Songs like Blue Christmas by Jimmy Barnes
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Diesel & The Injectors
Thang II
96 bpm • G Maj • 04:52 • -15.08db
13% Popularity • 34% Danceability • 33% Energy • 8% Liveness
75% Instrumentalness • 43% Positiveness
13% Popularity • 34% Danceability • 33% Energy • 8% Liveness
75% Instrumentalness • 43% Positiveness
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Cold Chisel
Rising Sun - 2011 Remastered
97 bpm • D Maj • 03:27 • -1.85db
33% Popularity • 52% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 52% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Party Boys
Hold Your Head Up
95 bpm • A Maj • 03:00 • -8.69db
24% Popularity • 70% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 70% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Chocolate Starfish
Sign of Victory
95 bpm • G Maj • 04:35 • -10.73db
14% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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1927
If I Could
97 bpm • E Maj • 03:40 • -4db
47% Popularity • 69% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 69% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Choirboys
Rendezvous
97 bpm • D Maj • 04:09 • -7.59db
25% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Australian Crawl
Easy On Your Own - Remastered
97 bpm • G Maj • 03:48 • -6.6db
31% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Cold Chisel
Choirgirl - 2011 Remastered
97 bpm • C Maj • 03:13 • -2.78db
50% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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The Black Sorrows
Snake Skin Shoes
98 bpm • D Maj • 04:42 • -9db
21% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
21% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
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Diesel
Tip Of My Tongue
98 bpm • E Maj • 04:14 • -10.09db
54% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
54% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
54% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
54% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Russell Morris
Van Diemen's Land
94 bpm • F Maj • 04:36 • -5.9db
20% Popularity • 59% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 59% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Hunters & Collectors
Hear No Evil
98 bpm • F# min • 04:20 • -4db
26% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Jenny Morris
Tears
98 bpm • A Maj • 04:04 • -6db
22% Popularity • 51% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 51% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Crowded House
Better Be Home Soon
94 bpm • C Maj • 03:07 • -15db
61% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Split Enz
Shark Attack
99 bpm • D Maj • 03:00 • -5db
29% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Baby Animals
Ain't Gonna Get
93 bpm • G# Maj • 02:59 • -2.03db
24% Popularity • 34% Danceability • 99% Energy • 55% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 34% Danceability • 99% Energy • 55% Liveness
0% Instrumentalness • 26% Positiveness
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Chocolate Starfish
Kiss My Fire
93 bpm • F# min • 03:10 • -5.89db
14% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
23% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Slim Dusty
Duncan
93 bpm • F Maj • 02:35 • -13.55db
46% Popularity • 78% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 78% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
51% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Badloves
What's on Your Mind
92 bpm • D Maj • 04:29 • -16db
22% Popularity • 51% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 51% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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Tim Finn
Fraction Too Much Friction
100 bpm • B min • 04:14 • -15db
36% Popularity • 66% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
36% Popularity • 66% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jo Jo Zep and The Falcons
Shape I'm In
101 bpm • G min • 03:34 • -12.26db
46% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Thirsty Merc
The Good Life
101 bpm • A# min • 03:20 • -3.99db
43% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Cold Chisel
Saturday Night - 2011 Remastered
91 bpm • F Maj • 04:21 • -6db
45% Popularity • 62% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 62% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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The Angels
Take a Long Line
91 bpm • E min • 02:59 • -12.46db
51% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Split Enz
I See Red
91 bpm • C Maj • 03:14 • -4.65db
37% Popularity • 30% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 30% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Stevie Wright
Evie (Let Your Hair Hang Down)
90 bpm • A Maj • 03:57 • -4.62db
52% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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Toni Childs
I've Got To Go Now
102 bpm • G Maj • 06:27 • -12.99db
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Radiators
Hit and Run
102 bpm • E Maj • 04:18 • -14db
22% Popularity • 84% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 84% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Southern Sons
Always and Ever
102 bpm • A# Maj • 03:58 • -8.85db
29% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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John Williamson
Raining on the Rock
102 bpm • D# Maj • 04:31 • -17db
40% Popularity • 51% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 51% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
39% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Jenny Morris
Piece of My Heart
90 bpm • C Maj • 03:15 • -7db
28% Popularity • 62% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 62% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Boom Crash Opera
Hands Up In The Air
90 bpm • B Maj • 03:53 • -2.76db
27% Popularity • 53% Danceability • 91% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
27% Popularity • 53% Danceability • 91% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
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Skyhooks
Women in Uniform - 2015 Remaster
90 bpm • D Maj • 04:24 • -4.79db
27% Popularity • 49% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 49% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Wendy Matthews
Standing Strong
103 bpm • F Maj • 04:54 • -11db
24% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Diesel & The Injectors
Parisienne Hotel
104 bpm • E Maj • 04:03 • -12.68db
23% Popularity • 46% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 46% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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John Schumann
I Was Only 19 (A Walk in the Light Green...
