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Blue Shit
Songs like
Blue Shit
by
Mica Levi
Based on a tempo of (+/- 10%) and a similar genre
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Eduard Artemyev
Болезнь (Из к/ф "Соляри...
90 bpm • C min • 04:40 • -22.41db
18% Popularity • 10% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Nostalgia Pills
90 bpm • D min • 02:02 • -21.38db
18% Popularity • 16% Danceability • 18% Energy • 18% Liveness
95% Instrumentalness • 27% Positiveness
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Jóhann Jóhannsson
They Being Dead Yet Speaketh - Pt.2
90 bpm • C min • 03:12 • -22.48db
8% Popularity • 10% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Squarepusher
Tommib
90 bpm • C# Maj • 01:19 • -16.35db
56% Popularity • 35% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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David Lynch
Slow 30's Room
90 bpm • C min • 02:06 • -15db
29% Popularity • 27% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Paul Dresher
Channels Passing
90 bpm • A# Maj • 09:51 • -20.42db
8% Popularity • 43% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 18% Positiveness
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Jim Williams
Walk to My Still Beating Heart
90 bpm • E min • 01:44 • -11.28db
21% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Yair Elazar Glotman
Childhood / Land of the Young
90 bpm • F Maj • 05:35 • -23.45db
24% Popularity • 10% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Mica Levi
Blue Shit
90 bpm • D# min • 04:41 • -21.55db
32% Popularity • 48% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Imgs /r
90 bpm • G Maj • 04:26 • -18.45db
16% Popularity • 21% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Biosphere
Adagiati
90 bpm • C Maj • 01:51 • -30.43db
37% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Daniel Lopatin
High Life
89 bpm • C Maj • 01:00 • -18.17db
33% Popularity • 34% Danceability • 24% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Hildur Guðnadóttir
Mortar
91 bpm • D min • 03:36 • -29.27db
20% Popularity • 10% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Tim Hecker
The Infinity Pool
91 bpm • D min • 02:54 • -24.81db
30% Popularity • 18% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Susumu Yokota
Blue Sky And Yellow Sunflower
91 bpm • F# Maj • 03:59 • -11.06db
43% Popularity • 48% Danceability • 48% Energy • 15% Liveness
80% Instrumentalness • 18% Positiveness
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Clark
Back To Belgrade
89 bpm • B min • 03:39 • -17.16db
22% Popularity • 10% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
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Laurel Halo
Supine
89 bpm • F Maj • 01:27 • -19.27db
27% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
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Kuniyuki Takahashi
Ai Iro
91 bpm • F Maj • 05:56 • -23.33db
29% Popularity • 47% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Spresso
CEMENT
91 bpm • A min • 01:57 • -14.45db
34% Popularity • 69% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Ben Frost
Snow Like Smoke
91 bpm • A min • 02:57 • -18.1db
8% Popularity • 16% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Ryan Lott
Bending Glass
91 bpm • A min • 01:02 • -18.26db
26% Popularity • 21% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Matthew Herbert
Shame
89 bpm • C# min • 01:06 • -25.7db
23% Popularity • 26% Danceability • 26% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
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Kaitlyn Aurelia Smith
Moon In Your Eye
92 bpm • D Maj • 02:14 • -17.48db
47% Popularity • 22% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Brian Eno
Lizard Point - Remastered 2004
89 bpm • C# Maj • 04:34 • -35.95db
35% Popularity • 14% Danceability • 1% Energy • 15% Liveness
81% Instrumentalness • 3% Positiveness
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Eduard Artemyev
Возвращение (Из к/ф "Со...
88 bpm • F min • 04:51 • -18.08db
11% Popularity • 9% Danceability • 38% Energy • 13% Liveness
54% Instrumentalness • 8% Positiveness
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Yasuaki Shimizu
Seiko 2
88 bpm • F min • 01:08 • -20.17db
35% Popularity • 32% Danceability • 28% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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David Motion
In The Garden
92 bpm • F Maj • 03:42 • -14.46db
15% Popularity • 44% Danceability • 12% Energy • 13% Liveness
12% Instrumentalness • 52% Positiveness
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Howard Shore
Crimes of the Future
88 bpm • F Maj • 02:10 • -16.56db
29% Popularity • 12% Danceability • 43% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Roly Porter
Al Dhanab
88 bpm • F# Maj • 03:43 • -14.84db
18% Popularity • 11% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Brian Eno
Fullness Of Wind (Variation On 'The Cano...
88 bpm • D Maj • 09:55 • -17.74db
27% Popularity • 9% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Ben Frost
Reyja
88 bpm • C# min • 05:05 • -25.08db
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Emile Mosseri
Calico Reprise
87 bpm • G Maj • 01:58 • -10.17db
12% Popularity • 9% Danceability • 37% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Faten Kanaan
Fin août, début septembre
87 bpm • D Maj • 01:58 • -16.01db
30% Popularity • 15% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Cause Of Labour Is The Hope Of The W...
