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Blue Bandana
Songs like
Blue Bandana
by
Jerrod Niemann
Based on a tempo of (+/- 10%) and a similar genre
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LOCASH
Feels Like a Party
168 bpm • E Maj • 02:48 • -4.67db
49% Popularity • 56% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Janson
Power of Positive Drinkin'
168 bpm • B Maj • 03:30 • -4.89db
43% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Chase Rice
Do It Like This
168 bpm • C# Maj • 03:35 • -5db
13% Popularity • 52% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Easton Corbin
Baby Be My Love Song
168 bpm • C Maj • 03:19 • -6.15db
50% Popularity • 49% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Dorr
Mine Looks Like You
168 bpm • G Maj • 03:19 • -5.9db
8% Popularity • 50% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Langston
Showtime
168 bpm • C# Maj • 03:17 • -4db
26% Popularity • 49% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Jerrod Niemann
Blue Bandana
168 bpm • A Maj • 03:27 • -5db
31% Popularity • 48% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kevin Fowler
Sellout Song
166 bpm • A Maj • 03:01 • -5.42db
20% Popularity • 62% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Chase Rice
Best Beers of Our Lives
166 bpm • A# Maj • 03:27 • -3.84db
32% Popularity • 46% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Gloriana
Trouble
166 bpm • G Maj • 03:10 • -3.09db
26% Popularity • 55% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Carter Winter
Lipstick on My Bottle
170 bpm • C# Maj • 02:30 • -7db
19% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Brett Kissel
Airwaves
170 bpm • G# Maj • 03:29 • -5db
37% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jerrod Niemann
Leavin' A Trail
170 bpm • B Maj • 03:28 • -6.97db
10% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Colt Ford
4 Lane Gone
166 bpm • E Maj • 03:53 • -5.53db
28% Popularity • 49% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Luke Bryan
Checkin’ Out
166 bpm • A Maj • 03:31 • -4.7db
26% Popularity • 56% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Scotty McCreery
Roll Your Window Down
165 bpm • E Maj • 03:01 • -4.7db
25% Popularity • 59% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Clare Dunn
Cowboy Side Of You
166 bpm • G Maj • 03:35 • -3db
23% Popularity • 47% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Keith Anderson
Adaliene
172 bpm • A# Maj • 03:45 • -4.39db
2% Popularity • 44% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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The Washboard Union
Head Over Heels
165 bpm • A# Maj • 03:16 • -4.35db
20% Popularity • 47% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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LANCO
We Do
172 bpm • A Maj • 03:27 • -4.59db
30% Popularity • 45% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Emerson Drive
Just Got Paid
172 bpm • A# Maj • 03:00 • -5.82db
34% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Tyler
Crazy Last Night
172 bpm • E Maj • 02:54 • -5.39db
10% Popularity • 48% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Easton Corbin
Yup
172 bpm • A# Maj • 03:13 • -6db
45% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Granger Smith
If Money Didn't Matter
172 bpm • C Maj • 03:50 • -5.45db
27% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Ray
Look Like This
164 bpm • C# Maj • 03:13 • -4.39db
21% Popularity • 53% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Luke Bryan
My Ol' Bronco
164 bpm • E Maj • 03:13 • -4.28db
36% Popularity • 42% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Bryson Jennings
Young Nights
164 bpm • A# Maj • 03:14 • -3db
9% Popularity • 54% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Clark Manson
3 Wishes
164 bpm • G Maj • 03:10 • -6db
15% Popularity • 46% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Easton Corbin
Clockwork
172 bpm • C Maj • 03:09 • -4.85db
47% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Keith Anderson
I'll Bring the Music
172 bpm • F# Maj • 03:55 • -5.26db
21% Popularity • 48% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Scotty McCreery
I Don’t Wanna Be Your Friend
172 bpm • B Maj • 03:12 • -6db
29% Popularity • 66% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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David Nail
Night's On Fire
164 bpm • E Maj • 03:09 • -4.16db
55% Popularity • 54% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Gracin
We Weren't Crazy
