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Blue Period
Songs like
Blue Period
by
Jon Hassell
Based on a tempo of (+/- 10%) and a similar genre
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Jon Hassell
Blue Period
110 bpm • D min • 07:58 • -28db
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Arp
Reading a Wave
110 bpm • D# Maj • 08:45 • -12.98db
17% Popularity • 26% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Arve Henriksen
Bird's-Eye-View
110 bpm • C Maj • 04:07 • -14.69db
13% Popularity • 57% Danceability • 34% Energy • 54% Liveness
91% Instrumentalness • 30% Positiveness
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Sofie Birch
Humidity
110 bpm • D min • 03:13 • -22.56db
28% Popularity • 36% Danceability • 13% Energy • 44% Liveness
91% Instrumentalness • 4% Positiveness
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K. Leimer
Shettle Wood
110 bpm • D# min • 03:05 • -20.55db
24% Popularity • 34% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Jon Hassell
Light On Water - Live
110 bpm • C Maj • 07:59 • -30.21db
16% Popularity • 55% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Arnold Kasar
Blaupause
109 bpm • F# min • 02:51 • -25.82db
17% Popularity • 31% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Susumu Yokota
Gekkoh
111 bpm • A# Maj • 04:59 • -11db
29% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Arve Henriksen
Pink Cherry Trees
109 bpm • G min • 05:09 • -19.9db
20% Popularity • 23% Danceability • 7% Energy • 31% Liveness
92% Instrumentalness • 9% Positiveness
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Tomaga
Idioma
111 bpm • G Maj • 04:13 • -11.04db
25% Popularity • 59% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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yes/and
Ugly Orange
109 bpm • D Maj • 04:19 • -17db
33% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
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Jon Hassell
Passage D.E.
109 bpm • A min • 05:25 • -25.81db
12% Popularity • 44% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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Carlos Niño
Please, wake up.
109 bpm • C min • 04:56 • -22.73db
23% Popularity • 27% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Steve Reich
Pulses
108 bpm • A Maj • 04:12 • -16db
30% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
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Biosphere
Birds Fly By Flapping their Wings
108 bpm • A# min • 06:35 • -19.26db
23% Popularity • 23% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Genre Peak
Metanoia
108 bpm • B Maj • 05:51 • -9.88db
0% Popularity • 56% Danceability • 63% Energy • 18% Liveness
93% Instrumentalness • 17% Positiveness
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Slow Attack Ensemble
Elegy for Elodie
112 bpm • C# min • 05:10 • -22.04db
24% Popularity • 26% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jon Hassell
Lunar
110 bpm • E Maj • 06:32 • -16.98db
10% Popularity • 22% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Iury Lech
Barreras
113 bpm • F Maj • 08:41 • -25.15db
13% Popularity • 29% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Terje Rypdal
Avskjed
113 bpm • G min • 05:42 • -21.24db
18% Popularity • 20% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Iasos
Libra Sunrise
107 bpm • A min • 01:33 • -13db
33% Popularity • 32% Danceability • 49% Energy • 82% Liveness
89% Instrumentalness • 24% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Colleen
The Golden Morning Breaks
113 bpm • F Maj • 05:22 • -14db
28% Popularity • 37% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
46% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Parallax Beat Brothers
Enroute
113 bpm • C Maj • 07:06 • -13.78db
0% Popularity • 36% Danceability • 46% Energy • 17% Liveness
88% Instrumentalness • 7% Positiveness
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Pauline Anna Strom
Tropical Convergence
113 bpm • G min • 02:41 • -14.03db
20% Popularity • 74% Danceability • 43% Energy • 15% Liveness
84% Instrumentalness • 39% Positiveness
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Roberto Musci
Water Music
114 bpm • G# min • 02:02 • -13.86db
37% Popularity • 67% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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Carlos Niño
Togetherness
106 bpm • F min • 03:57 • -17.49db
17% Popularity • 22% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Jon Hassell
Hex
112 bpm • C# Maj • 06:24 • -12.62db
17% Popularity • 44% Danceability • 54% Energy • 34% Liveness
2% Instrumentalness • 32% Positiveness
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Josiah Steinbrick
House Tears
106 bpm • B min • 02:08 • -16db
41% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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Nala Sinephro
