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Blue Eyes - Acoustic
Songs like
Blue Eyes - Acoustic
by
Jordy Maxwell
Based on a tempo of (+/- 10%) and a similar genre
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Jordy Maxwell
Blue Eyes - Acoustic
112 bpm • A# Maj • 04:02 • -11.57db
15% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Riley Pearce
Roskie
112 bpm • F# Maj • 02:58 • -8.94db
39% Popularity • 62% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Joel Leggett
Hold You
112 bpm • F Maj • 04:59 • -7.03db
14% Popularity • 72% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tay Oskee
I Miss It
112 bpm • F Maj • 03:14 • -11db
31% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Salt Tree
Find Our Way
112 bpm • G Maj • 03:31 • -10.85db
27% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Tom Harrington
Unexplainable Things
112 bpm • C# min • 03:26 • -9db
18% Popularity • 65% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Jack Botts
The Coffee Song
112 bpm • D Maj • 03:08 • -12db
44% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Riley Pearce
Elephants
112 bpm • D# Maj • 03:01 • -11db
54% Popularity • 66% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
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ASKYA
Caught in the Sun - Acoustic
112 bpm • C# min • 03:31 • -15.13db
15% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lisa Mitchell
Everything Is Free
112 bpm • C Maj • 04:17 • -9db
32% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Tay Oskee
Keepers Of The Morning
113 bpm • C# Maj • 04:16 • -14.32db
28% Popularity • 54% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Israel Cannan
By Way of the Sea
111 bpm • F Maj • 04:19 • -21.67db
25% Popularity • 47% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ian Bareham
Stay the Night
111 bpm • D Maj • 02:57 • -11.15db
28% Popularity • 41% Danceability • 43% Energy • 38% Liveness
3% Instrumentalness • 11% Positiveness
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Riley Pearce
Portugal
112 bpm • F# Maj • 04:02 • -11.46db
21% Popularity • 49% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Felipe Baldomir
Only Light
113 bpm • C Maj • 04:39 • -8.79db
26% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander Biggs
All I Can Do Is Hate You
113 bpm • E Maj • 03:44 • -11.98db
11% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Boy & Bear
Southern Sun - Acoustic
113 bpm • A min • 04:30 • -6.02db
32% Popularity • 60% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Anna & Jordan
Running On
113 bpm • A Maj • 02:35 • -12.39db
11% Popularity • 67% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Jesse Taylor
Where I Belong
111 bpm • D# Maj • 02:55 • -9.22db
22% Popularity • 53% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Aaron Espe
Wonder
113 bpm • D Maj • 03:35 • -9.68db
13% Popularity • 71% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Thorin Loeks
Thirsty Hearts
113 bpm • G Maj • 05:14 • -9.92db
9% Popularity • 47% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Twin Tacoma
Perfect Life
110 bpm • F Maj • 02:25 • -14.19db
43% Popularity • 41% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Brodie Barclay
My Words
110 bpm • F min • 04:00 • -15.86db
8% Popularity • 52% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Alivan Blu
I Remember
110 bpm • D# Maj • 04:00 • -7.64db
26% Popularity • 60% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Joel Leggett
Part of Me
110 bpm • D Maj • 04:44 • -11db
35% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jordy Maxwell
Blue Eyes (Tijuana Cartel Remix)
114 bpm • G min • 04:23 • -8.23db
20% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Riley Pearce
Rewind - Acoustic
114 bpm • G min • 03:24 • -12db
27% Popularity • 90% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Nanuk
The Wolves at My Door
110 bpm • A# Maj • 03:06 • -14db
20% Popularity • 47% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Israel Cannan
Heart of Mine
114 bpm • D Maj • 03:24 • -9.48db
27% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Pat Devlin
We're All Friends
110 bpm • A Maj • 04:29 • -9db
9% Popularity • 63% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Joel Leggett
Long Gone
114 bpm • E Maj • 03:20 • -9.16db
24% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Jordy Maxwell
Blue Eyes
114 bpm • G min • 03:57 • -12db
46% Popularity • 43% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Salt Tree
Feeling High
114 bpm • D Maj • 03:16 • -10.31db
30% Popularity • 82% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jack Botts
Let Go
114 bpm • E Maj • 04:09 • -15db
30% Popularity • 77% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Layup
All The Best
110 bpm • D# Maj • 02:11 • -10.79db
44% Popularity • 60% Danceability • 36% Energy • 18% Liveness
2% Instrumentalness • 26% Positiveness
