Songs like Blown by Bachman-Turner Overdrive
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Money
Can't Keep a Good Man Down
121 bpm • D Maj • 03:37 • -12.2db
22% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Edgar Winter Group
Sundown
121 bpm • D Maj • 03:25 • -11.27db
17% Popularity • 25% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 25% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Bachman-Turner Overdrive
Average Man
121 bpm • F# min • 04:03 • -6.19db
12% Popularity • 57% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 57% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Rossington Collins Band
Next Phone Call
121 bpm • G Maj • 03:32 • -12.99db
18% Popularity • 60% Danceability • 69% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
18% Popularity • 60% Danceability • 69% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Boston
Don't Look Back
122 bpm • D Maj • 06:00 • -10.31db
57% Popularity • 36% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 36% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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The Cars
My Best Friend's Girl
122 bpm • F Maj • 03:43 • -8.19db
64% Popularity • 80% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
64% Popularity • 80% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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Eddie Money
Got To Get Another Girl (2022 Remaster)
121 bpm • D Maj • 03:30 • -13.93db
18% Popularity • 63% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 63% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 75% Positiveness
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The Good Rats
Back To My Music
120 bpm • D Maj • 02:37 • -7db
9% Popularity • 68% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 68% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Bachman-Turner Overdrive
Don't Let The Blues Get You Down
121 bpm • D Maj • 04:11 • -11db
21% Popularity • 64% Danceability • 64% Energy • 3% Liveness
34% Instrumentalness • 97% Positiveness
21% Popularity • 64% Danceability • 64% Energy • 3% Liveness
34% Instrumentalness • 97% Positiveness
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Raspberries
Making It Easy
122 bpm • A Maj • 03:11 • -4.1db
17% Popularity • 50% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 50% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Stampeders
Running Wild
120 bpm • G# Maj • 03:26 • -8.04db
21% Popularity • 63% Danceability • 52% Energy • 28% Liveness
87% Instrumentalness • 64% Positiveness
21% Popularity • 63% Danceability • 52% Energy • 28% Liveness
87% Instrumentalness • 64% Positiveness
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The Cars
All Mixed Up
122 bpm • B min • 04:17 • -8db
44% Popularity • 52% Danceability • 74% Energy • 32% Liveness
5% Instrumentalness • 78% Positiveness
44% Popularity • 52% Danceability • 74% Energy • 32% Liveness
5% Instrumentalness • 78% Positiveness
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Eddie Money
Baby Hold On (2022 Remaster)
120 bpm • D Maj • 03:33 • -12.44db
57% Popularity • 64% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 64% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Blackfoot
Wishing Well
123 bpm • E min • 03:12 • -7.46db
34% Popularity • 54% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 54% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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Bachman-Turner Overdrive
Blown
121 bpm • A Maj • 04:20 • -13.12db
22% Popularity • 46% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 46% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Petty and the Heartbreakers
Strangered in the Night
123 bpm • A# Maj • 03:34 • -5.61db
30% Popularity • 71% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 71% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Ted Nugent
Motor City Madhouse
119 bpm • G Maj • 04:33 • -7.37db
36% Popularity • 53% Danceability • 92% Energy • 14% Liveness
10% Instrumentalness • 42% Positiveness
36% Popularity • 53% Danceability • 92% Energy • 14% Liveness
10% Instrumentalness • 42% Positiveness
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The Cars
You're All I've Got Tonight
122 bpm • B min • 04:14 • -7.97db
54% Popularity • 58% Danceability • 86% Energy • 24% Liveness
14% Instrumentalness • 66% Positiveness
54% Popularity • 58% Danceability • 86% Energy • 24% Liveness
14% Instrumentalness • 66% Positiveness
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Thin Lizzy
Wild One
119 bpm • C# min • 04:17 • -13db
44% Popularity • 62% Danceability • 55% Energy • 7% Liveness
18% Instrumentalness • 67% Positiveness
44% Popularity • 62% Danceability • 55% Energy • 7% Liveness
18% Instrumentalness • 67% Positiveness
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Robin Trower
The Fool and Me - 2007 Remaster
123 bpm • A min • 03:55 • -8.03db
42% Popularity • 41% Danceability • 77% Energy • 27% Liveness
