Songs like Bloodstone by Guy Sebastian
Based on a tempo of (+/- 10%) and a similar genre
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Meg Mac
Give Me My Name Back
81 bpm • G Maj • 03:11 • -6db
34% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Guy Sebastian
Bloodstone
81 bpm • G# Maj • 03:24 • -3.08db
39% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Timeflies
Taylor
80 bpm • G Maj • 03:40 • -7.94db
33% Popularity • 71% Danceability • 47% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 71% Danceability • 47% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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Vera Blue
Give In
82 bpm • A min • 03:41 • -6.76db
32% Popularity • 57% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 57% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Conrad Sewell
Neighbourhood
80 bpm • A Maj • 03:34 • -5.31db
16% Popularity • 59% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 59% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Lupe Fiasco
Blur My Hands
80 bpm • A# min • 05:27 • -5.86db
35% Popularity • 43% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 43% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
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Megan McKenna
High Heeled Shoes
80 bpm • C Maj • 03:27 • -4.78db
26% Popularity • 50% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 50% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 34% Positiveness
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Guy Sebastian
Elephant
81 bpm • C min • 03:59 • -3.4db
21% Popularity • 76% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 76% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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The Script
Make Up
79 bpm • C Maj • 03:26 • -10.38db
34% Popularity • 35% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 35% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Busby Marou
Got Your Back
83 bpm • G Maj • 03:00 • -6db
36% Popularity • 64% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 64% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Rag'n'Bone Man
Grace (We All Try)
79 bpm • F Maj • 03:25 • -4.71db
38% Popularity • 67% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 67% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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The Veronicas
The Only High
84 bpm • G# Maj • 03:19 • -5.2db
20% Popularity • 53% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 53% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Birds Of Tokyo
Good Lord - Acoustic
78 bpm • C Maj • 03:27 • -7.83db
24% Popularity • 59% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 59% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Guy Sebastian
Something
81 bpm • A min • 03:08 • -5.38db
14% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Meg Mac
I’m Not Coming Back
84 bpm • A# Maj • 03:06 • -5.59db
36% Popularity • 45% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
36% Popularity • 45% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
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Conrad Sewell
21 Questions
84 bpm • A Maj • 03:12 • -4.8db
16% Popularity • 58% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 58% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Keywest
This Is Heartbreak
84 bpm • D Maj • 03:12 • -8db
35% Popularity • 65% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 65% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Train
Call Me Sir
84 bpm • G# min • 03:36 • -4.41db
42% Popularity • 52% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 52% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Hilltop Hoods
1955
84 bpm • B Maj • 03:59 • -7.56db
64% Popularity • 77% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 77% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Guy Sebastian
Imagine the Sunrise
80 bpm • B Maj • 03:17 • -7.51db
13% Popularity • 55% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 55% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Ward Thomas
No Filter
78 bpm • C min • 02:56 • -3.6db
21% Popularity • 56% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 56% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Nick Jonas
Chainsaw
85 bpm • D Maj • 03:19 • -4.49db
49% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Missy Higgins
Everyone's Waiting
78 bpm • F# Maj • 03:52 • -7.58db
42% Popularity • 38% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 38% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Robinson
Medicine
77 bpm • A min • 03:45 • -4.05db
41% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Anthem Lights
Photograph / How You Remind Me / Someday...
