Songs like Blue and Green - Live at the Fillmore by The Wood Brothers
Based on a tempo of (+/- 10%) and a similar genre
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The Wood Brothers
Blue and Green - Live at the Fillmore
71 bpm • C Maj • 03:42 • -6.97db
22% Popularity • 39% Danceability • 47% Energy • 82% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 39% Danceability • 47% Energy • 82% Liveness
0% Instrumentalness • 20% Positiveness
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Billy Strings
All the Luck in the World
72 bpm • A Maj • 04:40 • -7db
41% Popularity • 51% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 51% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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The Record Company
This Crooked City
70 bpm • D Maj • 04:34 • -6.18db
29% Popularity • 50% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 50% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Andy Frasco & the U.N.
Can't Force Love
72 bpm • B Maj • 03:34 • -7db
21% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Samantha Rise
Rye Grass Riders
72 bpm • A Maj • 04:02 • -7.21db
25% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Pressing Strings
Most of Us
72 bpm • F Maj • 03:43 • -6.98db
28% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Langhorne Slim
Funny Feelin' (For Junior Kimbrough and ...
74 bpm • G# Maj • 02:52 • -9.83db
30% Popularity • 50% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 50% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Hard Working Americans
Roman Candles
74 bpm • A Maj • 05:32 • -8.95db
11% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Parker Millsap
Coming On
75 bpm • B Maj • 02:42 • -6.12db
15% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Blitzen Trapper
Hazy Morning
75 bpm • G Maj • 03:59 • -7.37db
33% Popularity • 55% Danceability • 78% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 55% Danceability • 78% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
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Nathaniel Rateliff
Early Spring Till
75 bpm • D Maj • 03:59 • -8db
36% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dustbowl Revival
Debtors' Prison
76 bpm • D Maj • 04:53 • -7.02db
25% Popularity • 64% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 64% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Tea Leaf Green
Pretty Jane
76 bpm • A# Maj • 03:59 • -13db
29% Popularity • 76% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 76% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hard Working Americans
Mr. President Have Pity on the Working M...
76 bpm • C Maj • 03:18 • -9.24db
10% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Parker Millsap
Wherever You Are
76 bpm • G Maj • 03:02 • -7.37db
29% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cris Jacobs
Buffalo Girl
77 bpm • F Maj • 04:28 • -9.27db
14% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Justin Townes Earle
Ahi Esta Mi Nina
77 bpm • B Maj • 04:06 • -12.12db
27% Popularity • 64% Danceability • 41% Energy • 11% Liveness
16% Instrumentalness • 37% Positiveness
27% Popularity • 64% Danceability • 41% Energy • 11% Liveness
16% Instrumentalness • 37% Positiveness
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The Ghost of Paul Revere
Welcome Home
77 bpm • A Maj • 02:52 • -10.09db
27% Popularity • 54% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 54% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Yarn
This Is the Year
77 bpm • G Maj • 03:02 • -8.44db
37% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Houndmouth
Good For You
65 bpm • G Maj • 03:40 • -9.96db
41% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Shinyribs
Don't Leave It a Lie
78 bpm • F Maj • 04:56 • -6.57db
27% Popularity • 53% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 53% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Bow Thayer
Got My Attention
78 bpm • G Maj • 04:05 • -8.31db
12% Popularity • 65% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 65% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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The Wood Brothers
The Muse
65 bpm • C Maj • 03:21 • -8.39db
49% Popularity • 54% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 54% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Fruition & Grant Farm
Random Lee
78 bpm • C Maj • 04:56 • -6.27db
10% Popularity • 54% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 54% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Dangermuffin
Western Sky
78 bpm • E Maj • 02:26 • -16.54db
49% Popularity • 70% Danceability • 32% Energy • 27% Liveness
1% Instrumentalness • 90% Positiveness
49% Popularity • 70% Danceability • 32% Energy • 27% Liveness
1% Instrumentalness • 90% Positiveness
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Houndmouth
Casino (Bad Things)
78 bpm • G# Maj • 02:40 • -4.94db
26% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Shinyribs
Devilsong
78 bpm • G Maj • 04:33 • -6.93db
27% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Marcus King Band
Jealous Man
78 bpm • G Maj • 04:34 • -5.49db
46% Popularity • 48% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 48% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Wood Brothers
Little Bit Broken
78 bpm • A Maj • 03:47 • -9.3db
26% Popularity • 56% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 56% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Watchhouse
The Wolves
78 bpm • D Maj • 04:05 • -14db
49% Popularity • 59% Danceability • 34% Energy • 13% Liveness
4% Instrumentalness • 35% Positiveness
49% Popularity • 59% Danceability • 34% Energy • 13% Liveness
4% Instrumentalness • 35% Positiveness
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Split Lip Rayfield
On My Way
79 bpm • D Maj • 03:01 • -6.08db
18% Popularity • 61% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 61% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Nathaniel Rateliff
You Should've Seen The Other Guy
79 bpm • C Maj • 03:01 • -8.98db
54% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Avett Brothers
I Should’ve Spent The Day With My Fami...
