Songs like Blue Reefer Blues by Richard M. Jones And His Jazz Wizards
Based on a tempo of (+/- 10%) and a similar genre
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Richard M. Jones And His Jazz Wizards
Blue Reefer Blues
112 bpm • C Maj • 02:58 • -10.22db
3% Popularity • 81% Danceability • 34% Energy • 43% Liveness
87% Instrumentalness • 91% Positiveness
3% Popularity • 81% Danceability • 34% Energy • 43% Liveness
87% Instrumentalness • 91% Positiveness
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Cootie Williams
Alabamy Home
112 bpm • F min • 03:01 • -16db
5% Popularity • 76% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 87% Positiveness
5% Popularity • 76% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 87% Positiveness
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The Muscrat Ramblers
In the Good Old Summertime
112 bpm • G min • 03:08 • -14.47db
18% Popularity • 70% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 70% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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John Kirby
Then I'll Be Happy
112 bpm • C# Maj • 02:48 • -12.78db
11% Popularity • 68% Danceability • 40% Energy • 21% Liveness
82% Instrumentalness • 90% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 21% Liveness
82% Instrumentalness • 90% Positiveness
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Don Redman
After Sundown (11-14-33)
112 bpm • B Maj • 02:56 • -20.46db
7% Popularity • 55% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 36% Positiveness
7% Popularity • 55% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 36% Positiveness
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Dave Harmer's New Orleans Hot Shots
I'm Comming Virginia
112 bpm • C min • 02:37 • -17.98db
11% Popularity • 70% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 56% Positiveness
11% Popularity • 70% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 56% Positiveness
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Louis Jordan
Pettin' And Pokin'
112 bpm • F Maj • 02:33 • -16.76db
14% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Claude Hopkins
Harlem Rhythm Dance (01-11-34)
112 bpm • F min • 03:29 • -16.16db
7% Popularity • 68% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
7% Popularity • 68% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
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Jazz Gillum
Reefer Head Woman
112 bpm • G Maj • 03:03 • -13.08db
13% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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John Kirby
Temptation (05-27-40)
112 bpm • G# Maj • 03:10 • -22.22db
10% Popularity • 47% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
10% Popularity • 47% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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Red McKenzie
I Can't Get Started with You
111 bpm • F Maj • 02:58 • -12.7db
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Charlie Barnet & His Orchestra
Where Was I?
113 bpm • F min • 03:20 • -12db
13% Popularity • 48% Danceability • 15% Energy • 20% Liveness
10% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 15% Energy • 20% Liveness
10% Instrumentalness • 39% Positiveness
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Bernie Cummins and His Orchestra
Livin' in the Sunlight, Lovin' in the Mo...
113 bpm • A min • 02:48 • -10.35db
13% Popularity • 82% Danceability • 51% Energy • 16% Liveness
47% Instrumentalness • 87% Positiveness
13% Popularity • 82% Danceability • 51% Energy • 16% Liveness
47% Instrumentalness • 87% Positiveness
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Una Mae Carlisle
Beautiful Eyes
111 bpm • C min • 03:03 • -14.75db
10% Popularity • 71% Danceability • 6% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 71% Danceability • 6% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
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Bennie Moten
Rumba Negro
113 bpm • D min • 02:49 • -10db
12% Popularity • 70% Danceability • 50% Energy • 8% Liveness
95% Instrumentalness • 80% Positiveness
12% Popularity • 70% Danceability • 50% Energy • 8% Liveness
95% Instrumentalness • 80% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Billy Cotton Band
Aurora
111 bpm • D Maj • 02:19 • -10.49db
13% Popularity • 78% Danceability • 34% Energy • 5% Liveness
12% Instrumentalness • 67% Positiveness
13% Popularity • 78% Danceability • 34% Energy • 5% Liveness
12% Instrumentalness • 67% Positiveness
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Dixieland Band
Ring On Her Fingers
111 bpm • G# Maj • 02:19 • -15.78db
10% Popularity • 60% Danceability • 46% Energy • 14% Liveness
