Songs like Blood Of Emeralds - Remastered 2002 by Gary Moore
Based on a tempo of (+/- 10%) and a similar genre
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ZZ Top
Tush (2006 Remaster)
145 bpm • C Maj • 02:13 • -6.08db
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
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Joe Bonamassa
Blues Deluxe
145 bpm • F Maj • 07:20 • -9.57db
53% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Coco Montoya
Good Days, Bad Days
145 bpm • E min • 05:04 • -7db
34% Popularity • 55% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 55% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Gary Moore
Too Tired
146 bpm • D Maj • 02:50 • -13.58db
33% Popularity • 36% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 36% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Buddy Guy
Damn Right, I've Got the Blues
146 bpm • D Maj • 04:31 • -5.64db
53% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
53% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
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Dr. Wu'
Storm Watch Warning
146 bpm • A min • 07:46 • -6.68db
31% Popularity • 39% Danceability • 50% Energy • 22% Liveness
4% Instrumentalness • 29% Positiveness
31% Popularity • 39% Danceability • 50% Energy • 22% Liveness
4% Instrumentalness • 29% Positiveness
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Tony Joe White
Bayou Woman
144 bpm • B min • 04:37 • -9.39db
34% Popularity • 60% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 92% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 92% Positiveness
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Marillion
Easter - 1997 Remaster
146 bpm • G Maj • 05:58 • -10db
43% Popularity • 24% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 24% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Mr. Big
Wild World - 2009 Remastered Version
144 bpm • F Maj • 03:28 • -6.52db
62% Popularity • 57% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 57% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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King King
Rush Hour
146 bpm • C Maj • 05:17 • -7.1db
33% Popularity • 49% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 49% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Dave Meniketti
Loan Me A Dime
144 bpm • D min • 09:32 • -5db
34% Popularity • 43% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
34% Popularity • 43% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Danny Bryant
Losing You
146 bpm • C Maj • 04:50 • -8.51db
18% Popularity • 34% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 34% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Joanne Shaw Taylor
Blackest Day
144 bpm • F# min • 08:17 • -8db
36% Popularity • 47% Danceability • 48% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
36% Popularity • 47% Danceability • 48% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
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Snowy White
Bird of Paradise
144 bpm • C# Maj • 04:41 • -11.42db
53% Popularity • 47% Danceability • 44% Energy • 32% Liveness
61% Instrumentalness • 31% Positiveness
53% Popularity • 47% Danceability • 44% Energy • 32% Liveness
61% Instrumentalness • 31% Positiveness
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Joe Bonamassa
So Many Roads
146 bpm • F min • 07:05 • -5.41db
45% Popularity • 29% Danceability • 76% Energy • 9% Liveness
15% Instrumentalness • 55% Positiveness
45% Popularity • 29% Danceability • 76% Energy • 9% Liveness
15% Instrumentalness • 55% Positiveness
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Aynsley Lister
Need Her So Bad
146 bpm • G# Maj • 07:00 • -9.9db
46% Popularity • 39% Danceability • 42% Energy • 19% Liveness
13% Instrumentalness • 35% Positiveness
46% Popularity • 39% Danceability • 42% Energy • 19% Liveness
13% Instrumentalness • 35% Positiveness
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Dire Straits
Once Upon A Time In The West
147 bpm • A min • 05:24 • -11.86db
61% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
61% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Livin' Blues
Shylina
147 bpm • C min • 05:37 • -13.9db
13% Popularity • 38% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 38% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Brian Kirksey
Watching You
147 bpm • F min • 07:56 • -10.09db
13% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tony Joe White
Lake Placid Blues
147 bpm • A min • 05:21 • -10.91db
32% Popularity • 61% Danceability • 67% Energy • 9% Liveness
14% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 67% Energy • 9% Liveness
14% Instrumentalness • 60% Positiveness
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Gary Moore
Story Of The Blues - 2002 Digital Remast...