80 bpm • E Maj • 04:36 • -8.88db
29% Popularity • 56% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 56% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Boy Named Banjo
Have It All
80 bpm • A min • 04:03 • -4.9db
26% Popularity • 51% Danceability • 72% Energy • 18% Liveness
88% Instrumentalness • 60% Positiveness
26% Popularity • 51% Danceability • 72% Energy • 18% Liveness
88% Instrumentalness • 60% Positiveness
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The Wood Brothers
River of Sin
79 bpm • F Maj • 04:39 • -8.61db
15% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Blackberry Smoke
Mother Mountain
80 bpm • D Maj • 03:38 • -9.03db
26% Popularity • 46% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 46% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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The Marcus King Band
Goodbye Carolina - Extended Version
80 bpm • C Maj • 06:15 • -7.67db
50% Popularity • 40% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 40% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Lindell
Give It Time
81 bpm • G Maj • 04:28 • -4db
41% Popularity • 61% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 61% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Bob Schneider
Making It Up
81 bpm • C Maj • 03:31 • -7.07db
23% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Rayland Baxter
Mr. Rodriguez - Audiotree Live Version
81 bpm • G Maj • 05:22 • -9.27db
12% Popularity • 54% Danceability • 51% Energy • 23% Liveness
7% Instrumentalness • 28% Positiveness
12% Popularity • 54% Danceability • 51% Energy • 23% Liveness
7% Instrumentalness • 28% Positiveness
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Tea Leaf Green
Stick to the Shallows
81 bpm • C Maj • 03:26 • -7.46db
21% Popularity • 61% Danceability • 55% Energy • 8% Liveness
16% Instrumentalness • 32% Positiveness
21% Popularity • 61% Danceability • 55% Energy • 8% Liveness
16% Instrumentalness • 32% Positiveness
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Donna The Buffalo
Silverlined
81 bpm • G Maj • 03:08 • -6.85db
19% Popularity • 66% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 66% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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The Ghost of Paul Revere
Baba O'Riley
81 bpm • B Maj • 04:46 • -9.21db
32% Popularity • 34% Danceability • 44% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
32% Popularity • 34% Danceability • 44% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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The Wood Brothers
Loaded
62 bpm • E Maj • 03:49 • -9.02db
35% Popularity • 58% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
35% Popularity • 58% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Cris Jacobs
Turn Into Gold
82 bpm • C Maj • 03:47 • -5.08db
13% Popularity • 35% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
13% Popularity • 35% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Rayland Baxter
Olivia
82 bpm • G Maj • 03:53 • -9.44db
53% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Phil Cook
Great Tide
82 bpm • F Maj • 05:19 • -8.61db
22% Popularity • 51% Danceability • 61% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
22% Popularity • 51% Danceability • 61% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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Mipso
Border Tonight
82 bpm • G Maj • 02:34 • -12.49db
33% Popularity • 76% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 76% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Dangermuffin
The Sea And The Rose
82 bpm • A Maj • 03:28 • -10.65db
24% Popularity • 41% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
24% Popularity • 41% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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The Wood Brothers
The One I Love
82 bpm • G Maj • 03:48 • -9db
24% Popularity • 48% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 48% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Pressing Strings
Going to California
82 bpm • D Maj • 05:26 • -6db
34% Popularity • 37% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
34% Popularity • 37% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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Dead Man Winter
Danger
83 bpm • A# Maj • 04:39 • -8.74db
14% Popularity • 38% Danceability • 60% Energy • 18% Liveness
2% Instrumentalness • 54% Positiveness
14% Popularity • 38% Danceability • 60% Energy • 18% Liveness
2% Instrumentalness • 54% Positiveness
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The Texas Gentlemen
Easy St.
