Songs like Blue Blocks by Jason Moran
Based on a tempo of (+/- 10%) and a similar genre
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Brian Blade & The Fellowship Band
Catalysts
93 bpm • C# min • 05:04 • -11.41db
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 42% Positiveness
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 42% Positiveness
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Charles Lloyd
Bess, You Is My Woman Now
93 bpm • D min • 03:36 • -16.15db
11% Popularity • 39% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
11% Popularity • 39% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
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Barry Harris Trio
All The Things You Are
93 bpm • G# Maj • 05:04 • -13.69db
27% Popularity • 44% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
27% Popularity • 44% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Craig Taborn
New Glory
93 bpm • A min • 03:14 • -18db
8% Popularity • 48% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 91% Positiveness
8% Popularity • 48% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 91% Positiveness
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Jason Moran
Gangsterism On A Lunchtable
93 bpm • G Maj • 02:47 • -16.8db
4% Popularity • 76% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
4% Popularity • 76% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Horace Silver
Peace
93 bpm • D# min • 06:02 • -14.47db
33% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
33% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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Jackie McLean
Cancellation - Digital Remaster/2006
93 bpm • F# min • 07:43 • -5.25db
15% Popularity • 44% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 44% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Wollny
Nacht
94 bpm • D Maj • 03:35 • -16.34db
35% Popularity • 49% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
35% Popularity • 49% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Sam Rivers
Summit
94 bpm • D min • 07:06 • -11.58db
2% Popularity • 34% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
2% Popularity • 34% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Eric Legnini
Introspection #2
92 bpm • C min • 01:29 • -16db
42% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
42% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Jason Moran
Lies Are Sold
93 bpm • F min • 05:10 • -21.41db
1% Popularity • 30% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
1% Popularity • 30% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Ingrid Laubrock
Kasumi
94 bpm • G Maj • 02:02 • -20db
18% Popularity • 41% Danceability • 5% Energy • 9% Liveness
61% Instrumentalness • 21% Positiveness
18% Popularity • 41% Danceability • 5% Energy • 9% Liveness
61% Instrumentalness • 21% Positiveness
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Ferenc Snétberger
Cou Cou
92 bpm • G Maj • 02:55 • -22db
31% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
31% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Paul Bley
Ida Lupino
94 bpm • C Maj • 07:31 • -14.47db
14% Popularity • 48% Danceability • 16% Energy • 22% Liveness
88% Instrumentalness • 9% Positiveness
14% Popularity • 48% Danceability • 16% Energy • 22% Liveness
88% Instrumentalness • 9% Positiveness
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Marc Johnson
One Thousand And One Nights
92 bpm • F Maj • 08:16 • -16.37db
9% Popularity • 42% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
9% Popularity • 42% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
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Julia Hülsmann Quartet
This Is Not America
92 bpm • G min • 05:16 • -15db
5% Popularity • 33% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 12% Positiveness
5% Popularity • 33% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 12% Positiveness
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Jason Moran
Blue Blocks
93 bpm • A# min • 04:35 • -13.44db
21% Popularity • 39% Danceability • 51% Energy • 13% Liveness
91% Instrumentalness • 47% Positiveness
21% Popularity • 39% Danceability • 51% Energy • 13% Liveness
91% Instrumentalness • 47% Positiveness
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Paul Chambers Quintet
Minor Run-Down - Rudy Van Gelder Edition...
