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Songs like
Blogging
by
Wire
Based on a tempo of (+/- 10%) and a similar genre
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Wire
Split Your Ends
151 bpm • A Maj • 03:30 • -8.7db
10% Popularity • 45% Danceability • 76% Energy • 39% Liveness
74% Instrumentalness • 40% Positiveness
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Sonic Jesus
Reich
151 bpm • F Maj • 05:21 • -4.52db
13% Popularity • 30% Danceability • 74% Energy • 40% Liveness
79% Instrumentalness • 22% Positiveness
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Public Service Broadcasting
Signal 30
151 bpm • E Maj • 03:20 • -4.34db
12% Popularity • 40% Danceability • 91% Energy • 61% Liveness
76% Instrumentalness • 41% Positiveness
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The Sound
Winning
151 bpm • C# min • 04:18 • -9.39db
44% Popularity • 43% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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The Underground Youth
Alice
150 bpm • B Maj • 03:40 • -5db
30% Popularity • 54% Danceability • 85% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
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Smog
Held
150 bpm • G# Maj • 04:02 • -9db
35% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Wire
Blogging
151 bpm • F# min • 03:46 • -9db
26% Popularity • 64% Danceability • 66% Energy • 12% Liveness
40% Instrumentalness • 63% Positiveness
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Ride
Charm Assault
150 bpm • B min • 04:12 • -4db
24% Popularity • 38% Danceability • 88% Energy • 56% Liveness
69% Instrumentalness • 32% Positiveness
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David Lynch
Pinky's Dream
150 bpm • C min • 04:00 • -5.12db
28% Popularity • 57% Danceability • 69% Energy • 19% Liveness
61% Instrumentalness • 4% Positiveness
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Crocodiles
Mirrors
150 bpm • A Maj • 05:32 • -6.27db
7% Popularity • 41% Danceability • 92% Energy • 7% Liveness
69% Instrumentalness • 6% Positiveness
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Masters Of Reality
King Richard TLH
150 bpm • C Maj • 04:20 • -5.13db
29% Popularity • 41% Danceability • 93% Energy • 36% Liveness
9% Instrumentalness • 48% Positiveness
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Young Marble Giants
Brand - New - Life
150 bpm • F min • 02:55 • -13db
40% Popularity • 90% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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The Fall
Youwanner
152 bpm • A Maj • 05:02 • -2.23db
7% Popularity • 28% Danceability • 99% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
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Au Pairs
It's Obvious
153 bpm • F# min • 06:17 • -10.12db
30% Popularity • 71% Danceability • 62% Energy • 51% Liveness
6% Instrumentalness • 97% Positiveness
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Mercury Rev
Tides Of The Moon
152 bpm • B min • 06:45 • -11db
11% Popularity • 30% Danceability • 66% Energy • 78% Liveness
0% Instrumentalness • 37% Positiveness
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Clap Your Hands Say Yeah
Satan Said Dance
149 bpm • A min • 05:32 • -4.88db
35% Popularity • 45% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Baxter Dury
Whispered
149 bpm • B min • 04:17 • -7.47db
20% Popularity • 55% Danceability • 69% Energy • 14% Liveness
86% Instrumentalness • 75% Positiveness
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The Sound
I Can't Escape Myself
153 bpm • C# min • 03:55 • -12.56db
42% Popularity • 77% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Ladytron
High Rise
148 bpm • C# Maj • 04:54 • -5.37db
24% Popularity • 43% Danceability • 93% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Madrugada
Norwegian Hammerworks Corp.
149 bpm • A min • 05:28 • -5.89db
30% Popularity • 49% Danceability • 85% Energy • 60% Liveness
51% Instrumentalness • 17% Positiveness
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Wire
Playing Harp for the Fishes
148 bpm • B Maj • 03:44 • -9.36db
10% Popularity • 45% Danceability • 62% Energy • 10% Liveness
8% Instrumentalness • 12% Positiveness
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The Feelies
Gone, Gone, Gone
154 bpm • B min • 03:43 • -9.66db
16% Popularity • 45% Danceability • 78% Energy • 7% Liveness
93% Instrumentalness • 74% Positiveness
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Wipers
Nothing Left to Lose
154 bpm • C Maj • 04:50 • -10.75db
34% Popularity • 50% Danceability • 59% Energy • 12% Liveness
44% Instrumentalness • 72% Positiveness
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The Fall
What About Us?
