Songs like Blow Up by Curbi
Based on a tempo of (+/- 10%) and a similar genre
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Sonny Banks
Good Girls
128 bpm • C# Maj • 04:37 • -3db
19% Popularity • 80% Danceability • 91% Energy • 6% Liveness
88% Instrumentalness • 76% Positiveness
19% Popularity • 80% Danceability • 91% Energy • 6% Liveness
88% Instrumentalness • 76% Positiveness
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Jay Hardway
Aliens
128 bpm • G Maj • 02:54 • -1.68db
23% Popularity • 66% Danceability • 98% Energy • 40% Liveness
2% Instrumentalness • 28% Positiveness
23% Popularity • 66% Danceability • 98% Energy • 40% Liveness
2% Instrumentalness • 28% Positiveness
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Jackal
Animal Style - Drezo Remix
128 bpm • A# min • 04:22 • -1.52db
15% Popularity • 94% Danceability • 94% Energy • 12% Liveness
20% Instrumentalness • 37% Positiveness
15% Popularity • 94% Danceability • 94% Energy • 12% Liveness
20% Instrumentalness • 37% Positiveness
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Damien N-Drix
Ghetto Funk
128 bpm • C# min • 04:33 • -4.96db
19% Popularity • 93% Danceability • 77% Energy • 3% Liveness
88% Instrumentalness • 51% Positiveness
19% Popularity • 93% Danceability • 77% Energy • 3% Liveness
88% Instrumentalness • 51% Positiveness
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Brooks
Pinball
128 bpm • C# Maj • 04:20 • -3db
22% Popularity • 63% Danceability • 89% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
22% Popularity • 63% Danceability • 89% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
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Mariana BO
Tick Tock
128 bpm • G Maj • 03:13 • -5db
15% Popularity • 75% Danceability • 98% Energy • 7% Liveness
46% Instrumentalness • 17% Positiveness
15% Popularity • 75% Danceability • 98% Energy • 7% Liveness
46% Instrumentalness • 17% Positiveness
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Gregori Hawk
Mystique - Antoine Delvig Edit
128 bpm • C Maj • 04:07 • -5.95db
12% Popularity • 86% Danceability • 83% Energy • 7% Liveness
10% Instrumentalness • 71% Positiveness
12% Popularity • 86% Danceability • 83% Energy • 7% Liveness
10% Instrumentalness • 71% Positiveness
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Lady Bee
Fiya - Curbi Edit
128 bpm • B min • 04:40 • -7.33db
32% Popularity • 82% Danceability • 83% Energy • 10% Liveness
65% Instrumentalness • 53% Positiveness
32% Popularity • 82% Danceability • 83% Energy • 10% Liveness
65% Instrumentalness • 53% Positiveness
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John Christian
How Low
128 bpm • C# Maj • 03:07 • -3db
13% Popularity • 74% Danceability • 97% Energy • 13% Liveness
86% Instrumentalness • 21% Positiveness
13% Popularity • 74% Danceability • 97% Energy • 13% Liveness
86% Instrumentalness • 21% Positiveness
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Bingo Players
Get Physical
128 bpm • D# Maj • 02:42 • -5db
9% Popularity • 58% Danceability • 97% Energy • 26% Liveness
80% Instrumentalness • 39% Positiveness
9% Popularity • 58% Danceability • 97% Energy • 26% Liveness
80% Instrumentalness • 39% Positiveness
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twoloud
Mirror on the Wall
128 bpm • C# Maj • 02:51 • -3.18db
28% Popularity • 70% Danceability • 98% Energy • 25% Liveness
37% Instrumentalness • 49% Positiveness
28% Popularity • 70% Danceability • 98% Energy • 25% Liveness
37% Instrumentalness • 49% Positiveness
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JDG
Six Deep
128 bpm • C# Maj • 03:15 • -7.76db
14% Popularity • 80% Danceability • 66% Energy • 5% Liveness
77% Instrumentalness • 35% Positiveness
14% Popularity • 80% Danceability • 66% Energy • 5% Liveness
77% Instrumentalness • 35% Positiveness
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Carnage
Bootshaus
128 bpm • F Maj • 04:17 • -5.74db
18% Popularity • 64% Danceability • 91% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
