Songs like Blank Canvas by Darren Korb
Based on a tempo of (+/- 10%) and a similar genre
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Yoko Shimomura
Crystalline Chill
156 bpm • G# Maj • 03:08 • -10.81db
36% Popularity • 50% Danceability • 66% Energy • 7% Liveness
87% Instrumentalness • 18% Positiveness
36% Popularity • 50% Danceability • 66% Energy • 7% Liveness
87% Instrumentalness • 18% Positiveness
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T’s MUSIC
Battle of Ninetails
156 bpm • C min • 03:24 • -9.28db
20% Popularity • 37% Danceability • 92% Energy • 30% Liveness
93% Instrumentalness • 41% Positiveness
20% Popularity • 37% Danceability • 92% Energy • 30% Liveness
93% Instrumentalness • 41% Positiveness
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Tim Larkin
Bonus - The Old New Haven
156 bpm • F min • 01:41 • -15.88db
20% Popularity • 58% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
20% Popularity • 58% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
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Chris Christodoulou
Aurora Borealis
156 bpm • D min • 03:52 • -13.04db
25% Popularity • 41% Danceability • 49% Energy • 17% Liveness
81% Instrumentalness • 11% Positiveness
25% Popularity • 41% Danceability • 49% Energy • 17% Liveness
81% Instrumentalness • 11% Positiveness
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Darren Korb
Blank Canvas
156 bpm • G Maj • 00:52 • -9.04db
25% Popularity • 44% Danceability • 78% Energy • 10% Liveness
64% Instrumentalness • 75% Positiveness
25% Popularity • 44% Danceability • 78% Energy • 10% Liveness
64% Instrumentalness • 75% Positiveness
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Mick Gordon
December and January
156 bpm • D min • 02:41 • -12.2db
32% Popularity • 52% Danceability • 62% Energy • 10% Liveness
80% Instrumentalness • 29% Positiveness
32% Popularity • 52% Danceability • 62% Energy • 10% Liveness
80% Instrumentalness • 29% Positiveness
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Project Destati
Mkaukau?
156 bpm • F min • 04:42 • -9.18db
18% Popularity • 34% Danceability • 41% Energy • 14% Liveness
97% Instrumentalness • 26% Positiveness
18% Popularity • 34% Danceability • 41% Energy • 14% Liveness
97% Instrumentalness • 26% Positiveness
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David Fenn
The Old Watchtowers
155 bpm • G min • 02:54 • -12.99db
27% Popularity • 41% Danceability • 44% Energy • 19% Liveness
90% Instrumentalness • 52% Positiveness
27% Popularity • 41% Danceability • 44% Energy • 19% Liveness
90% Instrumentalness • 52% Positiveness
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Keith Power
Corrupted
155 bpm • C# Maj • 03:06 • -11.57db
23% Popularity • 43% Danceability • 78% Energy • 12% Liveness
80% Instrumentalness • 12% Positiveness
23% Popularity • 43% Danceability • 78% Energy • 12% Liveness
80% Instrumentalness • 12% Positiveness
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Ace Waters
Like Snowflakes
157 bpm • G Maj • 05:00 • -8.95db
16% Popularity • 28% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 28% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Clark Aboud
The Heart
157 bpm • D# min • 03:09 • -10db
31% Popularity • 32% Danceability • 37% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
31% Popularity • 32% Danceability • 37% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
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Jukio Kallio
Come So Far
154 bpm • D min • 01:59 • -6.03db
13% Popularity • 28% Danceability • 50% Energy • 19% Liveness
87% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 50% Energy • 19% Liveness
87% Instrumentalness • 10% Positiveness
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Darren Korb
Snake Soul
154 bpm • C min • 01:42 • -8.35db
19% Popularity • 60% Danceability • 63% Energy • 34% Liveness
85% Instrumentalness • 69% Positiveness
19% Popularity • 60% Danceability • 63% Energy • 34% Liveness
85% Instrumentalness • 69% Positiveness
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Daniel Olsén
Theme of Ilomilo
159 bpm • A# Maj • 01:06 • -9.98db
11% Popularity • 48% Danceability • 30% Energy • 8% Liveness
43% Instrumentalness • 32% Positiveness
11% Popularity • 48% Danceability • 30% Energy • 8% Liveness
43% Instrumentalness • 32% Positiveness
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Andrew Prahlow
The River
159 bpm • A# min • 02:43 • -9.52db
42% Popularity • 38% Danceability • 50% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
42% Popularity • 38% Danceability • 50% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Berlinist
Gris, Pt. 2
153 bpm • F min • 02:26 • -10.25db
38% Popularity • 11% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 11% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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SQUARE ENIX MUSIC
City of Commerce
160 bpm • E min • 02:17 • -11.86db
