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Blow Up
Songs like
Blow Up
by
Aoife Nessa Frances
Based on a tempo of (+/- 10%) and a similar genre
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Gwenno
Tresor
103 bpm • D min • 04:09 • -7.9db
21% Popularity • 61% Danceability • 52% Energy • 9% Liveness
10% Instrumentalness • 32% Positiveness
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Shana Cleveland
Face of the Sun
103 bpm • A min • 03:29 • -10.03db
32% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Brigid Mae Power
Dream From The Deep Well
103 bpm • D Maj • 03:28 • -12.35db
9% Popularity • 42% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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The Saxophones
Desert Flower
103 bpm • B min • 02:50 • -11.58db
35% Popularity • 62% Danceability • 39% Energy • 17% Liveness
79% Instrumentalness • 52% Positiveness
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William Doyle
And Everything Changed (But I Feel Alrig...
103 bpm • G# Maj • 03:50 • -10db
18% Popularity • 55% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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John Andrews & The Yawns
New California Blue
103 bpm • D Maj • 03:58 • -12.86db
22% Popularity • 72% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Aoife Nessa Frances
Emptiness Follows
103 bpm • C Maj • 04:34 • -9.55db
4% Popularity • 56% Danceability • 30% Energy • 9% Liveness
8% Instrumentalness • 24% Positiveness
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Shana Cleveland
Ten Hour Drive Through West Coast Disast...
103 bpm • C Maj • 01:24 • -16.78db
34% Popularity • 33% Danceability • 28% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
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Anna B Savage
Corncrakes
104 bpm • D Maj • 03:43 • -11.06db
3% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Lael Neale
Blue Vein
102 bpm • D# Maj • 04:22 • -4db
32% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Nev Cottee
Renunciate
102 bpm • B min • 04:00 • -14.42db
21% Popularity • 56% Danceability • 36% Energy • 8% Liveness
78% Instrumentalness • 41% Positiveness
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Coco
One Time Villain
104 bpm • A# Maj • 03:11 • -10.42db
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
81% Instrumentalness • 46% Positiveness
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Naima Bock
Instrumental
104 bpm • F Maj • 05:42 • -12.7db
13% Popularity • 52% Danceability • 41% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
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Modern Nature
Peradam
102 bpm • G Maj • 04:15 • -15.99db
9% Popularity • 50% Danceability • 32% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Emma Tricca
King Blixa
105 bpm • F Maj • 02:39 • -11.39db
9% Popularity • 34% Danceability • 49% Energy • 9% Liveness
25% Instrumentalness • 45% Positiveness
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Dry Cleaning
Anna Calls From The Arctic
105 bpm • A min • 04:57 • -6.01db
35% Popularity • 70% Danceability • 67% Energy • 7% Liveness
80% Instrumentalness • 64% Positiveness
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Cloth
Never Know
101 bpm • E min • 05:04 • -10.29db
19% Popularity • 84% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
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Sam Burton
Nothing Touches Me
105 bpm • A Maj • 04:55 • -8.96db
28% Popularity • 58% Danceability • 54% Energy • 11% Liveness
11% Instrumentalness • 43% Positiveness
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Water From Your Eyes
When You're Around
105 bpm • A# Maj • 03:34 • -9.09db
34% Popularity • 72% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Brigid Mae Power
On a City Night
105 bpm • G Maj • 05:08 • -10.45db
7% Popularity • 31% Danceability • 44% Energy • 8% Liveness
5% Instrumentalness • 27% Positiveness
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Lewsberg
A Different View
101 bpm • B Maj • 02:59 • -9.68db
22% Popularity • 67% Danceability • 36% Energy • 7% Liveness
93% Instrumentalness • 99% Positiveness
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Bill Callahan
Everyway
100 bpm • C Maj • 05:32 • -16.87db
26% Popularity • 44% Danceability • 26% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
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Whitney K
Song For A Friend
106 bpm • C Maj • 05:55 • -11.2db
7% Popularity • 30% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 22% Positiveness
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Luke Temple
Dare I Love