143 bpm • A min • 06:42 • -9db
35% Popularity • 40% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 40% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Eagles
Hotel California - 2013 Remaster
147 bpm • D Maj • 06:31 • -9.48db
84% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
84% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Kingdom Come
Twilight Cruiser
147 bpm • F# min • 06:38 • -6.13db
37% Popularity • 42% Danceability • 75% Energy • 19% Liveness
10% Instrumentalness • 36% Positiveness
37% Popularity • 42% Danceability • 75% Energy • 19% Liveness
10% Instrumentalness • 36% Positiveness
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Procol Harum
A Whiter Shade of Pale - 50th Anniversar...
148 bpm • C Maj • 05:54 • -13.24db
45% Popularity • 29% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
45% Popularity • 29% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Dire Straits
Lady Writer
148 bpm • C# min • 03:44 • -8.6db
70% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
70% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
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Metallica
Nothing Else Matters
142 bpm • E min • 06:28 • -11.22db
80% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
80% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Black Country Communion
One Last Soul
142 bpm • D Maj • 03:52 • -8db
38% Popularity • 55% Danceability • 86% Energy • 5% Liveness
70% Instrumentalness • 77% Positiveness
38% Popularity • 55% Danceability • 86% Energy • 5% Liveness
70% Instrumentalness • 77% Positiveness
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Beth Hart, Joe Bonamassa
Black Coffee
142 bpm • G Maj • 04:16 • -7.4db
35% Popularity • 49% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 49% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Albert Collins
Cold, Cold Feeling
148 bpm • D# min • 05:18 • -11db
53% Popularity • 71% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
53% Popularity • 71% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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Gary Moore
As The Years Go Passing By
142 bpm • F min • 07:44 • -19.81db
43% Popularity • 40% Danceability • 10% Energy • 36% Liveness
19% Instrumentalness • 19% Positiveness
43% Popularity • 40% Danceability • 10% Energy • 36% Liveness
19% Instrumentalness • 19% Positiveness
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Dire Straits
Sultans Of Swing
148 bpm • F Maj • 05:48 • -10.02db
81% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
81% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
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Blues Cousins
The Dream
149 bpm • A min • 07:55 • -15.18db
29% Popularity • 38% Danceability • 35% Energy • 9% Liveness
10% Instrumentalness • 63% Positiveness
29% Popularity • 38% Danceability • 35% Energy • 9% Liveness
10% Instrumentalness • 63% Positiveness
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Maria Daines
That's What the Blues Is All About
150 bpm • A min • 06:04 • -10.68db
36% Popularity • 40% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 40% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Procol Harum
A Whiter Shade of Pale - Original Single...
150 bpm • C Maj • 04:08 • -6.9db
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Jeff Fetterman
Bottle Full of Blues
150 bpm • A# min • 06:46 • -7.76db
29% Popularity • 56% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Gary Moore
Stormy Monday
150 bpm • C Maj • 06:53 • -4.13db
26% Popularity • 47% Danceability • 58% Energy • 18% Liveness
26% Instrumentalness • 35% Positiveness
26% Popularity • 47% Danceability • 58% Energy • 18% Liveness
26% Instrumentalness • 35% Positiveness
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Jon Bon Jovi
Santa Fe
140 bpm • D# min • 05:41 • -9.69db
52% Popularity • 52% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 52% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Queensrÿche
Silent Lucidity - Remastered 2003
140 bpm • G Maj • 05:47 • -5.66db
61% Popularity • 46% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
61% Popularity • 46% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Guns N' Roses
Civil War
140 bpm • A# min • 07:42 • -8.8db
69% Popularity • 34% Danceability • 79% Energy • 32% Liveness
6% Instrumentalness • 38% Positiveness
69% Popularity • 34% Danceability • 79% Energy • 32% Liveness
6% Instrumentalness • 38% Positiveness
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Chris Rea
The Blue Cafe
140 bpm • D min • 04:47 • -8.97db
52% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Aynsley Lister
Won't Be Taken Down
140 bpm • A# min • 05:57 • -5db
28% Popularity • 40% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 27% Positiveness
28% Popularity • 40% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 27% Positiveness
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Aerosmith
Amazing
139 bpm • C Maj • 05:55 • -5db
66% Popularity • 30% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 30% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Gary Moore
Jumpin' At Shadows - 2002 Digital Remast...