41% Popularity • 46% Danceability • 60% Energy • 9% Liveness
84% Instrumentalness • 53% Positiveness
41% Popularity • 46% Danceability • 60% Energy • 9% Liveness
84% Instrumentalness • 53% Positiveness
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Carlos Viola
Taranto a la Hermana Mía
160 bpm • D Maj • 03:37 • -15db
27% Popularity • 30% Danceability • 73% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
27% Popularity • 30% Danceability • 73% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Darren Korb
Will of the Scribes
159 bpm • D min • 02:57 • -9.69db
27% Popularity • 56% Danceability • 56% Energy • 19% Liveness
96% Instrumentalness • 46% Positiveness
27% Popularity • 56% Danceability • 56% Energy • 19% Liveness
96% Instrumentalness • 46% Positiveness
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Tettix
Rogue Legacy Returns
152 bpm • D min • 01:28 • -5db
14% Popularity • 50% Danceability • 95% Energy • 25% Liveness
88% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 95% Energy • 25% Liveness
88% Instrumentalness • 34% Positiveness
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Lifeformed
Memories of Memories
160 bpm • A# min • 04:42 • -17.04db
39% Popularity • 43% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
39% Popularity • 43% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Hyperduck Soundworks
Short Fuse
160 bpm • C# Maj • 02:27 • -9.84db
14% Popularity • 44% Danceability • 95% Energy • 25% Liveness
90% Instrumentalness • 51% Positiveness
14% Popularity • 44% Danceability • 95% Energy • 25% Liveness
90% Instrumentalness • 51% Positiveness
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Joel Nielsen
Forget About Freeman
160 bpm • E Maj • 02:30 • -6.14db
38% Popularity • 48% Danceability • 88% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
38% Popularity • 48% Danceability • 88% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Michael McCann
Sanctuary 3
160 bpm • F# min • 07:18 • -14db
33% Popularity • 46% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
33% Popularity • 46% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Motoi Sakuraba
Like A Dream [Majula]
160 bpm • C# Maj • 04:04 • -12db
24% Popularity • 49% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
24% Popularity • 49% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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T’s MUSIC
Yami
152 bpm • A# min • 07:51 • -9db
14% Popularity • 42% Danceability • 92% Energy • 64% Liveness
84% Instrumentalness • 22% Positiveness
14% Popularity • 42% Danceability • 92% Energy • 64% Liveness
84% Instrumentalness • 22% Positiveness
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Darren Korb
The Sole Regret
152 bpm • A Maj • 02:27 • -6.11db
31% Popularity • 66% Danceability • 84% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 66% Danceability • 84% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Mickymar Productions Ltd
June the 28th
151 bpm • B Maj • 03:18 • -16.48db
17% Popularity • 17% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
17% Popularity • 17% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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SIE Sound Team
Blood-starved Beast
150 bpm • A min • 04:41 • -11db
41% Popularity • 46% Danceability • 71% Energy • 27% Liveness
90% Instrumentalness • 9% Positiveness
41% Popularity • 46% Danceability • 71% Energy • 27% Liveness
90% Instrumentalness • 9% Positiveness
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Jukio Kallio
Where They Were Changed
150 bpm • E min • 01:59 • -7.82db
11% Popularity • 23% Danceability • 63% Energy • 36% Liveness
88% Instrumentalness • 5% Positiveness
11% Popularity • 23% Danceability • 63% Energy • 36% Liveness
88% Instrumentalness • 5% Positiveness
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Yuka Kitamura
The Profaned Vanguard [Yhorm The Giant]
152 bpm • G# Maj • 06:55 • -10.16db
28% Popularity • 16% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Curtis Schweitzer
Arctic Battle 2
150 bpm • G# Maj • 01:55 • -13db
11% Popularity • 49% Danceability • 66% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
11% Popularity • 49% Danceability • 66% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Darren Korb
The Herald
152 bpm • E min • 01:17 • -9.69db
27% Popularity • 52% Danceability • 58% Energy • 11% Liveness
85% Instrumentalness • 46% Positiveness
27% Popularity • 52% Danceability • 58% Energy • 11% Liveness
85% Instrumentalness • 46% Positiveness
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T’s MUSIC
Battle of the Twin Demons
150 bpm • E min • 04:41 • -10db
19% Popularity • 49% Danceability • 90% Energy • 68% Liveness
70% Instrumentalness • 44% Positiveness
19% Popularity • 49% Danceability • 90% Energy • 68% Liveness
70% Instrumentalness • 44% Positiveness
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Capcom Sound Team
Crimson Helm, Begone!