32% Instrumentalness • 97% Positiveness
10% Popularity • 60% Danceability • 46% Energy • 14% Liveness
32% Instrumentalness • 97% Positiveness
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Ted Weems
Heartaches
111 bpm • G# Maj • 02:34 • -8.66db
9% Popularity • 64% Danceability • 82% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
9% Popularity • 64% Danceability • 82% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
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Eddie Condon
Jam Session Blues
111 bpm • A# Maj • 01:12 • -14.39db
14% Popularity • 44% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 81% Positiveness
14% Popularity • 44% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 81% Positiveness
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The Golden Gate Orchestra
Dusting The Donkey - aka "The Pay-Off"
113 bpm • C Maj • 03:01 • -12.59db
8% Popularity • 80% Danceability • 45% Energy • 18% Liveness
90% Instrumentalness • 90% Positiveness
8% Popularity • 80% Danceability • 45% Energy • 18% Liveness
90% Instrumentalness • 90% Positiveness
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Sydney Clare
Keepin' Myself For You
111 bpm • D min • 03:15 • -6.45db
8% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Stuff Smith
Here Comes the Man with the Jive
113 bpm • A min • 03:04 • -12db
14% Popularity • 78% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 78% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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John Kirby
Close Shave
113 bpm • D# Maj • 02:27 • -13.15db
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
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The Tiny Tax Band
The Duke’s New Contract
113 bpm • B Maj • 02:10 • -11.73db
21% Popularity • 79% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 79% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Clarence Williams & His Orchestra
Speakeasy
111 bpm • A# Maj • 02:58 • -12db
12% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
12% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
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Nat Gonella And His Georgians
The Skeleton In the Cupboard
110 bpm • C min • 02:53 • -13.98db
13% Popularity • 85% Danceability • 42% Energy • 18% Liveness
10% Instrumentalness • 76% Positiveness
13% Popularity • 85% Danceability • 42% Energy • 18% Liveness
10% Instrumentalness • 76% Positiveness
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Bunk Johnson
When the Saints Go Marching In
114 bpm • G# Maj • 03:01 • -3db
9% Popularity • 65% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
9% Popularity • 65% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
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Stuff Smith
You'se a Viper
111 bpm • G# Maj • 03:10 • -10db
9% Popularity • 70% Danceability • 48% Energy • 40% Liveness
1% Instrumentalness • 90% Positiveness
9% Popularity • 70% Danceability • 48% Energy • 40% Liveness
1% Instrumentalness • 90% Positiveness
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Terry Waldo
Take A Picture of the Moon
114 bpm • C Maj • 04:25 • -14.41db
9% Popularity • 61% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 61% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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DJ T0B1
Life
110 bpm • D min • 01:34 • -10.44db
11% Popularity • 80% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
11% Popularity • 80% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
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Jeff Healey
I Never Knew What A Gal Could Do
114 bpm • G Maj • 04:09 • -5.83db
10% Popularity • 59% Danceability • 46% Energy • 6% Liveness
85% Instrumentalness • 95% Positiveness
10% Popularity • 59% Danceability • 46% Energy • 6% Liveness
85% Instrumentalness • 95% Positiveness
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Louis Jordan
I Know What I've Got
114 bpm • A min • 02:50 • -18.39db
19% Popularity • 58% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 58% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Marco Bianchi Vibes 4tet
Spiteful
110 bpm • A# min • 02:20 • -9.8db
21% Popularity • 82% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
21% Popularity • 82% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Raymond Scott
Caterpillar Creep (Long Version) - 1940
114 bpm • A# Maj • 05:24 • -11.99db
7% Popularity • 75% Danceability • 26% Energy • 33% Liveness
86% Instrumentalness • 73% Positiveness
7% Popularity • 75% Danceability • 26% Energy • 33% Liveness
86% Instrumentalness • 73% Positiveness
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Carolina Cotton Pickers
Western (Moten) Swing (A.K.A. Moten Swin...