94 bpm • A# min • 07:40 • -9db
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Dave Holland Sextet
Pass It On
94 bpm • F min • 07:56 • -12.67db
9% Popularity • 60% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
9% Popularity • 60% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
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John Coltrane Quartet
All Or Nothing At All
92 bpm • G Maj • 03:35 • -11.89db
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Joshua Redman Quartet
Rejoice
92 bpm • F min • 11:12 • -15db
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Mark Turner
Jacky's Place
94 bpm • C# min • 06:02 • -12.76db
11% Popularity • 41% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 70% Positiveness
11% Popularity • 41% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 70% Positiveness
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Paolo Fresu
Palfium
91 bpm • F min • 03:15 • -16db
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
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Immanuel Wilkins
The Dreamer
95 bpm • D# Maj • 03:37 • -18.13db
46% Popularity • 43% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
46% Popularity • 43% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 27% Positiveness
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Carla Bley
Life Goes On: On
95 bpm • C Maj • 04:46 • -22.65db
16% Popularity • 50% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 50% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Cyrus Chestnut
Son binocle
91 bpm • C Maj • 04:04 • -23.71db
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Jason Moran
Two Sleepy People
91 bpm • D Maj • 04:07 • -16.46db
5% Popularity • 45% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 29% Positiveness
5% Popularity • 45% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 29% Positiveness
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Marc Johnson
Freedom Jazz Dance
91 bpm • F min • 06:47 • -29.14db
10% Popularity • 50% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
10% Popularity • 50% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Dave Douglas
A Single Sky
95 bpm • D Maj • 02:05 • -10.54db
14% Popularity • 50% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
14% Popularity • 50% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Joshua Redman Quartet
The Oneness of Two - In Three
95 bpm • G min • 05:12 • -15.14db
16% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
16% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
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Abdullah Ibrahim
Zb2
91 bpm • A min • 02:04 • -17.93db
17% Popularity • 42% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
17% Popularity • 42% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Cyrus Chestnut
Gymnopédie No. 3
95 bpm • A min • 04:06 • -19.97db
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Vijay Iyer Trio
Optimism
91 bpm • B min • 07:23 • -15db
9% Popularity • 41% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
9% Popularity • 41% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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JonMaClain
Long Way Back
91 bpm • G Maj • 03:41 • -7.79db
2% Popularity • 91% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 91% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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David Tixier Trio
Nutra
91 bpm • A# min • 06:00 • -11.72db
16% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
16% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Kenny Wheeler Quintet
Everybody's Song But My Own
96 bpm • A# min • 09:33 • -16.01db
13% Popularity • 48% Danceability • 34% Energy • 14% Liveness
56% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 34% Energy • 14% Liveness
56% Instrumentalness • 39% Positiveness
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Kit Downes
Boreal
96 bpm • A# min • 02:14 • -20.27db
23% Popularity • 34% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
23% Popularity • 34% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Abdullah Ibrahim
Skippy
90 bpm • C# Maj • 05:34 • -12.32db
8% Popularity • 45% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 45% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Vijay Iyer Trio
Work
90 bpm • D Maj • 06:14 • -22db
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
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Charles Lloyd
Pictogram
96 bpm • G# Maj • 03:56 • -15.43db
8% Popularity • 52% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
8% Popularity • 52% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
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Roy Hargrove Quintet
Soppin' The Biscuit
96 bpm • G Maj • 07:58 • -13db
21% Popularity • 56% Danceability • 36% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
21% Popularity • 56% Danceability • 36% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
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Ran Blake
Symphony in Green
96 bpm • A min • 04:44 • -19db
8% Popularity • 52% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
8% Popularity • 52% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Don Pullen
Jana's Delight
96 bpm • C# Maj • 05:58 • -22db
11% Popularity • 65% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 58% Positiveness
11% Popularity • 65% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 58% Positiveness
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Kenny Dorham
Lotus Flower - Rudy Van Gelder Edition/2...
90 bpm • D# Maj • 04:16 • -9.3db
32% Popularity • 44% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
32% Popularity • 44% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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Ingrid Jensen
Higher Grounds
90 bpm • F min • 05:46 • -19db
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Larry Grenadier
Pettiford
97 bpm • G# Maj • 03:41 • -28.49db
16% Popularity • 51% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
16% Popularity • 51% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
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Furio Di Castri
Who
97 bpm • A# min • 03:18 • -25.74db
24% Popularity • 54% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
24% Popularity • 54% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
