Songs like Blood On The Saddle by Tex Ritter
Based on a tempo of (+/- 10%) and a similar genre
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Sons of the Pioneers
I'll Sail My Ship Alone
94 bpm • D Maj • 02:13 • -10db
31% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Cowboy Copas
Filipino Baby
94 bpm • A Maj • 02:46 • -8.52db
25% Popularity • 73% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 73% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Homer & Jethro
El Paso
94 bpm • D Maj • 03:02 • -12db
8% Popularity • 60% Danceability • 37% Energy • 53% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 60% Danceability • 37% Energy • 53% Liveness
0% Instrumentalness • 70% Positiveness
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Hawkshaw Hawkins
Sunny Side Of The Mountain
94 bpm • D Maj • 02:55 • -7.79db
16% Popularity • 75% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
16% Popularity • 75% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
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Dick Curless
The Heartline Special
94 bpm • E min • 02:52 • -14db
21% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Hank Snow & His Rainbow Ranch Boys
The Rhumba Boogie
94 bpm • D Maj • 02:47 • -7.49db
16% Popularity • 65% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 65% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmie Davis
There's a New Moon Over My Shoulder
95 bpm • A Maj • 02:15 • -15.56db
24% Popularity • 82% Danceability • 21% Energy • 10% Liveness
40% Instrumentalness • 82% Positiveness
24% Popularity • 82% Danceability • 21% Energy • 10% Liveness
40% Instrumentalness • 82% Positiveness
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Tex Ritter
Blood on the Saddle
95 bpm • A Maj • 02:58 • -17.03db
17% Popularity • 63% Danceability • 4% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
17% Popularity • 63% Danceability • 4% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
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Sons of the Pioneers
Carry Me Back to the Lone Prarie
95 bpm • C Maj • 03:06 • -10.77db
1% Popularity • 34% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 34% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Hawkshaw Hawkins
Pan American
94 bpm • E Maj • 02:54 • -12.64db
10% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Bill Anderson
Still
95 bpm • G# Maj • 02:51 • -21db
34% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Fess Parker
The Ballad of Davy Crockett
93 bpm • C# Maj • 02:11 • -13.25db
36% Popularity • 70% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 70% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Eddy Arnold
Tennessee Stud - Remastered
95 bpm • F Maj • 03:06 • -15.68db
32% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Porter Wagoner
The Carroll County Accident
93 bpm • G Maj • 02:48 • -13db
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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George Morgan
Too Busy Saying Goodbye
96 bpm • A# Maj • 02:10 • -11.72db
24% Popularity • 53% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 53% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Leroy Van Dyke
The Hobo's Last Ride
92 bpm • A Maj • 02:42 • -13.17db
33% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Lefty Frizzell
Mom and Dad's Waltz
96 bpm • C Maj • 03:05 • -11db
21% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Hank Thompson And His Brazos Valley Boys
Rub-A-Dub-Dub
96 bpm • A Maj • 02:15 • -7.92db
27% Popularity • 83% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 83% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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The Browns
The Old Lamplighter
92 bpm • D Maj • 02:21 • -16.78db
35% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Eddy Arnold
Carry Me Back to the Lone Prairie
96 bpm • D Maj • 02:18 • -14.39db
37% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Fess Parker
Daniel Boone
92 bpm • C min • 01:59 • -12.32db
30% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Dick Curless
Six Times A Day (The Trains Came Down)
96 bpm • C Maj • 02:33 • -11.25db
23% Popularity • 61% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 61% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Tex Ritter
Rock And Rye
96 bpm • C Maj • 02:41 • -20.28db
5% Popularity • 73% Danceability • 7% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 73% Danceability • 7% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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The Louvin Brothers