110 bpm • A# Maj • 02:29 • -11db
11% Popularity • 71% Danceability • 45% Energy • 18% Liveness
93% Instrumentalness • 88% Positiveness
11% Popularity • 71% Danceability • 45% Energy • 18% Liveness
93% Instrumentalness • 88% Positiveness
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Garland Wilson
Blues En Si Bemol - Instrumental
110 bpm • A# Maj • 02:55 • -15.88db
8% Popularity • 64% Danceability • 26% Energy • 15% Liveness
92% Instrumentalness • 55% Positiveness
8% Popularity • 64% Danceability • 26% Energy • 15% Liveness
92% Instrumentalness • 55% Positiveness
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Bud Freeman and his Windy City Five
The Buzzard
114 bpm • D# min • 03:10 • -10.46db
10% Popularity • 81% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 69% Positiveness
10% Popularity • 81% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 69% Positiveness
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John Kirby
Blues Petite (05-27-40)
115 bpm • A# Maj • 03:12 • -17.97db
10% Popularity • 67% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 56% Positiveness
10% Popularity • 67% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 56% Positiveness
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Woody Herman & His Orchestra
Blues on Parade (Alternate Take)
109 bpm • F# Maj • 03:06 • -11.94db
5% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Richard M. Jones And His Jazz Wizards
Muggin' The Blues
115 bpm • F Maj • 02:43 • -10.53db
0% Popularity • 84% Danceability • 47% Energy • 5% Liveness
86% Instrumentalness • 96% Positiveness
0% Popularity • 84% Danceability • 47% Energy • 5% Liveness
86% Instrumentalness • 96% Positiveness
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Irving Aaronson and His Commanders
Hard to Get Gertie
115 bpm • F Maj • 02:43 • -10.62db
10% Popularity • 75% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
10% Popularity • 75% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
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Louisiana Blues Band
Papa dip
109 bpm • F Maj • 03:40 • -6.4db
9% Popularity • 64% Danceability • 52% Energy • 55% Liveness
81% Instrumentalness • 93% Positiveness
9% Popularity • 64% Danceability • 52% Energy • 55% Liveness
81% Instrumentalness • 93% Positiveness
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Louis Armstrong Orchestra
I'm a Ding-Dong-Daddy
109 bpm • F Maj • 03:08 • -12.81db
6% Popularity • 76% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 85% Positiveness
6% Popularity • 76% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 85% Positiveness
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Ella Logan
Love Is Here To Stay
115 bpm • A# min • 03:03 • -12.81db
11% Popularity • 75% Danceability • 15% Energy • 18% Liveness
3% Instrumentalness • 53% Positiveness
11% Popularity • 75% Danceability • 15% Energy • 18% Liveness
3% Instrumentalness • 53% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Cynthia and the Swing Set
How Come You Do Me Like You Do?
109 bpm • C Maj • 03:41 • -7db
14% Popularity • 75% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 75% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Johnny Dodds
Bucktown Stomp
115 bpm • E min • 03:14 • -12.11db
11% Popularity • 56% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
11% Popularity • 56% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
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Spirits of Rhythm
We've Got The Blues
109 bpm • A# Maj • 03:16 • -19.45db
8% Popularity • 80% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 80% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Nat King Cole
Swanee River - 1938, Standard transcript...
109 bpm • C# Maj • 02:28 • -16.39db
10% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy O'Bryant
Clarinet Getaway
108 bpm • A# Maj • 02:36 • -16db
10% Popularity • 69% Danceability • 49% Energy • 6% Liveness
20% Instrumentalness • 91% Positiveness
10% Popularity • 69% Danceability • 49% Energy • 6% Liveness
20% Instrumentalness • 91% Positiveness
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Raymond Scott
In a 20th Century Accordion Parlor - 194...
109 bpm • C Maj • 02:47 • -10.59db
10% Popularity • 51% Danceability • 27% Energy • 12% Liveness
39% Instrumentalness • 86% Positiveness
10% Popularity • 51% Danceability • 27% Energy • 12% Liveness
39% Instrumentalness • 86% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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The Three Keys
Song of the Islands
116 bpm • A Maj • 02:58 • -12.88db
9% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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The California Ramblers
Vo-Do-Do-De-O Blues
108 bpm • G min • 03:10 • -13db
4% Popularity • 84% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 87% Positiveness
4% Popularity • 84% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 87% Positiveness
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Isham Jones
Rock Your Blues Away
108 bpm • F min • 02:33 • -11db
9% Popularity • 82% Danceability • 49% Energy • 36% Liveness
74% Instrumentalness • 86% Positiveness
9% Popularity • 82% Danceability • 49% Energy • 36% Liveness
74% Instrumentalness • 86% Positiveness
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John Kirby
From A Flat To C (10-28-38)
108 bpm • B min • 02:36 • -14.8db
10% Popularity • 72% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 84% Positiveness
10% Popularity • 72% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 84% Positiveness
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Harold Weeks
Hindustan
116 bpm • G# Maj • 03:14 • -14.15db
8% Popularity • 70% Danceability • 44% Energy • 15% Liveness
82% Instrumentalness • 75% Positiveness
8% Popularity • 70% Danceability • 44% Energy • 15% Liveness
82% Instrumentalness • 75% Positiveness