100 bpm • A Maj • 04:32 • -16.87db
11% Popularity • 71% Danceability • 16% Energy • 5% Liveness
4% Instrumentalness • 33% Positiveness
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Woods
Between The Past
106 bpm • B Maj • 04:34 • -6.54db
28% Popularity • 57% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 39% Positiveness
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The Golden Dregs
Before We Fell From Grace
100 bpm • F Maj • 04:51 • -11.62db
13% Popularity • 56% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 29% Positiveness
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Shirley Hurt
Problem Child
106 bpm • C Maj • 03:42 • -10.01db
31% Popularity • 89% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Spencer Cullum
What a Waste of an Echo
100 bpm • F Maj • 04:30 • -15.56db
18% Popularity • 68% Danceability • 32% Energy • 18% Liveness
95% Instrumentalness • 49% Positiveness
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Lewsberg
Table For Two
106 bpm • C Maj • 01:41 • -17.76db
20% Popularity • 65% Danceability • 20% Energy • 10% Liveness
42% Instrumentalness • 23% Positiveness
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Heather Woods Broderick
Blood Run Through Me - Single Edit
100 bpm • A# Maj • 04:48 • -10.69db
26% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Air Waves
The Dance
100 bpm • C# min • 03:00 • -10.3db
12% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Golden Dregs
Sundown Lake
100 bpm • C Maj • 03:48 • -8.04db
11% Popularity • 80% Danceability • 51% Energy • 12% Liveness
7% Instrumentalness • 75% Positiveness
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Cate Le Bon
Dirt on the Bed
100 bpm • C Maj • 04:28 • -11db
23% Popularity • 57% Danceability • 30% Energy • 26% Liveness
36% Instrumentalness • 18% Positiveness
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Eerie Wanda
Long Time
100 bpm • C# Maj • 03:03 • -12.46db
22% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Kristine Leschper
Blue
100 bpm • G# Maj • 02:53 • -9.63db
27% Popularity • 77% Danceability • 47% Energy • 10% Liveness
42% Instrumentalness • 71% Positiveness
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Dean Wareham
The Last Word
100 bpm • D Maj • 05:12 • -10.38db
9% Popularity • 67% Danceability • 40% Energy • 9% Liveness
19% Instrumentalness • 59% Positiveness
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Jana Horn
Driving
100 bpm • C Maj • 04:11 • -14.59db
8% Popularity • 34% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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The Golden Dregs
Vista
100 bpm • G Maj • 04:38 • -7.73db
14% Popularity • 67% Danceability • 60% Energy • 32% Liveness
16% Instrumentalness • 72% Positiveness
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Sam Burton
I Am No Moon
106 bpm • E min • 04:05 • -12.43db
18% Popularity • 38% Danceability • 33% Energy • 13% Liveness
51% Instrumentalness • 24% Positiveness
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Naima Bock
Natural
100 bpm • D# Maj • 02:33 • -13.52db
13% Popularity • 51% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Wombo
Wolfe Ave 40
99 bpm • D# min • 02:30 • -13.21db
42% Popularity • 61% Danceability • 30% Energy • 37% Liveness
68% Instrumentalness • 49% Positiveness
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Peel Dream Magazine
Pad
100 bpm • G min • 02:46 • -12.04db
7% Popularity • 33% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Macie Stewart
Finally
107 bpm • B min • 03:22 • -12db
19% Popularity • 48% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Leah Senior
The Fig
99 bpm • G Maj • 03:46 • -8.77db
16% Popularity • 70% Danceability • 47% Energy • 10% Liveness
26% Instrumentalness • 31% Positiveness
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Lewsberg
Communion
107 bpm • A Maj • 03:36 • -6.34db
20% Popularity • 62% Danceability • 80% Energy • 13% Liveness
80% Instrumentalness • 55% Positiveness
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Cassandra Jenkins
Hard Drive
107 bpm • A Maj • 05:27 • -11.46db
33% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
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Arborist
Dreaming in Another Language
107 bpm • F Maj • 06:29 • -11.05db
16% Popularity • 66% Danceability • 45% Energy • 8% Liveness
13% Instrumentalness • 48% Positiveness
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Shana Cleveland
I'll Never Know
99 bpm • E Maj • 03:18 • -11.49db
14% Popularity • 31% Danceability • 34% Energy • 11% Liveness
53% Instrumentalness • 22% Positiveness