If I Could Only Win Your Love
92 bpm • A Maj • 02:20 • -6.76db
25% Popularity • 68% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 68% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Hawkshaw Hawkins
Soldier's Joy
97 bpm • F Maj • 02:20 • -13.16db
22% Popularity • 84% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 84% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Lefty Frizzell
Forever (And Always)
97 bpm • G Maj • 02:30 • -15.17db
29% Popularity • 62% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 62% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Stonewall Jackson
Smoke Along The Track
97 bpm • E Maj • 02:37 • -12db
20% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Dick Curless
'Tater Raisin' Man
92 bpm • G# Maj • 02:01 • -9.37db
26% Popularity • 53% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 85% Positiveness
26% Popularity • 53% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 85% Positiveness
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Tex Ritter
I've Done The Best I Could
97 bpm • C Maj • 02:34 • -11.35db
3% Popularity • 59% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 59% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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The Louvin Brothers
Cash On The Barrel Head
96 bpm • F Maj • 02:41 • -6.14db
32% Popularity • 79% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 79% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Spade Cooley
Shame On You
97 bpm • A# Maj • 01:54 • -14.27db
31% Popularity • 67% Danceability • 24% Energy • 25% Liveness
5% Instrumentalness • 92% Positiveness
31% Popularity • 67% Danceability • 24% Energy • 25% Liveness
5% Instrumentalness • 92% Positiveness
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Bill Monroe & His Blue Grass Boys
Blue Yodel No. 4
97 bpm • F Maj • 03:28 • -14.59db
27% Popularity • 74% Danceability • 29% Energy • 25% Liveness
37% Instrumentalness • 79% Positiveness
27% Popularity • 74% Danceability • 29% Energy • 25% Liveness
37% Instrumentalness • 79% Positiveness
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Stonewall Jackson
Smoke Along the Track
97 bpm • E Maj • 02:41 • -8.18db
27% Popularity • 59% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 59% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Hank Snow & His Rainbow Ranch Boys
These Hands
91 bpm • G# Maj • 02:48 • -10.04db
12% Popularity • 52% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 52% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Wynn Stewart
Another Day, Another Dollar
91 bpm • E Maj • 02:32 • -11db
19% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Ferlin Husky
Draggin' The River
91 bpm • F Maj • 02:08 • -10.75db
51% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Tex Ritter
Froggy Went A-Courtin'
97 bpm • D Maj • 02:02 • -12.31db
5% Popularity • 61% Danceability • 46% Energy • 13% Liveness
30% Instrumentalness • 86% Positiveness
5% Popularity • 61% Danceability • 46% Energy • 13% Liveness
30% Instrumentalness • 86% Positiveness
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Tommy Collins
Poor, Broke, Mixed up Mess of a Heart
97 bpm • G Maj • 02:09 • -14.9db
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Wakely
When It's Round Up Time in Texas
97 bpm • D Maj • 02:27 • -12.41db
12% Popularity • 77% Danceability • 34% Energy • 8% Liveness
11% Instrumentalness • 91% Positiveness
12% Popularity • 77% Danceability • 34% Energy • 8% Liveness
11% Instrumentalness • 91% Positiveness
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Floyd Tillman
I Love You so Much It Hurts
91 bpm • A Maj • 02:41 • -8.93db
10% Popularity • 43% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 43% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lefty Frizzell
She's Gone, Gone, Gone
97 bpm • G Maj • 02:21 • -12db
34% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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The Louvin Brothers
The Great Atomic Power
97 bpm • A Maj • 02:42 • -9.5db
36% Popularity • 68% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 68% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Sons of the Pioneers
O Bury Me Not on the Lone Prairie
91 bpm • D Maj • 02:52 • -10.32db
25% Popularity • 25% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 25% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Kitty Wells
I Can't Stop Loving You - 1958 Single Ve...
