Songs like Blood (Extended Vocal Mix) by Casey Stratton
Based on a tempo of (+/- 10%) and a similar genre
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Yao Si Ting
Scarborough Fair
115 bpm • C Maj • 04:19 • -10.2db
16% Popularity • 45% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 45% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Victor Schuster
Reflect
115 bpm • F Maj • 04:01 • -11.92db
21% Popularity • 60% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
21% Popularity • 60% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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Casey Stratton
Blood (Extended Vocal Mix)
115 bpm • B min • 03:25 • -6.01db
2% Popularity • 64% Danceability • 79% Energy • 66% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 64% Danceability • 79% Energy • 66% Liveness
0% Instrumentalness • 50% Positiveness
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Missy Alcazar
Still Here
115 bpm • F Maj • 03:40 • -13.48db
11% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Leningrad
Japanese Knives
114 bpm • E Maj • 03:39 • -14.84db
7% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Darrelle London
Rockabye Baby
116 bpm • F Maj • 02:59 • -8.21db
12% Popularity • 65% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 65% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Danielle Allard
All the Things
116 bpm • A Maj • 05:47 • -16db
11% Popularity • 28% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Sasha Siem
Mama
114 bpm • F Maj • 03:27 • -10.69db
11% Popularity • 66% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 66% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Over the Rhine
Everyman's Daughter
114 bpm • D Maj • 04:14 • -13.45db
8% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Eileen Ahlstrom
Better Life
114 bpm • B Maj • 02:19 • -8.98db
15% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Corina Gootkin
Excuses
114 bpm • A min • 02:21 • -7.71db
12% Popularity • 55% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 55% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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The Deborah Solo Trio
Hey, Girl
116 bpm • D Maj • 03:58 • -10.2db
9% Popularity • 58% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 58% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Iona
Open Sky
113 bpm • A Maj • 05:41 • -10.09db
9% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Tonia Ager
Comes With Kisses
114 bpm • D# Maj • 03:02 • -12db
14% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Reyna Diana
overdose on sunsets
113 bpm • A min • 04:00 • -9.77db
15% Popularity • 56% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 56% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Shadow of the Statue
The Good Fight
117 bpm • C Maj • 05:27 • -7.26db
7% Popularity • 52% Danceability • 73% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 52% Danceability • 73% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
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Aoife O'Donovan
America, Come
113 bpm • A min • 03:11 • -11.5db
26% Popularity • 62% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
26% Popularity • 62% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Leandro Amorsolo
Tides of an ocean
113 bpm • D Maj • 02:13 • -16.28db
13% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Amy Jo Johnson
Puddle of Grace
117 bpm • D# Maj • 02:55 • -15.66db
17% Popularity • 50% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 50% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Myra Warren
What's Left
113 bpm • G# Maj • 03:21 • -17.62db
9% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Eileen Ahlstrom
Brewed Coffee
112 bpm • G# min • 02:15 • -7.04db
12% Popularity • 60% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 60% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Barbara Redford
Let It Fall
118 bpm • C# Maj • 04:27 • -10.07db
12% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Casey Stratton
Violet Room
112 bpm • G# Maj • 04:26 • -6.73db
1% Popularity • 55% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
1% Popularity • 55% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Gregory Wilbur
Bread of Heaven
118 bpm • C# Maj • 04:14 • -14.03db
12% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sixpence None The Richer
Love Is Blindness
112 bpm • A min • 03:25 • -6.54db
17% Popularity • 58% Danceability • 64% Energy • 12% Liveness
52% Instrumentalness • 21% Positiveness
17% Popularity • 58% Danceability • 64% Energy • 12% Liveness
52% Instrumentalness • 21% Positiveness
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Lisa Moon
Summer Vibes - Acoustic
118 bpm • D# Maj • 03:05 • -11.89db
13% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Maya Orr
Whiskey on My Hand
118 bpm • A min • 04:59 • -15.32db
11% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lauren Strange
Runner
118 bpm • F# min • 02:52 • -4.64db
10% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Lady Miranda
Fly
118 bpm • D# min • 03:42 • -15.29db
7% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Tracy Bonham
Damn The Sky (For Being Too Wide)
112 bpm • C# Maj • 05:27 • -9.05db
12% Popularity • 43% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 43% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Mia Hafrén
I Refuse
112 bpm • A min • 04:19 • -9.02db
9% Popularity • 37% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 37% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Anne Deming
Jordan
112 bpm • G# min • 03:18 • -9.01db
8% Popularity • 58% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
8% Popularity • 58% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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SRI REJEKI WAVE
Family Harmony
112 bpm • A min • 03:12 • -11.17db
7% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Chiara Marija
Refraction
112 bpm • A min • 03:47 • -16.22db
8% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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KABOOM