77 bpm • A# Maj • 02:22 • -6.31db
31% Popularity • 33% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 33% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Guy Sebastian
Reprise
83 bpm • C Maj • 04:33 • -10.11db
16% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Alli Simpson
I Won't Remember You Tomorrow
77 bpm • A# Maj • 03:11 • -6.52db
20% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Niall Horan
Slow Hands
86 bpm • C Maj • 03:08 • -6.65db
78% Popularity • 74% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
78% Popularity • 74% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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P!nk
Revenge
87 bpm • A# min • 03:46 • -7.47db
56% Popularity • 72% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 72% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Conrad Sewell
Big World
76 bpm • F min • 03:55 • -5.18db
24% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mitch James
Lucid
75 bpm • B Maj • 03:50 • -8.07db
24% Popularity • 73% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 73% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Guy Sebastian
Sober
83 bpm • C Maj • 03:58 • -7.66db
22% Popularity • 57% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 57% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Busby Marou
Blue Road
88 bpm • D Maj • 03:39 • -4.8db
17% Popularity • 56% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 56% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Aston Merrygold
Too Late
75 bpm • A min • 04:12 • -5.41db
8% Popularity • 73% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 73% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Birds Of Tokyo
Anchor
88 bpm • F Maj • 03:36 • -5db
43% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Benny Tipene
Step On Up
88 bpm • C Maj • 03:22 • -6.79db
18% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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MKTO
Bad Girls
88 bpm • C# Maj • 03:14 • -4.76db
36% Popularity • 77% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 77% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Guy Sebastian
Set In Stone
78 bpm • E Maj • 03:41 • -6.64db
40% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Nathan Grisdale
Miss Understood
88 bpm • B Maj • 03:27 • -6.51db
19% Popularity • 77% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 77% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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P!nk
Walk Me Home
88 bpm • C# Maj • 02:57 • -6.12db
65% Popularity • 65% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
65% Popularity • 65% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Kesha
Praying
73 bpm • A# Maj • 03:50 • -7.2db
69% Popularity • 54% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 54% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Frances
No Matter
90 bpm • D# Maj • 03:28 • -7db
27% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Ronan Keating
All For Love
73 bpm • B Maj • 04:44 • -6.37db
16% Popularity • 32% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 32% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Guy Sebastian
Love On Display
86 bpm • E Maj • 03:03 • -4.75db
42% Popularity • 61% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 61% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Hilltop Hoods
Won't Let You Down Restrung
90 bpm • D Maj • 04:25 • -9.38db
31% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jesse McCartney
Beautiful Soul - Radio Edit
90 bpm • A Maj • 03:18 • -4.35db
37% Popularity • 65% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 65% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Train
Silver Dollar
90 bpm • C# Maj • 03:01 • -1.8db
26% Popularity • 69% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 69% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Little Mix
You Gotta Not
90 bpm • C# Maj • 03:11 • -4.55db
46% Popularity • 60% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 60% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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Reigan
Feels Like Heaven
90 bpm • G Maj • 03:29 • -3.42db
14% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Guy Sebastian
Light and Shade
86 bpm • C min • 03:23 • -4.65db
14% Popularity • 66% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 66% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Birds Of Tokyo
Weekend
90 bpm • G# Maj • 02:46 • -5.31db
31% Popularity • 64% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 64% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Olivia Holt
Phoenix
90 bpm • F# min • 03:20 • -6.88db
43% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Ella Eyre
Ego
90 bpm • F Maj • 03:32 • -3.62db
27% Popularity • 66% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 66% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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P!nk
Whatever You Want
90 bpm • D Maj • 04:02 • -3.78db
49% Popularity • 57% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 57% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Hilltop Hoods
Won't Let You Down
90 bpm • D Maj • 04:27 • -9db
47% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Guy Sebastian
Linger
76 bpm • A min • 04:13 • -5.87db
32% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
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Mitch James
No Fixed Abode
90 bpm • E Maj • 03:24 • -8db
28% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Human Nature
People Get Ready
90 bpm • C# Maj • 03:17 • -12.25db
21% Popularity • 39% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 39% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Meg Mac
Maybe It’s My First Time
91 bpm • B min • 03:33 • -6.52db
34% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Conrad Sewell
Testify
72 bpm • D# min • 02:06 • -3.36db
16% Popularity • 61% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 61% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Vanessa Amorosi
Heavy Lies The Head
