Songs like Blood Red Roses by Gary Beals
Based on a tempo of (+/- 10%) and a similar genre
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Collard
Stolen
103 bpm • G# min • 04:20 • -14.89db
37% Popularity • 88% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 70% Positiveness
37% Popularity • 88% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 70% Positiveness
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Leela James
Satisfied
103 bpm • G min • 03:48 • -4.88db
29% Popularity • 84% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 84% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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.multibeat
Don’t Count Me In
103 bpm • D min • 03:18 • -12.16db
38% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Gary Beals
Blood Red Roses
103 bpm • E min • 03:11 • -7.61db
6% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
6% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Mychelle
Not Serious - Acoustic
103 bpm • A min • 03:18 • -12.07db
32% Popularity • 71% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 71% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Cleo Sol
Life Will Be
102 bpm • G Maj • 03:18 • -8.66db
50% Popularity • 56% Danceability • 41% Energy • 15% Liveness
1% Instrumentalness • 29% Positiveness
50% Popularity • 56% Danceability • 41% Energy • 15% Liveness
1% Instrumentalness • 29% Positiveness
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The Sextones
Drunk off Your Love
102 bpm • C Maj • 03:28 • -6.67db
12% Popularity • 83% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 83% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Stereo League
Seasons of Trouble
102 bpm • G min • 04:52 • -6.85db
26% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Big Leaf
100 Days
102 bpm • C# min • 01:39 • -7.86db
39% Popularity • 81% Danceability • 86% Energy • 8% Liveness
81% Instrumentalness • 41% Positiveness
39% Popularity • 81% Danceability • 86% Energy • 8% Liveness
81% Instrumentalness • 41% Positiveness
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Gary Beals
Pictures
103 bpm • G min • 03:38 • -8.71db
0% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Aaron Taylor
Drowning in Your Love - Interlude
104 bpm • G Maj • 01:11 • -8.93db
48% Popularity • 88% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 95% Positiveness
48% Popularity • 88% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 95% Positiveness
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Carlos Abril
Distance
102 bpm • D min • 04:08 • -10.14db
36% Popularity • 67% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
36% Popularity • 67% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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The Sextones
Love Can't Be Borrowed
104 bpm • A Maj • 03:47 • -6.88db
29% Popularity • 76% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 76% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Yola
Dancing Away In Tears - Home Sessions
105 bpm • G# Maj • 03:43 • -4.75db
28% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Keyon Harrold
Foreverland - Single Edit
105 bpm • C min • 05:02 • -6.86db
24% Popularity • 39% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 39% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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CHERISE
Calling
105 bpm • A min • 03:33 • -5.58db
34% Popularity • 72% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 72% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Aaron Taylor
Rest Your Head
102 bpm • A# Maj • 01:44 • -12.43db
22% Popularity • 59% Danceability • 9% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 59% Danceability • 9% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Gary Beals
Thank You
101 bpm • E min • 01:04 • -8.54db
0% Popularity • 45% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 45% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
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Jordan Astra
The Same
105 bpm • B min • 03:05 • -10.64db
30% Popularity • 77% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 77% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Rudy Love & The Encore
Blue Check
105 bpm • C# Maj • 01:31 • -9.98db
38% Popularity • 68% Danceability • 72% Energy • 32% Liveness
49% Instrumentalness • 65% Positiveness
38% Popularity • 68% Danceability • 72% Energy • 32% Liveness
49% Instrumentalness • 65% Positiveness
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Joshua Henry
Burning Up
101 bpm • E min • 03:18 • -5.81db
37% Popularity • 82% Danceability • 71% Energy • 38% Liveness
1% Instrumentalness • 75% Positiveness
37% Popularity • 82% Danceability • 71% Energy • 38% Liveness
1% Instrumentalness • 75% Positiveness
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vAn
SHIMMER
105 bpm • B min • 03:38 • -9.24db
31% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Saint Joshua
Blah Blah Blah
101 bpm • C# Maj • 02:26 • -9.08db
32% Popularity • 82% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 82% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Maë Defays
Mangrove
101 bpm • F# min • 03:45 • -6.19db
18% Popularity • 69% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 69% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Seth Haapu
