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Blue Juice
Songs like
Blue Juice
by
Jimmy McGriff
Based on a tempo of (+/- 10%) and a similar genre
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Richard "Groove" Holmes
Out of Nowhere
93 bpm • B min • 08:33 • -17.14db
1% Popularity • 49% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 62% Positiveness
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Eddie Henderson
The Kumquat Kids
93 bpm • A min • 04:30 • -8db
24% Popularity • 65% Danceability • 75% Energy • 4% Liveness
7% Instrumentalness • 89% Positiveness
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Freddie Roach
Brown Sugar
93 bpm • A# Maj • 04:20 • -9.48db
19% Popularity • 60% Danceability • 52% Energy • 18% Liveness
61% Instrumentalness • 76% Positiveness
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Jimmy McGriff
Blue Juice
93 bpm • C Maj • 04:59 • -11.04db
26% Popularity • 66% Danceability • 61% Energy • 14% Liveness
74% Instrumentalness • 76% Positiveness
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Cornell Dupree
Teasin'
93 bpm • C# min • 03:51 • -4.8db
20% Popularity • 73% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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New Jersey Kings
The Latin One
93 bpm • C min • 04:50 • -11.72db
16% Popularity • 60% Danceability • 66% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
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Young-Holt Unlimited
Listen Here
93 bpm • G# Maj • 04:12 • -15.76db
15% Popularity • 50% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 65% Positiveness
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Spanky Wilson
I'm Thankful, Pt. 2
93 bpm • A min • 04:01 • -6.92db
17% Popularity • 74% Danceability • 49% Energy • 6% Liveness
83% Instrumentalness • 79% Positiveness
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Kenny Barron
Tapioca
92 bpm • C# min • 06:11 • -16.31db
3% Popularity • 58% Danceability • 46% Energy • 28% Liveness
64% Instrumentalness • 88% Positiveness
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Jimmy McGriff
Blue Juice
93 bpm • C Maj • 04:08 • -10.87db
24% Popularity • 66% Danceability • 64% Energy • 42% Liveness
50% Instrumentalness • 77% Positiveness
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Medeski Scofield Martin & Wood
Sham Time
94 bpm • A# min • 05:46 • -10.67db
20% Popularity • 64% Danceability • 47% Energy • 6% Liveness
44% Instrumentalness • 80% Positiveness
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Charles Kynard
El Toro Poo Poo
94 bpm • F Maj • 03:14 • -9.14db
18% Popularity • 55% Danceability • 81% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Gizelle Smith
Free Vibes
92 bpm • A# Maj • 02:16 • -5.48db
21% Popularity • 63% Danceability • 66% Energy • 6% Liveness
44% Instrumentalness • 86% Positiveness
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Rusty Bryant
Fire Eater
94 bpm • D min • 09:36 • -11.73db
18% Popularity • 56% Danceability • 82% Energy • 5% Liveness
17% Instrumentalness • 69% Positiveness
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Tom Scott And The L.A. Express
Sneakin' In The Back
94 bpm • G# Maj • 04:46 • -13.02db
28% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
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Gene Harris & The Three Sounds
Funky Pullett - Live At The It Club, Los...
