Songs like Blue Eyed Girl by The Arcadian Wild
Based on a tempo of (+/- 10%) and a similar genre
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The Arcadian Wild
Blue Eyed Girl
130 bpm • G Maj • 04:45 • -10db
44% Popularity • 63% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 63% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Morningsiders
Freida
130 bpm • C Maj • 03:24 • -4.65db
44% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Amazing Devil
Secret Worlds
130 bpm • E min • 05:18 • -9.28db
44% Popularity • 32% Danceability • 70% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
44% Popularity • 32% Danceability • 70% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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Stormfolk
Chasing the Light
130 bpm • C min • 03:31 • -8.02db
17% Popularity • 61% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 61% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Bronze Radio Return
Everything Moves
130 bpm • G min • 03:23 • -4.78db
49% Popularity • 63% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 63% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Lilli Furfaro
found
130 bpm • B Maj • 04:15 • -9.91db
17% Popularity • 71% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 71% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Arcadian Wild
GÃ rradh Seileach
130 bpm • B min • 04:00 • -9.3db
33% Popularity • 50% Danceability • 41% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
33% Popularity • 50% Danceability • 41% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
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Morningsiders
Thinking It Over
130 bpm • C Maj • 03:31 • -5.85db
34% Popularity • 78% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 78% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Devil and the Deep Blue Sea
Home to Me
130 bpm • D Maj • 03:37 • -10.73db
38% Popularity • 44% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 44% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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The Crane Wives
Sleeping Giants
130 bpm • D Maj • 03:36 • -7db
47% Popularity • 33% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 33% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Birds of Bellwoods
A Year Ago
129 bpm • C Maj • 02:43 • -7.74db
37% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Fish in a Birdcage
Rule #1 - Magic
131 bpm • C Maj • 02:59 • -8db
55% Popularity • 89% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
55% Popularity • 89% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
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AlicebanD
Fire With Fire
129 bpm • A# min • 02:56 • -7db
47% Popularity • 48% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 48% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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We Are the Guests
The Ballad
132 bpm • A# Maj • 10:30 • -5.25db
15% Popularity • 34% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 34% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Chxrlotte
Hey?
128 bpm • C# Maj • 03:14 • -8.18db
33% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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The Crane Wives
How to Rest
132 bpm • F# Maj • 05:18 • -8.1db
40% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bug Hunter
Take It Back
132 bpm • E Maj • 05:00 • -9db
31% Popularity • 77% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 77% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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The Arcadian Wild
Two Kinds
128 bpm • C Maj • 04:08 • -8.58db
29% Popularity • 72% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 72% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Happy Fits
Achey Bones
132 bpm • C min • 03:21 • -4.52db
47% Popularity • 71% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 71% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Young Rising Sons
Simple Life
128 bpm • G Maj • 03:38 • -4.25db
35% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Altogether
After All
128 bpm • C Maj • 04:06 • -12.36db
17% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Flannel Graph
Your Best Mistake
132 bpm • E Maj • 04:27 • -11db
19% Popularity • 60% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 60% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Amazing Devil
Welly Boots
133 bpm • E min • 05:23 • -11.09db
46% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Arcadian Wild
Letters from the Atlantic
127 bpm • F Maj • 04:59 • -7db
35% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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PigPen Theatre Co.