Natural High
105 bpm • B Maj • 02:52 • -10.11db
16% Popularity • 68% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 68% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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The Next Movement
Seize The Day (Re-Souled)
101 bpm • C# Maj • 04:41 • -8.21db
12% Popularity • 81% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 81% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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The Sextones
Your Love Shines Golden
105 bpm • D Maj • 02:49 • -5.79db
22% Popularity • 68% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 68% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Farah Audhali
Favourite
106 bpm • B Maj • 03:02 • -7.59db
29% Popularity • 75% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 75% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Stacy Barthe
Ain't I A Woman
100 bpm • D min • 02:31 • -7.61db
34% Popularity • 75% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 75% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Gary Beals
Who Says
100 bpm • G min • 03:12 • -7.6db
2% Popularity • 71% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
2% Popularity • 71% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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NNAVY
Come And Get It
100 bpm • A# min • 02:26 • -7.77db
40% Popularity • 89% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 89% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Kennedy Ryon
Sunny Days
100 bpm • A Maj • 04:22 • -10.53db
39% Popularity • 91% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 91% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Louis Baker
Been and Gone
100 bpm • D Maj • 04:40 • -9.25db
44% Popularity • 82% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 82% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Swatkins
Sweet Talk
100 bpm • A# min • 04:37 • -5.42db
23% Popularity • 78% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 78% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Amanda Barise
BILLS
100 bpm • E min • 02:46 • -10db
21% Popularity • 79% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 79% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Gary Beals
Summer Nights
100 bpm • A Maj • 04:26 • -7.14db
1% Popularity • 74% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
1% Popularity • 74% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Jason LaPierre
When I'm With You
100 bpm • E Maj • 02:42 • -8db
33% Popularity • 65% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 65% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Dojo Cuts
Make A Wrong Right
100 bpm • A min • 02:43 • -10.03db
26% Popularity • 79% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 79% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Goodwerks
Let's Talk About Sex
100 bpm • C# Maj • 02:46 • -6.98db
13% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Diamond Cafe
Pocket (Diamond Cut)
107 bpm • B Maj • 02:12 • -7.46db
27% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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MonoNeon
Church of Your Heart
107 bpm • G min • 02:59 • -5.63db
30% Popularity • 83% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 83% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Gary Beals
Taste Ya
100 bpm • F# min • 02:46 • -7db
3% Popularity • 65% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
3% Popularity • 65% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Harry Linacre
Running
107 bpm • F min • 03:03 • -5.86db
16% Popularity • 74% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
16% Popularity • 74% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
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THEHONESTGUY
CHANTE'S GROOVE
99 bpm • F# Maj • 03:15 • -8.38db
40% Popularity • 73% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 73% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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RC & The Gritz
Let You Know
99 bpm • B min • 03:16 • -10db
26% Popularity • 77% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 77% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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The Odd 910
Quebrada
99 bpm • A# min • 04:19 • -9.53db
32% Popularity • 79% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 79% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Anthony David
Need You Now
108 bpm • C# min • 04:06 • -9.92db
25% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Gary Beals
Why Not
99 bpm • F# min • 03:23 • -9.38db
0% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Nicole Chambers
MORE
108 bpm • G Maj • 02:59 • -13.1db
11% Popularity • 43% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 43% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Relyae
Flow State
98 bpm • D Maj • 02:32 • -12.8db
39% Popularity • 71% Danceability • 41% Energy • 27% Liveness
4% Instrumentalness • 65% Positiveness
39% Popularity • 71% Danceability • 41% Energy • 27% Liveness
4% Instrumentalness • 65% Positiveness
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MT Jones
Wasting My Time
98 bpm • C# min • 03:34 • -6.1db
21% Popularity • 68% Danceability • 82% Energy • 18% Liveness