87 bpm • G# Maj • 02:59 • -27.06db
8% Popularity • 12% Danceability • 20% Energy • 14% Liveness
89% Instrumentalness • 3% Positiveness
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Dylan Henner
I Watched Them Jump into the Creek
93 bpm • G# min • 05:48 • -22.69db
18% Popularity • 30% Danceability • 24% Energy • 16% Liveness
44% Instrumentalness • 5% Positiveness
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Jonny Greenwood
Open Spaces
87 bpm • A Maj • 03:55 • -18.54db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Ben Frost
Simulacra II
93 bpm • G# min • 07:36 • -27db
14% Popularity • 11% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Víg Mihály
Harang, Pt. 1
93 bpm • F# Maj • 02:46 • -29.63db
18% Popularity • 16% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Mica Levi
I'll Keep Going
87 bpm • C# min • 03:45 • -15.66db
10% Popularity • 22% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Nivhek
Walking in a spiral towards the house: S...
86 bpm • F Maj • 08:37 • -22.66db
20% Popularity • 14% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Laurel Halo
Breath
86 bpm • F min • 02:51 • -28.57db
23% Popularity • 18% Danceability • 9% Energy • 14% Liveness
78% Instrumentalness • 7% Positiveness
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Yair Elazar Glotman
Prelude
86 bpm • G Maj • 02:35 • -29.69db
26% Popularity • 9% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Unveiled
94 bpm • A min • 07:12 • -22db
18% Popularity • 13% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Víg Mihály
Harang, Pt. 2
93 bpm • F# Maj • 01:33 • -30.26db
19% Popularity • 24% Danceability • 13% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Richard Skelton
Noon Hill Wood
94 bpm • G min • 08:26 • -12.41db
20% Popularity • 14% Danceability • 26% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Kali Malone
Spectacle Of Ritual
85 bpm • B min • 10:53 • -26.59db
36% Popularity • 13% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Kelly Moran
Autowave
85 bpm • C# min • 03:09 • -12.2db
22% Popularity • 5% Danceability • 49% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Popol Vuh
Höre, Der Du Wagst
85 bpm • C Maj • 06:00 • -28.5db
17% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Laurel Halo
Hyphae
85 bpm • G# Maj • 06:27 • -21.86db
14% Popularity • 18% Danceability • 21% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Mica Levi
Love
95 bpm • D min • 05:10 • -18db
44% Popularity • 12% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Punch-Drunk Love
Tabla
95 bpm • C# Maj • 02:57 • -20.77db
21% Popularity • 63% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Yair Elazar Glotman
The Navigators
85 bpm • C# Maj • 08:08 • -21db
23% Popularity • 9% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Lucrecia Dalt
They Shoot Horses
95 bpm • A# min • 01:11 • -26.03db
29% Popularity • 79% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Bobby Krlic
Chorus of Sirens
85 bpm • A Maj • 01:38 • -23.83db
20% Popularity • 14% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
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Daniel Lopatin
Followed
85 bpm • G# Maj • 01:32 • -21.11db
21% Popularity • 24% Danceability • 18% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
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Ben Frost
Cruel Miracles
96 bpm • A Maj • 03:49 • -17.71db
14% Popularity • 17% Danceability • 16% Energy • 43% Liveness
9% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
12 Hours Before
84 bpm • C Maj • 02:31 • -20db
40% Popularity • 18% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Harold Budd
Penny Ann Drinkwater
96 bpm • E Maj • 02:26 • -26.78db
10% Popularity • 27% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Anna Meredith
Honeyed Words
84 bpm • G Maj • 03:17 • -14.5db
14% Popularity • 18% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Bobby Krlic
The Blessing
84 bpm • C# Maj • 03:04 • -9db
27% Popularity • 18% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 2% Positiveness
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Clint Mansell
Ghosts of Things to Come
84 bpm • D Maj • 01:33 • -27db
37% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Moondog
Fantasia - Remastered 2000
84 bpm • C Maj • 03:11 • -25.47db
11% Popularity • 21% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Overcast
84 bpm • E min • 03:18 • -17.43db
24% Popularity • 9% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Mica Levi
Lonely Void
84 bpm • D# min • 03:38 • -14.93db
22% Popularity • 23% Danceability • 12% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
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Jon Brion
Ok
84 bpm • D Maj • 02:37 • -21.32db
26% Popularity • 10% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Malibu
One Life
84 bpm • B min • 07:10 • -17.01db
20% Popularity • 17% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Ben Frost
Unbreakable Silence
84 bpm • C# Maj • 03:36 • -18.15db
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Christina Vantzou