83 bpm • G Maj • 05:59 • -5.47db
10% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Railroad Earth
Lovin' You
83 bpm • A Maj • 04:28 • -7.28db
28% Popularity • 57% Danceability • 62% Energy • 9% Liveness
14% Instrumentalness • 49% Positiveness
28% Popularity • 57% Danceability • 62% Energy • 9% Liveness
14% Instrumentalness • 49% Positiveness
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The Marcus King Band
Autumn Rains
83 bpm • D Maj • 04:01 • -9db
48% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Wood Brothers
Glad
84 bpm • E Maj • 03:42 • -10.47db
33% Popularity • 62% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 29% Positiveness
33% Popularity • 62% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 29% Positiveness
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Pressing Strings
Angry Birds
84 bpm • A Maj • 03:15 • -6.62db
15% Popularity • 45% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 45% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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The Suitcase Junket
Old Machine
84 bpm • C Maj • 03:21 • -11.15db
22% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Blitzen Trapper
Requiem
85 bpm • G Maj • 03:33 • -7db
47% Popularity • 61% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 61% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Lindell
Revolution
85 bpm • C Maj • 02:35 • -5.27db
47% Popularity • 64% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 64% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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The Marcus King Band
Remember
84 bpm • G Maj • 04:01 • -10.4db
35% Popularity • 43% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 43% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Wood Brothers
Walkaway
85 bpm • G Maj • 04:13 • -10.89db
18% Popularity • 39% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 39% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Joe Pug
Long Midnight
86 bpm • C Maj • 02:13 • -11.34db
39% Popularity • 41% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
39% Popularity • 41% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
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Jamtown
Pick It Up
85 bpm • G# Maj • 06:55 • -6.7db
30% Popularity • 62% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 62% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Hiss Golden Messenger
I Need a Teacher
86 bpm • A Maj • 03:17 • -8db
47% Popularity • 50% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 50% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Watchhouse
Like You Used To
86 bpm • C Maj • 04:37 • -14.05db
32% Popularity • 64% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 49% Positiveness
32% Popularity • 64% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 49% Positiveness
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The Marcus King Band
The Man You Didn’t Know
86 bpm • G Maj • 04:41 • -7.22db
33% Popularity • 42% Danceability • 56% Energy • 12% Liveness
38% Instrumentalness • 53% Positiveness
33% Popularity • 42% Danceability • 56% Energy • 12% Liveness
38% Instrumentalness • 53% Positiveness
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My Morning Jacket
All the Best
86 bpm • C# Maj • 03:16 • -8.63db
33% Popularity • 56% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
33% Popularity • 56% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Joe Pug
The Door Was Always Open
86 bpm • D Maj • 02:49 • -9.73db
36% Popularity • 67% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 67% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Shakey Graves
Dearly Departed
87 bpm • G Maj • 03:32 • -5.92db
64% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Jonah Tolchin
Beauty in the Ugliest of Days
87 bpm • C Maj • 03:04 • -15.13db
24% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Them Vibes
Who Do You Love
87 bpm • E Maj • 03:39 • -6.28db
23% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Wood Brothers
Keep Me Around
88 bpm • D Maj • 03:38 • -11.75db
42% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Robinson Brotherhood
The Music's Hot
88 bpm • A Maj • 05:59 • -11.03db
20% Popularity • 59% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 59% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
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Hiss Golden Messenger
Biloxi
88 bpm • A Maj • 02:51 • -6.46db
45% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Pressing Strings
Standing Outside a Broken Phone Booth Wi...