Space 1
114 bpm • G min • 04:08 • -26.46db
48% Popularity • 27% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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Roedelius
Wenn der Südwind weht
115 bpm • D Maj • 04:13 • -16db
29% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Roberto Musci
The advent of rose + Croix
115 bpm • B Maj • 06:02 • -22.59db
14% Popularity • 32% Danceability • 19% Energy • 20% Liveness
93% Instrumentalness • 9% Positiveness
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Jon Hassell
Cool Down Coda
108 bpm • G# Maj • 01:45 • -14.45db
15% Popularity • 62% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Pharoah Sanders
Kazuko - Instrumental
115 bpm • C# Maj • 10:15 • -10.63db
27% Popularity • 18% Danceability • 21% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
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Josiah Steinbrick
Tomorrow
115 bpm • G# Maj • 02:39 • -22.75db
30% Popularity • 28% Danceability • 8% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
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Arve Henriksen
Parallel Action
105 bpm • F min • 04:38 • -16.85db
7% Popularity • 54% Danceability • 42% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Hampshire & Foat
End Song - Reprise
115 bpm • D min • 01:59 • -13.52db
23% Popularity • 65% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Love On A Real Train
Shinkansen
105 bpm • A Maj • 03:15 • -22.5db
0% Popularity • 15% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Jon Hassell
Al Kongo Udu
113 bpm • G min • 05:12 • -11.26db
15% Popularity • 55% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Jonny Nash
Inside
115 bpm • G# Maj • 06:34 • -38db
19% Popularity • 51% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
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Erik Truffaz
The Eye
116 bpm • D Maj • 04:00 • -14.1db
24% Popularity • 22% Danceability • 29% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Arve Henriksen
Holography
104 bpm • C# min • 03:01 • -20.67db
8% Popularity • 26% Danceability • 5% Energy • 7% Liveness
72% Instrumentalness • 17% Positiveness
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Roedelius
On the Fly
104 bpm • E Maj • 04:19 • -27.21db
27% Popularity • 18% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Oren Ambarchi
IV
116 bpm • F# Maj • 04:44 • -22db
18% Popularity • 44% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Jon Hassell
Alchemistry
107 bpm • E min • 09:43 • -20db
5% Popularity • 43% Danceability • 18% Energy • 22% Liveness
86% Instrumentalness • 15% Positiveness
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Tomaga
A Perspective with No End
116 bpm • G min • 04:09 • -10.91db
29% Popularity • 70% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Bitchin Bajas
Amorpha
104 bpm • D min • 09:42 • -12db
31% Popularity • 60% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
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K. Leimer
Four Paths
117 bpm • C Maj • 02:53 • -15.95db
23% Popularity • 23% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
40% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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Wilson Tanner
Tray Tail
104 bpm • A min • 02:02 • -31.43db
28% Popularity • 40% Danceability • 2% Energy • 5% Liveness
61% Instrumentalness • 22% Positiveness
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Jon Hassell
Manga Scene
115 bpm • A# min • 05:44 • -14.07db
14% Popularity • 51% Danceability • 48% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Michel Banabila
Echo Transformations
117 bpm • F# min • 02:14 • -17.66db
34% Popularity • 68% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Sam Wilkes
Welcome
103 bpm • B Maj • 02:36 • -12.73db
28% Popularity • 18% Danceability • 38% Energy • 28% Liveness
99% Instrumentalness • 18% Positiveness
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Harmonia & Eno '76
Almost
117 bpm • D Maj • 05:29 • -18.71db
17% Popularity • 41% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
40% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Wilson Tanner
Sun Room
118 bpm • D min • 04:48 • -24.86db
29% Popularity • 40% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jon Hassell
The Elephant And The Orchid
105 bpm • E min • 11:08 • -29.77db
10% Popularity • 23% Danceability • 17% Energy • 38% Liveness
87% Instrumentalness • 29% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
50% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Carlos Niño
Mezame (Awakening)
118 bpm • G min • 04:28 • -16db
26% Popularity • 22% Danceability • 28% Energy • 8% Liveness
72% Instrumentalness • 7% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Kaitlyn Aurelia Smith
Unbraiding Boundless Energy Within Bound...