88 bpm • A Maj • 04:19 • -9.75db
41% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Clapton
Glory Road - Original
105 bpm • A min • 04:32 • -16.24db
25% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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1927
Don't Forget Me
105 bpm • D Maj • 04:39 • -11.41db
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Cold Chisel
Shipping Steel - 2011 Remastered
106 bpm • A Maj • 03:24 • -3db
40% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
38% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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John Swan
If I Were A Carpenter
107 bpm • G Maj • 03:30 • -6.95db
26% Popularity • 51% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 51% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 39% Positiveness
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1927
It Ain't Love
106 bpm • E Maj • 04:05 • -8db
20% Popularity • 56% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 75% Positiveness
20% Popularity • 56% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 75% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Skyhooks
Toorak Cowboy - 2009 Remaster
107 bpm • C Maj • 03:47 • -8.95db
23% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Powderfinger
My Happiness
86 bpm • C Maj • 04:36 • -5.42db
63% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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The Party Boys
He's Gonna Step on You Again
108 bpm • D Maj • 04:09 • -10.23db
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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John Williamson
True Blue - 21st Anniversary Version
108 bpm • F Maj • 04:06 • -6.67db
34% Popularity • 44% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 44% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
36% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Cheetah
Spend the Night
108 bpm • D# Maj • 03:54 • -7.16db
17% Popularity • 50% Danceability • 66% Energy • 8% Liveness
9% Instrumentalness • 27% Positiveness
17% Popularity • 50% Danceability • 66% Energy • 8% Liveness
9% Instrumentalness • 27% Positiveness
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Swanee
If I Were a Carpenter
108 bpm • C Maj • 03:32 • -12db
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
45% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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John Williamson
True Blue
109 bpm • F Maj • 04:05 • -14.34db
48% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
44% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Russell Morris
Hush
109 bpm • G Maj • 03:01 • -7.58db
22% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
53% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
53% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Powderfinger
These Days
84 bpm • A Maj • 04:58 • -7.64db
56% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
56% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
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Thirsty Merc
Those Eyes
110 bpm • D# Maj • 04:42 • -5.43db
29% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
29% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Graeme Connors
Cyclone Season
110 bpm • B Maj • 03:15 • -5.46db
30% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
35% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
45% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Radiators
Comin' Home
82 bpm • A Maj • 03:08 • -7.97db
46% Popularity • 62% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 62% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Dave Dobbyn
Whaling - 2009 Version
112 bpm • C Maj • 03:56 • -5.14db
25% Popularity • 63% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 63% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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John Williamson
Galleries of Pink Galahs
112 bpm • A# Maj • 04:10 • -19.51db
34% Popularity • 72% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
34% Popularity • 72% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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D. Pritzker
(Lover) You Don't Treat Me No Good
112 bpm • B Maj • 04:07 • -12.41db
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Exponents
Who Loves Who The Most
112 bpm • D Maj • 04:15 • -5.53db
36% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Rose Tattoo
We Can't Be Beaten
113 bpm • E Maj • 03:04 • -8.14db
40% Popularity • 56% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 56% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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John Mellencamp
Cherry Bomb
114 bpm • G Maj • 04:47 • -3.27db
62% Popularity • 74% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 74% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
27% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Kelly
Careless
113 bpm • G Maj • 02:56 • -4.39db
37% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Baby Animals
Working For The Enemy
115 bpm • D# min • 04:30 • -4db
20% Popularity • 27% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 27% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