18% Popularity • 64% Danceability • 91% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Garmiani
Zaza - Jay Ronko Remix
128 bpm • C Maj • 04:09 • -3.56db
13% Popularity • 70% Danceability • 93% Energy • 30% Liveness
20% Instrumentalness • 22% Positiveness
13% Popularity • 70% Danceability • 93% Energy • 30% Liveness
20% Instrumentalness • 22% Positiveness
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Brooks
Pinball - Radio Edit
128 bpm • F min • 03:44 • -3.39db
30% Popularity • 60% Danceability • 92% Energy • 29% Liveness
87% Instrumentalness • 70% Positiveness
30% Popularity • 60% Danceability • 92% Energy • 29% Liveness
87% Instrumentalness • 70% Positiveness
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Bad Royale
The Royale Anthem
128 bpm • G# Maj • 03:52 • -1.98db
13% Popularity • 68% Danceability • 100% Energy • 7% Liveness
4% Instrumentalness • 33% Positiveness
13% Popularity • 68% Danceability • 100% Energy • 7% Liveness
4% Instrumentalness • 33% Positiveness
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Domeno
Slack
128 bpm • G Maj • 03:04 • -4.43db
13% Popularity • 52% Danceability • 95% Energy • 38% Liveness
81% Instrumentalness • 6% Positiveness
13% Popularity • 52% Danceability • 95% Energy • 38% Liveness
81% Instrumentalness • 6% Positiveness
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Kris Kross Amsterdam
Vámonos - Curbi Remix
128 bpm • D Maj • 02:24 • -0.63db
9% Popularity • 82% Danceability • 91% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
9% Popularity • 82% Danceability • 91% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
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Curbi
Alcoholic - Extended Mix
128 bpm • A# min • 04:17 • -3.83db
11% Popularity • 82% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
11% Popularity • 82% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
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LOUD ABOUT US!
Kill The Beat
128 bpm • A min • 03:23 • -3db
10% Popularity • 64% Danceability • 98% Energy • 80% Liveness
63% Instrumentalness • 34% Positiveness
10% Popularity • 64% Danceability • 98% Energy • 80% Liveness
63% Instrumentalness • 34% Positiveness
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AC Slater
Dope Slinger
128 bpm • D Maj • 03:16 • -7.52db
34% Popularity • 91% Danceability • 63% Energy • 6% Liveness
14% Instrumentalness • 15% Positiveness
34% Popularity • 91% Danceability • 63% Energy • 6% Liveness
14% Instrumentalness • 15% Positiveness
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Will Sparks
Fingers
128 bpm • B Maj • 03:30 • -4db
21% Popularity • 45% Danceability • 96% Energy • 14% Liveness
19% Instrumentalness • 6% Positiveness
21% Popularity • 45% Danceability • 96% Energy • 14% Liveness
19% Instrumentalness • 6% Positiveness
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![BleepDiFreak [Mix Cut] - VIP Edit cover art](https://i.scdn.co/image/ab67616d00001e0291004cf3bd3118b07070829c)
JAGGS
BleepDiFreak [Mix Cut] - VIP Edit
128 bpm • C Maj • 03:05 • -1db
27% Popularity • 60% Danceability • 99% Energy • 25% Liveness
73% Instrumentalness • 47% Positiveness
27% Popularity • 60% Danceability • 99% Energy • 25% Liveness
73% Instrumentalness • 47% Positiveness
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Swanky Tunes
In The Club
128 bpm • A Maj • 03:01 • -3db
21% Popularity • 77% Danceability • 86% Energy • 36% Liveness
33% Instrumentalness • 43% Positiveness
21% Popularity • 77% Danceability • 86% Energy • 36% Liveness
33% Instrumentalness • 43% Positiveness
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DJ Kuba
Bring the House
128 bpm • B min • 02:18 • -3db
21% Popularity • 64% Danceability • 100% Energy • 32% Liveness
88% Instrumentalness • 25% Positiveness
21% Popularity • 64% Danceability • 100% Energy • 32% Liveness
88% Instrumentalness • 25% Positiveness
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Curbi
Blow Up
128 bpm • F# min • 03:03 • -1db
28% Popularity • 79% Danceability • 98% Energy • 5% Liveness
35% Instrumentalness • 27% Positiveness
28% Popularity • 79% Danceability • 98% Energy • 5% Liveness