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Will Hearn
Moongirl
115 bpm • D# Maj • 05:17 • -11.89db
7% Popularity • 33% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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BEXY
You Don't Lie
114 bpm • G# min • 03:41 • -17.93db
37% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jordy Maxwell
As You Go
109 bpm • E Maj • 03:00 • -16.55db
43% Popularity • 40% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Austin Mackay
Hold
115 bpm • C# Maj • 04:54 • -11.36db
17% Popularity • 58% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jack Botts
Polaroid
114 bpm • F# Maj • 04:55 • -12.36db
33% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Luke Morris
Love Shack
115 bpm • C Maj • 04:09 • -11db
33% Popularity • 78% Danceability • 36% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
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Felipe Baldomir
Free
115 bpm • C Maj • 03:06 • -8db
35% Popularity • 79% Danceability • 57% Energy • 10% Liveness
3% Instrumentalness • 71% Positiveness
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Unknown Neighbour
Greater Heights
115 bpm • F Maj • 03:03 • -11db
16% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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me&you
Chasing Trails
115 bpm • B Maj • 04:10 • -11.57db
14% Popularity • 57% Danceability • 35% Energy • 47% Liveness
28% Instrumentalness • 21% Positiveness
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Joel Leggett
Summer
109 bpm • G# Maj • 03:40 • -7.67db
24% Popularity • 77% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Alexander Biggs
I've Been Holding Onto You For Way Too L...
115 bpm • C# Maj • 03:36 • -13.8db
17% Popularity • 60% Danceability • 41% Energy • 9% Liveness
36% Instrumentalness • 14% Positiveness
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Nathan Hawes
Left With The Wolves
109 bpm • D min • 03:49 • -5db
36% Popularity • 66% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Felipe Baldomir
Together we fly
115 bpm • F# Maj • 02:42 • -8.37db
32% Popularity • 78% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Allen
Barricade
115 bpm • D Maj • 05:03 • -6.86db
14% Popularity • 51% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Ocie Elliott
Going for Home
109 bpm • F min • 03:11 • -10.59db
37% Popularity • 72% Danceability • 42% Energy • 11% Liveness
43% Instrumentalness • 28% Positiveness
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Luke Morris
Lay Everything on Me
109 bpm • D# Maj • 05:04 • -12db
16% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Edwin Raphael
Sober
109 bpm • D Maj • 03:47 • -9.4db
34% Popularity • 32% Danceability • 39% Energy • 7% Liveness
10% Instrumentalness • 11% Positiveness
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Daniel Champagne
Same Enemy
108 bpm • G Maj • 04:01 • -7.66db
11% Popularity • 60% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Israel Cannan
Lost
116 bpm • C# Maj • 03:41 • -8.59db
29% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Oliver Hazard
Haunted
116 bpm • F# Maj • 03:33 • -9.21db
32% Popularity • 65% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Taylor T
Home Not Hollow
108 bpm • E Maj • 04:08 • -7.71db
8% Popularity • 38% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Kahuna Duo
When You Were Young
116 bpm • B Maj • 03:57 • -11db
32% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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LANKS
Rituals
108 bpm • A# Maj • 03:01 • -11.11db
18% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Alivan Blu
Let Me Go
116 bpm • D# Maj • 03:25 • -6.62db
36% Popularity • 60% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Lawson Hull
Wanna Be with You
116 bpm • A Maj • 03:11 • -8.06db
25% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Jessie Reid
I've Got You
116 bpm • G# Maj • 02:36 • -9db
24% Popularity • 61% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Felipe Baldomir
Astronaut
108 bpm • C# Maj • 03:49 • -8.73db
30% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Nana's Pie
So stay
108 bpm • A Maj • 03:07 • -9.49db
15% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Gaudion
i believe in u
116 bpm • F Maj • 02:47 • -14.67db
38% Popularity • 68% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 39% Positiveness
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Dustin Tebbutt
White Water
108 bpm • D# Maj • 03:53 • -13.35db
54% Popularity • 59% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Lawson Hull
Keep Running
108 bpm • C Maj • 03:04 • -8.14db
14% Popularity • 52% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Joel Leggett
Love Is So Easy
108 bpm • D Maj • 02:56 • -8.89db
28% Popularity • 56% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Felipe Baldomir
Changing and Healing
108 bpm • D Maj • 03:29 • -12db