150 bpm • C Maj • 05:37 • -7.83db
15% Popularity • 48% Danceability • 98% Energy • 39% Liveness
82% Instrumentalness • 75% Positiveness
15% Popularity • 48% Danceability • 98% Energy • 39% Liveness
82% Instrumentalness • 75% Positiveness
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Ace Waters
Brinstar: Red Soil (Super Metroid)
150 bpm • B Maj • 04:27 • -8.4db
10% Popularity • 41% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
10% Popularity • 41% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Rainbowdragoneyes
A Melody to Break the Curse (Music Box)
150 bpm • A# min • 02:02 • -3.8db
25% Popularity • 68% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 93% Positiveness
25% Popularity • 68% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 93% Positiveness
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SQUARE ENIX MUSIC
Gods Bound by Rules
150 bpm • C min • 04:37 • -11.6db
38% Popularity • 43% Danceability • 83% Energy • 15% Liveness
93% Instrumentalness • 20% Positiveness
38% Popularity • 43% Danceability • 83% Energy • 15% Liveness
93% Instrumentalness • 20% Positiveness
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Darren Korb
Water Wall
150 bpm • G Maj • 03:56 • -7db
29% Popularity • 73% Danceability • 80% Energy • 17% Liveness
59% Instrumentalness • 72% Positiveness
29% Popularity • 73% Danceability • 80% Energy • 17% Liveness
59% Instrumentalness • 72% Positiveness
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Lifeformed
Elvish Piper Academy
150 bpm • G# Maj • 02:48 • -12.16db
26% Popularity • 56% Danceability • 50% Energy • 20% Liveness
84% Instrumentalness • 39% Positiveness
26% Popularity • 56% Danceability • 50% Energy • 20% Liveness
84% Instrumentalness • 39% Positiveness
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Chris Christodoulou
Surface Tension
150 bpm • G# Maj • 03:42 • -10db
28% Popularity • 59% Danceability • 84% Energy • 8% Liveness
63% Instrumentalness • 34% Positiveness
28% Popularity • 59% Danceability • 84% Energy • 8% Liveness
63% Instrumentalness • 34% Positiveness
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ToyTree
Meadow
150 bpm • F Maj • 02:14 • -14.53db
36% Popularity • 41% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
36% Popularity • 41% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Harry Mack
Spiral Knights Main Theme
150 bpm • C min • 02:06 • -12.21db
17% Popularity • 50% Danceability • 53% Energy • 12% Liveness
80% Instrumentalness • 59% Positiveness
17% Popularity • 50% Danceability • 53% Energy • 12% Liveness
80% Instrumentalness • 59% Positiveness
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Hyperduck Soundworks
Deities
150 bpm • D# min • 03:13 • -11.09db
9% Popularity • 43% Danceability • 94% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
9% Popularity • 43% Danceability • 94% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Clark Aboud
The Guardian Emerges
150 bpm • G# Maj • 02:23 • -13db
28% Popularity • 30% Danceability • 37% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
28% Popularity • 30% Danceability • 37% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
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Darren Korb
Shattered Lands
164 bpm • G Maj • 03:43 • -10.2db
21% Popularity • 33% Danceability • 55% Energy • 12% Liveness
73% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 55% Energy • 12% Liveness
73% Instrumentalness • 7% Positiveness
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Joel Schoch
Drive It!