35% Instrumentalness • 27% Positiveness
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KANDY
Weapons
128 bpm • B min • 03:04 • -2db
19% Popularity • 67% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 67% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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TWISTERZ
Get On the Floor
128 bpm • F min • 03:22 • -3.45db
8% Popularity • 81% Danceability • 83% Energy • 22% Liveness
3% Instrumentalness • 75% Positiveness
8% Popularity • 81% Danceability • 83% Energy • 22% Liveness
3% Instrumentalness • 75% Positiveness
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AC Slater
Crave The Bassline
128 bpm • B min • 02:46 • -3.28db
47% Popularity • 78% Danceability • 98% Energy • 15% Liveness
66% Instrumentalness • 72% Positiveness
47% Popularity • 78% Danceability • 98% Energy • 15% Liveness
66% Instrumentalness • 72% Positiveness
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NO SIGNE
Juice
128 bpm • C# Maj • 02:18 • -2.79db
40% Popularity • 77% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 77% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Abedz
Brawl
128 bpm • A# min • 04:41 • -5.62db
12% Popularity • 81% Danceability • 92% Energy • 45% Liveness
80% Instrumentalness • 58% Positiveness
12% Popularity • 81% Danceability • 92% Energy • 45% Liveness
80% Instrumentalness • 58% Positiveness
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Curbi
Mriya
128 bpm • A# min • 03:15 • -5.54db
14% Popularity • 66% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
14% Popularity • 66% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Valentino Khan
Pony
128 bpm • C# Maj • 03:30 • -3.93db
42% Popularity • 80% Danceability • 98% Energy • 4% Liveness
85% Instrumentalness • 37% Positiveness
42% Popularity • 80% Danceability • 98% Energy • 4% Liveness
85% Instrumentalness • 37% Positiveness
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Sean&Bobo
Blurry Nights - DEXTCOK BOOTLEG
128 bpm • F min • 03:23 • -3.39db
7% Popularity • 60% Danceability • 96% Energy • 10% Liveness
8% Instrumentalness • 52% Positiveness
7% Popularity • 60% Danceability • 96% Energy • 10% Liveness
8% Instrumentalness • 52% Positiveness
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Sonny Banks
Tear Out
128 bpm • A# min • 04:00 • -3.84db
9% Popularity • 79% Danceability • 81% Energy • 8% Liveness
82% Instrumentalness • 33% Positiveness
9% Popularity • 79% Danceability • 81% Energy • 8% Liveness
82% Instrumentalness • 33% Positiveness
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NLW
Daft Ragga
128 bpm • G Maj • 03:45 • -5.69db
22% Popularity • 70% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
22% Popularity • 70% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Our Psych
Misae - Radio Edit
128 bpm • D# min • 03:28 • -5db
29% Popularity • 70% Danceability • 93% Energy • 9% Liveness
62% Instrumentalness • 50% Positiveness
29% Popularity • 70% Danceability • 93% Energy • 9% Liveness
62% Instrumentalness • 50% Positiveness
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Curbi
Plus Plus
128 bpm • G# Maj • 02:33 • -1.69db
9% Popularity • 61% Danceability • 100% Energy • 33% Liveness
75% Instrumentalness • 30% Positiveness
9% Popularity • 61% Danceability • 100% Energy • 33% Liveness
75% Instrumentalness • 30% Positiveness
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Hasse de Moor
ADHD
128 bpm • C# Maj • 02:32 • -2.93db
20% Popularity • 76% Danceability • 82% Energy • 32% Liveness
5% Instrumentalness • 18% Positiveness
20% Popularity • 76% Danceability • 82% Energy • 32% Liveness
5% Instrumentalness • 18% Positiveness
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Blinders
Sabotage
128 bpm • C# Maj • 02:52 • -2db
22% Popularity • 62% Danceability • 100% Energy • 34% Liveness
86% Instrumentalness • 34% Positiveness
22% Popularity • 62% Danceability • 100% Energy • 34% Liveness
86% Instrumentalness • 34% Positiveness
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JVST SAY YES
You Wanna?