97 bpm • F# Maj • 02:16 • -12.84db
35% Popularity • 54% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 54% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Hawkshaw Hawkins
Twenty Miles From Shore
91 bpm • E Maj • 01:56 • -13.98db
26% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Ferlin Husky
My Reason For Living
98 bpm • G Maj • 02:04 • -8.57db
35% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Henson Cargill
Black Jack County Chain
90 bpm • G Maj • 02:06 • -14.99db
19% Popularity • 55% Danceability • 37% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
19% Popularity • 55% Danceability • 37% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Tex Williams
I Lost My Gal From Memphis
98 bpm • F# Maj • 02:27 • -10db
29% Popularity • 78% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 78% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Sons of the Pioneers
Happy Trails
98 bpm • F Maj • 02:15 • -14db
25% Popularity • 36% Danceability • 23% Energy • 8% Liveness
53% Instrumentalness • 37% Positiveness
25% Popularity • 36% Danceability • 23% Energy • 8% Liveness
53% Instrumentalness • 37% Positiveness
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Stonewall Jackson
Trouble and Me
98 bpm • D# Maj • 02:14 • -9.67db
28% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Jean Shepard
Two Whoops And A Holler
90 bpm • A Maj • 02:21 • -9.05db
29% Popularity • 80% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 80% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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George Morgan
Room Full of Roses
90 bpm • A# Maj • 02:33 • -15.5db
26% Popularity • 56% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 56% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Tex Ritter
Bad Brahma Bull
98 bpm • G Maj • 03:08 • -17.21db
0% Popularity • 59% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 59% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Jim Ed Brown
Southern Loving
99 bpm • F Maj • 02:13 • -10.54db
24% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
98 bpm • A Maj • 02:27 • -9.32db
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Elton Britt
Patent Leather Boots
99 bpm • G# Maj • 03:01 • -10db
14% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Sons of the Pioneers
Tumbling Tumbleweeds - Single Version
99 bpm • A# Maj • 03:16 • -15db
26% Popularity • 40% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 40% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Fess Parker
Andrew Jackson (Old Hickory)
99 bpm • F Maj • 02:48 • -10.73db
16% Popularity • 77% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 77% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Dave Dudley
Cowboy Boots
89 bpm • C# Maj • 02:10 • -5.79db
23% Popularity • 57% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 57% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Clark
Tips Of My Fingers
89 bpm • D Maj • 02:44 • -16.57db
30% Popularity • 50% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 50% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Del Reeves
This Must The The Bottom
89 bpm • A Maj • 01:53 • -14db
35% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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George Hamilton IV
The Roving Gambler
99 bpm • G Maj • 02:21 • -13.71db
25% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Elton Britt
That's How the Yodel Was Born
99 bpm • A Maj • 03:13 • -12.26db
10% Popularity • 45% Danceability • 29% Energy • 8% Liveness
7% Instrumentalness • 32% Positiveness
10% Popularity • 45% Danceability • 29% Energy • 8% Liveness
7% Instrumentalness • 32% Positiveness
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Roy Acuff
Wabash Cannonball
99 bpm • A Maj • 02:36 • -10db
39% Popularity • 72% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 72% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Roy Drusky
Long Long Texas Road
100 bpm • E Maj • 02:23 • -11.65db
34% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Tommy Collins
It Tickles
100 bpm • A Maj • 02:27 • -10.12db
27% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Maddox Brothers
Milk Cow Blues
100 bpm • D Maj • 03:10 • -14.06db
23% Popularity • 64% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 47% Positiveness
23% Popularity • 64% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 47% Positiveness
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Walter Brennan
Old Shep
88 bpm • A# Maj • 03:56 • -13.81db
13% Popularity • 31% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 31% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Hawkshaw Hawkins
I'm Waiting Just For You
88 bpm • G Maj • 02:48 • -11.67db
16% Popularity • 61% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 61% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Hank Thompson And His Brazos Valley Boys
Squaws Along The Yukon
101 bpm • C Maj • 02:31 • -7.05db
28% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Stonewall Jackson
B.J. the D.J.