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California Feetwarmers
Tain't No Use
116 bpm • D min • 03:26 • -14db
9% Popularity • 80% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
9% Popularity • 80% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Charlie Johnson And His Orchestra
Harlem Drag
116 bpm • F min • 03:16 • -14.6db
10% Popularity • 62% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 45% Positiveness
10% Popularity • 62% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 45% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Johnny Dodds
Sun
108 bpm • C min • 02:56 • -15.9db
11% Popularity • 84% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
11% Popularity • 84% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Charlie Barnet & His Orchestra
Swing Street Strut
116 bpm • G min • 02:47 • -10.63db
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
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Coon-Sanders' Original Nighthawk Orchestra
Sittin' Around
108 bpm • C min • 02:52 • -14.08db
10% Popularity • 88% Danceability • 22% Energy • 23% Liveness
25% Instrumentalness • 76% Positiveness
10% Popularity • 88% Danceability • 22% Energy • 23% Liveness
25% Instrumentalness • 76% Positiveness
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Richard M. Jones And His Jazz Wizards
Novelty Blues (Take 2)
116 bpm • C min • 02:58 • -10.26db
0% Popularity • 67% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 49% Positiveness
0% Popularity • 67% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 49% Positiveness
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Lena Horne
Old-Fashioned Love
117 bpm • C min • 02:47 • -11.74db
11% Popularity • 73% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 73% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • G Maj • 02:35 • -17.79db
9% Popularity • 76% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 65% Positiveness
9% Popularity • 76% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 65% Positiveness
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Jimmie Noone
So Sweet (07-01-30)
107 bpm • C# min • 02:27 • -15.86db
15% Popularity • 52% Danceability • 28% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
15% Popularity • 52% Danceability • 28% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
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Harry James & the Boogie Woogie Trio
Boo Woo
107 bpm • C Maj • 02:54 • -9.14db
8% Popularity • 65% Danceability • 80% Energy • 11% Liveness
87% Instrumentalness • 87% Positiveness
8% Popularity • 65% Danceability • 80% Energy • 11% Liveness
87% Instrumentalness • 87% Positiveness
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Paul Specht & His Orchestra
Cornfed!
108 bpm • D# Maj • 03:06 • -11db
8% Popularity • 84% Danceability • 40% Energy • 13% Liveness
85% Instrumentalness • 96% Positiveness
8% Popularity • 84% Danceability • 40% Energy • 13% Liveness
85% Instrumentalness • 96% Positiveness
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Irving Aaronson and His Commanders
Let's Misbehave
107 bpm • G Maj • 02:49 • -11.28db
14% Popularity • 75% Danceability • 32% Energy • 6% Liveness
19% Instrumentalness • 82% Positiveness
14% Popularity • 75% Danceability • 32% Energy • 6% Liveness
19% Instrumentalness • 82% Positiveness
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Richard M. Jones And His Jazz Wizards
It's A Low Down Thing
108 bpm • F Maj • 02:57 • -14.57db
0% Popularity • 69% Danceability • 21% Energy • 20% Liveness
93% Instrumentalness • 80% Positiveness
0% Popularity • 69% Danceability • 21% Energy • 20% Liveness
93% Instrumentalness • 80% Positiveness
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The Southern Serenaders
Alone At Last
107 bpm • A# Maj • 03:11 • -13.99db
8% Popularity • 66% Danceability • 18% Energy • 30% Liveness
94% Instrumentalness • 43% Positiveness
8% Popularity • 66% Danceability • 18% Energy • 30% Liveness
94% Instrumentalness • 43% Positiveness
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Georgia White
The Stuff Is Here
117 bpm • A# Maj • 02:55 • -14.28db
9% Popularity • 73% Danceability • 31% Energy • 10% Liveness
65% Instrumentalness • 84% Positiveness
9% Popularity • 73% Danceability • 31% Energy • 10% Liveness
65% Instrumentalness • 84% Positiveness
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Bunk Johnson
Low Down Blues
107 bpm • G# Maj • 02:45 • -13db
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
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Bob Crosby
Stomp Mr. Henry Lee
107 bpm • D min • 02:07 • -9.62db
9% Popularity • 50% Danceability • 70% Energy • 18% Liveness
76% Instrumentalness • 92% Positiveness
9% Popularity • 50% Danceability • 70% Energy • 18% Liveness
76% Instrumentalness • 92% Positiveness
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Evan Arntzen
Camp Meeting Blues
107 bpm • D# Maj • 03:54 • -9.87db
12% Popularity • 66% Danceability • 24% Energy • 25% Liveness
10% Instrumentalness • 68% Positiveness
12% Popularity • 66% Danceability • 24% Energy • 25% Liveness
10% Instrumentalness • 68% Positiveness
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Richard M. Jones And His Jazz Wizards
It's A Low-Down Thing
107 bpm • F Maj • 02:56 • -20.68db
0% Popularity • 74% Danceability • 8% Energy • 23% Liveness
90% Instrumentalness • 80% Positiveness
0% Popularity • 74% Danceability • 8% Energy • 23% Liveness
90% Instrumentalness • 80% Positiveness
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The Savoy Havana Band
Crazy Words, Crazy Tune
117 bpm • C min • 02:38 • -15.17db
4% Popularity • 87% Danceability • 29% Energy • 19% Liveness
21% Instrumentalness • 92% Positiveness
4% Popularity • 87% Danceability • 29% Energy • 19% Liveness
21% Instrumentalness • 92% Positiveness
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Cab Calloway & His Orchestra
She's Tall, She's Tan, She's Terrific - ...