148 bpm • C# Maj • 01:50 • -14db
30% Popularity • 74% Danceability • 29% Energy • 11% Liveness
83% Instrumentalness • 61% Positiveness
30% Popularity • 74% Danceability • 29% Energy • 11% Liveness
83% Instrumentalness • 61% Positiveness
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Joel Nielsen
Surface Tension 4
148 bpm • E min • 01:30 • -6.9db
32% Popularity • 44% Danceability • 84% Energy • 9% Liveness
97% Instrumentalness • 12% Positiveness
32% Popularity • 44% Danceability • 84% Energy • 9% Liveness
97% Instrumentalness • 12% Positiveness
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Harry Mack
The Confrontation
165 bpm • A min • 02:24 • -13.18db
13% Popularity • 18% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 12% Positiveness
13% Popularity • 18% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 12% Positiveness
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Arnaud Roy
Elevator Song
165 bpm • F# Maj • 01:02 • -16.61db
13% Popularity • 63% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
13% Popularity • 63% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Capcom Sound Team
海上の村、モガ
166 bpm • B Maj • 06:12 • -13.89db
29% Popularity • 48% Danceability • 39% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
29% Popularity • 48% Danceability • 39% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
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Darren Korb
Downside Ballad
148 bpm • A min • 04:10 • -10db
27% Popularity • 55% Danceability • 53% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
27% Popularity • 55% Danceability • 53% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Tettix
Rogue Legacy (Main Theme)
145 bpm • A# min • 01:52 • -8.82db
19% Popularity • 25% Danceability • 62% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
19% Popularity • 25% Danceability • 62% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
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General Offensive
Resurrection
144 bpm • A min • 05:15 • -11.13db
13% Popularity • 47% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 47% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Theophany
Healing Termina
145 bpm • G min • 08:31 • -7.41db
28% Popularity • 30% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 9% Positiveness
28% Popularity • 30% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 9% Positiveness
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Stuart Chatwood
Town in Chaos
144 bpm • A Maj • 06:08 • -10db
38% Popularity • 51% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 23% Positiveness
38% Popularity • 51% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 23% Positiveness
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Mudeth
Hallowed Ground (Downpour)
170 bpm • G Maj • 04:39 • -9.07db
25% Popularity • 47% Danceability • 69% Energy • 24% Liveness
96% Instrumentalness • 14% Positiveness
25% Popularity • 47% Danceability • 69% Energy • 24% Liveness
96% Instrumentalness • 14% Positiveness
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Darren Korb
To the Stars
146 bpm • G Maj • 03:56 • -10.66db
19% Popularity • 65% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
19% Popularity • 65% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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A Shell In The Pit
Pistol Shrimp (Castle Boss)
170 bpm • C# min • 00:57 • -10.6db
21% Popularity • 40% Danceability • 69% Energy • 50% Liveness
96% Instrumentalness • 20% Positiveness
21% Popularity • 40% Danceability • 69% Energy • 50% Liveness
96% Instrumentalness • 20% Positiveness
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Alec Holowka
Back to the Holler
170 bpm • C Maj • 07:37 • -14db
33% Popularity • 30% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
33% Popularity • 30% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Andrew Prahlow
The Sun Station
143 bpm • F min • 02:38 • -16.65db
42% Popularity • 13% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
42% Popularity • 13% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Cris Velasco
Hyperion
142 bpm • C# min • 03:23 • -16.86db
2% Popularity • 63% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 68% Positiveness
2% Popularity • 63% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 68% Positiveness
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Arnaud Roy
To Rise, Virtual (Vodyani Theme)
172 bpm • G min • 04:22 • -15.61db
21% Popularity • 28% Danceability • 32% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 32% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Darren Korb
A Step Closer
146 bpm • A# Maj • 02:12 • -6.64db
20% Popularity • 54% Danceability • 70% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
20% Popularity • 54% Danceability • 70% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Ace Waters
A Quick One Before the Eternal Worm Devo...