88 bpm • C Maj • 04:21 • -10.95db
12% Popularity • 68% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 68% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Railroad Earth
Railroad Earth (OurVinyl Sessions)
88 bpm • F Maj • 05:33 • -17.25db
31% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Dangermuffin
Mystery Repeating
88 bpm • C Maj • 02:42 • -10.05db
37% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Busty Petites
Wound Up
88 bpm • G# Maj • 04:32 • -8.92db
10% Popularity • 57% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
10% Popularity • 57% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
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Joe Pug
Speak Plainly Diana
88 bpm • G Maj • 02:49 • -7.69db
37% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Eric Lindell
Pat West
89 bpm • B Maj • 03:04 • -6.93db
37% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Houser
Can't Change The Past
89 bpm • G Maj • 02:59 • -13.2db
4% Popularity • 53% Danceability • 54% Energy • 25% Liveness
3% Instrumentalness • 40% Positiveness
4% Popularity • 53% Danceability • 54% Energy • 25% Liveness
3% Instrumentalness • 40% Positiveness
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The Dead Tongues
Graveyard Fields
89 bpm • D Maj • 03:45 • -9.78db
23% Popularity • 49% Danceability • 55% Energy • 12% Liveness
20% Instrumentalness • 51% Positiveness
23% Popularity • 49% Danceability • 55% Energy • 12% Liveness
20% Instrumentalness • 51% Positiveness
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Daniel Donato
Sweet Tasting Tennessee
89 bpm • G# Maj • 03:59 • -10.63db
29% Popularity • 71% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 71% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Morrison
25 Miles
89 bpm • A Maj • 04:22 • -8.24db
16% Popularity • 54% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 54% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Railroad Earth
Neath The Stars
89 bpm • C# Maj • 04:10 • -10.38db
25% Popularity • 60% Danceability • 49% Energy • 10% Liveness
26% Instrumentalness • 54% Positiveness
25% Popularity • 60% Danceability • 49% Energy • 10% Liveness
26% Instrumentalness • 54% Positiveness
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Grateful Shred
Man Smart, Woman Smarter
89 bpm • E Maj • 05:51 • -8db
29% Popularity • 61% Danceability • 61% Energy • 21% Liveness
6% Instrumentalness • 96% Positiveness
29% Popularity • 61% Danceability • 61% Energy • 21% Liveness
6% Instrumentalness • 96% Positiveness
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Parker Millsap
Homeless
90 bpm • G Maj • 03:12 • -11.47db
34% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Wood Brothers
Happiness Jones
90 bpm • D Maj • 04:06 • -7.28db
33% Popularity • 65% Danceability • 77% Energy • 4% Liveness
1% Instrumentalness • 70% Positiveness
33% Popularity • 65% Danceability • 77% Energy • 4% Liveness
1% Instrumentalness • 70% Positiveness
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Umphrey's McGee
You & You Alone
90 bpm • C min • 03:58 • -13.79db
30% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Donna The Buffalo
I Believe
90 bpm • G Maj • 04:28 • -8.46db
15% Popularity • 53% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 53% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Nathaniel Rateliff
You Need Me
90 bpm • D Maj • 03:30 • -12db
48% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
48% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
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Hot Buttered Rum
The Deep End
90 bpm • C Maj • 04:54 • -9.3db
22% Popularity • 64% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
22% Popularity • 64% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
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Mipso
Louise
90 bpm • A# Maj • 04:24 • -11db
52% Popularity • 63% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 63% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Parker Millsap
The Very Last Day
90 bpm • C# min • 03:00 • -9.26db
37% Popularity • 60% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 60% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Cris Jacobs
Bone Digger
90 bpm • D min • 04:13 • -5.64db
21% Popularity • 59% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 59% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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The Wood Brothers
Make Me Down A Pallet On Your Floor
90 bpm • C Maj • 03:40 • -8.12db
30% Popularity • 50% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 50% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Shinyribs
Sweeter Than the Scars
91 bpm • F Maj • 05:05 • -7.83db
27% Popularity • 69% Danceability • 60% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 69% Danceability • 60% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