35% Instrumentalness • 78% Positiveness
42% Popularity • 41% Danceability • 77% Energy • 27% Liveness
35% Instrumentalness • 78% Positiveness
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Bachman-Turner Overdrive
Don't Get Yourself In Trouble
120 bpm • C# min • 04:56 • -13db
21% Popularity • 63% Danceability • 63% Energy • 28% Liveness
23% Instrumentalness • 74% Positiveness
21% Popularity • 63% Danceability • 63% Energy • 28% Liveness
23% Instrumentalness • 74% Positiveness
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The Edgar Winter Group
Hangin' Around
119 bpm • E Maj • 03:02 • -11db
26% Popularity • 73% Danceability • 80% Energy • 91% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 73% Danceability • 80% Energy • 91% Liveness
0% Instrumentalness • 87% Positiveness
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Head East
Man I Wanna Be
123 bpm • G Maj • 03:12 • -5db
19% Popularity • 48% Danceability • 85% Energy • 7% Liveness
1% Instrumentalness • 85% Positiveness
19% Popularity • 48% Danceability • 85% Energy • 7% Liveness
1% Instrumentalness • 85% Positiveness
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Max Webster
Toronto Tontos
119 bpm • C Maj • 03:43 • -7.03db
17% Popularity • 73% Danceability • 71% Energy • 19% Liveness
1% Instrumentalness • 88% Positiveness
17% Popularity • 73% Danceability • 71% Energy • 19% Liveness
1% Instrumentalness • 88% Positiveness
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Ian Hunter
Just Another Night - 2009 Remaster
119 bpm • D Maj • 04:36 • -6.33db
32% Popularity • 63% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 98% Positiveness
32% Popularity • 63% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 98% Positiveness
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Montrose
Connection
123 bpm • D Maj • 05:43 • -9.36db
21% Popularity • 58% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 24% Positiveness
21% Popularity • 58% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 24% Positiveness
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Bachman-Turner Overdrive
Give It Time
120 bpm • A Maj • 05:46 • -11db
25% Popularity • 50% Danceability • 69% Energy • 5% Liveness
2% Instrumentalness • 87% Positiveness
25% Popularity • 50% Danceability • 69% Energy • 5% Liveness
2% Instrumentalness • 87% Positiveness
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Pete Townshend
Gonna Get Ya
123 bpm • A Maj • 06:28 • -8db
26% Popularity • 58% Danceability • 76% Energy • 5% Liveness
3% Instrumentalness • 39% Positiveness
26% Popularity • 58% Danceability • 76% Energy • 5% Liveness
3% Instrumentalness • 39% Positiveness
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Head East
Fly By Night Lady
123 bpm • A min • 02:47 • -11.8db
30% Popularity • 52% Danceability • 85% Energy • 43% Liveness
5% Instrumentalness • 63% Positiveness
30% Popularity • 52% Danceability • 85% Energy • 43% Liveness
5% Instrumentalness • 63% Positiveness
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Eddie Money
Jealousys (2022 Remaster)
119 bpm • C Maj • 04:02 • -12.5db
19% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Traveling Wilburys
Inside Out
123 bpm • F min • 03:35 • -5db
44% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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ZZ Top
Esther Be the One
119 bpm • B min • 03:30 • -13.26db
27% Popularity • 66% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 66% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Bachman-Turner Overdrive
Shakin' All Over - Live
120 bpm • A Maj • 04:15 • -6.89db
18% Popularity • 55% Danceability • 93% Energy • 99% Liveness
2% Instrumentalness • 79% Positiveness
18% Popularity • 55% Danceability • 93% Energy • 99% Liveness
2% Instrumentalness • 79% Positiveness
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Gary Wright
Power of Love
119 bpm • A# Maj • 03:35 • -13db
20% Popularity • 61% Danceability • 64% Energy • 20% Liveness
7% Instrumentalness • 78% Positiveness
20% Popularity • 61% Danceability • 64% Energy • 20% Liveness
7% Instrumentalness • 78% Positiveness
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Blackfoot
Pay My Dues
124 bpm • E Maj • 03:07 • -13.43db
24% Popularity • 62% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 62% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Alice Cooper
Raped and Freezin'
124 bpm • D Maj • 03:19 • -8.82db
27% Popularity • 60% Danceability • 76% Energy • 89% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 60% Danceability • 76% Energy • 89% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Squier
Too Daze Gone - Remastered 2010
118 bpm • C Maj • 04:04 • -5.36db
41% Popularity • 52% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 52% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Badfinger
Just a Chance
124 bpm • D Maj • 02:58 • -9.06db
19% Popularity • 40% Danceability • 75% Energy • 22% Liveness