141 bpm • C# Maj • 01:41 • -10.9db
10% Popularity • 15% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
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Daniel Licht
Dishonored 2 Main Theme
141 bpm • C min • 02:30 • -17.31db
40% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Andrew Prahlow
Echoes of the Eye
171 bpm • B Maj • 02:30 • -5.95db
43% Popularity • 42% Danceability • 54% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
43% Popularity • 42% Danceability • 54% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Michael Salvatori
The World's Grave
141 bpm • A min • 05:36 • -14.7db
21% Popularity • 32% Danceability • 52% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 52% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Berlinist
Unagi
141 bpm • E min • 04:28 • -16.37db
32% Popularity • 29% Danceability • 27% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
32% Popularity • 29% Danceability • 27% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
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![Impossible (Hummed) [feat. Ashley Barrett] cover art](https://i.scdn.co/image/ab67616d00001e02771bff468892916d63032177)
Darren Korb
Impossible (Hummed)
170 bpm • G Maj • 04:38 • -8.83db
13% Popularity • 41% Danceability • 91% Energy • 27% Liveness
90% Instrumentalness • 37% Positiveness
13% Popularity • 41% Danceability • 91% Energy • 27% Liveness
90% Instrumentalness • 37% Positiveness
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Guillaume David
Dance of the Cryptek
173 bpm • B min • 07:08 • -16.26db
40% Popularity • 18% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
40% Popularity • 18% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Chris Christodoulou
Lacrimosum
141 bpm • C Maj • 03:03 • -21db
37% Popularity • 21% Danceability • 21% Energy • 39% Liveness
91% Instrumentalness • 7% Positiveness
37% Popularity • 21% Danceability • 21% Energy • 39% Liveness
91% Instrumentalness • 7% Positiveness
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Curtis Schweitzer
Stellar Formation
141 bpm • G min • 07:49 • -17.3db
24% Popularity • 34% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 35% Positiveness
24% Popularity • 34% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 35% Positiveness
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Joel Nielsen
Blast Pit 2
173 bpm • C min • 01:29 • -9.76db
27% Popularity • 17% Danceability • 28% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
27% Popularity • 17% Danceability • 28% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Mudeth
Intro (Cinematic)
140 bpm • C min • 02:13 • -12.42db
21% Popularity • 61% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
21% Popularity • 61% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Darren Korb
Impossible
170 bpm • G Maj • 04:40 • -6.55db
27% Popularity • 44% Danceability • 96% Energy • 17% Liveness
88% Instrumentalness • 88% Positiveness
27% Popularity • 44% Danceability • 96% Energy • 17% Liveness
88% Instrumentalness • 88% Positiveness
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Theophany
Dawn of the First Day
140 bpm • B min • 03:11 • -17.72db
27% Popularity • 18% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Berlinist
Debris
140 bpm • D min • 02:51 • -27db
39% Popularity • 34% Danceability • 5% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 34% Danceability • 5% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Tettix
Stereo Blindness (Bonus)
140 bpm • G# Maj • 03:12 • -9.84db
10% Popularity • 48% Danceability • 76% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
10% Popularity • 48% Danceability • 76% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Stuart Chatwood
All Things Must Come
140 bpm • G# Maj • 03:48 • -11db
31% Popularity • 45% Danceability • 80% Energy • 42% Liveness
89% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 80% Energy • 42% Liveness
89% Instrumentalness • 36% Positiveness
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Mudeth
Dystension (Womb)
140 bpm • G# Maj • 05:48 • -10.44db
22% Popularity • 32% Danceability • 51% Energy • 8% Liveness
69% Instrumentalness • 5% Positiveness
22% Popularity • 32% Danceability • 51% Energy • 8% Liveness
69% Instrumentalness • 5% Positiveness
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Hyperduck Soundworks
Beneath Hollow Grounds
140 bpm • C Maj • 03:54 • -20.6db
9% Popularity • 50% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
9% Popularity • 50% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Darren Korb
Surviving Exile
172 bpm • G Maj • 03:25 • -10.51db
