Songs like Blow The Wind Southerly (Arr. Kanneh-Mason for Cello) by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Remo Anzovino
Nocturne in Tokyo
95 bpm • G min • 03:41 • -21db
49% Popularity • 37% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 37% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
95 bpm • C Maj • 05:36 • -39.77db
41% Popularity • 12% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
41% Popularity • 12% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Elena Kats-Chernin
Lullaby for Nick
95 bpm • A min • 03:23 • -32.45db
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Traditional
Blow The Wind Southerly (Arr. Kanneh-Mas...
95 bpm • C Maj • 02:22 • -28db
46% Popularity • 18% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 6% Positiveness
46% Popularity • 18% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 6% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Berceuse in D Flat Major, Op. 57
95 bpm • C# Maj • 04:52 • -26.42db
41% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: IV. All...
95 bpm • G Maj • 10:55 • -17.86db
16% Popularity • 24% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
16% Popularity • 24% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
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Maria Theresia von Paradis
Sicilienne In E Flat Major - Arr. Hazell
94 bpm • D# Maj • 03:23 • -26.18db
17% Popularity • 14% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Traditional
Simple Gifts (Arr. Knigge Recorder and E...
94 bpm • G Maj • 02:47 • -25.49db
33% Popularity • 22% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 24% Positiveness
33% Popularity • 22% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 24% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Ernest Bloch
Prelude, B 63
94 bpm • E min • 04:52 • -22.96db
18% Popularity • 19% Danceability • 8% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 8% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Gabriel Fauré
3 Mélodies, Op. 7 - Arr. Hazell: 1. Apr...
96 bpm • F min • 03:27 • -26db
12% Popularity • 16% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Alexis Ffrench
Jesu, Joy of Man's Desiring - Arr. by Al...
94 bpm • G Maj • 02:08 • -23.08db
56% Popularity • 37% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
56% Popularity • 37% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
94 bpm • G# Maj • 06:03 • -21.95db
16% Popularity • 36% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
16% Popularity • 36% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
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Dan Evmark
Silent Waves
94 bpm • C min • 06:51 • -20.46db
21% Popularity • 20% Danceability • 6% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 6% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Ernest Bloch
From Jewish Life, B 54: 1. Prayer (Arr. ...
96 bpm • F min • 04:34 • -23.36db
18% Popularity • 22% Danceability • 7% Energy • 13% Liveness
23% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 7% Energy • 13% Liveness
23% Instrumentalness • 7% Positiveness
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Manuel de Falla
Nana
94 bpm • A min • 02:32 • -23.61db
29% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
29% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 5 in G Major, K. 283: I...
97 bpm • C Maj • 06:41 • -31db
52% Popularity • 35% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
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Traditional
Taivaassa, johon Jumala
94 bpm • E min • 02:27 • -19.06db
20% Popularity • 40% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
20% Popularity • 40% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Georgs Pelēcis
Concertino bianco: 1. Con intenerimento
97 bpm • C Maj • 06:17 • -26db
51% Popularity • 30% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
51% Popularity • 30% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Federico Mompou
Musica callada I Angelico
93 bpm • A min • 02:00 • -47db
39% Popularity • 36% Danceability • 0% Energy • 6% Liveness
72% Instrumentalness • 28% Positiveness
39% Popularity • 36% Danceability • 0% Energy • 6% Liveness
72% Instrumentalness • 28% Positiveness
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Edward Elgar
Sospiri, Op. 70 (Arr. for Violin and Pia...
93 bpm • D min • 04:10 • -27.26db
31% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Sheku Kanneh-Mason
Melody
93 bpm • D min • 02:09 • -27.06db
31% Popularity • 17% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 8% Positiveness
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Amy Beach
4 Sketches, Op. 15: III. Dreaming
93 bpm • F Maj • 04:53 • -22.6db
40% Popularity • 19% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Giovanni Sollima
Moj E Bukura More (Arr. Sollima)
97 bpm • B min • 06:14 • -19.43db
15% Popularity • 24% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
15% Popularity • 24% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
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Carducci String Quartet
The Lark in the Clear Air
97 bpm • F Maj • 02:55 • -24.18db
29% Popularity • 15% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy / Arr. Roelens: Suite bergamasqu...
93 bpm • C# Maj • 04:40 • -30db
26% Popularity • 17% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
26% Popularity • 17% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Edward Elgar
Romance in D Minor, Op. 62 (Arr. Parkin ...
93 bpm • D min • 05:36 • -23.66db
19% Popularity • 14% Danceability • 6% Energy • 32% Liveness
93% Instrumentalness • 10% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 32% Liveness
93% Instrumentalness • 10% Positiveness
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George Frideric Handel
Eternal Source of Light Divine, HWV 74 (...