4% Instrumentalness • 71% Positiveness
19% Popularity • 40% Danceability • 75% Energy • 22% Liveness
4% Instrumentalness • 71% Positiveness
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Bachman-Turner Overdrive
Away From Home
119 bpm • G Maj • 04:31 • -5db
30% Popularity • 55% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 55% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Stealers Wheel
Stuck In The Middle With You
124 bpm • G Maj • 03:28 • -9.14db
81% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
81% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Cars
Candy-O
124 bpm • A Maj • 02:36 • -8db
47% Popularity • 57% Danceability • 88% Energy • 28% Liveness
2% Instrumentalness • 86% Positiveness
47% Popularity • 57% Danceability • 88% Energy • 28% Liveness
2% Instrumentalness • 86% Positiveness
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Trapeze
Back Street Love
124 bpm • G Maj • 05:00 • -9.86db
20% Popularity • 42% Danceability • 81% Energy • 50% Liveness
2% Instrumentalness • 71% Positiveness
20% Popularity • 42% Danceability • 81% Energy • 50% Liveness
2% Instrumentalness • 71% Positiveness
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Faces
Had Me a Real Good Time
118 bpm • C Maj • 05:49 • -6.59db
27% Popularity • 46% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
27% Popularity • 46% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
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Robin Trower
Jack and Jill
118 bpm • F# Maj • 02:44 • -13.75db
40% Popularity • 50% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 50% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Bachman-Turner Overdrive
Find Out About Love
123 bpm • E min • 04:41 • -5.28db
25% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Edgar Winter Group
Free Ride
124 bpm • D Maj • 03:07 • -11.93db
47% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Gamma
Thunder & Lightning
118 bpm • G Maj • 04:37 • -7.09db
17% Popularity • 60% Danceability • 84% Energy • 33% Liveness
22% Instrumentalness • 80% Positiveness
17% Popularity • 60% Danceability • 84% Energy • 33% Liveness
22% Instrumentalness • 80% Positiveness
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Raspberries
Party's Over
118 bpm • A Maj • 03:15 • -3.77db
17% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Slade
The Bangin' Man
124 bpm • A Maj • 04:11 • -2.83db
32% Popularity • 39% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 73% Positiveness
32% Popularity • 39% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 73% Positiveness
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Tom Petty and the Heartbreakers
Baby's a Rock 'N' Roller
124 bpm • A min • 02:53 • -5.95db
22% Popularity • 59% Danceability • 97% Energy • 24% Liveness
4% Instrumentalness • 75% Positiveness
22% Popularity • 59% Danceability • 97% Energy • 24% Liveness
4% Instrumentalness • 75% Positiveness
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Bachman-Turner Overdrive
Blue Moanin'
123 bpm • A min • 03:43 • -13.29db
38% Popularity • 64% Danceability • 46% Energy • 20% Liveness
30% Instrumentalness • 77% Positiveness
38% Popularity • 64% Danceability • 46% Energy • 20% Liveness
30% Instrumentalness • 77% Positiveness
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Head East
Don't Let Me Sleep In The Morning
124 bpm • E min • 06:00 • -7.91db
9% Popularity • 56% Danceability • 81% Energy • 44% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 56% Danceability • 81% Energy • 44% Liveness
0% Instrumentalness • 92% Positiveness
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Jethro Tull
Teacher - US Stereo; 2013 Mix
125 bpm • D Maj • 04:07 • -10db
19% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Paul McCartney
Band On The Run - 2010 Remaster
125 bpm • G Maj • 05:13 • -8.81db
73% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
73% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Heart
White Lightning And Wine
117 bpm • B min • 03:53 • -12.11db
44% Popularity • 70% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 70% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Money
We Should Be Sleeping
117 bpm • A Maj • 03:55 • -10.69db
30% Popularity • 56% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 56% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 67% Positiveness
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Bachman-Turner Overdrive
She's A Devil
119 bpm • D Maj • 04:45 • -13.56db
18% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Rod Stewart
True Blue
117 bpm • B min • 03:31 • -10.43db
36% Popularity • 59% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 59% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Ted Nugent
I Love You So I Told You a Lie
125 bpm • A Maj • 03:49 • -4.7db
31% Popularity • 53% Danceability • 93% Energy • 47% Liveness
5% Instrumentalness • 59% Positiveness
31% Popularity • 53% Danceability • 93% Energy • 47% Liveness