7% Instrumentalness • 63% Positiveness
21% Popularity • 68% Danceability • 82% Energy • 18% Liveness
7% Instrumentalness • 63% Positiveness
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Shaynah
Let That Go
98 bpm • F# min • 03:01 • -9.47db
42% Popularity • 67% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 67% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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October London
Make Me Wanna
98 bpm • B min • 03:01 • -3.19db
49% Popularity • 67% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 67% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Gary Beals
Good Love
98 bpm • C# Maj • 02:29 • -10.66db
0% Popularity • 29% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 29% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Joslyn & the Sweet Compression
Write A Love Song
98 bpm • C# Maj • 03:54 • -8.5db
15% Popularity • 72% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 72% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Mayer Hawthorne
On The Floor
109 bpm • F min • 02:51 • -7.38db
31% Popularity • 77% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 77% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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MT Jones
I'd Be Lying
109 bpm • C# Maj • 03:22 • -8.34db
26% Popularity • 84% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 84% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Gotts Street Park
Fool For Love
97 bpm • F# min • 03:36 • -14.31db
35% Popularity • 66% Danceability • 24% Energy • 10% Liveness
26% Instrumentalness • 56% Positiveness
35% Popularity • 66% Danceability • 24% Energy • 10% Liveness
26% Instrumentalness • 56% Positiveness
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MMYYKK
U Got Me
97 bpm • D# min • 03:26 • -10.67db
32% Popularity • 49% Danceability • 54% Energy • 14% Liveness
16% Instrumentalness • 86% Positiveness
32% Popularity • 49% Danceability • 54% Energy • 14% Liveness
16% Instrumentalness • 86% Positiveness
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Gary Beals
Angel
98 bpm • A# Maj • 04:30 • -7.23db
0% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Baby Rose
Love Bomb
97 bpm • F Maj • 03:01 • -10.66db
39% Popularity • 62% Danceability • 57% Energy • 13% Liveness
6% Instrumentalness • 24% Positiveness
39% Popularity • 62% Danceability • 57% Energy • 13% Liveness
6% Instrumentalness • 24% Positiveness
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Julia Logue
Welcome To Your Sunrise
97 bpm • C# min • 04:57 • -6.56db
13% Popularity • 57% Danceability • 60% Energy • 10% Liveness
40% Instrumentalness • 38% Positiveness
13% Popularity • 57% Danceability • 60% Energy • 10% Liveness
40% Instrumentalness • 38% Positiveness
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Anees
Bad Intentions
97 bpm • G Maj • 04:19 • -16.17db
26% Popularity • 73% Danceability • 29% Energy • 11% Liveness
26% Instrumentalness • 47% Positiveness
26% Popularity • 73% Danceability • 29% Energy • 11% Liveness
26% Instrumentalness • 47% Positiveness
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Cézanne
Guiding Light
97 bpm • C Maj • 03:30 • -6.85db
30% Popularity • 83% Danceability • 63% Energy • 7% Liveness
9% Instrumentalness • 64% Positiveness
30% Popularity • 83% Danceability • 63% Energy • 7% Liveness
9% Instrumentalness • 64% Positiveness
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Alex Cherney
i found a diamond
97 bpm • A# Maj • 04:08 • -7.9db
12% Popularity • 68% Danceability • 63% Energy • 33% Liveness
7% Instrumentalness • 46% Positiveness
12% Popularity • 68% Danceability • 63% Energy • 33% Liveness
7% Instrumentalness • 46% Positiveness
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Gary Beals
Put Your Hands Up
97 bpm • F# Maj • 04:01 • -8.16db
0% Popularity • 80% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 80% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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JU-LIA
Berlin
110 bpm • D min • 04:55 • -12.05db
35% Popularity • 39% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 39% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Kwaku Asante
Inside Out
96 bpm • C# Maj • 02:33 • -13.98db
28% Popularity • 74% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 74% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Aaron Taylor
Joy Inside
110 bpm • F Maj • 01:52 • -8.72db
44% Popularity • 75% Danceability • 49% Energy • 45% Liveness
8% Instrumentalness • 45% Positiveness
44% Popularity • 75% Danceability • 49% Energy • 45% Liveness
8% Instrumentalness • 45% Positiveness
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Ruby Wood
Me and My Girl
96 bpm • F# min • 03:24 • -7.84db
15% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Jeane Wiszynski
Roller Skating in the Moonlight
110 bpm • C Maj • 03:35 • -10.5db
15% Popularity • 84% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 84% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Relyae
midnight
96 bpm • C# min • 03:15 • -11.44db
33% Popularity • 71% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 51% Positiveness
33% Popularity • 71% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 51% Positiveness
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Cosmo Klein
Love 4 Sale