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Ora Cogan
Katie Cruel
107 bpm • A min • 03:36 • -12db
33% Popularity • 42% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
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Shannon Lay
A Thread to Find
99 bpm • B Maj • 03:48 • -9.22db
30% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Marina Allen
Foul Weather Jacket Drawing
108 bpm • B min • 03:17 • -13.69db
15% Popularity • 71% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jana Horn
Song For Eve
108 bpm • G Maj • 02:55 • -11.72db
9% Popularity • 80% Danceability • 44% Energy • 8% Liveness
23% Instrumentalness • 68% Positiveness
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Coco
Knots
108 bpm • F Maj • 03:09 • -10db
22% Popularity • 51% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 45% Positiveness
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Shana Cleveland
Mystic Mine
108 bpm • A# Maj • 03:55 • -12.43db
17% Popularity • 39% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Cass McCombs
A Blue, Blue Band
108 bpm • B Maj • 05:34 • -10.43db
12% Popularity • 57% Danceability • 45% Energy • 14% Liveness
62% Instrumentalness • 46% Positiveness
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This Is The Kit
More Change
98 bpm • B min • 02:29 • -14.11db
34% Popularity • 67% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Katy J Pearson
Float
98 bpm • G Maj • 03:38 • -5.49db
19% Popularity • 62% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Anna St. Louis
Trace
98 bpm • A# Maj • 04:33 • -11.01db
21% Popularity • 70% Danceability • 36% Energy • 9% Liveness
12% Instrumentalness • 53% Positiveness
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Cate Le Bon
Running Away
98 bpm • A# Maj • 05:43 • -8.54db
23% Popularity • 72% Danceability • 47% Energy • 14% Liveness
20% Instrumentalness • 47% Positiveness
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Shana Cleveland
Babe
108 bpm • A Maj • 02:36 • -9.76db
16% Popularity • 43% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Lael Neale
Every Star Shivers in the Dark
108 bpm • B Maj • 05:32 • -5.73db
35% Popularity • 46% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
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Lewsberg
Getting Closer
98 bpm • B min • 03:40 • -14.04db
36% Popularity • 69% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 51% Positiveness
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Okay Kaya
Jolene From Her Own Perspective
109 bpm • B min • 03:27 • -13db
22% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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John Andrews & The Yawns
Fourth Wall
98 bpm • D Maj • 07:15 • -9.27db
15% Popularity • 55% Danceability • 44% Energy • 7% Liveness
28% Instrumentalness • 52% Positiveness
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Cate Le Bon
Remembering Me
109 bpm • E min • 04:34 • -8.79db
24% Popularity • 75% Danceability • 56% Energy • 20% Liveness
8% Instrumentalness • 70% Positiveness
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Marina Allen
Believer
98 bpm • D Maj • 02:39 • -11.35db
12% Popularity • 74% Danceability • 57% Energy • 9% Liveness
7% Instrumentalness • 33% Positiveness
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Renée Reed
Neboj
109 bpm • C min • 03:30 • -10.05db
9% Popularity • 46% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Lean Year
The Trouble With Being Warm
109 bpm • C Maj • 05:22 • -12.16db
9% Popularity • 43% Danceability • 7% Energy • 10% Liveness
7% Instrumentalness • 9% Positiveness
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Fran
Palm Trees
109 bpm • A# Maj • 02:37 • -12.5db
23% Popularity • 66% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 63% Positiveness
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John Andrews & The Yawns
Never Go Away
109 bpm • C Maj • 04:04 • -8.88db
25% Popularity • 67% Danceability • 46% Energy • 9% Liveness
47% Instrumentalness • 76% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Laura Veirs
Seaside Haiku
109 bpm • C# min • 03:07 • -7.69db
8% Popularity • 62% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Shirley Hurt
Charioteer
109 bpm • F Maj • 04:19 • -11.1db
8% Popularity • 84% Danceability • 25% Energy • 36% Liveness
5% Instrumentalness • 30% Positiveness
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Jana Horn
Time Machine
97 bpm • D Maj • 02:53 • -15.09db
19% Popularity • 69% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Mega Bog
Butterfly
96 bpm • G Maj • 02:50 • -6.61db