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Alex Sipiagin
Next Stop - Tsukiji
89 bpm • A Maj • 08:35 • -13.63db
8% Popularity • 38% Danceability • 44% Energy • 7% Liveness
11% Instrumentalness • 53% Positiveness
8% Popularity • 38% Danceability • 44% Energy • 7% Liveness
11% Instrumentalness • 53% Positiveness
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Nels Cline
Hairpin & Hatbox
97 bpm • G Maj • 03:32 • -22.06db
14% Popularity • 38% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
14% Popularity • 38% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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The Bad Plus
Variation d'Apollon
97 bpm • C Maj • 04:35 • -12.9db
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Branford Marsalis Quartet
The Lonely Swan
89 bpm • E min • 09:05 • -16.25db
24% Popularity • 54% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
24% Popularity • 54% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Carla Bley
Beautiful Telephones - Pt. 2
97 bpm • C# Maj • 06:13 • -13.32db
12% Popularity • 48% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
12% Popularity • 48% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Sean Jones
No Need for Words
98 bpm • D# min • 06:54 • -17db
11% Popularity • 34% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Immanuel Wilkins
Grace And Mercy
98 bpm • G Maj • 06:49 • -11db
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
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Marcin Wasilewski
Sister's Song
88 bpm • C# Maj • 05:57 • -17db
14% Popularity • 46% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 23% Positiveness
14% Popularity • 46% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 23% Positiveness
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Anat Fort Trio
Meditation For A New Year
88 bpm • G Maj • 04:47 • -24db
29% Popularity • 46% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
29% Popularity • 46% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Bobo Stenson Trio
Kingdom of Coldness
88 bpm • C Maj • 07:37 • -24.92db
13% Popularity • 38% Danceability • 13% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
13% Popularity • 38% Danceability • 13% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
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Christian Sands
Sonar
98 bpm • B Maj • 07:12 • -11.38db
16% Popularity • 37% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
16% Popularity • 37% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Dave Holland Quintet
Bedouin Trail
98 bpm • C Maj • 08:48 • -30.72db
8% Popularity • 46% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
8% Popularity • 46% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
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Carla Bley
One Banana
98 bpm • A Maj • 08:29 • -20.42db
10% Popularity • 45% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
10% Popularity • 45% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Sammy Fain
Alice In Wonderland
88 bpm • C Maj • 08:38 • -35.75db
13% Popularity • 28% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Anat Fort Trio
It's Your Song
88 bpm • A Maj • 04:16 • -22.4db
31% Popularity • 42% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
31% Popularity • 42% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
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Peter Erskine
On The Lake
99 bpm • D# Maj • 05:03 • -25.28db
21% Popularity • 50% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
21% Popularity • 50% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Benny Green
Harold Land
87 bpm • C# Maj • 03:06 • -15.03db
27% Popularity • 65% Danceability • 22% Energy • 17% Liveness
93% Instrumentalness • 58% Positiveness
27% Popularity • 65% Danceability • 22% Energy • 17% Liveness
93% Instrumentalness • 58% Positiveness
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Bobo Stenson Trio
Polska Of Despair (1)
87 bpm • A Maj • 06:51 • -17db
24% Popularity • 30% Danceability • 36% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
24% Popularity • 30% Danceability • 36% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Dave Holland Quintet
Metamorphos
99 bpm • A# Maj • 08:23 • -18.34db
9% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 45% Positiveness
9% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 45% Positiveness
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Brian Blade & The Fellowship Band
Have Thine Own Way, Lord - Band
99 bpm • D# Maj • 01:14 • -18.84db
41% Popularity • 55% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
41% Popularity • 55% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Sam Rivers
The Sun At Midnight
99 bpm • A# Maj • 05:42 • -13.69db
2% Popularity • 40% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 16% Positiveness
2% Popularity • 40% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 16% Positiveness
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Kenny Wheeler
After The Last Time
87 bpm • C Maj • 04:26 • -19db
12% Popularity • 41% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 23% Positiveness
12% Popularity • 41% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 23% Positiveness
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Aldo Romano
Lontano
87 bpm • E min • 04:26 • -18.04db
36% Popularity • 41% Danceability • 22% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
36% Popularity • 41% Danceability • 22% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
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Jason Moran
Trench Cuisine
87 bpm • C min • 01:05 • -8.91db
3% Popularity • 77% Danceability • 70% Energy • 7% Liveness
93% Instrumentalness • 97% Positiveness
3% Popularity • 77% Danceability • 70% Energy • 7% Liveness
93% Instrumentalness • 97% Positiveness
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Brian Blade Fellowship
Crooked Creek
87 bpm • C# Maj • 09:10 • -11.24db
22% Popularity • 34% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
22% Popularity • 34% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Vijay Iyer Trio
Chorale
100 bpm • D Maj • 04:35 • -20.53db
11% Popularity • 40% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 40% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Brian Blade & The Fellowship Band
Omni
100 bpm • C Maj • 06:10 • -10.77db