42% Popularity • 76% Danceability • 51% Energy • 10% Liveness
9% Instrumentalness • 14% Positiveness
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J.B. Boone
Wait & Hope
108 bpm • D Maj • 02:44 • -9.35db
38% Popularity • 63% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Gaudion
It Ain't Mine
108 bpm • A# Maj • 03:37 • -9.99db
31% Popularity • 64% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jordy Maxwell
Sitting in a Driveway
107 bpm • G Maj • 03:25 • -11.57db
15% Popularity • 40% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Declan Ryan
Where the Sea Ends
116 bpm • E Maj • 03:00 • -14.55db
33% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Alivan Blu
Changes
117 bpm • C Maj • 03:57 • -9.62db
33% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Luke Morris
The Party
117 bpm • F Maj • 04:11 • -8.56db
11% Popularity • 57% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 46% Positiveness
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Nick Cunningham
Make Me Feel
117 bpm • A min • 04:09 • -9.72db
24% Popularity • 60% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Max Kelly
Fairytales Don't Exist
117 bpm • E Maj • 03:23 • -12.66db
13% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Joel Leggett
Give It to the Ocean
107 bpm • D Maj • 03:54 • -7.03db
33% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Didirri
Blind You
117 bpm • D Maj • 02:54 • -12.83db
35% Popularity • 58% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Ocie Elliott
Dream Seam
107 bpm • C Maj • 04:10 • -14.32db
35% Popularity • 58% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Riley Pearce
All My Love
118 bpm • D# Maj • 03:18 • -9.16db
43% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Nick Cunningham
Need Somebody
117 bpm • D Maj • 02:54 • -12.36db
31% Popularity • 90% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Lewis Bootle
Flowers
118 bpm • D# min • 04:01 • -9.56db
18% Popularity • 85% Danceability • 37% Energy • 11% Liveness
6% Instrumentalness • 27% Positiveness
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Twin Tacoma
The Get Around
106 bpm • A Maj • 02:19 • -13.06db
41% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Felipe Baldomir
At Home
118 bpm • E Maj • 02:38 • -9.77db
36% Popularity • 55% Danceability • 66% Energy • 28% Liveness
5% Instrumentalness • 46% Positiveness
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Joel Leggett
The Way You Move
118 bpm • F# Maj • 04:50 • -8.59db
17% Popularity • 71% Danceability • 35% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Luke Morris
When It All Goes Down
118 bpm • E min • 04:26 • -13.96db
14% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Harrington
Be There Soon
118 bpm • A# Maj • 03:36 • -12.17db
21% Popularity • 66% Danceability • 55% Energy • 15% Liveness
9% Instrumentalness • 39% Positiveness
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Jordy Maxwell
Postcards
118 bpm • G Maj • 04:07 • -13.5db
18% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Riley Pearce
On Melancholy Hill
106 bpm • D Maj • 03:45 • -17db
38% Popularity • 40% Danceability • 11% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
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Jonny Morgan
Lonely In Soho
106 bpm • A# Maj • 04:27 • -9.87db
27% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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This New Light
The Mountains
106 bpm • A Maj • 03:12 • -11.24db
48% Popularity • 62% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Botts
Liquid Love
106 bpm • E Maj • 03:11 • -13.25db
43% Popularity • 68% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Make The Moon
Living In The Moment
118 bpm • A Maj • 03:25 • -13.58db
13% Popularity • 73% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jordy Maxwell
Dreamland
118 bpm • F# min • 02:47 • -13.5db
27% Popularity • 42% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Boy & Bear
Limit Of Love - Acoustic
118 bpm • A min • 03:40 • -7.58db
22% Popularity • 71% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Riley Pearce
Time's Eyes
106 bpm • E Maj • 03:46 • -12.72db
28% Popularity • 78% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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The Dreggs
Feel Alive
119 bpm • C# Maj • 03:27 • -7.06db
46% Popularity • 74% Danceability • 51% Energy • 25% Liveness
3% Instrumentalness • 37% Positiveness
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Jack Botts
Summer Nights
119 bpm • E Maj • 04:09 • -8.91db
36% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Austin Mackay
Breathe Again
119 bpm • D Maj • 03:55 • -9.23db
22% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jordy Maxwell
Long Road Home
106 bpm • E Maj • 03:53 • -11db
23% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Blue Eyes - Acoustic