147 bpm • A Maj • 05:49 • -3.38db
13% Popularity • 26% Danceability • 89% Energy • 78% Liveness
1% Instrumentalness • 44% Positiveness
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Girls Names
Reticence
148 bpm • A Maj • 04:02 • -5.44db
9% Popularity • 24% Danceability • 93% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
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Protomartyr
Pontiac 87
146 bpm • F# min • 04:31 • -6db
41% Popularity • 30% Danceability • 78% Energy • 55% Liveness
88% Instrumentalness • 35% Positiveness
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Kinski
Newport
146 bpm • G# Maj • 05:01 • -9.22db
15% Popularity • 49% Danceability • 71% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Zoot Woman
Grey Day
147 bpm • F# Maj • 04:18 • -7db
32% Popularity • 56% Danceability • 77% Energy • 13% Liveness
20% Instrumentalness • 48% Positiveness
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W. H. Lung
Inspiration!
146 bpm • E Maj • 07:41 • -4db
26% Popularity • 55% Danceability • 94% Energy • 9% Liveness
24% Instrumentalness • 38% Positiveness
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The Fall
Theme From Sparta F.C.
155 bpm • A Maj • 03:50 • -6db
27% Popularity • 46% Danceability • 99% Energy • 74% Liveness
22% Instrumentalness • 68% Positiveness
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I Love You But I've Chosen Darkness
According To Plan
146 bpm • G# min • 04:37 • -7db
24% Popularity • 65% Danceability • 69% Energy • 10% Liveness
64% Instrumentalness • 64% Positiveness
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Killing Joke
You'll Never Get To Me
146 bpm • F# min • 06:19 • -6db
30% Popularity • 47% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Ghostpoet
Freakshow
146 bpm • C# Maj • 04:05 • -8db
29% Popularity • 62% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
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Parquet Courts
Dust
145 bpm • C Maj • 03:57 • -6db
31% Popularity • 56% Danceability • 96% Energy • 56% Liveness
94% Instrumentalness • 96% Positiveness
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Warmduscher
1000 Whispers
145 bpm • B min • 04:23 • -7db
30% Popularity • 34% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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The Fall
Auto Chip 2014-2016
157 bpm • D# min • 10:03 • -6.47db
7% Popularity • 38% Danceability • 81% Energy • 41% Liveness
70% Instrumentalness • 49% Positiveness
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FEWS
The Zoo
157 bpm • G min • 03:31 • -7.32db
19% Popularity • 36% Danceability • 78% Energy • 11% Liveness
25% Instrumentalness • 43% Positiveness
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Nadine Shah
Holiday Destination
145 bpm • E Maj • 05:39 • -6db
19% Popularity • 53% Danceability • 72% Energy • 9% Liveness
16% Instrumentalness • 47% Positiveness
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Primal Scream
(Feeling Like A) Demon Again
145 bpm • A min • 04:35 • -7db
6% Popularity • 66% Danceability • 71% Energy • 9% Liveness
16% Instrumentalness • 81% Positiveness
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Ghostpoet
Immigrant Boogie
145 bpm • C# Maj • 02:39 • -7db
31% Popularity • 58% Danceability • 90% Energy • 15% Liveness
78% Instrumentalness • 70% Positiveness
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Cate Le Bon
Sisters
157 bpm • E min • 04:05 • -6db
32% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Wire
High
145 bpm • E Maj • 01:52 • -10.03db
9% Popularity • 51% Danceability • 78% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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The Chameleons
In Shreds
145 bpm • B min • 04:09 • -7.11db
30% Popularity • 32% Danceability • 91% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Nadine Shah
To Be a Young Man
145 bpm • C Maj • 05:00 • -6.56db
19% Popularity • 43% Danceability • 76% Energy • 10% Liveness
47% Instrumentalness • 44% Positiveness
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Singapore Sling
Touch The Filth
157 bpm • A Maj • 03:21 • -6.76db
13% Popularity • 34% Danceability • 90% Energy • 29% Liveness
85% Instrumentalness • 50% Positiveness
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Black Mountain
Florian Saucer Attack
158 bpm • F# min • 03:23 • -6db
23% Popularity • 31% Danceability • 80% Energy • 11% Liveness
53% Instrumentalness • 65% Positiveness
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The Sound
Sense of Purpose
145 bpm • D Maj • 03:52 • -11.73db
34% Popularity • 41% Danceability • 62% Energy • 12% Liveness
20% Instrumentalness • 41% Positiveness
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Wire
Over Theirs - 10:20 Version
145 bpm • A Maj • 08:51 • -11.21db
8% Popularity • 50% Danceability • 54% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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The GOASTT (The Ghost Of A Saber Tooth Tiger)
Animals
158 bpm • F Maj • 04:18 • -3db
28% Popularity • 44% Danceability • 88% Energy • 68% Liveness
7% Instrumentalness • 22% Positiveness
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Fujiya & Miyagi
R.S.I.