11% Popularity • 33% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
11% Popularity • 33% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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pearl
The Forest
100 bpm • F# min • 04:58 • -11.15db
0% Popularity • 45% Danceability • 41% Energy • 8% Liveness
50% Instrumentalness • 5% Positiveness
0% Popularity • 45% Danceability • 41% Energy • 8% Liveness
50% Instrumentalness • 5% Positiveness
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Ted Poor
Emilia
86 bpm • E min • 04:51 • -13.77db
18% Popularity • 39% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
18% Popularity • 39% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Eric Legnini
Introspection #3
86 bpm • C min • 01:14 • -12.61db
42% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
42% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
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Ravi Coltrane
Marilyn & Tammy
100 bpm • C# Maj • 05:42 • -12.02db
9% Popularity • 43% Danceability • 48% Energy • 12% Liveness
46% Instrumentalness • 25% Positiveness
9% Popularity • 43% Danceability • 48% Energy • 12% Liveness
46% Instrumentalness • 25% Positiveness
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Peter Bernstein Trio
Metamorphosis
100 bpm • F min • 09:01 • -14db
18% Popularity • 52% Danceability • 41% Energy • 17% Liveness
82% Instrumentalness • 50% Positiveness
18% Popularity • 52% Danceability • 41% Energy • 17% Liveness
82% Instrumentalness • 50% Positiveness
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Archie Shepp
Isfahan
100 bpm • G# Maj • 06:10 • -16.11db
10% Popularity • 49% Danceability • 5% Energy • 17% Liveness
46% Instrumentalness • 17% Positiveness
10% Popularity • 49% Danceability • 5% Energy • 17% Liveness
46% Instrumentalness • 17% Positiveness
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Dave Holland Quintet
The Balance
101 bpm • G min • 09:18 • -21.24db
20% Popularity • 42% Danceability • 26% Energy • 10% Liveness
82% Instrumentalness • 47% Positiveness
20% Popularity • 42% Danceability • 26% Energy • 10% Liveness
82% Instrumentalness • 47% Positiveness
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Marc Johnson
In A Quiet Place
86 bpm • C Maj • 05:17 • -21db
16% Popularity • 40% Danceability • 10% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
16% Popularity • 40% Danceability • 10% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Cassandra Wilson
Sky And Sea (Blue In Green)
101 bpm • A min • 05:24 • -16.02db
29% Popularity • 51% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 20% Positiveness
29% Popularity • 51% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 20% Positiveness
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Aaron Diehl
The Vagabond
86 bpm • G# Maj • 03:19 • -20.52db
8% Popularity • 32% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
8% Popularity • 32% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
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Craig Taborn
The Shining One
86 bpm • D min • 03:34 • -18.06db
18% Popularity • 41% Danceability • 38% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
18% Popularity • 41% Danceability • 38% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Dave Douglas
Poses
101 bpm • C# Maj • 05:38 • -15.02db
12% Popularity • 42% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
12% Popularity • 42% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Ron Miles
I Am a Man
101 bpm • B min • 06:39 • -15.45db
9% Popularity • 63% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
9% Popularity • 63% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Eric Legnini Trio
Trastevere
101 bpm • C Maj • 02:27 • -16.47db
45% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
45% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Nicholas Payton
Relaxin' with Nick
85 bpm • C min • 07:39 • -9.43db
34% Popularity • 59% Danceability • 50% Energy • 72% Liveness
28% Instrumentalness • 52% Positiveness
34% Popularity • 59% Danceability • 50% Energy • 72% Liveness
28% Instrumentalness • 52% Positiveness
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Jason Moran
I'll Play The Blues For You
101 bpm • A# Maj • 07:41 • -13.15db
2% Popularity • 42% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
2% Popularity • 42% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
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Tom Harrell
Autumn In New York
101 bpm • F Maj • 07:49 • -14.08db
14% Popularity • 44% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
14% Popularity • 44% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
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Archie Shepp
Sometimes I Feel Like a Motherless Child...
85 bpm • D# min • 03:51 • -21.59db
4% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Nathan Davis
Spring Can Really Hang You up the Most
102 bpm • D min • 07:04 • -11.83db
16% Popularity • 38% Danceability • 14% Energy • 11% Liveness
79% Instrumentalness • 20% Positiveness
16% Popularity • 38% Danceability • 14% Energy • 11% Liveness
79% Instrumentalness • 20% Positiveness
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Elvin Jones
G.G.
85 bpm • E min • 05:46 • -14.87db
27% Popularity • 39% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
27% Popularity • 39% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Lionel Loueke
Merci
102 bpm • C Maj • 05:29 • -14.85db
0% Popularity • 56% Danceability • 42% Energy • 68% Liveness
78% Instrumentalness • 82% Positiveness
0% Popularity • 56% Danceability • 42% Energy • 68% Liveness
78% Instrumentalness • 82% Positiveness
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Jason Moran
Body And Soul
101 bpm • C# Maj • 03:46 • -22.15db
35% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
35% Popularity • 43% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Joel Lyssarides
Cloudberry Hill
85 bpm • G min • 04:36 • -21.77db
38% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
38% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Roy Hargrove Quintet
The Left Side
102 bpm • A Maj • 06:48 • -13.74db
12% Popularity • 44% Danceability • 45% Energy • 97% Liveness
22% Instrumentalness • 38% Positiveness
12% Popularity • 44% Danceability • 45% Energy • 97% Liveness
22% Instrumentalness • 38% Positiveness