98 bpm • C Maj • 05:53 • -18.08db
37% Popularity • 18% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 8% Positiveness
37% Popularity • 18% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 8% Positiveness
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Paul Simon
The Sound Of Silence (Arr. Lawson, Truem...
92 bpm • D min • 02:45 • -22.2db
39% Popularity • 35% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. Pian...
98 bpm • F min • 03:18 • -29db
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Samuel Barber
There's Nae Lark (Arr. Parkin for Cello ...
98 bpm • D# Maj • 01:23 • -30.86db
33% Popularity • 22% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Gerald Finzi
Clear and gentle stream, Op. 17, No. 4 -...
92 bpm • F Maj • 04:30 • -25db
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi: Oh quante volt...
92 bpm • G min • 04:24 • -16.85db
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Claude Debussy
Beau soir, L. 6 (L. 84) (Arr. Heifetz fo...
92 bpm • F# min • 02:14 • -28.57db
48% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Max Richter
Mercy
91 bpm • A# min • 05:31 • -23db
33% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
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Traditional
Nobody Knows the Trouble I've Seen
91 bpm • C# Maj • 03:12 • -24.94db
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem en ré mineur, Op. 48: "Pie Jesu...
91 bpm • A# Maj • 03:39 • -17.71db
24% Popularity • 24% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
24% Popularity • 24% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Cyril Scott
Lullaby, Op. 57 No. 2 (Arr. for Cello & ...
91 bpm • D Maj • 02:19 • -27db
30% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
30% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28: 1. Soliloq...
99 bpm • C min • 01:43 • -25.6db
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Traditional
Tuo armon lasinen meri
100 bpm • G min • 02:45 • -17.18db
20% Popularity • 30% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
20% Popularity • 30% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
43% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
36% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
36% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Samuel Barber
Cello Sonata, Op. 6: II. Adagio - Presto
90 bpm • C min • 04:12 • -22.43db
19% Popularity • 24% Danceability • 10% Energy • 37% Liveness
80% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 10% Energy • 37% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16
90 bpm • F Maj • 03:57 • -26.99db
47% Popularity • 17% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C Maj...
100 bpm • F Maj • 04:57 • -30.69db
28% Popularity • 34% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
28% Popularity • 34% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
34% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
90 bpm • D# Maj • 05:34 • -22db
5% Popularity • 20% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
5% Popularity • 20% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Carl Orff
Musik zur Nacht: Siziliano (Carl Orff) f...
100 bpm • C Maj • 01:34 • -36.75db
34% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
44% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Sigvaldi Kaldalóns
Ave MarÃa (Arr. VÃkingur Ólafsson) - ...
101 bpm • D# Maj • 03:36 • -33.14db
62% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
62% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Claude Debussy
La Fille aux Cheveux de Lin
101 bpm • F# Maj • 02:51 • -32.06db
35% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
89 bpm • A# Maj • 04:53 • -27db
40% Popularity • 10% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
43% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
43% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
47% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
47% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Ludovico Einaudi
Full Moon (Arr. Lewin for Guitar)
101 bpm • G# Maj • 03:36 • -33.09db
52% Popularity • 36% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 36% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Traditional
Thula Baba
102 bpm • G Maj • 01:58 • -23.57db
16% Popularity • 33% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
16% Popularity • 33% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Julius Klengel
Hymnus, Op. 57
89 bpm • G Maj • 05:14 • -23db
18% Popularity • 10% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
18% Popularity • 10% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
102 bpm • D min • 03:23 • -25db
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
102 bpm • D Maj • 06:34 • -26.64db
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
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Erik Satie
Gymnopédie No. 1 (Arr. for Cello and Gu...
89 bpm • G Maj • 02:49 • -11.44db
29% Popularity • 13% Danceability • 23% Energy • 11% Liveness
67% Instrumentalness • 12% Positiveness
29% Popularity • 13% Danceability • 23% Energy • 11% Liveness
67% Instrumentalness • 12% Positiveness
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Howard Blake
Archangel's Lullaby
89 bpm • D min • 01:39 • -35.15db
47% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
47% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
35% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Traditional
Vagiorko mai / Don't You Love Me?
89 bpm • C min • 02:36 • -19.65db
24% Popularity • 26% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Chopin: Berceuse in D-Flat Major, Op. 57
102 bpm • C# Maj • 04:47 • -23db
43% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
43% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
40% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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VÃkingur Ólafsson
Prelude in G Major
102 bpm • G Maj • 03:54 • -34.4db
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
45% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
► Preview
Hugo Alfvén
The Sleeping Forest, Op. 28 No. 6
103 bpm • C# Maj • 02:26 • -33db
12% Popularity • 18% Danceability • 1% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 1% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Sergei Rachmaninoff
Zdes' khorosho, Op. 21, No. 7
88 bpm • A Maj • 02:09 • -24.44db
25% Popularity • 21% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