5% Instrumentalness • 59% Positiveness
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Ten Years After
Working on the Road - 2017 Remaster
126 bpm • C Maj • 04:17 • -7.33db
28% Popularity • 40% Danceability • 71% Energy • 60% Liveness
5% Instrumentalness • 62% Positiveness
28% Popularity • 40% Danceability • 71% Energy • 60% Liveness
5% Instrumentalness • 62% Positiveness
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Blackfoot
I Got a Line on You
126 bpm • E Maj • 03:19 • -12.26db
31% Popularity • 52% Danceability • 74% Energy • 63% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 52% Danceability • 74% Energy • 63% Liveness
0% Instrumentalness • 96% Positiveness
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Tucky Buzzard
Gold Medallions
126 bpm • D Maj • 04:33 • -7.8db
10% Popularity • 44% Danceability • 79% Energy • 66% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 44% Danceability • 79% Energy • 66% Liveness
0% Instrumentalness • 74% Positiveness
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Bachman-Turner Overdrive
Quick Change Artist
123 bpm • A Maj • 03:20 • -12.04db
20% Popularity • 61% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 61% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Boston
Hitch a Ride
116 bpm • D# Maj • 04:11 • -7.23db
55% Popularity • 38% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
55% Popularity • 38% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Poco
Boomerang
116 bpm • A# min • 03:52 • -14.41db
24% Popularity • 69% Danceability • 51% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
24% Popularity • 69% Danceability • 51% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
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The Rockets
Love Me Once Again
126 bpm • C Maj • 03:52 • -4.97db
18% Popularity • 61% Danceability • 98% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
18% Popularity • 61% Danceability • 98% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
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Kim Simmonds
If I Could See An End
126 bpm • E Maj • 02:55 • -15db
20% Popularity • 62% Danceability • 63% Energy • 25% Liveness
1% Instrumentalness • 90% Positiveness
20% Popularity • 62% Danceability • 63% Energy • 25% Liveness
1% Instrumentalness • 90% Positiveness
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The Good Rats
Injun Joe
126 bpm • C# Maj • 05:29 • -8.21db
8% Popularity • 57% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
8% Popularity • 57% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
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Bachman-Turner Overdrive
Hey You
118 bpm • A Maj • 03:36 • -13.52db
46% Popularity • 49% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 94% Positiveness
46% Popularity • 49% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 94% Positiveness
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Eagles
Teenage Jail - 2013 Remaster
116 bpm • A Maj • 03:43 • -8.16db
31% Popularity • 45% Danceability • 39% Energy • 60% Liveness
3% Instrumentalness • 28% Positiveness
31% Popularity • 45% Danceability • 39% Energy • 60% Liveness
3% Instrumentalness • 28% Positiveness
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Trapeze
Take It on Down the Road
126 bpm • D Maj • 04:45 • -11.87db
14% Popularity • 63% Danceability • 70% Energy • 10% Liveness
16% Instrumentalness • 62% Positiveness
14% Popularity • 63% Danceability • 70% Energy • 10% Liveness
16% Instrumentalness • 62% Positiveness
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Bob Welch
Hot Love, Cold World
116 bpm • B min • 03:40 • -11.26db
23% Popularity • 59% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 59% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Tom Petty and the Heartbreakers
A Woman In Love (It's Not Me)
127 bpm • A Maj • 04:19 • -7db
46% Popularity • 56% Danceability • 58% Energy • 82% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 56% Danceability • 58% Energy • 82% Liveness
0% Instrumentalness • 56% Positiveness
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Electric Light Orchestra
Don't Bring Me Down
116 bpm • D Maj • 04:03 • -6.47db
77% Popularity • 64% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
77% Popularity • 64% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Bachman-Turner Overdrive
Shotgun Rider
118 bpm • D Maj • 05:20 • -14.29db
21% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Head East
Gettin' Lucky
127 bpm • A Maj • 04:03 • -6db
18% Popularity • 52% Danceability • 88% Energy • 22% Liveness
46% Instrumentalness • 67% Positiveness
18% Popularity • 52% Danceability • 88% Energy • 22% Liveness
46% Instrumentalness • 67% Positiveness
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Derek & The Dominos
Layla
116 bpm • C# Maj • 07:03 • -3.88db
74% Popularity • 40% Danceability • 90% Energy • 29% Liveness
30% Instrumentalness • 50% Positiveness