We Stand Alone
127 bpm • G Maj • 04:02 • -9.88db
24% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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CoCo and The Butterfields
Five Bells
127 bpm • A Maj • 03:55 • -8db
37% Popularity • 65% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 65% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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The Altogether
Slowly
133 bpm • C Maj • 04:49 • -14db
27% Popularity • 64% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 64% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Flannel Graph
The Arrow and the Star
127 bpm • C Maj • 04:26 • -12.53db
13% Popularity • 59% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 59% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 10% Positiveness
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Felix Hagan & the Family
Tough to Be a Dreamer
127 bpm • E Maj • 04:22 • -6.77db
36% Popularity • 59% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 59% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Tow'rs
Vanilla Pines
127 bpm • C Maj • 05:18 • -13.81db
35% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Philip Labes
Mr. Shoes Tied
127 bpm • A Maj • 03:12 • -12.68db
25% Popularity • 88% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 88% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Air Traffic Controller
Blame
134 bpm • A# Maj • 04:32 • -8.82db
38% Popularity • 42% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 42% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Altogether
Forever Endeavor
127 bpm • G Maj • 04:42 • -11db
28% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Morningsiders
Ashes
134 bpm • G Maj • 03:40 • -5.28db
35% Popularity • 63% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 63% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Birds of Bellwoods
Hey Hey
127 bpm • C Maj • 03:57 • -7.14db
25% Popularity • 43% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 43% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Run River North
Lying Beast
134 bpm • B Maj • 04:44 • -8db
29% Popularity • 38% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 38% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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The Hunts
Start Again
134 bpm • D Maj • 03:34 • -4.63db
23% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Air Traffic Controller
Creature Of The Night
134 bpm • E Maj • 03:18 • -6.73db
41% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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We Are the Guests
I Hope
134 bpm • F Maj • 03:30 • -7.35db
16% Popularity • 45% Danceability • 69% Energy • 45% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 45% Danceability • 69% Energy • 45% Liveness
0% Instrumentalness • 14% Positiveness
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The Oh Hellos
Theseus
126 bpm • E Maj • 03:16 • -10db
45% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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aeseaes
Mahogany
126 bpm • C# Maj • 04:07 • -9.36db
28% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Brave Holiday
Wilderness
134 bpm • G Maj • 04:39 • -6.42db
34% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jared & The Mill
Messengers
134 bpm • C Maj • 04:37 • -7.41db
36% Popularity • 49% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 49% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Flannel Graph
Here and Now
135 bpm • C Maj • 02:32 • -11.26db
33% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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James Spaite
Flowers
125 bpm • D Maj • 02:29 • -11.27db
35% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Oh Hellos
Exeunt
126 bpm • G# Maj • 02:33 • -11db
50% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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We Banjo 3
Light in the Sky
125 bpm • G Maj • 03:47 • -5db
30% Popularity • 63% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 63% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Radical Face
Small Hands
125 bpm • D# Maj • 03:08 • -13db
37% Popularity • 59% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 59% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Lee Brown
Way It Used to Be
125 bpm • D Maj • 03:21 • -9.95db
24% Popularity • 79% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 79% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Raynes
Marigolds
125 bpm • A# Maj • 04:52 • -8.91db
33% Popularity • 67% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 67% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Tow'rs
Going
125 bpm • G min • 04:44 • -9db
31% Popularity • 71% Danceability • 51% Energy • 11% Liveness
16% Instrumentalness • 32% Positiveness
31% Popularity • 71% Danceability • 51% Energy • 11% Liveness
16% Instrumentalness • 32% Positiveness
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The Arcadian Wild
The Anthem of Mr. Dark
125 bpm • D Maj • 04:37 • -6.09db
41% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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We Banjo 3
Happiness
125 bpm • G Maj • 03:32 • -5.03db
27% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Noah Floersch
On Your Mind
125 bpm • G# Maj • 02:39 • -8.38db
52% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Sarah Sparks
Digory's Regret
136 bpm • D Maj • 03:56 • -16.81db
28% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bug Hunter
Be Glad I Love You (Go to Bed)
125 bpm • A Maj • 03:37 • -4.02db
41% Popularity • 64% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 64% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Oh Hellos
Thus Always To Tyrants
136 bpm • F min • 03:39 • -9db
56% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Arcadian Wild
Never Die Young
136 bpm • E Maj • 03:55 • -9.62db
24% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Autoheart
Wretch
136 bpm • B Maj • 03:22 • -15.5db
36% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Crane Wives
Icarus
136 bpm • G Maj • 03:38 • -10db
48% Popularity • 66% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 66% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Air Traffic Controller
What You Do To My Soul
124 bpm • F Maj • 03:13 • -4.41db
35% Popularity • 51% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 51% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Blue Light Bandits
Known & Loved
136 bpm • D# Maj • 05:23 • -14.06db
27% Popularity • 36% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 36% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Little Chief
Brighton Shore
124 bpm • D# Maj • 04:06 • -8.92db
18% Popularity • 68% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 68% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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The Arcadian Wild