Wild Beast Research
96 bpm • E min • 01:39 • -23.96db
29% Popularity • 43% Danceability • 27% Energy • 10% Liveness
33% Instrumentalness • 23% Positiveness
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Brian Eno
From The Same Hill - Remastered 2005
84 bpm • B min • 03:00 • -21.69db
32% Popularity • 22% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Oliver Coates
One Without
97 bpm • D# min • 04:02 • -21.19db
40% Popularity • 12% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Leyland Kirby
Departure
83 bpm • F Maj • 05:48 • -16.27db
8% Popularity • 12% Danceability • 43% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Yair Elazar Glotman
Remembrance of the Past
98 bpm • F min • 02:34 • -27.01db
15% Popularity • 13% Danceability • 4% Energy • 6% Liveness
29% Instrumentalness • 3% Positiveness
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BJ Nilsen
Black Light
83 bpm • B Maj • 04:16 • -18db
20% Popularity • 8% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Matthew Herbert
Thaumotrope
83 bpm • B Maj • 01:07 • -25.01db
31% Popularity • 9% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Sandalwood II
82 bpm • C Maj • 03:42 • -15db
29% Popularity • 11% Danceability • 14% Energy • 20% Liveness
87% Instrumentalness • 4% Positiveness
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Oliver Coates
Prairie
82 bpm • A Maj • 01:41 • -22db
40% Popularity • 28% Danceability • 15% Energy • 22% Liveness
88% Instrumentalness • 13% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
36% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Murcof
Inner Hunt
82 bpm • E Maj • 03:54 • -28.25db
18% Popularity • 10% Danceability • 16% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
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Eduard Artemyev
Станция (Из к/ф "Соляри...
82 bpm • C# Maj • 03:27 • -18.51db
14% Popularity • 15% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Tim Hecker
Music for Tundra Pt. 1
81 bpm • G# min • 05:13 • -19db
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Jonny Greenwood
Alma
99 bpm • C Maj • 04:07 • -17db
42% Popularity • 18% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Oliver Coates
Caregiver part 1 (breathing)
99 bpm • C Maj • 04:50 • -12.88db
13% Popularity • 17% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Mica Levi
Aullido
81 bpm • G# Maj • 01:36 • -22.04db
8% Popularity • 19% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Yair Elazar Glotman
Physical Description of the Last Human B...
81 bpm • C Maj • 04:36 • -27.25db
20% Popularity • 8% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Prologue (Birth)
100 bpm • A Maj • 04:00 • -23.71db
26% Popularity • 58% Danceability • 13% Energy • 8% Liveness
10% Instrumentalness • 3% Positiveness
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Roger Neill
Subway Coupon
100 bpm • A Maj • 01:00 • -20.68db
33% Popularity • 61% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
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Jonny Greenwood
Sandalwood I
100 bpm • C Maj • 02:39 • -16.17db
34% Popularity • 50% Danceability • 28% Energy • 22% Liveness
80% Instrumentalness • 32% Positiveness
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Cat's Eyes
Door No. 2
100 bpm • A# min • 01:39 • -14.54db
16% Popularity • 25% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
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Cliff Martinez
Can I Sit Next to You
81 bpm • G min • 01:44 • -18.07db
32% Popularity • 9% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Ana Roxanne
Take the Thorn, Leave the Rose
81 bpm • A# min • 06:04 • -21db
25% Popularity • 16% Danceability • 9% Energy • 24% Liveness
96% Instrumentalness • 33% Positiveness
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Mica Levi
Bedroom
81 bpm • G Maj • 01:30 • -25.34db
26% Popularity • 20% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Lyra Pramuk
New Moon
101 bpm • D# Maj • 08:32 • -10.13db
21% Popularity • 19% Danceability • 21% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Cat's Eyes
Door No. 3
81 bpm • C# Maj • 01:39 • -25.96db
13% Popularity • 20% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Steve Reich
Music for 18 Musicians: Pulses
101 bpm • F# min • 05:26 • -17db
31% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
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Pye Corner Audio
Yesterday's Entertainment
80 bpm • D Maj • 02:12 • -25db
36% Popularity • 39% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Marcus Fjellström
LM-118
80 bpm • F# Maj • 04:05 • -20.55db
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Ryan Lott
A Softer Blade
80 bpm • G Maj • 01:58 • -14.13db
14% Popularity • 27% Danceability • 30% Energy • 16% Liveness
40% Instrumentalness • 4% Positiveness
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Ben Frost
We Don't Need Other Worlds, We Need Mirr...
101 bpm • C# min • 02:11 • -22.7db
27% Popularity • 17% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Blue Shit