128 bpm • C# Maj • 03:33 • -2.41db
20% Popularity • 73% Danceability • 95% Energy • 3% Liveness
1% Instrumentalness • 33% Positiveness
20% Popularity • 73% Danceability • 95% Energy • 3% Liveness
1% Instrumentalness • 33% Positiveness
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Dyro
Good Feelin
128 bpm • B min • 03:26 • -3db
25% Popularity • 75% Danceability • 86% Energy • 30% Liveness
64% Instrumentalness • 52% Positiveness
25% Popularity • 75% Danceability • 86% Energy • 30% Liveness
64% Instrumentalness • 52% Positiveness
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Boothed
Octopuss
128 bpm • B min • 03:54 • -4.89db
11% Popularity • 75% Danceability • 94% Energy • 4% Liveness
84% Instrumentalness • 60% Positiveness
11% Popularity • 75% Danceability • 94% Energy • 4% Liveness
84% Instrumentalness • 60% Positiveness
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SWACQ
The Impact
128 bpm • C Maj • 02:50 • -2.43db
22% Popularity • 69% Danceability • 98% Energy • 18% Liveness
42% Instrumentalness • 7% Positiveness
22% Popularity • 69% Danceability • 98% Energy • 18% Liveness
42% Instrumentalness • 7% Positiveness
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Our Psych
Redemption
128 bpm • A Maj • 03:03 • -5.27db
8% Popularity • 89% Danceability • 89% Energy • 33% Liveness
94% Instrumentalness • 56% Positiveness
8% Popularity • 89% Danceability • 89% Energy • 33% Liveness
94% Instrumentalness • 56% Positiveness
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Curbi
Now
128 bpm • A min • 03:24 • -7.45db
38% Popularity • 94% Danceability • 79% Energy • 33% Liveness
86% Instrumentalness • 30% Positiveness
38% Popularity • 94% Danceability • 79% Energy • 33% Liveness
86% Instrumentalness • 30% Positiveness
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AC Slater
Crave The Bassline - Extended Mix
128 bpm • B min • 03:30 • -3.29db
17% Popularity • 81% Danceability • 98% Energy • 5% Liveness
46% Instrumentalness • 70% Positiveness
17% Popularity • 81% Danceability • 98% Energy • 5% Liveness
46% Instrumentalness • 70% Positiveness
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Tom Reev
Scandal (Abedz & Uplink Remix)
128 bpm • A# Maj • 04:09 • -6db
20% Popularity • 81% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 81% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Funkin Matt
America
128 bpm • B min • 04:15 • -3db
33% Popularity • 73% Danceability • 86% Energy • 12% Liveness
54% Instrumentalness • 31% Positiveness
33% Popularity • 73% Danceability • 86% Energy • 12% Liveness
54% Instrumentalness • 31% Positiveness
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Jay Karama
Keep Calm - Original Mix
128 bpm • D Maj • 03:29 • -3.44db
19% Popularity • 59% Danceability • 95% Energy • 19% Liveness
79% Instrumentalness • 16% Positiveness
19% Popularity • 59% Danceability • 95% Energy • 19% Liveness
79% Instrumentalness • 16% Positiveness
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KAAZE
Milk Man - Mix Cut
128 bpm • D Maj • 02:29 • -4.19db
1% Popularity • 72% Danceability • 82% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
1% Popularity • 72% Danceability • 82% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
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Curbi
P.A.B
128 bpm • G# Maj • 03:09 • -1.21db
9% Popularity • 59% Danceability • 97% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 59% Danceability • 97% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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7UBO
Next Level
128 bpm • C# Maj • 03:04 • -4.79db
19% Popularity • 76% Danceability • 88% Energy • 32% Liveness
67% Instrumentalness • 60% Positiveness
19% Popularity • 76% Danceability • 88% Energy • 32% Liveness
67% Instrumentalness • 60% Positiveness
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Why So Serious
Why So Serious - Alcoholic
128 bpm • F# Maj • 03:16 • -4.03db
11% Popularity • 60% Danceability • 97% Energy • 9% Liveness
47% Instrumentalness • 74% Positiveness
11% Popularity • 60% Danceability • 97% Energy • 9% Liveness
47% Instrumentalness • 74% Positiveness
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JVST SAY YES
Spin It
128 bpm • G Maj • 02:52 • -5db
19% Popularity • 76% Danceability • 94% Energy • 10% Liveness
26% Instrumentalness • 51% Positiveness