144 bpm • B min • 05:17 • -7db
12% Popularity • 73% Danceability • 82% Energy • 7% Liveness
82% Instrumentalness • 77% Positiveness
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Ride
Lateral Alice
144 bpm • C Maj • 02:55 • -5.43db
17% Popularity • 43% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Martina Topley-Bird
Need One
159 bpm • A Maj • 03:55 • -5.51db
27% Popularity • 45% Danceability • 81% Energy • 34% Liveness
2% Instrumentalness • 36% Positiveness
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Clinic
Cement Mixer
159 bpm • B Maj • 02:49 • -5.03db
18% Popularity • 28% Danceability • 86% Energy • 10% Liveness
27% Instrumentalness • 45% Positiveness
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PJ Harvey
A Perfect Day Elise
159 bpm • B min • 03:06 • -8.73db
45% Popularity • 48% Danceability • 96% Energy • 20% Liveness
62% Instrumentalness • 16% Positiveness
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Singapore Sling
Suicide Twist
159 bpm • F# min • 02:19 • -5.35db
17% Popularity • 35% Danceability • 96% Energy • 46% Liveness
73% Instrumentalness • 60% Positiveness
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The Sound
Contact the Fact
143 bpm • G Maj • 04:21 • -11.43db
33% Popularity • 56% Danceability • 50% Energy • 8% Liveness
5% Instrumentalness • 45% Positiveness
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Sleaford Mods
O.B.C.T
144 bpm • G min • 04:05 • -8.25db
19% Popularity • 78% Danceability • 78% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Martina Topley-Bird
Too Tough To Die
159 bpm • D# min • 03:57 • -6.68db
27% Popularity • 53% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Nick Cave & The Bad Seeds
Midnight Man
143 bpm • C Maj • 05:06 • -4.48db
27% Popularity • 30% Danceability • 72% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
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Snapped Ankles
Jonny Guitar Calling Gosta Berlin
160 bpm • C Maj • 04:00 • -7db
31% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Josefin Öhrn + The Liberation
Dunes
160 bpm • E min • 06:55 • -9.16db
9% Popularity • 47% Danceability • 91% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Gaz Coombes
Deep Pockets
160 bpm • G Maj • 03:50 • -5.97db
30% Popularity • 46% Danceability • 87% Energy • 22% Liveness
4% Instrumentalness • 74% Positiveness
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Lea Porcelain
Gotta Run
160 bpm • D Maj • 03:48 • -7.89db
22% Popularity • 62% Danceability • 70% Energy • 9% Liveness
28% Instrumentalness • 65% Positiveness
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Wire
Feed Me
142 bpm • A Maj • 05:59 • -18.13db
11% Popularity • 34% Danceability • 22% Energy • 8% Liveness
20% Instrumentalness • 8% Positiveness
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Fujiya & Miyagi
Knickerbocker
142 bpm • C# Maj • 03:20 • -5db
36% Popularity • 79% Danceability • 52% Energy • 14% Liveness
55% Instrumentalness • 37% Positiveness
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Snapped Ankles
Rechargeable
160 bpm • C# Maj • 05:34 • -7db
18% Popularity • 52% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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The Fall
New Big Prinz
142 bpm • C min • 03:25 • -12db
32% Popularity • 63% Danceability • 71% Energy • 38% Liveness
32% Instrumentalness • 57% Positiveness
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Secret Machines
First Wave Intact
141 bpm • G Maj • 09:00 • -7.41db
22% Popularity • 57% Danceability • 84% Energy • 51% Liveness
34% Instrumentalness • 32% Positiveness
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The Sound
Silent Air
141 bpm • A min • 04:14 • -14.67db
28% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Wire
Short Elevated Period
160 bpm • E Maj • 02:54 • -7.1db
16% Popularity • 28% Danceability • 87% Energy • 37% Liveness
43% Instrumentalness • 46% Positiveness
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Nick Cave & The Bad Seeds
Lie Down Here (& Be My Girl)
162 bpm • C Maj • 04:57 • -4.39db
26% Popularity • 26% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Snapped Ankles
Jonny Guitar Calling Gosta Berlin
160 bpm • F Maj • 08:16 • -9db
21% Popularity • 57% Danceability • 82% Energy • 66% Liveness
94% Instrumentalness • 36% Positiveness
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The Clean
Point That Thing Somewhere Else
141 bpm • C Maj • 05:27 • -8.98db
28% Popularity • 54% Danceability • 65% Energy • 27% Liveness
78% Instrumentalness • 51% Positiveness
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The Monochrome Set
He's Frank
162 bpm • D Maj • 02:36 • -10db
21% Popularity • 28% Danceability • 89% Energy • 12% Liveness
84% Instrumentalness • 62% Positiveness
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The Breeders
Wait in the Car
140 bpm • F# min • 02:03 • -6db
34% Popularity • 47% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Wire
Off The Beach
161 bpm • G Maj • 02:22 • -9.53db