Roots
136 bpm • G Maj • 04:01 • -6db
36% Popularity • 64% Danceability • 55% Energy • 24% Liveness
2% Instrumentalness • 54% Positiveness
36% Popularity • 64% Danceability • 55% Energy • 24% Liveness
2% Instrumentalness • 54% Positiveness
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aeseaes
Bloodlust
124 bpm • A# Maj • 03:01 • -8.49db
41% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Crane Wives
Keep You Safe
124 bpm • A# Maj • 04:11 • -9.45db
46% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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We Are the Guests
Game I Play
124 bpm • A# Maj • 04:18 • -7.24db
13% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sarah Sparks
Shasta's Complaint
124 bpm • G# Maj • 04:16 • -16.41db
33% Popularity • 56% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 56% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Little Chief
Hiding and Seeking
124 bpm • C# Maj • 04:16 • -13db
36% Popularity • 63% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
36% Popularity • 63% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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We Banjo 3
Hummingbird
124 bpm • G Maj • 03:45 • -10.32db
13% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Arcadian Wild
Dopamine
136 bpm • E Maj • 03:33 • -10.19db
37% Popularity • 79% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 79% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Hunts
Along the Way
137 bpm • A Maj • 04:32 • -5.8db
38% Popularity • 61% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 61% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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We Are the Guests
Come Home
137 bpm • G Maj • 04:32 • -8db
29% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Sarah Sparks
The Artist
137 bpm • C Maj • 01:57 • -15.25db
34% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Truslow
Words of the Wise
137 bpm • C Maj • 03:05 • -6.04db
42% Popularity • 54% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 54% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
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Philip Labes
dear god,
123 bpm • E Maj • 02:25 • -16.52db
25% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Birds of Bellwoods
Melatonin
123 bpm • G Maj • 03:09 • -5.92db
52% Popularity • 77% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 77% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Tow'rs
I Can't Help Myself
137 bpm • A# Maj • 03:47 • -10db
31% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Flannel Graph
Broken Boy
123 bpm • D Maj • 04:01 • -11.11db
22% Popularity • 47% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Andy Gullahorn
I Will
138 bpm • D# Maj • 04:30 • -8.66db
31% Popularity • 56% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
31% Popularity • 56% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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CoCo and The Butterfields
So Long!
122 bpm • B Maj • 04:51 • -9.62db
12% Popularity • 40% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 40% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Hunts
Make This Leap
138 bpm • G Maj • 03:46 • -7.67db
39% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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jeremy messersmith
Everybody Gets a Kitten
138 bpm • F Maj • 01:59 • -15db
28% Popularity • 74% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 74% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Tow'rs
Belly of the Deepest Love
123 bpm • E Maj • 06:21 • -12db
42% Popularity • 74% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 5% Positiveness
42% Popularity • 74% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 5% Positiveness
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Flannel Graph
The Tower
138 bpm • C min • 02:00 • -15db
36% Popularity • 51% Danceability • 21% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
36% Popularity • 51% Danceability • 21% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
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Lawrence
Oranges
122 bpm • F Maj • 02:25 • -7.4db
36% Popularity • 41% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 41% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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We Banjo 3
Alive With You
122 bpm • G Maj • 02:58 • -10.95db
26% Popularity • 69% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 69% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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The Last Bison
Every Time
122 bpm • C Maj • 03:33 • -9.05db
19% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Vienna Teng
Stray Italian Greyhound
122 bpm • B Maj • 04:06 • -9.02db
34% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Tow'rs
Porcelain
138 bpm • D Maj • 04:21 • -15db
31% Popularity • 63% Danceability • 28% Energy • 11% Liveness
11% Instrumentalness • 33% Positiveness
31% Popularity • 63% Danceability • 28% Energy • 11% Liveness
11% Instrumentalness • 33% Positiveness
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Roo Panes
Land Of The Living
122 bpm • F Maj • 04:24 • -8.8db
47% Popularity • 51% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 51% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Rose Betts
Driving Myself Home
122 bpm • G Maj • 01:58 • -9.5db
55% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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PigPen Theatre Co.
Over
122 bpm • G Maj • 02:43 • -9.77db
13% Popularity • 60% Danceability • 70% Energy • 11% Liveness
7% Instrumentalness • 51% Positiveness
13% Popularity • 60% Danceability • 70% Energy • 11% Liveness
7% Instrumentalness • 51% Positiveness
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Philip Labes
Out Of Time
139 bpm • D# Maj • 02:30 • -14.25db
28% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Crane Wives
New Discovery
122 bpm • G Maj • 03:45 • -8.54db
41% Popularity • 40% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 40% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Lilli Furfaro
Resurrection
121 bpm • G# Maj • 06:01 • -20.25db
21% Popularity • 55% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 55% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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The Narcissist Cookbook
Apple
121 bpm • C Maj • 05:49 • -14.55db
30% Popularity • 57% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 57% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Flannel Graph
Apple Pie
139 bpm • A Maj • 04:09 • -10db
22% Popularity • 50% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 50% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