19% Popularity • 76% Danceability • 94% Energy • 10% Liveness
26% Instrumentalness • 51% Positiveness
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Sidney Samson
Soldier
128 bpm • F# Maj • 02:48 • -5.65db
24% Popularity • 62% Danceability • 97% Energy • 24% Liveness
24% Instrumentalness • 19% Positiveness
24% Popularity • 62% Danceability • 97% Energy • 24% Liveness
24% Instrumentalness • 19% Positiveness
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AC Slater
Navigator
128 bpm • D Maj • 02:51 • -5.68db
28% Popularity • 74% Danceability • 93% Energy • 30% Liveness
53% Instrumentalness • 49% Positiveness
28% Popularity • 74% Danceability • 93% Energy • 30% Liveness
53% Instrumentalness • 49% Positiveness
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Curbi
Shinai
128 bpm • F min • 03:18 • -2.11db
21% Popularity • 70% Danceability • 96% Energy • 5% Liveness
58% Instrumentalness • 4% Positiveness
21% Popularity • 70% Danceability • 96% Energy • 5% Liveness
58% Instrumentalness • 4% Positiveness
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Martin Garrix
Bouncybob
128 bpm • A min • 04:11 • -7.86db
43% Popularity • 73% Danceability • 90% Energy • 13% Liveness
81% Instrumentalness • 33% Positiveness
43% Popularity • 73% Danceability • 90% Energy • 13% Liveness
81% Instrumentalness • 33% Positiveness
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Mike Williams
Take Me There - Extended Mix
128 bpm • C# Maj • 03:33 • -4.05db
16% Popularity • 64% Danceability • 88% Energy • 3% Liveness
78% Instrumentalness • 45% Positiveness
16% Popularity • 64% Danceability • 88% Energy • 3% Liveness
78% Instrumentalness • 45% Positiveness
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Naeleck
All My Heroes - Curbi Extended Remix
128 bpm • C# Maj • 04:01 • -2.91db
13% Popularity • 77% Danceability • 89% Energy • 4% Liveness
19% Instrumentalness • 14% Positiveness
13% Popularity • 77% Danceability • 89% Energy • 4% Liveness
19% Instrumentalness • 14% Positiveness
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Kiesza
One More Time - Curbi Remix
128 bpm • C min • 03:17 • -2.8db
15% Popularity • 62% Danceability • 94% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
15% Popularity • 62% Danceability • 94% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
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Propane
Daggering
128 bpm • C# min • 02:58 • -7.29db
22% Popularity • 92% Danceability • 89% Energy • 11% Liveness
51% Instrumentalness • 5% Positiveness
22% Popularity • 92% Danceability • 89% Energy • 11% Liveness
51% Instrumentalness • 5% Positiveness
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Curbi
LYM
128 bpm • F# min • 03:15 • -2.46db
11% Popularity • 74% Danceability • 97% Energy • 52% Liveness
84% Instrumentalness • 19% Positiveness
11% Popularity • 74% Danceability • 97% Energy • 52% Liveness
84% Instrumentalness • 19% Positiveness
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Vion Konger
Dat Beat
128 bpm • C Maj • 02:37 • -2.02db
7% Popularity • 65% Danceability • 96% Energy • 37% Liveness
55% Instrumentalness • 35% Positiveness
7% Popularity • 65% Danceability • 96% Energy • 37% Liveness
55% Instrumentalness • 35% Positiveness
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Jauz
Feel The Volume - JOYRYDE 'Stick It In R...
128 bpm • A# min • 03:58 • -2.75db
33% Popularity • 62% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 62% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 29% Positiveness
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Justin Mylo
Rave Alert
128 bpm • B min • 02:39 • -4.47db
31% Popularity • 67% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
31% Popularity • 67% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Jaycen A'mour
Reaver
128 bpm • A Maj • 02:58 • -4.32db
7% Popularity • 78% Danceability • 93% Energy • 31% Liveness
12% Instrumentalness • 24% Positiveness
7% Popularity • 78% Danceability • 93% Energy • 31% Liveness
12% Instrumentalness • 24% Positiveness
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Brooks
Lynx
128 bpm • F Maj • 03:28 • -6.62db
38% Popularity • 63% Danceability • 79% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
38% Popularity • 63% Danceability • 79% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Curbi
Some Shots
128 bpm • A# min • 03:28 • -3.01db
9% Popularity • 72% Danceability • 92% Energy • 5% Liveness