87 bpm • E Maj • 02:48 • -13.45db
29% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Hank Penny
Won't You Ride In My Little Red Wagon
101 bpm • D# Maj • 02:03 • -8.93db
30% Popularity • 81% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 81% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Frankie Miller
Black Land Farmer
101 bpm • A Maj • 02:31 • -10.29db
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Sons of the Pioneers
There's A Round-Up In The Sky
87 bpm • C Maj • 03:06 • -13.84db
10% Popularity • 55% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 55% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Delmore Brothers
Hillbilly Boogie
102 bpm • E Maj • 02:48 • -10.2db
13% Popularity • 63% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 65% Positiveness
13% Popularity • 63% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 65% Positiveness
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Johnny Western
Hannah Lee (High Are the Gallows)
102 bpm • A Maj • 02:26 • -9.83db
16% Popularity • 52% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 52% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Stonewall Jackson
Waterloo
102 bpm • G# min • 02:28 • -6.67db
27% Popularity • 56% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 56% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Tex Ritter
Rye Whiskey, Rye Whiskey
102 bpm • C# Maj • 03:49 • -25.24db
6% Popularity • 67% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
6% Popularity • 67% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Claude King
Beer Drops & Tear Drops
87 bpm • E Maj • 03:30 • -8.76db
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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George Hamilton IV
Steel Rail Blues
87 bpm • C Maj • 02:40 • -11.9db
24% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Tex Williams
Reno
102 bpm • A Maj • 02:20 • -12.13db
13% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Cowboy Copas
Tennessee Waltz
103 bpm • B Maj • 03:03 • -9.51db
14% Popularity • 58% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 58% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Kitty Wells
Making Believe - 1955 Single Version
103 bpm • A# Maj • 02:55 • -11db
39% Popularity • 57% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 57% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Tex Ritter
Froggy Went a Courtin'
102 bpm • D# Maj • 01:57 • -9.23db
11% Popularity • 52% Danceability • 59% Energy • 31% Liveness
69% Instrumentalness • 87% Positiveness
11% Popularity • 52% Danceability • 59% Energy • 31% Liveness
69% Instrumentalness • 87% Positiveness
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Hank Snow & His Rainbow Ranch Boys
Yellow Roses
103 bpm • G# Maj • 02:45 • -7.32db
12% Popularity • 26% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 26% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Claude King
Pistol Packin' Papa
102 bpm • D Maj • 02:28 • -13.75db
13% Popularity • 75% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 75% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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George Hamilton IV
Jimmy Brown the News Boy
102 bpm • E Maj • 02:24 • -15.12db
29% Popularity • 73% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 73% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Hawkshaw Hawkins
I Can't Seem To Say Goodbye
86 bpm • D Maj • 02:18 • -16.58db
26% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Wilburn Brothers
Trouble's Back in Town
103 bpm • D Maj • 02:12 • -14.39db
24% Popularity • 63% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 63% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Walker
I Wouldn't Take Her to a Dogfight
103 bpm • A Maj • 02:13 • -8.66db
25% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Little Jimmy Dickens
Country Music Lover
104 bpm • E Maj • 02:57 • -9.21db
16% Popularity • 72% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 72% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmie Rodgers
Pistol Packin' Papa
104 bpm • D# Maj • 02:54 • -9.68db
21% Popularity • 81% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 81% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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George Hamilton IV
Truck Driving Man
104 bpm • E Maj • 02:28 • -10.54db
28% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmie Driftwood
The Battle of New Orleans
104 bpm • A Maj • 03:30 • -10.59db
18% Popularity • 71% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 71% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Bill Monroe & His Blue Grass Boys
Blue Moon of Kentucky
104 bpm • A# Maj • 03:00 • -15.26db
36% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmie Rodgers
Tucumcari
104 bpm • A min • 02:15 • -11.57db
20% Popularity • 70% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 70% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Little Jimmy Dickens
May the Bird of Paradise Fly up Your Nos...
104 bpm • E Maj • 02:31 • -8db
40% Popularity • 66% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 66% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
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Hawkshaw Hawkins
Doghouse Boogie
105 bpm • C# min • 02:42 • -8.02db
12% Popularity • 77% Danceability • 52% Energy • 7% Liveness
13% Instrumentalness • 92% Positiveness
12% Popularity • 77% Danceability • 52% Energy • 7% Liveness
13% Instrumentalness • 92% Positiveness