164 bpm • C Maj • 03:47 • -3db
28% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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LOCASH
Beers to Catch Up On
164 bpm • F# Maj • 03:00 • -3.47db
34% Popularity • 45% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Easton Corbin
Guys And Girls
164 bpm • F Maj • 03:48 • -6db
27% Popularity • 63% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Joey Hyde
Get It On
164 bpm • G# Maj • 03:08 • -4db
12% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Craig Campbell
See You Try
164 bpm • E Maj • 03:02 • -5.42db
33% Popularity • 56% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Old Dominion
We Got It Right
164 bpm • B Maj • 03:15 • -7db
33% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Bobby Wills
Down By The River
164 bpm • C Maj • 03:45 • -4db
28% Popularity • 50% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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David Nail
Red Light
164 bpm • A Maj • 04:06 • -3db
48% Popularity • 39% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Luke Bryan
She Get Me High
174 bpm • F Maj • 03:32 • -5db
30% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Josh Abbott Band
She Will Be Free
174 bpm • D Maj • 04:17 • -4.64db
24% Popularity • 44% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Granger Smith
Backroad Song
174 bpm • B Maj • 03:56 • -6.57db
57% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 75% Positiveness
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Eric Paslay
Young Forever
162 bpm • C Maj • 03:17 • -5.39db
41% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Brinley Addington
Sliding Over
162 bpm • E Maj • 03:11 • -4db
9% Popularity • 55% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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Jon Langston
Runnin' On Sunshine
162 bpm • B Maj • 03:51 • -6db
29% Popularity • 37% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Canaan Smith
American Muscle
162 bpm • C Maj • 02:30 • -3.75db
22% Popularity • 52% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Justin Moore
Robbin' Trains
162 bpm • F# Maj • 03:25 • -4.25db
26% Popularity • 38% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Granger Smith
If the Boot Fits
162 bpm • D# Maj • 02:50 • -5.74db
45% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Scotty McCreery
Carolina Eyes
162 bpm • G Maj • 03:54 • -5.17db
32% Popularity • 43% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Jason Michael Carroll
Numbers
162 bpm • F# Maj • 03:29 • -3.02db
23% Popularity • 42% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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John King
On Your Lips
162 bpm • C# Maj • 03:23 • -3.76db
10% Popularity • 42% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Jojo Mason
It's All Good
176 bpm • C Maj • 03:13 • -5db
20% Popularity • 50% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
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Kane Brown
Don't Go City on Me
160 bpm • A Maj • 03:31 • -4.42db
36% Popularity • 52% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Scotty McCreery
Southern Belle
176 bpm • C Maj • 03:20 • -5db
31% Popularity • 45% Danceability • 90% Energy • 43% Liveness
0% Instrumentalness • 78% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
42% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Craig Campbell
Fish
160 bpm • F# Maj • 02:47 • -6.28db
51% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Jon Langston
Middle of Nowhere
160 bpm • A# Maj • 03:28 • -4.94db
25% Popularity • 46% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Granger Smith
Miles and Mud Tires
160 bpm • G# Maj • 02:48 • -4.56db
34% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Brad Paisley
Country Nation
178 bpm • E Maj • 03:45 • -6db
41% Popularity • 39% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Cold Creek County
Our Town
178 bpm • D# Maj • 03:16 • -3.48db
30% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Jerrod Niemann
This Ride
178 bpm • A min • 03:58 • -8.09db
19% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Craig Campbell
Truck-N-Roll
178 bpm • A Maj • 03:47 • -6.29db
14% Popularity • 48% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Chase Rice
Carolina Can
158 bpm • B Maj • 03:40 • -6.61db
19% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Brett Kissel
Raise Your Glass
158 bpm • C Maj • 03:51 • -5db
25% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Josh Dorr
Rocket - Single
158 bpm • E Maj • 03:36 • -4.45db
14% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Tebey
Jealous of the Sun
158 bpm • C# Maj • 03:14 • -4db
27% Popularity • 46% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Michael Carroll
Meet Me In the Barn
158 bpm • F Maj • 03:15 • -3db
30% Popularity • 56% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Eldredge
Lose It All
158 bpm • C Maj • 03:40 • -7db
26% Popularity • 50% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Love and Theft
Candyland
157 bpm • A# Maj • 03:01 • -5db
24% Popularity • 50% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Trace Adkins
I’m Gone
180 bpm • E Maj • 03:29 • -4.3db
17% Popularity • 33% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Canaan Smith
Stompin' Grounds
180 bpm • F# Maj • 03:02 • -6db
22% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Cold Creek County
Till the Wheels Come Off
180 bpm • C# Maj • 03:13 • -5db
20% Popularity • 49% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Jerrod Niemann
Buzz Back Girl
180 bpm • C Maj • 03:10 • -6.81db
22% Popularity • 60% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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LOCASH
Little Miss Crazyhot
156 bpm • A# Maj • 02:40 • -3.1db
22% Popularity • 56% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Love and Theft
Anytime, Anywhere
180 bpm • C min • 03:18 • -5.77db
20% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Chase Rice
MMM Girl
156 bpm • F# Maj • 03:43 • -4.79db
11% Popularity • 46% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Adam Sanders
Nothin' to Do but Drink
156 bpm • E Maj • 03:16 • -4.55db
37% Popularity • 50% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Glen Templeton
Sing That Song Again
156 bpm • D# Maj • 03:20 • -2db
13% Popularity • 43% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jerrod Niemann
Come On, Come On
156 bpm • E Maj • 03:19 • -8.35db
12% Popularity • 62% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Emerson Drive
Fishin' In The Dark
156 bpm • D Maj • 04:07 • -5db
29% Popularity • 57% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Love and Theft
Like I Feel It
156 bpm • D Maj • 03:30 • -6db
15% Popularity • 61% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Chase Rice
We Goin' Out
156 bpm • C Maj • 03:29 • -5.76db
10% Popularity • 47% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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Easton Corbin
That's Gonna Leave A Memory
156 bpm • D Maj • 03:07 • -4.42db
34% Popularity • 57% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Blackjack Billy
Get Some
181 bpm • C Maj • 03:36 • -4db
12% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Jerrod Niemann
Get On Up
156 bpm • C Maj • 03:19 • -8.54db
10% Popularity • 61% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Kane Brown
Hit the Gas
156 bpm • G Maj • 02:54 • -3.72db
32% Popularity • 50% Danceability • 88% Energy • 33% Liveness
9% Instrumentalness • 41% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
42% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Stillwell
Ignition
182 bpm • B Maj • 03:21 • -5.14db
15% Popularity • 34% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Janson
Cut Me Some Slack
155 bpm • D Maj • 02:51 • -4db
28% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Brett Eldredge
Drunk on Your Love
182 bpm • B Maj • 02:53 • -6db
58% Popularity • 44% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Jerrod Niemann
How Can I Be So Thirsty
154 bpm • A Maj • 02:36 • -4.9db
14% Popularity • 61% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Outshyne
Night with Your Name on It
154 bpm • A# Maj • 03:21 • -6db
13% Popularity • 51% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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William Michael Morgan
Vinyl
154 bpm • F Maj • 03:18 • -6db
36% Popularity • 57% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Brothers Osborne
Let's Go There
154 bpm • C Maj • 02:57 • -4db
36% Popularity • 57% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Chris Janson
Save a Little Sugar
154 bpm • A Maj • 03:01 • -4.37db
25% Popularity • 58% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Old Dominion
Dirt on a Road
154 bpm • C# Maj • 02:59 • -4.67db
38% Popularity • 66% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
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Shane Owens
All the Beer in Alabama
154 bpm • F Maj • 03:21 • -6.42db
18% Popularity • 45% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Blue Bandana