25% Instrumentalness • 18% Positiveness
9% Popularity • 72% Danceability • 92% Energy • 5% Liveness
25% Instrumentalness • 18% Positiveness
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La Fuente
Bring The House Down
128 bpm • B min • 03:02 • -4.63db
23% Popularity • 70% Danceability • 98% Energy • 34% Liveness
71% Instrumentalness • 49% Positiveness
23% Popularity • 70% Danceability • 98% Energy • 34% Liveness
71% Instrumentalness • 49% Positiveness
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Valentino Khan
Pump
128 bpm • F# Maj • 03:03 • -2.38db
48% Popularity • 81% Danceability • 94% Energy • 7% Liveness
81% Instrumentalness • 70% Positiveness
48% Popularity • 81% Danceability • 94% Energy • 7% Liveness
81% Instrumentalness • 70% Positiveness
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Mike Williams
Take Me There
128 bpm • F min • 02:35 • -4.02db
28% Popularity • 55% Danceability • 98% Energy • 4% Liveness
77% Instrumentalness • 17% Positiveness
28% Popularity • 55% Danceability • 98% Energy • 4% Liveness
77% Instrumentalness • 17% Positiveness
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Abel Ramos
Revolution Drums - Thomas Newson Edit
128 bpm • G Maj • 02:47 • -5.13db
19% Popularity • 65% Danceability • 100% Energy • 35% Liveness
91% Instrumentalness • 25% Positiveness
19% Popularity • 65% Danceability • 100% Energy • 35% Liveness
91% Instrumentalness • 25% Positiveness
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Kom
Bad Whine
128 bpm • D Maj • 03:11 • -7.44db
11% Popularity • 90% Danceability • 64% Energy • 9% Liveness
18% Instrumentalness • 29% Positiveness
11% Popularity • 90% Danceability • 64% Energy • 9% Liveness
18% Instrumentalness • 29% Positiveness
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Curbi
Red Point
128 bpm • F Maj • 03:24 • -0.08db
15% Popularity • 80% Danceability • 98% Energy • 10% Liveness
40% Instrumentalness • 40% Positiveness
15% Popularity • 80% Danceability • 98% Energy • 10% Liveness
40% Instrumentalness • 40% Positiveness
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Sonny Banks
MollyBreath
128 bpm • B min • 03:51 • -5db
21% Popularity • 85% Danceability • 72% Energy • 5% Liveness
29% Instrumentalness • 56% Positiveness
21% Popularity • 85% Danceability • 72% Energy • 5% Liveness
29% Instrumentalness • 56% Positiveness
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Spock
Digital War
128 bpm • C# Maj • 03:46 • -1.31db
12% Popularity • 87% Danceability • 96% Energy • 10% Liveness
78% Instrumentalness • 37% Positiveness
12% Popularity • 87% Danceability • 96% Energy • 10% Liveness
78% Instrumentalness • 37% Positiveness
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Matisse & Sadko
Ninjas
128 bpm • F min • 03:18 • -2.94db
10% Popularity • 78% Danceability • 94% Energy • 5% Liveness
13% Instrumentalness • 33% Positiveness
10% Popularity • 78% Danceability • 94% Energy • 5% Liveness
13% Instrumentalness • 33% Positiveness
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Ummet Ozcan
Sentinel
128 bpm • C# Maj • 03:31 • -3.77db
17% Popularity • 70% Danceability • 98% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
17% Popularity • 70% Danceability • 98% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Mike Williams
Jetlag
128 bpm • C# Maj • 02:22 • -3.07db
41% Popularity • 66% Danceability • 95% Energy • 15% Liveness
79% Instrumentalness • 49% Positiveness
41% Popularity • 66% Danceability • 95% Energy • 15% Liveness
79% Instrumentalness • 49% Positiveness
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Curbi
Satisfying
128 bpm • C# Maj • 03:06 • -5.14db
31% Popularity • 72% Danceability • 91% Energy • 8% Liveness
38% Instrumentalness • 32% Positiveness
31% Popularity • 72% Danceability • 91% Energy • 8% Liveness
38% Instrumentalness • 32% Positiveness
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Sonny Banks
Spice
128 bpm • G# min • 05:29 • -6.02db
20% Popularity • 92% Danceability • 69% Energy • 10% Liveness
76% Instrumentalness • 77% Positiveness
20% Popularity • 92% Danceability • 69% Energy • 10% Liveness
76% Instrumentalness • 77% Positiveness
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JVST SAY YES
Runnin'
128 bpm • C# Maj • 02:37 • -2.21db
15% Popularity • 70% Danceability • 99% Energy • 15% Liveness
30% Instrumentalness • 29% Positiveness