96 bpm • C Maj • 03:21 • -6.3db
32% Popularity • 88% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 72% Positiveness
32% Popularity • 88% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 72% Positiveness
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Sierra Sellers
Unspoken
96 bpm • A min • 03:07 • -4.98db
35% Popularity • 82% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 82% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Kibra
If Things Change
96 bpm • A# min • 03:11 • -5.97db
19% Popularity • 72% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 72% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Adi Oasis
Outside - Interlude
111 bpm • C min • 01:07 • -11.22db
40% Popularity • 39% Danceability • 23% Energy • 14% Liveness
24% Instrumentalness • 35% Positiveness
40% Popularity • 39% Danceability • 23% Energy • 14% Liveness
24% Instrumentalness • 35% Positiveness
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NAVENI
Biting These Bullets
96 bpm • C# Maj • 03:22 • -6.25db
32% Popularity • 46% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 46% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Cookin' On 3 Burners
Whole Woman
111 bpm • G Maj • 04:34 • -9.32db
12% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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ii
follow this
96 bpm • D Maj • 03:15 • -7.95db
41% Popularity • 77% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 77% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Regime
Never Gonna Stop - Vinyl Edit
95 bpm • D Maj • 05:14 • -11.37db
19% Popularity • 70% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
19% Popularity • 70% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Syleena Johnson
Monsters in the Closet
95 bpm • E min • 03:43 • -5.59db
33% Popularity • 72% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 72% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Kwaku Asante
Strawberry Skies
95 bpm • C# min • 03:06 • -9.71db
30% Popularity • 56% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 56% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Fertile Ground
Black Sunshine
95 bpm • F Maj • 03:14 • -9.1db
31% Popularity • 80% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 80% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Dr Tunes
Work Together
95 bpm • B min • 01:20 • -9.74db
24% Popularity • 73% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
24% Popularity • 73% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Mr Maph
I LIKE ME U LIKE U
95 bpm • C min • 02:31 • -6.46db
22% Popularity • 59% Danceability • 70% Energy • 52% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 59% Danceability • 70% Energy • 52% Liveness
0% Instrumentalness • 90% Positiveness
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Gary Beals
Where Else Would I Be
95 bpm • C Maj • 03:52 • -7.33db
0% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Claire Davis
Get It Right
95 bpm • C# min • 03:01 • -7db
10% Popularity • 58% Danceability • 63% Energy • 6% Liveness
3% Instrumentalness • 95% Positiveness
10% Popularity • 58% Danceability • 63% Energy • 6% Liveness
3% Instrumentalness • 95% Positiveness
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Jamison Ross
Trying
95 bpm • C# Maj • 02:58 • -12.6db
12% Popularity • 66% Danceability • 43% Energy • 65% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 66% Danceability • 43% Energy • 65% Liveness
0% Instrumentalness • 89% Positiveness
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Mayer Hawthorne
Without You
95 bpm • G Maj • 02:26 • -9.46db
40% Popularity • 82% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 82% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Noran Brown
I need too
95 bpm • A min • 01:13 • -5.78db
38% Popularity • 78% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 78% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Avery*Sunshine
Lifted Up
112 bpm • C Maj • 02:55 • -5.62db
42% Popularity • 83% Danceability • 74% Energy • 62% Liveness
5% Instrumentalness • 96% Positiveness
42% Popularity • 83% Danceability • 74% Energy • 62% Liveness
5% Instrumentalness • 96% Positiveness
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Gary Beals
Say It All
112 bpm • A Maj • 04:00 • -7.12db
0% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Louis Cato
Reflections
113 bpm • F Maj • 04:28 • -8.81db
29% Popularity • 69% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 69% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jordan Astra
Stay A While
94 bpm • F# Maj • 03:06 • -6.15db
30% Popularity • 83% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 83% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Jack Page
Sports Team
94 bpm • A min • 03:23 • -8.91db
27% Popularity • 76% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 76% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Tash
Therapist
94 bpm • B min • 03:05 • -10.39db
44% Popularity • 76% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 76% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Delphi
Free/Someday
94 bpm • G min • 03:18 • -10.82db
18% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Gary Beals
Be Patient With Me
94 bpm • G Maj • 03:25 • -7.92db
2% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