140 bpm • A Maj • 04:20 • -14.58db
25% Popularity • 58% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
25% Popularity • 58% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Ozzy Osbourne
Mama, I'm Coming Home
139 bpm • G# Maj • 04:11 • -6.56db
68% Popularity • 28% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 28% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Van Halen
Ain't Talkin' 'Bout Love - 2015 Remaster
139 bpm • G# min • 03:47 • -5.96db
69% Popularity • 52% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
69% Popularity • 52% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Camel
Stationary Traveller
152 bpm • D# min • 05:31 • -14.96db
39% Popularity • 37% Danceability • 22% Energy • 8% Liveness
15% Instrumentalness • 18% Positiveness
39% Popularity • 37% Danceability • 22% Energy • 8% Liveness
15% Instrumentalness • 18% Positiveness
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Kingdom Come
Can't Let Go - Director's Cut
139 bpm • A min • 02:39 • -16.28db
32% Popularity • 64% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 64% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Beth Hart, Joe Bonamassa
Nutbush City Limits (Live)
152 bpm • D Maj • 03:49 • -6db
31% Popularity • 55% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 55% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
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Gary Moore
The Prophet
139 bpm • G Maj • 06:19 • -5.9db
42% Popularity • 25% Danceability • 28% Energy • 20% Liveness
67% Instrumentalness • 4% Positiveness
42% Popularity • 25% Danceability • 28% Energy • 20% Liveness
67% Instrumentalness • 4% Positiveness
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Stan Webb
The House That Love Lives In
138 bpm • A min • 05:58 • -11.96db
22% Popularity • 53% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 28% Positiveness
22% Popularity • 53% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 28% Positiveness
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ZZ Top
2000 Blues
152 bpm • D Maj • 04:43 • -10.33db
28% Popularity • 51% Danceability • 54% Energy • 5% Liveness
10% Instrumentalness • 43% Positiveness
28% Popularity • 51% Danceability • 54% Energy • 5% Liveness
10% Instrumentalness • 43% Positiveness
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Julian Sas
Blues for the Lost and Found
152 bpm • F Maj • 06:55 • -6db
26% Popularity • 28% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 28% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Marillion
Lavender
138 bpm • A Maj • 03:44 • -6db
49% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
49% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
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Joe Bonamassa
Sloe Gin
138 bpm • A min • 08:12 • -8.37db
48% Popularity • 39% Danceability • 60% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
48% Popularity • 39% Danceability • 60% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
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Europe
In My Time
138 bpm • A min • 06:15 • -4.84db
22% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Accept
Kill the Pain
138 bpm • E min • 05:47 • -5.18db
50% Popularity • 40% Danceability • 83% Energy • 27% Liveness
1% Instrumentalness • 23% Positiveness
50% Popularity • 40% Danceability • 83% Energy • 27% Liveness
1% Instrumentalness • 23% Positiveness
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Henrik Freischlader
The Prophet
138 bpm • G min • 06:28 • -10.41db
33% Popularity • 32% Danceability • 20% Energy • 29% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 20% Energy • 29% Liveness
84% Instrumentalness • 4% Positiveness
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Jimmy Page
Prison Blues
138 bpm • A Maj • 07:08 • -13.09db
41% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Jethro Tull
She Said She Was a Dancer - 2005 Remaste...