15% Popularity • 70% Danceability • 99% Energy • 15% Liveness
30% Instrumentalness • 29% Positiveness
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Naeleck
All My Heroes - Curbi Remix
128 bpm • C# Maj • 03:02 • -2.66db
46% Popularity • 68% Danceability • 95% Energy • 19% Liveness
15% Instrumentalness • 11% Positiveness
46% Popularity • 68% Danceability • 95% Energy • 19% Liveness
15% Instrumentalness • 11% Positiveness
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Charlie Atom
Nebula
128 bpm • G Maj • 03:15 • -2.64db
10% Popularity • 59% Danceability • 98% Energy • 14% Liveness
87% Instrumentalness • 46% Positiveness
10% Popularity • 59% Danceability • 98% Energy • 14% Liveness
87% Instrumentalness • 46% Positiveness
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Justin Mylo
Jumping Jack
128 bpm • F min • 03:40 • -5.2db
22% Popularity • 73% Danceability • 94% Energy • 15% Liveness
76% Instrumentalness • 17% Positiveness
22% Popularity • 73% Danceability • 94% Energy • 15% Liveness
76% Instrumentalness • 17% Positiveness
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Curbi
Redeem
128 bpm • D Maj • 03:03 • -3.23db
18% Popularity • 90% Danceability • 96% Energy • 36% Liveness
15% Instrumentalness • 48% Positiveness
18% Popularity • 90% Danceability • 96% Energy • 36% Liveness
15% Instrumentalness • 48% Positiveness
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Fedde Le Grand
You Got Me Runnin'
128 bpm • D Maj • 02:31 • -3.56db
28% Popularity • 73% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 73% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Vluarr
Mind Your Own
128 bpm • B min • 03:26 • -6.62db
11% Popularity • 69% Danceability • 73% Energy • 33% Liveness
67% Instrumentalness • 20% Positiveness
11% Popularity • 69% Danceability • 73% Energy • 33% Liveness
67% Instrumentalness • 20% Positiveness
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Row Rocka
Nighthawk
128 bpm • G Maj • 02:53 • -5.83db
17% Popularity • 75% Danceability • 89% Energy • 26% Liveness
76% Instrumentalness • 32% Positiveness
17% Popularity • 75% Danceability • 89% Energy • 26% Liveness
76% Instrumentalness • 32% Positiveness
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Bobby Rock
Make Noise
128 bpm • F Maj • 03:37 • -3.98db
16% Popularity • 69% Danceability • 99% Energy • 13% Liveness
73% Instrumentalness • 23% Positiveness
16% Popularity • 69% Danceability • 99% Energy • 13% Liveness
73% Instrumentalness • 23% Positiveness
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Mike Hawkins
Crocodile
128 bpm • E min • 02:50 • -2.71db
19% Popularity • 63% Danceability • 97% Energy • 40% Liveness
76% Instrumentalness • 52% Positiveness
19% Popularity • 63% Danceability • 97% Energy • 40% Liveness
76% Instrumentalness • 52% Positiveness
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Curbi
MOVE! (Brawl Stars Anthem)
128 bpm • F# Maj • 04:13 • -3.07db
26% Popularity • 76% Danceability • 97% Energy • 55% Liveness
26% Instrumentalness • 46% Positiveness
26% Popularity • 76% Danceability • 97% Energy • 55% Liveness
26% Instrumentalness • 46% Positiveness
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The First Station
Sky Saw
128 bpm • D Maj • 03:31 • -4.53db
10% Popularity • 92% Danceability • 80% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
10% Popularity • 92% Danceability • 80% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
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Jaycen A'mour
Get Money - Original Mix
128 bpm • A# min • 04:11 • -4.6db
9% Popularity • 71% Danceability • 96% Energy • 34% Liveness
78% Instrumentalness • 25% Positiveness
9% Popularity • 71% Danceability • 96% Energy • 34% Liveness
78% Instrumentalness • 25% Positiveness
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TJR
Time To Jack
128 bpm • A Maj • 02:46 • -2.61db
25% Popularity • 66% Danceability • 97% Energy • 32% Liveness
73% Instrumentalness • 34% Positiveness
25% Popularity • 66% Danceability • 97% Energy • 32% Liveness
73% Instrumentalness • 34% Positiveness
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JDG
Orphic
128 bpm • A Maj • 03:24 • -6.22db
8% Popularity • 83% Danceability • 60% Energy • 5% Liveness
86% Instrumentalness • 43% Positiveness
8% Popularity • 83% Danceability • 60% Energy • 5% Liveness
86% Instrumentalness • 43% Positiveness