107 bpm • G# Maj • 02:30 • -23db
10% Popularity • 72% Danceability • 18% Energy • 56% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 72% Danceability • 18% Energy • 56% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Dodds
Red Onion Blues
107 bpm • C Maj • 02:53 • -6.4db
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
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Red Norvo And His Orchestra
Please Be Kind
107 bpm • A# Maj • 02:38 • -15.18db
4% Popularity • 67% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 67% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Dave Nelson And The King's Men
When the Day Is Done
118 bpm • G Maj • 03:32 • -16.97db
8% Popularity • 72% Danceability • 18% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
8% Popularity • 72% Danceability • 18% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
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Roy Eldridge
The Gasser
118 bpm • F Maj • 02:56 • -15.83db
10% Popularity • 66% Danceability • 26% Energy • 20% Liveness
57% Instrumentalness • 88% Positiveness
10% Popularity • 66% Danceability • 26% Energy • 20% Liveness
57% Instrumentalness • 88% Positiveness
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The Three Tenors Of Swing
Bean Stalking - Idaho
118 bpm • F Maj • 01:58 • -14.59db
21% Popularity • 60% Danceability • 41% Energy • 68% Liveness
1% Instrumentalness • 88% Positiveness
21% Popularity • 60% Danceability • 41% Energy • 68% Liveness
1% Instrumentalness • 88% Positiveness
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Raymond Scott
Hemi-Semi-Demi Quaver - 1942
118 bpm • G min • 02:46 • -9.73db
11% Popularity • 73% Danceability • 55% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
11% Popularity • 73% Danceability • 55% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Lil Johnson
Press My Button, Ring My Bell
118 bpm • E Maj • 03:18 • -7.87db
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
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John Kirby
Schubert's Serenade (c. 10/11-41)
118 bpm • D min • 02:31 • -11.58db
8% Popularity • 46% Danceability • 25% Energy • 17% Liveness
59% Instrumentalness • 69% Positiveness
8% Popularity • 46% Danceability • 25% Energy • 17% Liveness
59% Instrumentalness • 69% Positiveness
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Guy Lombardo
By the River Sainte Marie - Remastered
118 bpm • F Maj • 03:31 • -9.38db
19% Popularity • 33% Danceability • 38% Energy • 13% Liveness
13% Instrumentalness • 22% Positiveness
19% Popularity • 33% Danceability • 38% Energy • 13% Liveness
13% Instrumentalness • 22% Positiveness
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Charlie Kunz
I Couldn't Sleep a Wink Last Night
118 bpm • C Maj • 02:55 • -23db
10% Popularity • 61% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 53% Positiveness
10% Popularity • 61% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 53% Positiveness
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Ray Anthony
Cook's Tour
118 bpm • C# Maj • 03:04 • -14.79db
9% Popularity • 58% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
9% Popularity • 58% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Ray McKinley
Hard Hearted Hannah
118 bpm • G# Maj • 03:17 • -14.39db
16% Popularity • 74% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 74% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmie Lunceford
Organ Grinder's Swing
118 bpm • F min • 02:38 • -18.99db
9% Popularity • 60% Danceability • 6% Energy • 20% Liveness
73% Instrumentalness • 47% Positiveness
9% Popularity • 60% Danceability • 6% Energy • 20% Liveness
73% Instrumentalness • 47% Positiveness
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Glenn Crytzer
The Clamjammer
119 bpm • G Maj • 02:29 • -15.92db
9% Popularity • 56% Danceability • 46% Energy • 17% Liveness
91% Instrumentalness • 84% Positiveness
9% Popularity • 56% Danceability • 46% Energy • 17% Liveness
91% Instrumentalness • 84% Positiveness
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Georgia White
Do It Again
118 bpm • D# Maj • 02:57 • -9.18db
8% Popularity • 87% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 87% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Alix Combelle
Fariboles
106 bpm • A# Maj • 02:47 • -10db
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
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Leif Smoke Rings Anderson
Sand in My Shoes
119 bpm • G min • 03:13 • -18.66db
10% Popularity • 68% Danceability • 8% Energy • 40% Liveness
39% Instrumentalness • 38% Positiveness
10% Popularity • 68% Danceability • 8% Energy • 40% Liveness
39% Instrumentalness • 38% Positiveness