138 bpm • C Maj • 03:41 • -10db
37% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Burks
Empty Promises
138 bpm • D min • 06:15 • -3.11db
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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David Gogo
This Is A Man's World
153 bpm • D min • 07:18 • -8.71db
32% Popularity • 46% Danceability • 49% Energy • 20% Liveness
6% Instrumentalness • 37% Positiveness
32% Popularity • 46% Danceability • 49% Energy • 20% Liveness
6% Instrumentalness • 37% Positiveness
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Omar and The Howlers
Full Moon On Main Street
153 bpm • A min • 04:52 • -11db
27% Popularity • 36% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 36% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Tony Joe White
Steamy Windows
138 bpm • A Maj • 04:01 • -13.06db
38% Popularity • 69% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
38% Popularity • 69% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Jimmy Page
Thank You
153 bpm • G Maj • 05:48 • -13.18db
37% Popularity • 28% Danceability • 51% Energy • 75% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 28% Danceability • 51% Energy • 75% Liveness
0% Instrumentalness • 43% Positiveness
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Dire Straits
Tunnel Of Love
138 bpm • F Maj • 08:09 • -7.88db
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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STEELHEART
She's Gone
137 bpm • C min • 06:32 • -11db
61% Popularity • 42% Danceability • 56% Energy • 15% Liveness
8% Instrumentalness • 15% Positiveness
61% Popularity • 42% Danceability • 56% Energy • 15% Liveness
8% Instrumentalness • 15% Positiveness
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Supersonic Blues Machine
Ain't No Love (In The Heart Of The City)
154 bpm • A min • 05:26 • -6db
36% Popularity • 50% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 50% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Rolling Stones
Angie - Remastered 2009
136 bpm • A min • 04:32 • -6.13db
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Tony Joe White
Tunica Motel
137 bpm • F# min • 04:22 • -11.66db
36% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Europe
Carrie
136 bpm • G Maj • 04:32 • -7.11db
70% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
70% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Emerson, Lake & Palmer
Lucky Man
154 bpm • G Maj • 04:37 • -15.62db
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
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Gary Moore
Picture of the Moon
136 bpm • A min • 07:11 • -7.92db
36% Popularity • 51% Danceability • 34% Energy • 4% Liveness
4% Instrumentalness • 21% Positiveness
36% Popularity • 51% Danceability • 34% Energy • 4% Liveness
4% Instrumentalness • 21% Positiveness
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Bas Paardekooper and the Blew Crew
Broken Heart for Sale
136 bpm • B min • 09:30 • -6.43db
8% Popularity • 33% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 33% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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The Quireboys
King of New York
136 bpm • D Maj • 05:39 • -11.47db
13% Popularity • 61% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 61% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Rory Gallagher
A Million Miles Away
136 bpm • D min • 06:55 • -10.4db
48% Popularity • 50% Danceability • 65% Energy • 42% Liveness
1% Instrumentalness • 61% Positiveness
48% Popularity • 50% Danceability • 65% Energy • 42% Liveness
1% Instrumentalness • 61% Positiveness
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Tinsley Ellis
Your Love's Like Heroin
155 bpm • D min • 07:07 • -9db
26% Popularity • 40% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
26% Popularity • 40% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Eagles
Somebody
135 bpm • G min • 04:09 • -7db
31% Popularity • 63% Danceability • 71% Energy • 20% Liveness
1% Instrumentalness • 72% Positiveness
31% Popularity • 63% Danceability • 71% Energy • 20% Liveness
1% Instrumentalness • 72% Positiveness
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Gary Moore
Still Got The Blues - Live from the Blue...
155 bpm • A min • 06:40 • -11.59db
37% Popularity • 22% Danceability • 38% Energy • 95% Liveness
1% Instrumentalness • 17% Positiveness
37% Popularity • 22% Danceability • 38% Energy • 95% Liveness
1% Instrumentalness • 17% Positiveness
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Dire Straits
Where Do You Think You're Going?
