Songs like Blue Morning / Good Day for the Blues by Lowell Levinger
Based on a tempo of (+/- 10%) and a similar genre
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Roy Williams
Every Day, Every Night
91 bpm • G Maj • 03:41 • -6.66db
26% Popularity • 67% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 67% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Lowell Levinger
Blue Morning / Good Day for the Blues
91 bpm • C Maj • 04:00 • -8.82db
1% Popularity • 72% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
1% Popularity • 72% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Andy Fairweather Low
Zazzy
91 bpm • A Maj • 03:22 • -12db
16% Popularity • 90% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 90% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Zoltan Horcsok
Waiting On Me
91 bpm • G Maj • 02:56 • -8db
21% Popularity • 74% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
21% Popularity • 74% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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Emanuel Wilson
There Is A Highway
91 bpm • C Maj • 03:55 • -14.71db
14% Popularity • 47% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 47% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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A.J. Croce
San Diego Serenade
91 bpm • F Maj • 03:00 • -12.24db
13% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Pierce
Mr. McMartin
91 bpm • G Maj • 03:59 • -6.74db
9% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Luther Dickinson
Mean Ol' Wind Died Down
91 bpm • D Maj • 04:00 • -12.12db
14% Popularity • 66% Danceability • 38% Energy • 27% Liveness
6% Instrumentalness • 64% Positiveness
14% Popularity • 66% Danceability • 38% Energy • 27% Liveness
6% Instrumentalness • 64% Positiveness
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Blackie & The Rodeo Kings
49 Tons
90 bpm • D Maj • 03:49 • -10db
10% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Tom Lessner
Cyclus
90 bpm • A Maj • 02:48 • -11.29db
15% Popularity • 68% Danceability • 80% Energy • 52% Liveness
4% Instrumentalness • 68% Positiveness
15% Popularity • 68% Danceability • 80% Energy • 52% Liveness
4% Instrumentalness • 68% Positiveness
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Steinar Ytrehus
Call me king
92 bpm • A# Maj • 02:41 • -11.24db
17% Popularity • 76% Danceability • 44% Energy • 10% Liveness
7% Instrumentalness • 60% Positiveness
17% Popularity • 76% Danceability • 44% Energy • 10% Liveness
7% Instrumentalness • 60% Positiveness
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Derek Lee Goodreid
Tattoos, Blues & Nothing Left to Lose
90 bpm • E min • 02:13 • -7.28db
16% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Fred Hostetler
Happy Fingers
92 bpm • A Maj • 02:44 • -6.9db
2% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
2% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Lindzy Neilson
Cup of Tea
92 bpm • C min • 03:56 • -8.15db
16% Popularity • 62% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 62% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Steve gates
Wait For Grounds
92 bpm • G Maj • 02:55 • -8.83db
13% Popularity • 63% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 63% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Kailyn Olson
Coal Cost
92 bpm • F Maj • 04:15 • -11.62db
28% Popularity • 61% Danceability • 44% Energy • 22% Liveness
6% Instrumentalness • 55% Positiveness
28% Popularity • 61% Danceability • 44% Energy • 22% Liveness
6% Instrumentalness • 55% Positiveness
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Anthony Koepp
Dress Up For Heaven
90 bpm • G Maj • 03:32 • -9.16db
8% Popularity • 64% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 64% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Neil Young
Boxcar
89 bpm • E min • 02:44 • -15.7db
16% Popularity • 72% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 72% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Greg Brown
Where Are You Going When You're Gone
89 bpm • A Maj • 03:44 • -9db
13% Popularity • 63% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 63% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Jon-Olov Woxlin
Let It All in and Let It All Go
89 bpm • C# Maj • 02:52 • -11.64db
13% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Michael Kaeshammer
She's Gone
89 bpm • F Maj • 02:44 • -6.49db
15% Popularity • 70% Danceability • 72% Energy • 14% Liveness
62% Instrumentalness • 84% Positiveness
15% Popularity • 70% Danceability • 72% Energy • 14% Liveness
62% Instrumentalness • 84% Positiveness
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Gurf Morlix
Big Cheeseburgers and Good French Fries
93 bpm • G Maj • 02:51 • -12.01db
20% Popularity • 85% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 85% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Rodney Crowell
East Houston Blues
89 bpm • E min • 03:37 • -8.52db
41% Popularity • 72% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 72% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Fairweather Low
Don't Stand
89 bpm • D Maj • 03:36 • -11.97db
10% Popularity • 83% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 83% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Schorsch Hampel
Rubikon
88 bpm • G Maj • 03:44 • -9.48db
17% Popularity • 67% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
17% Popularity • 67% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
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The Subdudes
Someday, Somehow
94 bpm • G Maj • 02:23 • -8.12db
10% Popularity • 66% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 66% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Lightning Tommy
Black Bayou
94 bpm • D Maj • 03:23 • -5.47db
9% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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David Holt
Steel Guitar Blues
88 bpm • D Maj • 03:27 • -9.65db
9% Popularity • 57% Danceability • 43% Energy • 24% Liveness
20% Instrumentalness • 60% Positiveness
9% Popularity • 57% Danceability • 43% Energy • 24% Liveness
20% Instrumentalness • 60% Positiveness
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Nine Below Zero
White Boys Lost In The Blues
88 bpm • A# Maj • 05:23 • -6.36db
8% Popularity • 37% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 37% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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The Love Gangsters
The Way
94 bpm • G Maj • 04:34 • -10.65db
7% Popularity • 38% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 46% Positiveness
7% Popularity • 38% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 46% Positiveness
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Michael van Merwyk
Cool Down
94 bpm • D Maj • 02:06 • -11.29db
12% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Subdudes
The Perfect Time
94 bpm • G# Maj • 04:01 • -7.61db
10% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Boz Scaggs
It Takes A Lot To Laugh - Demo
88 bpm • A Maj • 03:12 • -7.81db
9% Popularity • 61% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 61% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Tony Joe White
Going Back To Bed
94 bpm • G Maj • 05:13 • -16.53db
10% Popularity • 77% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 34% Positiveness
10% Popularity • 77% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 34% Positiveness
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Lloyd Spiegel
This Time Tomorrow
94 bpm • E min • 03:32 • -11.62db
14% Popularity • 62% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
14% Popularity • 62% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Piera Mussardo
Travelling Riverside Blues - Acoustic ve...
94 bpm • C Maj • 03:51 • -5.95db
11% Popularity • 67% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 67% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Evan Saunders
For Everyone
95 bpm • C# Maj • 04:07 • -12.4db
21% Popularity • 73% Danceability • 30% Energy • 27% Liveness
1% Instrumentalness • 44% Positiveness
21% Popularity • 73% Danceability • 30% Energy • 27% Liveness
1% Instrumentalness • 44% Positiveness
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Jeremy Spencer
Psychic Waste
95 bpm • A Maj • 04:20 • -9.35db
9% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Steinar Ytrehus
Waiting for You to Come Around
95 bpm • G min • 04:06 • -11.55db
14% Popularity • 57% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
14% Popularity • 57% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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Kailyn Olson
Mr. Mule
87 bpm • G Maj • 04:20 • -9.48db
28% Popularity • 85% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 85% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Martin and Scott
Come on Over
95 bpm • F Maj • 03:46 • -16.3db
11% Popularity • 60% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 60% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Martin & Scott
Blue Sunday
95 bpm • E min • 04:58 • -6.64db
13% Popularity • 56% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 66% Positiveness
13% Popularity • 56% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 66% Positiveness
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Lowell Levinger
Blues My Naughty Sweetie Gives to Me
95 bpm • F Maj • 03:03 • -9.26db
1% Popularity • 72% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 72% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Guy Verlinde
Play Your Blues
95 bpm • D Maj • 03:06 • -8.32db
17% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Sue Foley
Am I Worthy
87 bpm • F Maj • 02:52 • -11.08db
11% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Pedro Stokhof
At Peace
95 bpm • E min • 03:48 • -13.77db
21% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lennard Aguilar
She Seems Fine to Me
95 bpm • E Maj • 02:32 • -13.19db
21% Popularity • 76% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 76% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Davis Coen
Let's Stay In (Valentine's Day)
87 bpm • G Maj • 03:17 • -9.3db
8% Popularity • 33% Danceability • 48% Energy • 15% Liveness
4% Instrumentalness • 41% Positiveness
8% Popularity • 33% Danceability • 48% Energy • 15% Liveness
4% Instrumentalness • 41% Positiveness
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Steve Charles
Straw In The Wind
95 bpm • F Maj • 03:26 • -22.22db
8% Popularity • 45% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 45% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Izak
Step Out of Line
95 bpm • E Maj • 04:52 • -10.18db
9% Popularity • 66% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Ray Bonneville
What Was I to Do
95 bpm • E Maj • 03:33 • -7.93db
10% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Merle Dorothea
Shiver
87 bpm • C Maj • 03:48 • -8.77db
8% Popularity • 56% Danceability • 66% Energy • 23% Liveness
2% Instrumentalness • 65% Positiveness
8% Popularity • 56% Danceability • 66% Energy • 23% Liveness
2% Instrumentalness • 65% Positiveness
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Malcolm Holcombe
To Get By
96 bpm • C# Maj • 04:03 • -10.31db
23% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Andy Fairweather Low
Matchbox
96 bpm • A Maj • 01:35 • -7.47db
22% Popularity • 84% Danceability • 53% Energy • 12% Liveness
42% Instrumentalness • 94% Positiveness
22% Popularity • 84% Danceability • 53% Energy • 12% Liveness
42% Instrumentalness • 94% Positiveness
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Nine Below Zero
Born And Living With The Blues
96 bpm • F# Maj • 03:31 • -5.55db
19% Popularity • 46% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 46% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Fred Hostetler
Orphan Blues
96 bpm • A Maj • 03:08 • -11.66db
1% Popularity • 69% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
1% Popularity • 69% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Tymen Zoeteweij
Again And Again
96 bpm • G Maj • 06:06 • -13.75db
21% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Shannon McNally
Low Rider
96 bpm • F# Maj • 02:53 • -13.37db
17% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
17% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
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Kokomo
Born To Bad Luck
96 bpm • D Maj • 03:35 • -9.54db
14% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Tim Easton
Sitting on Top of the World
96 bpm • A min • 02:54 • -16.94db
26% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lowell Levinger
Nobody Knows You When You're Down and Ou...
86 bpm • A min • 02:32 • -11.93db
1% Popularity • 85% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 85% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Blues & Gentlemen's
Changed
86 bpm • C Maj • 03:11 • -15.35db
10% Popularity • 78% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 62% Positiveness
10% Popularity • 78% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 62% Positiveness
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Shemekia Copeland
Beat Up Guitar
86 bpm • D Maj • 04:27 • -11.92db
20% Popularity • 57% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 57% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Dave Raleign
Falls
97 bpm • C# min • 02:43 • -15.79db
30% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ray Bonneville
Cemetery Road
97 bpm • G Maj • 03:36 • -16.1db
14% Popularity • 63% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
14% Popularity • 63% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Doug Mclane
Doggone
97 bpm • C Maj • 03:23 • -11.34db
19% Popularity • 65% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
19% Popularity • 65% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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Mickey Jupp
Bad News Can Travel Slow
97 bpm • E Maj • 02:21 • -6.99db
10% Popularity • 84% Danceability • 45% Energy • 18% Liveness
2% Instrumentalness • 93% Positiveness
10% Popularity • 84% Danceability • 45% Energy • 18% Liveness
2% Instrumentalness • 93% Positiveness
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Ryan Dart
Sugar for Your Wine
85 bpm • C Maj • 03:05 • -10.25db
11% Popularity • 66% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 66% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Deirdre Moulinier
Cry Cuc
97 bpm • F Maj • 02:44 • -7.79db
10% Popularity • 60% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 60% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
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Brian D. Wilson
A Man's Word Is His Bond
85 bpm • D# Maj • 03:52 • -5.84db
8% Popularity • 73% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 73% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ray Bonneville
Roll With the Punches
97 bpm • D# Maj • 03:51 • -8.68db
10% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Darcy O'Neil
Bottled Blue
97 bpm • A# Maj • 03:34 • -10.13db
24% Popularity • 55% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 55% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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The Holmes Brothers
If I Had A Boat
97 bpm • E Maj • 03:06 • -8.6db
14% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Woody Pines
Delta Bound
85 bpm • D min • 03:09 • -11.74db
18% Popularity • 57% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Kailyn Olson
Lighter
85 bpm • G Maj • 03:48 • -8.73db
28% Popularity • 61% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 61% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Kirchen
Rocks into Sand
85 bpm • D min • 03:26 • -13.13db
23% Popularity • 63% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 63% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Linwood Taylor
I Wanna Get Funky
98 bpm • C Maj • 05:09 • -12.42db
11% Popularity • 69% Danceability • 32% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
11% Popularity • 69% Danceability • 32% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
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Lightning Hall
Save Me
98 bpm • G# min • 04:26 • -14.56db
14% Popularity • 60% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 72% Positiveness
14% Popularity • 60% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 72% Positiveness
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Chris Regez Band
No Supper Tonight
98 bpm • E Maj • 01:56 • -14.11db
9% Popularity • 71% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 71% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Hubert Dorigatti
Freedom
98 bpm • B Maj • 04:19 • -6.14db
7% Popularity • 76% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 76% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Brigitte DeMeyer
Runnin' Round
98 bpm • G Maj • 02:46 • -9.37db
21% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Nine Below Zero
Sunny
98 bpm • E min • 03:14 • -7.35db
14% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jeremy Spencer
Bitter Lemon
98 bpm • C Maj • 04:05 • -17.21db
11% Popularity • 59% Danceability • 22% Energy • 8% Liveness
10% Instrumentalness • 28% Positiveness
11% Popularity • 59% Danceability • 22% Energy • 8% Liveness
10% Instrumentalness • 28% Positiveness
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Avery Copperfield
Love Hanging Around
98 bpm • A# Maj • 03:42 • -7.72db
29% Popularity • 72% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 73% Positiveness
29% Popularity • 72% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 73% Positiveness
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Luke Winslow-King
Leaves Turn Brown
99 bpm • G Maj • 05:43 • -12.41db
12% Popularity • 38% Danceability • 37% Energy • 8% Liveness
10% Instrumentalness • 27% Positiveness
12% Popularity • 38% Danceability • 37% Energy • 8% Liveness
10% Instrumentalness • 27% Positiveness
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Eric Lindell
Do You Ever Miss Me
84 bpm • G Maj • 03:19 • -9.8db
18% Popularity • 64% Danceability • 27% Energy • 21% Liveness
1% Instrumentalness • 54% Positiveness
18% Popularity • 64% Danceability • 27% Energy • 21% Liveness
1% Instrumentalness • 54% Positiveness
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Suitcase Rags Trio
Powder Blue
99 bpm • A Maj • 03:01 • -10.67db
8% Popularity • 73% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 58% Positiveness
8% Popularity • 73% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 58% Positiveness
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Nine Below Zero
What's Going On
99 bpm • C# min • 03:48 • -6.7db
19% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Bones
SPIRITS
84 bpm • E Maj • 02:52 • -12.11db
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Hundred Year Old Man
Just Wondering
99 bpm • C Maj • 05:00 • -16.27db
35% Popularity • 52% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 52% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Lino Rufo
Hey Joe
84 bpm • E min • 04:13 • -8.54db
9% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Lloyd Spiegel
Call You When I Get There
99 bpm • B min • 02:21 • -10.01db
20% Popularity • 67% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 67% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Luther Dickinson
Up Over Yonder
99 bpm • D Maj • 03:19 • -11db
31% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
31% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
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Peter Case
Bumble Bee
84 bpm • G min • 03:34 • -10.91db
33% Popularity • 72% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 72% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Cary Morin
Yellow Dog Blues
99 bpm • A min • 02:33 • -9.96db
12% Popularity • 62% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 62% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Jerome Browne
Sliding Delta
100 bpm • A# Maj • 03:06 • -8.01db
8% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Jonathan Brenner
Instagram Success
83 bpm • C# min • 04:20 • -7.76db
22% Popularity • 60% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 60% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Malcolm Holcombe
Back On The Edge O'Town
100 bpm • F min • 03:41 • -13.41db
9% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