92 bpm • C Maj • 07:45 • -16.95db
11% Popularity • 64% Danceability • 39% Energy • 8% Liveness
97% Instrumentalness • 69% Positiveness
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The Filthy Six
Down Frenchmen St
94 bpm • D# Maj • 05:57 • -11.86db
29% Popularity • 82% Danceability • 59% Energy • 8% Liveness
73% Instrumentalness • 96% Positiveness
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Peter Herbolzheimer Rhythm Combination & Brass
Mr. Clean
94 bpm • A# min • 04:23 • -11.55db
11% Popularity • 52% Danceability • 62% Energy • 9% Liveness
8% Instrumentalness • 92% Positiveness
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Richard "Groove" Holmes
Mr. Clean - Remastered
94 bpm • D# Maj • 05:04 • -10.89db
11% Popularity • 55% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
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Lafayette Afro Rock Band
Azeta
92 bpm • G# Maj • 06:24 • -7.4db
25% Popularity • 54% Danceability • 85% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Idris Muhammad
Express Yourself
92 bpm • G# Maj • 05:25 • -15.32db
23% Popularity • 68% Danceability • 54% Energy • 28% Liveness
5% Instrumentalness • 96% Positiveness
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Sven Hammond
Svoogaloo
95 bpm • C Maj • 04:54 • -7.81db
20% Popularity • 44% Danceability • 67% Energy • 7% Liveness
83% Instrumentalness • 74% Positiveness
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Gene Harris & The Three Sounds
Book Of Slim
91 bpm • D min • 03:23 • -9.07db
42% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Gene Ammons
Ca' Purange (Jungle Soul)
91 bpm • C Maj • 09:35 • -20.21db
8% Popularity • 62% Danceability • 15% Energy • 12% Liveness
25% Instrumentalness • 72% Positiveness
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Big John Patton
Bermuda Clay House
95 bpm • G min • 05:57 • -12.35db
15% Popularity • 70% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 73% Positiveness
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James Moody
You Follow Me
91 bpm • A# min • 06:12 • -14.99db
12% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Jack McDuff
The Shadow of Your Smile
95 bpm • G# Maj • 03:52 • -18.22db
30% Popularity • 73% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 61% Positiveness
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SOIL & “PIMP” SESSIONS
FUNKY GOLDMAN
95 bpm • C Maj • 03:53 • -6.83db
20% Popularity • 80% Danceability • 38% Energy • 6% Liveness
59% Instrumentalness • 51% Positiveness
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The Howard Roberts Quartet
Florence Of Arabia
95 bpm • F Maj • 01:44 • -15.31db
34% Popularity • 68% Danceability • 48% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
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Jimmy McGriff
The Bird Wave
95 bpm • F min • 04:02 • -7.47db
30% Popularity • 65% Danceability • 87% Energy • 4% Liveness
61% Instrumentalness • 96% Positiveness
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Soulive
Bridge To Bama
95 bpm • A min • 07:01 • -8db
9% Popularity • 68% Danceability • 55% Energy • 19% Liveness
70% Instrumentalness • 62% Positiveness
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Greyboy
Texas Twister
95 bpm • A# Maj • 05:21 • -12db
22% Popularity • 88% Danceability • 65% Energy • 6% Liveness
74% Instrumentalness • 94% Positiveness
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Young-Holt Unlimited
Wah Wah Man
90 bpm • C Maj • 03:47 • -14.53db
20% Popularity • 69% Danceability • 47% Energy • 35% Liveness
70% Instrumentalness • 70% Positiveness
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Fred Wesley
Swedish Funkballs
90 bpm • G# Maj • 04:03 • -8.49db
9% Popularity • 76% Danceability • 76% Energy • 10% Liveness
70% Instrumentalness • 79% Positiveness
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The Jazz Crusaders
Why Do You Laugh At Me?
96 bpm • C Maj • 02:35 • -12.46db
27% Popularity • 48% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
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Jimmy McGriff
Cute
91 bpm • F Maj • 03:30 • -14db
6% Popularity • 59% Danceability • 53% Energy • 21% Liveness
76% Instrumentalness • 68% Positiveness
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Cookin' On 3 Burners
Redback
96 bpm • A Maj • 03:22 • -4db
16% Popularity • 73% Danceability • 86% Energy • 8% Liveness
86% Instrumentalness • 88% Positiveness
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The Mar-Keys
Cleo's Back
90 bpm • C Maj • 03:00 • -13.87db
22% Popularity • 71% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
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The Meters
Funky Miracle
96 bpm • B min • 02:27 • -14.11db
29% Popularity • 83% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
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Solsonics
Jazz In The Present Tense
96 bpm • G# Maj • 04:18 • -12db
29% Popularity • 76% Danceability • 51% Energy • 11% Liveness
75% Instrumentalness • 61% Positiveness
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Fatback Band
Mister Bass Man
96 bpm • G# Maj • 03:22 • -14db
34% Popularity • 76% Danceability • 58% Energy • 26% Liveness
64% Instrumentalness • 97% Positiveness
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Jimmy McGriff
Healin' Feelin
96 bpm • F min • 05:09 • -8.63db
10% Popularity • 61% Danceability • 81% Energy • 14% Liveness
89% Instrumentalness • 85% Positiveness
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Herbie Hancock
Oh! Oh! Here He Comes
96 bpm • A Maj • 04:08 • -11db
32% Popularity • 62% Danceability • 68% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
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Freddie Roach
Googa Mooga
90 bpm • F Maj • 03:25 • -8.81db
8% Popularity • 61% Danceability • 58% Energy • 10% Liveness
84% Instrumentalness • 84% Positiveness
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Reuben Wilson
Hot Rod
90 bpm • C min • 06:27 • -11db
22% Popularity • 75% Danceability • 71% Energy • 7% Liveness
76% Instrumentalness • 83% Positiveness
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Gene Harris & The Three Sounds
Put On Train
90 bpm • D# Maj • 05:51 • -10db
22% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
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Soul Jazz Express
Sidewards
97 bpm • D Maj • 04:14 • -6.54db
24% Popularity • 82% Danceability • 55% Energy • 6% Liveness
58% Instrumentalness • 56% Positiveness
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Dr. Lonnie Smith
Spinning Wheel - Remastered
97 bpm • F min • 07:37 • -11db
28% Popularity • 51% Danceability • 62% Energy • 13% Liveness
89% Instrumentalness • 50% Positiveness
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Charles Kynard
Sweetheart
89 bpm • F min • 07:56 • -18db
16% Popularity • 68% Danceability • 38% Energy • 6% Liveness
86% Instrumentalness • 93% Positiveness
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Eddy Louiss
Sentimental Feeling
97 bpm • D min • 04:53 • -12.83db
8% Popularity • 86% Danceability • 37% Energy • 11% Liveness
87% Instrumentalness • 72% Positiveness
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Herbie Hancock
The Thief
97 bpm • D min • 03:13 • -16.16db
20% Popularity • 58% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 65% Positiveness
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The John Wright Trio
South Side Soul
89 bpm • C min • 05:00 • -18.3db
15% Popularity • 63% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 19% Positiveness
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The Filthy Six
Mozambique
97 bpm • A# Maj • 07:49 • -10.77db
9% Popularity • 46% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 84% Positiveness
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Gene Ammons
The Jungle Boss
98 bpm • F Maj • 05:36 • -13.31db
9% Popularity • 61% Danceability • 46% Energy • 17% Liveness
25% Instrumentalness • 55% Positiveness
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Billy Butler
The Twang Thang
98 bpm • A# Maj • 05:13 • -17.75db
20% Popularity • 69% Danceability • 25% Energy • 10% Liveness
74% Instrumentalness • 76% Positiveness
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The New Mastersounds
The Road to Fuji Rock
88 bpm • C Maj • 05:51 • -7.46db
12% Popularity • 59% Danceability • 74% Energy • 18% Liveness
74% Instrumentalness • 84% Positiveness
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Colman Brothers
Mr DG
98 bpm • A# min • 04:16 • -11.19db
27% Popularity • 70% Danceability • 78% Energy • 16% Liveness
93% Instrumentalness • 56% Positiveness
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The Three Sounds
Azule Serape
88 bpm • F min • 04:12 • -10.91db
11% Popularity • 54% Danceability • 49% Energy • 9% Liveness
74% Instrumentalness • 54% Positiveness
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Mel Brown
Son Of A Preacher Man
98 bpm • E Maj • 03:32 • -11.28db
9% Popularity • 52% Danceability • 65% Energy • 29% Liveness
21% Instrumentalness • 97% Positiveness
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Art Blakey
Cubano Chant (Art Blakey & the Jazz Mess...