See Was
112 bpm • A min • 01:43 • -10.1db
15% Popularity • 74% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 74% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Jann Arden
Calling God
112 bpm • D Maj • 03:59 • -5.98db
8% Popularity • 55% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 55% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Mary Fahl
In The Great Unknown
112 bpm • D Maj • 04:41 • -7.27db
8% Popularity • 60% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 60% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ricki Comeaux
2 Words
119 bpm • A# Maj • 04:42 • -13.06db
8% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Danjo Capital
Crypto Love
119 bpm • C# Maj • 02:57 • -10.47db
17% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Buddaboys
Skin To Skin
119 bpm • G Maj • 03:01 • -3.83db
9% Popularity • 42% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 42% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Lauren Christy
Vanessa's Father
111 bpm • F Maj • 05:25 • -18.42db
7% Popularity • 49% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 49% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jann Arden
Holy Moses
119 bpm • B min • 04:53 • -11.36db
11% Popularity • 57% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 57% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Erin Hephzibah
Destroying Dandelions
111 bpm • E Maj • 03:47 • -16.17db
10% Popularity • 68% Danceability • 23% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 68% Danceability • 23% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
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Casey Stratton
You Move Away
119 bpm • G# min • 04:23 • -14.02db
5% Popularity • 33% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 33% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Fredda Clark
Where Do I Belong
120 bpm • C Maj • 02:37 • -13.3db
13% Popularity • 49% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 49% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Tori Amos
strange (2023 Remaster)
119 bpm • A# Maj • 03:07 • -11.45db
30% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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KRSTL
Whale Song
120 bpm • F# Maj • 02:57 • -9.1db
29% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Juniper Jeffries
Like on the Posters
120 bpm • D# Maj • 04:47 • -8.47db
16% Popularity • 36% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 36% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Chi Bumanglag Santos
Lifeline
120 bpm • C Maj • 04:00 • -10.41db
18% Popularity • 60% Danceability • 66% Energy • 11% Liveness
86% Instrumentalness • 55% Positiveness
18% Popularity • 60% Danceability • 66% Energy • 11% Liveness
86% Instrumentalness • 55% Positiveness
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Amber J Heart
Jesus My Rescue
120 bpm • G# Maj • 04:49 • -13.39db
25% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Casey Stratton
Wild Soul
120 bpm • C# min • 04:21 • -10.01db
1% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ricki Comeaux
Overcome
120 bpm • G Maj • 03:32 • -12.98db
8% Popularity • 78% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 78% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Anna Nuzzo
Mary, My Mother (Theme Song Version)
120 bpm • C min • 01:30 • -10.32db
10% Popularity • 48% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 48% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Ashes for Dreams
Nothing Moves Me
120 bpm • A min • 02:55 • -12db
13% Popularity • 67% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 67% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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The Deborah Solo Trio
Sorry to Disappoint
120 bpm • A# Maj • 04:49 • -11.68db
10% Popularity • 53% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 53% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Cloudbase
Caught Fire
120 bpm • G Maj • 07:14 • -14.01db
11% Popularity • 72% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
11% Popularity • 72% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Casey Stratton
Summer
120 bpm • C# Maj • 04:58 • -10.14db
1% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Olga Gavrilov
Your Kingdom
120 bpm • B min • 04:45 • -7.38db
11% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Keith Logan
Shade in my Heart
120 bpm • A min • 04:12 • -7.47db
7% Popularity • 56% Danceability • 72% Energy • 10% Liveness
20% Instrumentalness • 15% Positiveness
7% Popularity • 56% Danceability • 72% Energy • 10% Liveness
20% Instrumentalness • 15% Positiveness
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Tina Shafer
Above The Band
120 bpm • D Maj • 03:56 • -11.1db
17% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Meadow
Make You Stay
120 bpm • E min • 04:17 • -6.64db
12% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Deborah Solo Trio
1 a.m. Parade
110 bpm • C Maj • 03:50 • -12.76db
12% Popularity • 44% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
12% Popularity • 44% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
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Casey Stratton
In Silence
120 bpm • G# Maj • 04:15 • -7.66db
1% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Lina Miriam Shalev
Journey of life
120 bpm • C Maj • 03:39 • -13.55db
15% Popularity • 52% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 52% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Lisa Loeb
You Can Count on Me (Lullaby)
120 bpm • A Maj • 02:14 • -15.6db
9% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Kiley
Still Water
120 bpm • A Maj • 02:59 • -8db
16% Popularity • 44% Danceability • 50% Energy • 15% Liveness
4% Instrumentalness • 14% Positiveness
16% Popularity • 44% Danceability • 50% Energy • 15% Liveness
4% Instrumentalness • 14% Positiveness
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Fineconfine
These days - 2022 remaster
110 bpm • G Maj • 04:28 • -7.61db
11% Popularity • 59% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 59% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Hannah Paris