118 bpm • A# Maj • 01:07 • -21.68db
44% Popularity • 40% Danceability • 26% Energy • 55% Liveness
50% Instrumentalness • 46% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Thomas Strønen
La Bella
119 bpm • A min • 04:24 • -24db
14% Popularity • 33% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Hampshire & Foat
The Solar Winds (& Cadenza)
119 bpm • C min • 04:39 • -17.04db
15% Popularity • 35% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
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Wilson Tanner
Before Lotus
102 bpm • A min • 03:03 • -28db
29% Popularity • 54% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 76% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
40% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Joseph Shabason
Dangerous Chemicals
101 bpm • C min • 06:31 • -16.8db
20% Popularity • 28% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
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Jon Hassell
Warm Shift
117 bpm • D Maj • 04:23 • -14.79db
6% Popularity • 63% Danceability • 34% Energy • 12% Liveness
83% Instrumentalness • 34% Positiveness
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David Sylvian
The Healing Place
120 bpm • B min • 05:28 • -22db
30% Popularity • 30% Danceability • 12% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Kaitlyn Aurelia Smith
Mt Baker
120 bpm • C# min • 05:12 • -15.74db
39% Popularity • 42% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Carmen Villain
Gestures
120 bpm • C# Maj • 07:38 • -19.13db
16% Popularity • 67% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Laurie Spiegel
From a Harmonic Algorithm
120 bpm • A# Maj • 02:55 • -24.99db
18% Popularity • 59% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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MEITEI
Chōchin
120 bpm • G# min • 04:24 • -20.04db
36% Popularity • 71% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
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Jon Hassell
Divine S.O.S
117 bpm • D Maj • 07:15 • -10.43db
6% Popularity • 63% Danceability • 62% Energy • 8% Liveness
71% Instrumentalness • 31% Positiveness
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Joseph Shabason
Treat It Like a Wine Bar
101 bpm • C Maj • 06:13 • -16.93db
15% Popularity • 24% Danceability • 23% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Elori Saxl
The Blue of Distance
101 bpm • C Maj • 07:05 • -21.14db
21% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Sofie Birch
Calibrating Senses
120 bpm • C Maj • 04:02 • -17.86db
27% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
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Windy & Carl
The Sun
120 bpm • E Maj • 03:43 • -15db
24% Popularity • 32% Danceability • 26% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
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Oren Ambarchi
Hubris, Pt. 2
121 bpm • A# Maj • 01:55 • -20.9db
32% Popularity • 74% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 63% Positiveness
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Jon Hassell
Scintilla
102 bpm • D min • 00:50 • -38.67db
21% Popularity • 25% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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K. Leimer
Lament To The Open Air
100 bpm • C min • 03:31 • -20.44db
24% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Emily A. Sprague
Horizon
100 bpm • F Maj • 06:24 • -12.48db
15% Popularity • 51% Danceability • 45% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Floating Points
The Sweet Time Suite, Part I - Opening
100 bpm • A# min • 02:58 • -22.19db
27% Popularity • 37% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 21% Positiveness
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Beverly Glenn-Copeland
Old Melody
121 bpm • F Maj • 04:32 • -19db
24% Popularity • 45% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Fuubutsushi
Along the Causeway
100 bpm • D# Maj • 03:08 • -11.72db
24% Popularity • 32% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 42% Positiveness
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Jon Hassell
Wing Melodies
101 bpm • C Maj • 07:33 • -22.25db
11% Popularity • 53% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
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K. Leimer
Uncertain Instruction
121 bpm • F min • 02:48 • -17.89db
24% Popularity • 39% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Emily A. Sprague
Mirror
121 bpm • C Maj • 09:35 • -20.71db
20% Popularity • 29% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Deux Filles
Oakwood Green - Remastered
122 bpm • D Maj • 02:04 • -19.51db
27% Popularity • 22% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Arve Henriksen
Groundswell
122 bpm • F min • 05:36 • -18.34db
23% Popularity • 32% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Susumu Yokota
Hisen
122 bpm • B min • 03:48 • -11db
27% Popularity • 79% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jon Hassell
New Gods
120 bpm • C# Maj • 07:55 • -12.53db
5% Popularity • 64% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Steve Tibbetts
Bloodwork
99 bpm • C Maj • 01:39 • -26.77db
35% Popularity • 33% Danceability • 9% Energy • 37% Liveness
87% Instrumentalness • 29% Positiveness
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Slow Attack Ensemble
Dance Four
99 bpm • D Maj • 05:29 • -12db
28% Popularity • 74% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
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Hampshire & Foat
Nightshade (Main Theme)
122 bpm • C min • 01:43 • -17.75db
34% Popularity • 63% Danceability • 22% Energy • 18% Liveness
84% Instrumentalness • 56% Positiveness
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Blue Period