8% Popularity • 53% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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The Clientele
Blue Over Blue
110 bpm • F Maj • 03:16 • -8.26db
37% Popularity • 73% Danceability • 61% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
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Cate Le Bon
Harbour
97 bpm • F Maj • 04:08 • -7.81db
32% Popularity • 74% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Coco
Omen
110 bpm • G Maj • 03:20 • -15.3db
24% Popularity • 78% Danceability • 29% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
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Jayla Kai
Paperread
110 bpm • G Maj • 03:21 • -16.11db
10% Popularity • 60% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Alabaster DePlume
I’m Good at Not Crying
110 bpm • F# min • 03:24 • -12db
25% Popularity • 31% Danceability • 50% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Marina Allen
Or Else
110 bpm • F# Maj • 02:59 • -13.27db
31% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lael Neale
Lead Me Blind
111 bpm • C Maj • 04:44 • -9.08db
16% Popularity • 21% Danceability • 39% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
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Cate Le Bon
Here It Comes Again
110 bpm • C Maj • 03:24 • -9.77db
27% Popularity • 62% Danceability • 38% Energy • 9% Liveness
23% Instrumentalness • 42% Positiveness
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Coco
Anybody's Guess
110 bpm • A# min • 04:02 • -12.82db
32% Popularity • 65% Danceability • 33% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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Naima Bock
Lines
111 bpm • C Maj • 04:26 • -6.13db
14% Popularity • 47% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Renée Reed
Fast One
111 bpm • D# Maj • 02:24 • -7.9db
24% Popularity • 59% Danceability • 34% Energy • 8% Liveness
71% Instrumentalness • 17% Positiveness
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Marina Allen
Belong Here
96 bpm • B min • 03:03 • -10.41db
15% Popularity • 56% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
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Ora Cogan
Cowgirl
96 bpm • G Maj • 02:49 • -13.43db
46% Popularity • 73% Danceability • 41% Energy • 12% Liveness
44% Instrumentalness • 75% Positiveness
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Jane Weaver
Lux
96 bpm • F Maj • 01:28 • -13.27db
27% Popularity • 19% Danceability • 50% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Astrel K
Is It It Or Is It i?
96 bpm • C Maj • 05:56 • -5.85db
17% Popularity • 45% Danceability • 57% Energy • 9% Liveness
18% Instrumentalness • 46% Positiveness
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Dana Gavanski
Yesterday is Gone
111 bpm • G Maj • 02:23 • -9.76db
21% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Aoife Nessa Frances
This Still Life
96 bpm • E min • 04:31 • -8db
1% Popularity • 32% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Jon McKiel
Deeper Shade - Acoustic
111 bpm • D# Maj • 02:35 • -24db
17% Popularity • 73% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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William Doyle
I Need to Keep You in My Life
111 bpm • A Maj • 04:48 • -12.96db
11% Popularity • 50% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Macie Stewart
Where We Live
96 bpm • G# Maj • 03:32 • -14.16db
12% Popularity • 27% Danceability • 13% Energy • 34% Liveness
3% Instrumentalness • 4% Positiveness
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Cloth
Secret Measure
111 bpm • B Maj • 04:11 • -10.21db
14% Popularity • 78% Danceability • 40% Energy • 14% Liveness
19% Instrumentalness • 64% Positiveness
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Lewsberg
Cold Light of Day
111 bpm • A Maj • 04:38 • -8db
32% Popularity • 61% Danceability • 65% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
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Alabaster DePlume
Don’t Forget You’re Precious
95 bpm • F min • 03:41 • -12db
29% Popularity • 50% Danceability • 48% Energy • 20% Liveness
48% Instrumentalness • 38% Positiveness
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Gwenno
Porth Ia
95 bpm • C Maj • 03:44 • -13.43db
10% Popularity • 50% Danceability • 43% Energy • 58% Liveness
30% Instrumentalness • 21% Positiveness
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The Golden Dregs
American Airlines
95 bpm • C Maj • 03:56 • -7.13db
20% Popularity • 66% Danceability • 72% Energy • 11% Liveness
35% Instrumentalness • 69% Positiveness
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Blow Up