155 bpm • A min • 03:49 • -12.74db
64% Popularity • 46% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
64% Popularity • 46% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Joe Carran
The Road To Hell
135 bpm • A min • 04:28 • -7db
27% Popularity • 64% Danceability • 74% Energy • 10% Liveness
78% Instrumentalness • 88% Positiveness
27% Popularity • 64% Danceability • 74% Energy • 10% Liveness
78% Instrumentalness • 88% Positiveness
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Chris Rea
The Road to Hell, Pt. II - 2019 Remaster
135 bpm • A min • 04:32 • -10.1db
50% Popularity • 64% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 64% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Queen
Tie Your Mother Down - Remastered 2011
135 bpm • D Maj • 04:47 • -5.59db
54% Popularity • 33% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 33% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Henrik Freischlader
The Memory of Our Love
156 bpm • C min • 07:44 • -11db
44% Popularity • 33% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
44% Popularity • 33% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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The Jeff Healey Band
While My Guitar Gently Weeps
135 bpm • G Maj • 05:15 • -11.14db
53% Popularity • 43% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 43% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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BBM
Why Does Love (Have To Go Wrong)
135 bpm • G Maj • 08:27 • -8db
15% Popularity • 28% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 28% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Black Country Communion
Song Of Yesterday
156 bpm • A min • 08:32 • -8.05db
40% Popularity • 36% Danceability • 71% Energy • 30% Liveness
52% Instrumentalness • 29% Positiveness
40% Popularity • 36% Danceability • 71% Energy • 30% Liveness
52% Instrumentalness • 29% Positiveness
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Chris Rea
Nothing to Fear
156 bpm • A min • 09:05 • -12.04db
39% Popularity • 52% Danceability • 39% Energy • 7% Liveness
17% Instrumentalness • 14% Positiveness
39% Popularity • 52% Danceability • 39% Energy • 7% Liveness
17% Instrumentalness • 14% Positiveness
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Laurence Jones
Thunder in the Sky
134 bpm • F# min • 06:36 • -7.91db
28% Popularity • 33% Danceability • 42% Energy • 18% Liveness
30% Instrumentalness • 34% Positiveness
28% Popularity • 33% Danceability • 42% Energy • 18% Liveness
30% Instrumentalness • 34% Positiveness
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Ritchie Blackmore
Apache
135 bpm • A min • 03:14 • -15.71db
23% Popularity • 57% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
23% Popularity • 57% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
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Don Airey
Adagio
134 bpm • C min • 05:23 • -4.77db
27% Popularity • 16% Danceability • 65% Energy • 14% Liveness
67% Instrumentalness • 11% Positiveness
27% Popularity • 16% Danceability • 65% Energy • 14% Liveness
67% Instrumentalness • 11% Positiveness
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King King
Old Love
134 bpm • A min • 09:51 • -8.39db
23% Popularity • 55% Danceability • 34% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
23% Popularity • 55% Danceability • 34% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
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Marillion
Lavender - 2017 Remaster
134 bpm • A Maj • 02:26 • -9db
45% Popularity • 37% Danceability • 45% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
45% Popularity • 37% Danceability • 45% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
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Chris Rea
The Road to Hell, Pt. 1 & 2 - New Versio...
134 bpm • A min • 06:32 • -10db
50% Popularity • 56% Danceability • 69% Energy • 5% Liveness
2% Instrumentalness • 46% Positiveness
50% Popularity • 56% Danceability • 69% Energy • 5% Liveness
2% Instrumentalness • 46% Positiveness
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Rory Gallagher
Shadow Play
157 bpm • D min • 04:46 • -10.33db
45% Popularity • 40% Danceability • 85% Energy • 12% Liveness
4% Instrumentalness • 60% Positiveness
45% Popularity • 40% Danceability • 85% Energy • 12% Liveness
4% Instrumentalness • 60% Positiveness
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Axe
Battles
134 bpm • D min • 06:13 • -10db
22% Popularity • 32% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 32% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Deep Purple
Soldier Of Fortune - 2009 Digital Remast...
134 bpm • D min • 03:24 • -13.01db
58% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Gary Moore
Moving On
157 bpm • D Maj • 02:39 • -13.23db
41% Popularity • 50% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 50% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Marillion
He Knows You Know - 1997 Remaster
157 bpm • E min • 05:23 • -8.84db
37% Popularity • 39% Danceability • 71% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
37% Popularity • 39% Danceability • 71% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