74% Popularity • 40% Danceability • 90% Energy • 29% Liveness
30% Instrumentalness • 50% Positiveness
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Badfinger
I Don't Mind - Remastered 2010
127 bpm • D Maj • 03:13 • -11.04db
31% Popularity • 57% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 57% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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The Edgar Winter Group
Round & Round
127 bpm • G Maj • 03:59 • -11.82db
15% Popularity • 56% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 81% Positiveness
15% Popularity • 56% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 81% Positiveness
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Aerosmith
Spaced
127 bpm • D Maj • 04:21 • -8.73db
31% Popularity • 40% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 40% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Bachman-Turner Overdrive
Down To The Line
124 bpm • E Maj • 04:01 • -4.95db
15% Popularity • 48% Danceability • 85% Energy • 50% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 85% Energy • 50% Liveness
0% Instrumentalness • 80% Positiveness
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Prism
See Forever Eyes
127 bpm • B Maj • 05:10 • -11.12db
21% Popularity • 46% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 46% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Petty and the Heartbreakers
Anything That's Rock 'n' Roll
127 bpm • B Maj • 02:24 • -5.43db
41% Popularity • 68% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
41% Popularity • 68% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Badfinger
I Can't Take It - Remastered 2010
127 bpm • C# min • 02:55 • -7.81db
31% Popularity • 58% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 58% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Terry Knight And The Pack
Getting Into The Sun - Remastered
127 bpm • E min • 04:45 • -6.65db
19% Popularity • 52% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
19% Popularity • 52% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Ian Hunter
Who Do You Love
127 bpm • G Maj • 03:50 • -8.6db
17% Popularity • 56% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 56% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Bachman-Turner Overdrive
Just For You
118 bpm • E min • 04:47 • -14.99db
18% Popularity • 68% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 68% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Money
Gamblin Man (2022 Remaster)
127 bpm • A Maj • 04:00 • -10.93db
34% Popularity • 60% Danceability • 75% Energy • 14% Liveness
14% Instrumentalness • 84% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 14% Liveness
14% Instrumentalness • 84% Positiveness
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Ted Nugent
Cat Scratch Fever
127 bpm • E min • 03:39 • -4.19db
45% Popularity • 55% Danceability • 92% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
45% Popularity • 55% Danceability • 92% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
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Deep Purple
Woman From Tokyo - Remastered 2000
127 bpm • D Maj • 05:51 • -8.42db
50% Popularity • 55% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
50% Popularity • 55% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Tommy Bolin
The Grind
115 bpm • F min • 03:28 • -4.81db
24% Popularity • 37% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 37% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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ZZ Top
Francine
127 bpm • C Maj • 03:33 • -9.81db
40% Popularity • 50% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
40% Popularity • 50% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Bachman-Turner Overdrive
Can We All Come Together
125 bpm • C# min • 05:51 • -12.73db
12% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Cars
Just What I Needed
127 bpm • E Maj • 03:45 • -9.31db
72% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
72% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Blues Image
Running the Water
115 bpm • G Maj • 02:37 • -9.84db
12% Popularity • 72% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 72% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Ian Hunter
Wild East - 2009 Remaster
115 bpm • C# Maj • 03:58 • -8.5db
23% Popularity • 63% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
23% Popularity • 63% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
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Argent
Liar
115 bpm • F Maj • 03:12 • -21.35db
20% Popularity • 56% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
20% Popularity • 56% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Faces
Had Me a Real Good Time - 2010 Remaster
115 bpm • G Maj • 02:54 • -7db
37% Popularity • 46% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 46% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness