Songs like Blue on Blue by Gals and Pals
Based on a tempo of (+/- 10%) and a similar genre
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Gals and Pals
Message to Michael
94 bpm • C# Maj • 03:46 • -8.23db
0% Popularity • 62% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 62% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Peggy Lee
Me And My Shadow
94 bpm • D min • 03:07 • -21.1db
35% Popularity • 76% Danceability • 12% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
35% Popularity • 76% Danceability • 12% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
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Gloria Ann Taylor
Deep Inside You
94 bpm • E min • 02:26 • -6.96db
31% Popularity • 58% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 58% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Gert Wilden & Orchestra
Sexy Girls (Mädchen, Die Nach München ...
94 bpm • C# Maj • 02:37 • -10.63db
18% Popularity • 55% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
18% Popularity • 55% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
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Lill Lindfors
Hör min samba
94 bpm • C# Maj • 03:05 • -16.08db
19% Popularity • 43% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 43% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Nancy Priddy
You've Come This Way Before
94 bpm • C Maj • 02:52 • -12.19db
15% Popularity • 58% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 58% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Gals and Pals
Blue on Blue
94 bpm • C min • 03:01 • -15.99db
12% Popularity • 48% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 48% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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David Axelrod
The Fly
94 bpm • A min • 04:54 • -7db
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
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Rose Murphy
Busy Line
94 bpm • F Maj • 02:19 • -17.44db
22% Popularity • 74% Danceability • 17% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
22% Popularity • 74% Danceability • 17% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
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Toots Thielemans
Nocturne
94 bpm • C Maj • 03:03 • -9.68db
4% Popularity • 36% Danceability • 23% Energy • 34% Liveness
5% Instrumentalness • 14% Positiveness
4% Popularity • 36% Danceability • 23% Energy • 34% Liveness
5% Instrumentalness • 14% Positiveness
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The Modern Tropical Quintet
Midnight in Moscow
94 bpm • A min • 04:26 • -10.64db
11% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 02:05 • -8.12db
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
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Gals and Pals
Säg hör jag en vals
94 bpm • G Maj • 02:40 • -12.76db
0% Popularity • 39% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 39% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Jacqueline Taieb
Le cœur au bout des doigts
94 bpm • B min • 02:38 • -5.3db
46% Popularity • 47% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 47% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Stelvio Cipriani
La polizia sta a guardare - Main Theme
93 bpm • G# Maj • 03:42 • -22db
24% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Dionne Warwick
Loneliness Remembers What Happiness Forg...
93 bpm • A# Maj • 02:07 • -11.1db
20% Popularity • 39% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 39% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Svante Thuresson
Simma
93 bpm • C# Maj • 03:05 • -6.55db
15% Popularity • 52% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 52% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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The San Sebastian Strings
The Gypsy Camp
95 bpm • F Maj • 03:06 • -21.2db
13% Popularity • 59% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 59% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Gals and Pals
Ture och Tyra
94 bpm • G Maj • 01:50 • -13.24db
0% Popularity • 57% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 57% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Doris
Aldrig min vän - 2013 - Remaster
93 bpm • A Maj • 02:52 • -8.74db
18% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Jaakko Eino Kalevi
Pleasant Cruise
93 bpm • C Maj • 05:01 • -15.63db
15% Popularity • 59% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
15% Popularity • 59% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Gert Wilden & Orchestra
Follow Me (Was Männer Nicht Für Mögli...
93 bpm • A min • 02:59 • -6.9db
11% Popularity • 56% Danceability • 84% Energy • 19% Liveness
95% Instrumentalness • 58% Positiveness
11% Popularity • 56% Danceability • 84% Energy • 19% Liveness
95% Instrumentalness • 58% Positiveness
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Mel Tormé
Right Now
95 bpm • A# min • 02:12 • -14.96db
36% Popularity • 69% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 69% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Lill Lindfors
(Det är då) jag känner jag vill va' h...
93 bpm • F min • 03:50 • -20.1db
17% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Gals and Pals
Walk on By
95 bpm • F Maj • 02:13 • -11.94db
1% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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iSH
Faster Than A Speeding Bullet
95 bpm • A Maj • 03:05 • -21.05db
14% Popularity • 74% Danceability • 33% Energy • 21% Liveness
1% Instrumentalness • 31% Positiveness
14% Popularity • 74% Danceability • 33% Energy • 21% Liveness
1% Instrumentalness • 31% Positiveness
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Tak Shindo
Mombasa Love Song
95 bpm • C# Maj • 02:40 • -10db
24% Popularity • 58% Danceability • 64% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
24% Popularity • 58% Danceability • 64% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
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Kathleen Emery
Sometimes I Feel Like A Motherless Child
93 bpm • A min • 03:56 • -9db
23% Popularity • 30% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 30% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Alan Hawkshaw
Girl in a Sportscar
95 bpm • F# Maj • 02:42 • -12.48db
32% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
32% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
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Keith Mansfield
West Coast Surf Ride
92 bpm • B min • 02:33 • -5db
20% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
20% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
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Gals and Pals
Litet bo jag sätta vill
95 bpm • G# Maj • 02:34 • -16.45db
0% Popularity • 52% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 52% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Blossom Dearie
I Like London In The Rain
93 bpm • C# Maj • 02:38 • -11.22db
26% Popularity • 61% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
26% Popularity • 61% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Letta Mbulu
What's Wrong With Groovin'
96 bpm • G Maj • 02:53 • -5.9db
36% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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John Barry
Midnight Cowboy
96 bpm • F Maj • 02:47 • -13.16db
40% Popularity • 15% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 15% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Bees
Sky Holds the Sun
96 bpm • C Maj • 03:39 • -10.51db
20% Popularity • 76% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
20% Popularity • 76% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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The Shangri-Las
I Can Never Go Home Anymore
96 bpm • B min • 03:14 • -12.57db
12% Popularity • 54% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 54% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
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The Delta Rhythm Boys
Flickorna i Småland
92 bpm • D# Maj • 02:37 • -13db
23% Popularity • 71% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 71% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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David Motion
Coming
92 bpm • E min • 06:03 • -14db
27% Popularity • 56% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 56% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Piero Umiliani
Lui E Lei
92 bpm • C min • 02:34 • -8.29db
40% Popularity • 48% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 48% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Georgie Fame
Sitting In The Park
92 bpm • B min • 03:26 • -9db
30% Popularity • 53% Danceability • 48% Energy • 29% Liveness
6% Instrumentalness • 63% Positiveness
30% Popularity • 53% Danceability • 48% Energy • 29% Liveness
6% Instrumentalness • 63% Positiveness
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Dinah Washington
Cry Me A River - Truth & Soul Remix
96 bpm • F min • 02:42 • -8.39db
20% Popularity • 43% Danceability • 51% Energy • 17% Liveness
4% Instrumentalness • 49% Positiveness
20% Popularity • 43% Danceability • 51% Energy • 17% Liveness
4% Instrumentalness • 49% Positiveness
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Esquivel And His Orchestra
Whatchamacallit
96 bpm • F Maj • 02:34 • -12db
11% Popularity • 71% Danceability • 62% Energy • 5% Liveness
37% Instrumentalness • 62% Positiveness
11% Popularity • 71% Danceability • 62% Energy • 5% Liveness
37% Instrumentalness • 62% Positiveness
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Doris
Beatmaker
97 bpm • C Maj • 03:33 • -10db
20% Popularity • 49% Danceability • 68% Energy • 9% Liveness
13% Instrumentalness • 86% Positiveness
20% Popularity • 49% Danceability • 68% Energy • 9% Liveness
13% Instrumentalness • 86% Positiveness
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The San Sebastian Strings
Why I Follow the Tigers
91 bpm • G Maj • 02:23 • -18.59db
8% Popularity • 50% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 14% Positiveness
8% Popularity • 50% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 14% Positiveness
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Gals and Pals
I Left My Heart in San Francisco
97 bpm • A# Maj • 02:43 • -14.04db
2% Popularity • 32% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 32% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Seraphims
The Consciousness of Happening
97 bpm • E min • 02:14 • -14db
17% Popularity • 35% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 35% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Chuck Jackson
I Keep Forgettin'
97 bpm • F# min • 02:45 • -12.07db
17% Popularity • 82% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 82% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jacqueline Taieb
Ce soir je m'en vais
91 bpm • E min • 02:29 • -10db
34% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lynsey De Paul
So Good to You
97 bpm • A# Maj • 03:22 • -13.69db
10% Popularity • 71% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 71% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Roy Budd
Looking For Someone
91 bpm • G Maj • 02:31 • -12.66db
11% Popularity • 56% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 56% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Gals and Pals
My Little Red Book
97 bpm • C Maj • 02:07 • -5.84db
1% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Lyn Christopher
Take Me With You
91 bpm • A# min • 03:07 • -11.69db
32% Popularity • 66% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
32% Popularity • 66% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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The Shirelles
Sunday Dreaming
91 bpm • B Maj • 03:16 • -10.19db
29% Popularity • 50% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 50% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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David Axelrod
The Smile
91 bpm • A min • 03:25 • -13db
31% Popularity • 43% Danceability • 38% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
31% Popularity • 43% Danceability • 38% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
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Ray Noble Orchestra & Al Bowlly
Hang Out the Stars in Indiana
97 bpm • F min • 01:31 • -10.56db
11% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Traces
Je T’aime Moi Non Plus
97 bpm • D Maj • 02:39 • -9.36db
15% Popularity • 48% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 48% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Gals and Pals
Hallelujah Time
97 bpm • F Maj • 02:25 • -5.4db
0% Popularity • 73% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 73% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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Jaakko Eino Kalevi
Don't Ask Me Why
91 bpm • C Maj • 04:07 • -14db
26% Popularity • 63% Danceability • 43% Energy • 12% Liveness
67% Instrumentalness • 66% Positiveness
26% Popularity • 63% Danceability • 43% Energy • 12% Liveness
67% Instrumentalness • 66% Positiveness
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Bonnie Dobson
Winter's Going
91 bpm • A# Maj • 02:41 • -10.9db
31% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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April Stevens
Do It Again - 1996 Digital Remaster
90 bpm • F Maj • 02:40 • -20.88db
12% Popularity • 38% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 38% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Duffy Power
Where Am I
98 bpm • G# Maj • 02:50 • -8db
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Monica Zetterlund
Bedårande sommarvals
90 bpm • C# Maj • 03:04 • -13.7db
5% Popularity • 45% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 45% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 46% Positiveness
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Gals and Pals
Vad för en tok är jag
91 bpm • D# Maj • 03:00 • -11db
0% Popularity • 37% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 37% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Lindstrøm
Music (In My Mind)
90 bpm • C# Maj • 04:52 • -10.23db
11% Popularity • 79% Danceability • 45% Energy • 5% Liveness
73% Instrumentalness • 91% Positiveness
11% Popularity • 79% Danceability • 45% Energy • 5% Liveness
73% Instrumentalness • 91% Positiveness
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John Barry
The Ipcress File
90 bpm • E min • 03:51 • -17.95db
26% Popularity • 27% Danceability • 23% Energy • 18% Liveness
32% Instrumentalness • 5% Positiveness
26% Popularity • 27% Danceability • 23% Energy • 18% Liveness
32% Instrumentalness • 5% Positiveness
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The Bees
Angryman
90 bpm • C min • 04:08 • -8.18db
19% Popularity • 79% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 79% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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David McCallum
My World Is Empty Without You
90 bpm • C min • 02:20 • -6.96db
18% Popularity • 51% Danceability • 66% Energy • 17% Liveness
84% Instrumentalness • 80% Positiveness
18% Popularity • 51% Danceability • 66% Energy • 17% Liveness
84% Instrumentalness • 80% Positiveness
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Sylvia Vrethammar
Take Me Back To Piaui
90 bpm • G min • 03:08 • -8db
17% Popularity • 64% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 64% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 63% Positiveness
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Gals and Pals
Trains and Boats and Planes
98 bpm • C Maj • 03:01 • -16.44db
0% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Renee
Change your style
99 bpm • B min • 03:19 • -11.41db
27% Popularity • 65% Danceability • 77% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
27% Popularity • 65% Danceability • 77% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
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Plums Med Doris
One Fine Day
90 bpm • E min • 03:02 • -5.71db
8% Popularity • 44% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 44% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Margo Guryan
Sunday Morning
99 bpm • C min • 02:20 • -8db
41% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Ernie K. Doe
Here Come the Girls
99 bpm • G# Maj • 03:08 • -13db
25% Popularity • 76% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 76% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Piero Piccioni
Mr. Dante Fontana - Versione Album
89 bpm • G min • 03:41 • -9.05db
9% Popularity • 47% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 47% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Rachel Sweet
It's So Different Here
89 bpm • A Maj • 02:50 • -13db
35% Popularity • 72% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 72% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Barbara & Ernie
Somebody to Love
89 bpm • F Maj • 04:39 • -17.09db
24% Popularity • 29% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 29% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Le Volume Courbe
Aint Got No I Got Life
99 bpm • E min • 02:48 • -11db
11% Popularity • 75% Danceability • 50% Energy • 10% Liveness
5% Instrumentalness • 73% Positiveness
11% Popularity • 75% Danceability • 50% Energy • 10% Liveness
5% Instrumentalness • 73% Positiveness
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Big Hard Excellent Fish
Imperfect List - Pt. 1
99 bpm • G Maj • 07:45 • -14.87db
21% Popularity • 60% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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The Gist
Love at First Sight
99 bpm • A# min • 03:45 • -10.6db
27% Popularity • 73% Danceability • 60% Energy • 31% Liveness
8% Instrumentalness • 87% Positiveness
27% Popularity • 73% Danceability • 60% Energy • 31% Liveness
8% Instrumentalness • 87% Positiveness
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Cherry Wainer
Cerveza
89 bpm • F Maj • 02:01 • -9db
20% Popularity • 56% Danceability • 70% Energy • 12% Liveness
6% Instrumentalness • 89% Positiveness
20% Popularity • 56% Danceability • 70% Energy • 12% Liveness
6% Instrumentalness • 89% Positiveness
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James Last
Inner City Blues
99 bpm • C# Maj • 03:06 • -11.51db
8% Popularity • 65% Danceability • 69% Energy • 14% Liveness
68% Instrumentalness • 84% Positiveness
8% Popularity • 65% Danceability • 69% Energy • 14% Liveness
68% Instrumentalness • 84% Positiveness
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Amanda Lear
Alphabet
99 bpm • C Maj • 03:59 • -12db
27% Popularity • 68% Danceability • 49% Energy • 19% Liveness
1% Instrumentalness • 79% Positiveness
27% Popularity • 68% Danceability • 49% Energy • 19% Liveness
1% Instrumentalness • 79% Positiveness
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Nina Simone
I'm Gonna Leave You
100 bpm • C Maj • 02:16 • -10.17db
30% Popularity • 52% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 52% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
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The Electric Prunes
General Confessional
89 bpm • E min • 04:17 • -12db
22% Popularity • 36% Danceability • 52% Energy • 8% Liveness
68% Instrumentalness • 36% Positiveness
22% Popularity • 36% Danceability • 52% Energy • 8% Liveness
68% Instrumentalness • 36% Positiveness
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Syd Dale
Walk and Talk
100 bpm • A min • 02:29 • -7.94db
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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William S. Burroughs / Bill Laswell
Words of Advice for Young People
89 bpm • C# Maj • 03:52 • -14.68db
19% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Piero Umiliani
La Strada Del Sole
88 bpm • G# Maj • 02:57 • -10.88db
16% Popularity • 65% Danceability • 65% Energy • 11% Liveness
77% Instrumentalness • 92% Positiveness
16% Popularity • 65% Danceability • 65% Energy • 11% Liveness
77% Instrumentalness • 92% Positiveness
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Amanda Lear
Hollywood Flashback
100 bpm • C Maj • 04:34 • -13.21db
12% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Bobbie Gentry
Sweet Peony
88 bpm • F Maj • 02:39 • -12.67db
16% Popularity • 73% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 73% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Burnie Whibley
Table for Two
100 bpm • D min • 02:33 • -12db
32% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
32% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
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Lalo Schifrin
Danube Incident
88 bpm • G# Maj • 01:57 • -23.45db
40% Popularity • 67% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
40% Popularity • 67% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Gals and Pals
Fritjof från Skanör
88 bpm • G# min • 02:35 • -15db
0% Popularity • 66% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 66% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Piero Umiliani
La ragazza dalla pelle di luna - Extende...
100 bpm • D min • 03:25 • -16.65db
38% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Astrud Gilberto
Maria Quiet
88 bpm • G Maj • 01:54 • -15.97db
39% Popularity • 75% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
39% Popularity • 75% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Asha Puthli
Fever
101 bpm • C min • 02:06 • -10.05db
23% Popularity • 48% Danceability • 48% Energy • 23% Liveness
5% Instrumentalness • 72% Positiveness
23% Popularity • 48% Danceability • 48% Energy • 23% Liveness
5% Instrumentalness • 72% Positiveness
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Yma Sumac
Taita Inty
87 bpm • F min • 03:06 • -18db
15% Popularity • 29% Danceability • 19% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
15% Popularity • 29% Danceability • 19% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
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Scott Walker
Copenhagen
88 bpm • D Maj • 02:19 • -19db
33% Popularity • 23% Danceability • 18% Energy • 14% Liveness
3% Instrumentalness • 9% Positiveness
33% Popularity • 23% Danceability • 18% Energy • 14% Liveness
3% Instrumentalness • 9% Positiveness
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Monica Zetterlund
Visa från Utanmyra
102 bpm • B min • 02:42 • -17.26db
37% Popularity • 39% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 39% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