19% Popularity • 51% Danceability • 73% Energy • 10% Liveness
16% Instrumentalness • 81% Positiveness
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The Sound
Missiles
140 bpm • A min • 05:28 • -11db
31% Popularity • 45% Danceability • 68% Energy • 28% Liveness
18% Instrumentalness • 47% Positiveness
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Snapped Ankles
Drink and Glide
162 bpm • F min • 04:09 • -7.42db
25% Popularity • 57% Danceability • 73% Energy • 21% Liveness
59% Instrumentalness • 37% Positiveness
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Desperate Journalist
Hollow
140 bpm • E min • 05:44 • -8.67db
17% Popularity • 51% Danceability • 68% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
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Colder
Crazy Love
140 bpm • B min • 05:11 • -5db
25% Popularity • 70% Danceability • 92% Energy • 13% Liveness
82% Instrumentalness • 45% Positiveness
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HUMANIST
English Ghosts
140 bpm • D Maj • 08:41 • -3.79db
11% Popularity • 51% Danceability • 94% Energy • 11% Liveness
70% Instrumentalness • 44% Positiveness
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Wire
Shifting
140 bpm • E Maj • 03:17 • -10.7db
9% Popularity • 54% Danceability • 70% Energy • 10% Liveness
50% Instrumentalness • 54% Positiveness
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The Dandy Warhols
Nietzsche
140 bpm • B min • 05:40 • -5.81db
33% Popularity • 37% Danceability • 84% Energy • 68% Liveness
32% Instrumentalness • 34% Positiveness
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The KVB
Above Us
163 bpm • A# Maj • 03:40 • -6.99db
24% Popularity • 49% Danceability • 68% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
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The Limiñanas
The Gift
140 bpm • G Maj • 05:01 • -7db
22% Popularity • 41% Danceability • 74% Energy • 13% Liveness
76% Instrumentalness • 32% Positiveness
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The Clean
Point That Thing Somewhere Else
140 bpm • C Maj • 05:28 • -13db
28% Popularity • 54% Danceability • 52% Energy • 30% Liveness
83% Instrumentalness • 54% Positiveness
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Disappears
Replicate
139 bpm • C Maj • 04:19 • -9.53db
17% Popularity • 47% Danceability • 48% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Wire
Small Black Reptile - 10:20 Version
140 bpm • E Maj • 03:41 • -7.88db
10% Popularity • 53% Danceability • 61% Energy • 17% Liveness
24% Instrumentalness • 29% Positiveness
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BirdPen
This Is Your Life
164 bpm • C min • 05:12 • -8.04db
12% Popularity • 48% Danceability • 87% Energy • 14% Liveness
51% Instrumentalness • 42% Positiveness
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Clinic
Rubber Bullets
139 bpm • C# Maj • 02:26 • -5.39db
14% Popularity • 49% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Shearwater
Filaments
139 bpm • A Maj • 06:11 • -6.87db
24% Popularity • 61% Danceability • 87% Energy • 15% Liveness
13% Instrumentalness • 79% Positiveness
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The Fall
Venice with the Girls
164 bpm • C Maj • 04:11 • -5.5db
7% Popularity • 40% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 69% Positiveness
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Fat White Family
Whitest Boy on the Beach
139 bpm • A Maj • 04:53 • -7db
38% Popularity • 53% Danceability • 79% Energy • 33% Liveness
85% Instrumentalness • 62% Positiveness
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Wire
The Art of Persistence
140 bpm • E min • 03:46 • -11db
16% Popularity • 52% Danceability • 55% Energy • 42% Liveness
77% Instrumentalness • 49% Positiveness
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Thurston Moore
Detonation
164 bpm • A# min • 02:54 • -7.11db
12% Popularity • 36% Danceability • 78% Energy • 6% Liveness
8% Instrumentalness • 34% Positiveness
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Rose Windows
Native Dreams
139 bpm • E min • 06:18 • -8.29db
27% Popularity • 26% Danceability • 80% Energy • 22% Liveness
55% Instrumentalness • 52% Positiveness
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Ride
Lannoy Point
165 bpm • A min • 05:57 • -6.25db
30% Popularity • 35% Danceability • 85% Energy • 8% Liveness
60% Instrumentalness • 11% Positiveness
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The Gun Club
Run Through the Jungle - Remastered 2020
138 bpm • A Maj • 04:08 • -5db
30% Popularity • 44% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Killing Joke
Change - 2005 Digital Remaster
138 bpm • C min • 04:00 • -8db
33% Popularity • 71% Danceability • 68% Energy • 14% Liveness
54% Instrumentalness • 76% Positiveness
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Wire
In Manchester
163 bpm • E min • 02:41 • -8.67db
18% Popularity • 41% Danceability • 72% Energy • 10% Liveness
57% Instrumentalness • 44% Positiveness
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