98 bpm • A# min • 04:00 • -13.89db
17% Popularity • 59% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
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Charles Kynard
Little Ghetto Boy
98 bpm • F min • 03:06 • -8.5db
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
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Metropolitan Jazz Affair
Corovon
99 bpm • A# min • 04:37 • -9db
19% Popularity • 68% Danceability • 65% Energy • 16% Liveness
86% Instrumentalness • 59% Positiveness
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Jack Trombey
Underlay No.3
99 bpm • G# Maj • 04:02 • -7.83db
31% Popularity • 65% Danceability • 84% Energy • 8% Liveness
82% Instrumentalness • 52% Positiveness
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Bobbi Humphrey
Jasper Country Man
99 bpm • C# Maj • 05:16 • -14db
25% Popularity • 75% Danceability • 60% Energy • 7% Liveness
49% Instrumentalness • 85% Positiveness
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Fred Wesley
Spring Like
99 bpm • A# Maj • 03:48 • -7.93db
13% Popularity • 74% Danceability • 74% Energy • 12% Liveness
4% Instrumentalness • 83% Positiveness
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Ronnie Foster
On The Avenue
99 bpm • B min • 06:14 • -11db
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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Jimmy McGriff
The Bird
99 bpm • D# Maj • 03:11 • -9.8db
33% Popularity • 74% Danceability • 56% Energy • 8% Liveness
51% Instrumentalness • 92% Positiveness
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Breakestra
Burgundy Blues
99 bpm • A# min • 05:29 • -4db
19% Popularity • 71% Danceability • 84% Energy • 14% Liveness
22% Instrumentalness • 92% Positiveness
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Eddie Henderson
Inside You
87 bpm • A# min • 04:52 • -10db
35% Popularity • 66% Danceability • 61% Energy • 8% Liveness
16% Instrumentalness • 96% Positiveness
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Bobbi Humphrey
Jasper Country Man
99 bpm • A# min • 02:56 • -11.07db
9% Popularity • 77% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
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The Mar-Keys
Plantation Inn
99 bpm • F Maj • 02:39 • -12db
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
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Kenny Barron
The Bird
99 bpm • D# Maj • 03:13 • -17.43db
3% Popularity • 76% Danceability • 36% Energy • 8% Liveness
28% Instrumentalness • 96% Positiveness
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The Filthy Six
Blind Man Boogaloo
99 bpm • F Maj • 04:53 • -8.37db
9% Popularity • 56% Danceability • 86% Energy • 14% Liveness
95% Instrumentalness • 96% Positiveness
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Greyboy
Whirlwind
99 bpm • D# min • 06:27 • -12.12db
12% Popularity • 47% Danceability • 45% Energy • 10% Liveness
82% Instrumentalness • 77% Positiveness
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Jack McDuff
Butter (For Yo' Popcorn)
99 bpm • C Maj • 04:08 • -8.52db
20% Popularity • 73% Danceability • 68% Energy • 7% Liveness
84% Instrumentalness • 90% Positiveness
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Bobbi Humphrey
Smiling Faces Sometimes
100 bpm • E min • 06:21 • -10.63db
18% Popularity • 55% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Herbie Hancock
Fat Albert Rotunda
100 bpm • A# min • 06:29 • -11.15db
24% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Young-Holt Unlimited
Can't Get Enough of You
100 bpm • A min • 03:51 • -10.11db
13% Popularity • 44% Danceability • 64% Energy • 15% Liveness
54% Instrumentalness • 67% Positiveness
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Candido
Ghana Spice (Part One)
100 bpm • G min • 03:06 • -14.63db
12% Popularity • 71% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
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Baby Charles
The Sphinx
100 bpm • A Maj • 03:48 • -5.29db
12% Popularity • 56% Danceability • 88% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Jack McDuff