Big Jet Plane
110 bpm • A Maj • 04:00 • -15db
15% Popularity • 70% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 70% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Casey Stratton
House of Jupiter
120 bpm • F# Maj • 04:45 • -6.89db
2% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Roolya Boolya
The River Seems to Know
120 bpm • D Maj • 04:49 • -13.65db
11% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Imogen Heap
Half Life
110 bpm • C# Maj • 04:01 • -16.87db
24% Popularity • 67% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 67% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Victor Schuster
Deleted
121 bpm • C# Maj • 03:43 • -11.55db
21% Popularity • 57% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 57% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Frances Wheatley
My Brother
109 bpm • C Maj • 03:54 • -7.04db
13% Popularity • 55% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 55% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Charlotte Martin
Just Like Heaven - Studio
121 bpm • C Maj • 03:29 • -8.91db
14% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Tori Amos
Carry
122 bpm • B min • 04:07 • -12.18db
13% Popularity • 30% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
13% Popularity • 30% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Alex Kaye Black
Into Darkness
122 bpm • G min • 04:34 • -9.99db
16% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Fabiola Barriios
Be Somebody
122 bpm • C Maj • 03:01 • -10db
25% Popularity • 79% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 79% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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KRSTL
Tired Tired Me
108 bpm • C Maj • 02:34 • -10.42db
26% Popularity • 30% Danceability • 30% Energy • 88% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 30% Danceability • 30% Energy • 88% Liveness
0% Instrumentalness • 21% Positiveness
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Elika Mahony
Every Hour of These Days
122 bpm • A# min • 03:44 • -18.26db
8% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Mary Fahl
Exiles (The Wolves of Midwinter)
108 bpm • D Maj • 04:26 • -10.37db
13% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tori Amos
Ribbons Undone
122 bpm • D Maj • 04:30 • -16.13db
18% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ella Mora
Apocalypse Love Song
108 bpm • G Maj • 02:53 • -7.92db
8% Popularity • 76% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 76% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Tina Shafer
Hello Happiness
108 bpm • G Maj • 04:09 • -8.02db
18% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jem
Momma
108 bpm • C Maj • 03:42 • -13.88db
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Lili Roquelin
Come as You Are
108 bpm • G# min • 03:52 • -11.44db
17% Popularity • 55% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 55% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Buddaboys
Budda Is A Girl
123 bpm • G Maj • 04:28 • -5.56db
11% Popularity • 58% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 58% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Heidi Elgaard
Take Me for a Drive
123 bpm • F# min • 04:21 • -11.79db
25% Popularity • 69% Danceability • 57% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
25% Popularity • 69% Danceability • 57% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Tara MacLean
Evidence
123 bpm • G Maj • 04:56 • -9.49db
20% Popularity • 61% Danceability • 71% Energy • 10% Liveness
19% Instrumentalness • 60% Positiveness
20% Popularity • 61% Danceability • 71% Energy • 10% Liveness
19% Instrumentalness • 60% Positiveness
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Q.Age
The Way We Are
123 bpm • A min • 02:08 • -6.86db
20% Popularity • 55% Danceability • 86% Energy • 15% Liveness
24% Instrumentalness • 65% Positiveness
20% Popularity • 55% Danceability • 86% Energy • 15% Liveness
24% Instrumentalness • 65% Positiveness
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Jewel
Barcelona
123 bpm • A Maj • 03:55 • -10.44db
24% Popularity • 53% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
24% Popularity • 53% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Anne Marie Almedal
Happiness
123 bpm • B min • 04:43 • -16.73db
17% Popularity • 27% Danceability • 22% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
17% Popularity • 27% Danceability • 22% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
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Vanessa Carlton
Home
123 bpm • C Maj • 05:38 • -7.08db
24% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Plumb
My Sweet, My Lovely
124 bpm • C# Maj • 04:01 • -8.99db
25% Popularity • 34% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
25% Popularity • 34% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
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Tara MacLean
Let Her Feel the Rain
123 bpm • A min • 05:27 • -10.01db
12% Popularity • 63% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 63% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Wordsworth Gibbon
Hanging Moon
107 bpm • F# min • 03:53 • -15.1db
23% Popularity • 29% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 29% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Over the Rhine
The Seahorse
124 bpm • G# min • 05:02 • -11.94db
11% Popularity • 65% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 65% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Nadka B
I can't STOP
124 bpm • C min • 04:11 • -14.45db
10% Popularity • 79% Danceability • 26% Energy • 17% Liveness
12% Instrumentalness • 36% Positiveness
10% Popularity • 79% Danceability • 26% Energy • 17% Liveness
12% Instrumentalness • 36% Positiveness
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Kiya Shahidi
The Promised One
124 bpm • B Maj • 02:25 • -15.31db
14% Popularity • 35% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 35% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
