Last Shadow Puppets
The Chamber
130 bpm • F# min • 02:39 • -11.86db
40% Popularity • 39% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
40% Popularity • 39% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Miles Kane
Tears Are Falling
120 bpm • A Maj • 03:01 • -6.91db
26% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Afflecks Palace
We Can Be The Avalanche
130 bpm • G Maj • 03:50 • -5.69db
20% Popularity • 54% Danceability • 85% Energy • 12% Liveness
13% Instrumentalness • 80% Positiveness
20% Popularity • 54% Danceability • 85% Energy • 12% Liveness
13% Instrumentalness • 80% Positiveness
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FEET
Ad Blue
130 bpm • E Maj • 03:49 • -4.37db
24% Popularity • 68% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
24% Popularity • 68% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
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Mini Mansions
Hey Lover
130 bpm • G Maj • 05:45 • -8.25db
20% Popularity • 36% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 36% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Declan McKenna
Twice Your Size
130 bpm • A# Maj • 03:19 • -2.7db
38% Popularity • 62% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 62% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Sports Team
Camel Crew
130 bpm • E Maj • 03:33 • -4db
29% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Fuzzy Sun
Eve
130 bpm • G Maj • 02:47 • -5.09db
16% Popularity • 54% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 54% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 92% Positiveness
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Declan Welsh and The Decadent West
Ghosted
130 bpm • E Maj • 02:50 • -6.36db
19% Popularity • 55% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 55% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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The Magic Gang
Somebody Like You
130 bpm • E Maj • 03:57 • -6.43db
25% Popularity • 79% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 79% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Fratellis
She's Not Gone Yet but She's Leaving
120 bpm • B min • 03:50 • -6.14db
58% Popularity • 65% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
58% Popularity • 65% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Professor Green
Are You Getting Enough? - If I Was A Fan...
120 bpm • D Maj • 03:12 • -6db
0% Popularity • 77% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 77% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
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The Clause
In My Element
120 bpm • A min • 03:37 • -6db
40% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Reverend And The Makers
Elastic Fantastic
120 bpm • F Maj • 02:43 • -4.44db
8% Popularity • 64% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Kasabian
You're in Love with a Psycho
120 bpm • B min • 03:35 • -5.05db
59% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Gerry Cinnamon
Lullaby
120 bpm • B Maj • 04:47 • -7.4db
52% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Fratellis
Six Days in June
120 bpm • C Maj • 03:41 • -4.81db
29% Popularity • 51% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 51% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Kaiser Chiefs
Northern Holiday
120 bpm • G# Maj • 03:36 • -3.48db
20% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Inhaler
Falling In
120 bpm • B Maj • 03:49 • -4.8db
33% Popularity • 54% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 54% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Good Cop Bad Cop
Sharp Shooter
120 bpm • E min • 03:42 • -3.44db
12% Popularity • 70% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 70% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Kasabian
Twentyfourseven
120 bpm • A Maj • 03:01 • -4.53db
32% Popularity • 51% Danceability • 95% Energy • 72% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 51% Danceability • 95% Energy • 72% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Meighan
Movin’ On
120 bpm • B min • 03:29 • -5db
33% Popularity • 66% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 66% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Ten Tonnes
Better Than Me
120 bpm • F# min • 03:20 • -5db
35% Popularity • 71% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 71% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Jake Bugg
Messed Up Kids
130 bpm • F# Maj • 02:59 • -4.08db
42% Popularity • 54% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 54% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Viola Beach
Swings And Waterslides
120 bpm • C# min • 03:39 • -5.18db
47% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Miles Kane
Better Left Invisible
130 bpm • G# Maj • 03:20 • -4.98db
22% Popularity • 58% Danceability • 91% Energy • 24% Liveness
1% Instrumentalness • 65% Positiveness
22% Popularity • 58% Danceability • 91% Energy • 24% Liveness
1% Instrumentalness • 65% Positiveness
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Sports Team
Ski Lifts
120 bpm • A Maj • 03:20 • -6.82db
15% Popularity • 57% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 52% Positiveness
15% Popularity • 57% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 52% Positiveness
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Richard Ashcroft
Surprised by the Joy
130 bpm • A min • 05:37 • -6.42db
27% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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The Last Shadow Puppets
Gas Dance
130 bpm • C Maj • 03:39 • -7.47db
42% Popularity • 35% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 35% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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The Jaded Hearts Club
Money (That’s What I Want)
131 bpm • E Maj • 02:58 • -2.18db
15% Popularity • 47% Danceability • 96% Energy • 6% Liveness
87% Instrumentalness • 53% Positiveness
15% Popularity • 47% Danceability • 96% Energy • 6% Liveness
87% Instrumentalness • 53% Positiveness
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Viola Beach
Cherry Vimto
120 bpm • C Maj • 03:38 • -6.62db
39% Popularity • 56% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 54% Positiveness
39% Popularity • 56% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 54% Positiveness
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Miles Kane
Colour Of The Trap
131 bpm • A Maj • 03:28 • -7.63db
42% Popularity • 64% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 64% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Fender
Hypersonic Missiles
131 bpm • E Maj • 03:57 • -3.68db
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Declan Welsh and The Decadent West
Different Strokes
131 bpm • C Maj • 03:15 • -6.63db
21% Popularity • 59% Danceability • 68% Energy • 16% Liveness
4% Instrumentalness • 22% Positiveness
21% Popularity • 59% Danceability • 68% Energy • 16% Liveness
4% Instrumentalness • 22% Positiveness
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Neon Waltz
Strung Up
131 bpm • E Maj • 02:30 • -4.57db
13% Popularity • 40% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 40% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Kasabian
Shoot the Runner
131 bpm • G Maj • 03:27 • -4db
45% Popularity • 52% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 52% Positiveness
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The View
Street Lights
131 bpm • E min • 02:57 • -3.37db
24% Popularity • 40% Danceability • 92% Energy • 84% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 40% Danceability • 92% Energy • 84% Liveness
0% Instrumentalness • 42% Positiveness
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Mystery Jets
Hospital Radio
131 bpm • D Maj • 06:03 • -4.91db
7% Popularity • 37% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 37% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sports Team
Born Sugar
119 bpm • D Maj • 03:13 • -4.35db
20% Popularity • 68% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 68% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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FEET
English Weather
119 bpm • B Maj • 03:25 • -4.03db
32% Popularity • 66% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 66% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Neon Waltz
The Stranger Things
131 bpm • C Maj • 03:09 • -5.46db
18% Popularity • 38% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 38% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Jaded Hearts Club
Have Love Will Travel
132 bpm • C# Maj • 02:32 • -2.48db
20% Popularity • 54% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 54% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