72 bpm • E min • 03:27 • -4.92db
12% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Guy Sebastian
Choir
87 bpm • F Maj • 02:53 • -3.65db
51% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
57% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Human Nature
Broken Humans
92 bpm • B Maj • 03:03 • -6db
30% Popularity • 54% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 54% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Daughtry
Deep End
92 bpm • E min • 03:50 • -5.18db
41% Popularity • 51% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 51% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Robinson
Nothing to Regret
92 bpm • F Maj • 03:28 • -6.52db
53% Popularity • 70% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 70% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Rachel Platten
Broken Glass
92 bpm • C# min • 02:59 • -3.51db
45% Popularity • 68% Danceability • 75% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 68% Danceability • 75% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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Guy Sebastian
Before I Go
89 bpm • B min • 03:29 • -5.83db
47% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Cavalcade
Turn The Lights Down
92 bpm • E Maj • 03:17 • -7db
24% Popularity • 69% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 69% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Mitch James
21
92 bpm • G Maj • 03:21 • -7.37db
39% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Moran
Pool Party
92 bpm • A# Maj • 02:48 • -6.31db
23% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Lee Coulter
We You Me
92 bpm • C# Maj • 03:25 • -8.54db
13% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Union J
You Got It All
93 bpm • F Maj • 03:32 • -6.64db
28% Popularity • 46% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 46% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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The Script
Rain
93 bpm • F# Maj • 03:29 • -7.61db
59% Popularity • 69% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 69% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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The Veronicas
You Ruin Me
93 bpm • F Maj • 03:51 • -5.17db
49% Popularity • 48% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 48% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Mitch James
Got Today
92 bpm • F# Maj • 03:24 • -7db
22% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Swift K.I.D.
Bed Of Clouds - Radio Edit
93 bpm • F# Maj • 03:50 • -5.21db
19% Popularity • 66% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 66% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
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Vera Blue
Regular Touch
94 bpm • G# min • 03:28 • -7.84db
50% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Missy Higgins
Futon Couch
94 bpm • G Maj • 03:25 • -7.07db
43% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Sally
Calculated
94 bpm • E Maj • 03:52 • -6db
11% Popularity • 81% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 81% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Human Nature
He Don't Love You
94 bpm • C# min • 03:10 • -1.1db
30% Popularity • 75% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 75% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Picture This
One Drink
94 bpm • B Maj • 03:20 • -4.37db
45% Popularity • 71% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 71% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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MKTO
Afraid of the Dark
94 bpm • B min • 03:16 • -5db
38% Popularity • 48% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 48% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Busby Marou
Days Like This
95 bpm • G Maj • 03:06 • -5.39db
34% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Rudimental
Walk Alone
95 bpm • B Maj • 03:25 • -5.16db
39% Popularity • 58% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 58% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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SAFIA
Counting Sheep
95 bpm • G# Maj • 02:53 • -6.55db
36% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Guy Sebastian
Vesuvius
95 bpm • C Maj • 04:17 • -6.57db
18% Popularity • 83% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 83% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Ricki-Lee
On My Own
95 bpm • G# min • 03:05 • -3.71db
42% Popularity • 54% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 54% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Vera Blue
Magazine
95 bpm • A# min • 03:39 • -6.97db
26% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Yo Preston
Closer Vs Fast Car
95 bpm • F# min • 03:20 • -9db
26% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Leon Jaar
Cross Me
95 bpm • G# min • 03:27 • -5.75db
16% Popularity • 77% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 77% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lucy Spraggan
Grown Up
96 bpm • G# Maj • 03:33 • -6.51db
11% Popularity • 66% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 66% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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P!nk
Beautiful Trauma
96 bpm • G Maj • 04:10 • -6.39db
63% Popularity • 41% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
63% Popularity • 41% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Guy Sebastian
I'm Your Man
96 bpm • A# Maj • 03:41 • -4db
29% Popularity • 56% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 56% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Sarah Walsh
Good As Hell
96 bpm • F min • 02:36 • -5db
18% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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CXLOE
Show You
96 bpm • F# min • 03:11 • -6.05db
33% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jackie Thomas
It's Worth It
96 bpm • C# Maj • 03:13 • -4.77db
15% Popularity • 58% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 58% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