Butter (For Yo' Popcorn)
100 bpm • A# Maj • 03:07 • -8.59db
13% Popularity • 74% Danceability • 67% Energy • 5% Liveness
91% Instrumentalness • 82% Positiveness
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Willie Mitchell
Mercy Mercy Mercy - Live
86 bpm • A# Maj • 02:17 • -8.7db
17% Popularity • 56% Danceability • 46% Energy • 86% Liveness
89% Instrumentalness • 75% Positiveness
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Solsonics
Montuno Funk
101 bpm • C Maj • 04:09 • -13.47db
30% Popularity • 70% Danceability • 62% Energy • 24% Liveness
91% Instrumentalness • 81% Positiveness
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Speedometer
Accra International Airport
101 bpm • F min • 03:14 • -7.49db
26% Popularity • 69% Danceability • 94% Energy • 10% Liveness
82% Instrumentalness • 73% Positiveness
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Charles Williams
Booger Bear
101 bpm • C# Maj • 04:50 • -13.84db
7% Popularity • 72% Danceability • 66% Energy • 10% Liveness
72% Instrumentalness • 96% Positiveness
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Deodato
Also sprach Zarathustra
101 bpm • F Maj • 09:01 • -15.11db
28% Popularity • 58% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
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Reuben Wilson
Ronnie's Bonnie
101 bpm • D min • 05:51 • -7.48db
10% Popularity • 78% Danceability • 56% Energy • 15% Liveness
70% Instrumentalness • 72% Positiveness
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Chico Hamilton
Got My Mojo Working (But It Just Won't W...
101 bpm • C Maj • 03:06 • -7db
18% Popularity • 50% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Manu Dibango
Wouri
101 bpm • D Maj • 03:16 • -6.48db
17% Popularity • 64% Danceability • 84% Energy • 14% Liveness
91% Instrumentalness • 88% Positiveness
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Jestofunk
Moai Message
101 bpm • A# min • 06:59 • -8.06db
16% Popularity • 83% Danceability • 54% Energy • 7% Liveness
6% Instrumentalness • 75% Positiveness
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Lee Dorsey
Get out of My Life, Woman
85 bpm • B Maj • 03:10 • -13db
26% Popularity • 71% Danceability • 43% Energy • 9% Liveness
5% Instrumentalness • 70% Positiveness
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Junior Mance
Don't Cha Hear Me Callin' to Ya
101 bpm • D min • 05:06 • -11db
24% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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Charles Kynard
Hot Sauce
102 bpm • G Maj • 04:36 • -10.95db
13% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Hank Crawford
Lift Every Voice And Sing
85 bpm • D# Maj • 06:03 • -20.76db
1% Popularity • 26% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
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Electro Deluxe
Free Yourself
102 bpm • D Maj • 04:14 • -9db
28% Popularity • 73% Danceability • 63% Energy • 16% Liveness
70% Instrumentalness • 85% Positiveness
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Charles Earland
Letha
102 bpm • D Maj • 07:23 • -10.66db
14% Popularity • 56% Danceability • 79% Energy • 29% Liveness
77% Instrumentalness • 61% Positiveness
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Billy Cobham
Red Baron
84 bpm • G Maj • 06:36 • -14db
41% Popularity • 61% Danceability • 40% Energy • 7% Liveness
85% Instrumentalness • 36% Positiveness
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Dr. Lonnie Smith
Snow Blower
102 bpm • A# min • 06:51 • -10.41db
12% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Charles Kynard
The World Is A Ghetto
102 bpm • F# min • 03:12 • -11.83db
10% Popularity • 52% Danceability • 42% Energy • 12% Liveness
56% Instrumentalness • 50% Positiveness
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Dizzy Gillespie
Unicorn
103 bpm • C Maj • 06:48 • -11.5db
38% Popularity • 84% Danceability • 52% Energy • 7% Liveness
51% Instrumentalness • 75% Positiveness
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