27% Popularity • 61% Danceability • 56% Energy • 9% Liveness
82% Instrumentalness • 38% Positiveness
27% Popularity • 61% Danceability • 56% Energy • 9% Liveness
82% Instrumentalness • 38% Positiveness
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Disasterpeace
Wisdoms Tragedy
174 bpm • G# min • 02:06 • -25.08db
31% Popularity • 14% Danceability • 0% Energy • 11% Liveness
41% Instrumentalness • 6% Positiveness
31% Popularity • 14% Danceability • 0% Energy • 11% Liveness
41% Instrumentalness • 6% Positiveness
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Jordan Chin
Simple Machines
140 bpm • G Maj • 02:39 • -15.2db
9% Popularity • 74% Danceability • 58% Energy • 20% Liveness
86% Instrumentalness • 95% Positiveness
9% Popularity • 74% Danceability • 58% Energy • 20% Liveness
86% Instrumentalness • 95% Positiveness
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Stuart Chatwood
Bloodletting of the Crimson Court
140 bpm • D Maj • 05:44 • -10db
27% Popularity • 47% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 21% Positiveness
27% Popularity • 47% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 21% Positiveness
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Jukio Kallio
Sabasaba Desert
140 bpm • G Maj • 04:24 • -7.84db
16% Popularity • 41% Danceability • 65% Energy • 22% Liveness
59% Instrumentalness • 7% Positiveness
16% Popularity • 41% Danceability • 65% Energy • 22% Liveness
59% Instrumentalness • 7% Positiveness
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Cris Velasco
Ascent
140 bpm • C# Maj • 04:17 • -19db
1% Popularity • 44% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
1% Popularity • 44% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Darren Korb
The Bottom Feeders
140 bpm • A# min • 04:44 • -5.7db
25% Popularity • 55% Danceability • 94% Energy • 16% Liveness
90% Instrumentalness • 76% Positiveness
25% Popularity • 55% Danceability • 94% Energy • 16% Liveness
90% Instrumentalness • 76% Positiveness
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Ace Waters
A Puzzling Quagmire
140 bpm • E min • 04:38 • -8.29db
16% Popularity • 60% Danceability • 57% Energy • 22% Liveness
90% Instrumentalness • 18% Positiveness
16% Popularity • 60% Danceability • 57% Energy • 22% Liveness
90% Instrumentalness • 18% Positiveness
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Keith Power
The Witches Lair
140 bpm • C Maj • 03:10 • -15.4db
21% Popularity • 65% Danceability • 70% Energy • 26% Liveness
91% Instrumentalness • 53% Positiveness
21% Popularity • 65% Danceability • 70% Energy • 26% Liveness
91% Instrumentalness • 53% Positiveness
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Stuart Chatwood
The Chloroplast of Cosmarium
140 bpm • C# Maj • 03:49 • -12.12db
27% Popularity • 44% Danceability • 79% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
27% Popularity • 44% Danceability • 79% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Lifeformed
Baryogenesis
140 bpm • A min • 03:22 • -10.49db
21% Popularity • 80% Danceability • 68% Energy • 10% Liveness
92% Instrumentalness • 79% Positiveness
21% Popularity • 80% Danceability • 68% Energy • 10% Liveness
92% Instrumentalness • 79% Positiveness
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Curtis Schweitzer
Arctic Battle 1
140 bpm • A min • 02:24 • -12db
13% Popularity • 53% Danceability • 68% Energy • 31% Liveness
1% Instrumentalness • 48% Positiveness
13% Popularity • 53% Danceability • 68% Energy • 31% Liveness
1% Instrumentalness • 48% Positiveness
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Jukio Kallio
A Way
140 bpm • G Maj • 02:25 • -7.11db
10% Popularity • 46% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 46% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Gareth Coker
Shriek and Ori
174 bpm • C# Maj • 06:09 • -15.86db
35% Popularity • 27% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
35% Popularity • 27% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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A Shell In The Pit
Trilobyte (Game Version)
140 bpm • G Maj • 02:51 • -9.16db
16% Popularity • 55% Danceability • 82% Energy • 28% Liveness
71% Instrumentalness • 21% Positiveness
16% Popularity • 55% Danceability • 82% Energy • 28% Liveness
71% Instrumentalness • 21% Positiveness
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Stuart Chatwood
The Senescence
140 bpm • C# Maj • 03:48 • -11db
28% Popularity • 56% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 67% Positiveness
28% Popularity • 56% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 67% Positiveness
