Songs like BLUe-eXOSUiTe-toKYOto-弌 by Hiroyuki Sawano
Based on a tempo of (+/- 10%) and a similar genre
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Hiroyuki Sawano
BLUe-eXOSUiTe-toKYOto-弌
138 bpm • C# Maj • 05:44 • -11.72db
15% Popularity • 24% Danceability • 52% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
15% Popularity • 24% Danceability • 52% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Evan Call
The End of One Journey
138 bpm • D Maj • 01:43 • -22.99db
45% Popularity • 19% Danceability • 14% Energy • 10% Liveness
42% Instrumentalness • 25% Positiveness
45% Popularity • 19% Danceability • 14% Energy • 10% Liveness
42% Instrumentalness • 25% Positiveness
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岡部啓一
Shuraka
138 bpm • G Maj • 02:08 • -8db
14% Popularity • 50% Danceability • 91% Energy • 29% Liveness
68% Instrumentalness • 44% Positiveness
14% Popularity • 50% Danceability • 91% Energy • 29% Liveness
68% Instrumentalness • 44% Positiveness
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Takafumi Wada
天翼の剣
138 bpm • A min • 02:35 • -8db
18% Popularity • 50% Danceability • 75% Energy • 12% Liveness
65% Instrumentalness • 30% Positiveness
18% Popularity • 50% Danceability • 75% Energy • 12% Liveness
65% Instrumentalness • 30% Positiveness
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Akira Senju
Knives and Shadows
138 bpm • A Maj • 02:15 • -11.59db
33% Popularity • 66% Danceability • 75% Energy • 34% Liveness
83% Instrumentalness • 21% Positiveness
33% Popularity • 66% Danceability • 75% Energy • 34% Liveness
83% Instrumentalness • 21% Positiveness
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Takashi Ohmama
The Witches from Earth
138 bpm • E min • 03:15 • -12.54db
21% Popularity • 43% Danceability • 63% Energy • 37% Liveness
94% Instrumentalness • 15% Positiveness
21% Popularity • 43% Danceability • 63% Energy • 37% Liveness
94% Instrumentalness • 15% Positiveness
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Hiroyuki Sawano
アッシャー幻saw曲 第二楽章: T...
138 bpm • D# Maj • 03:49 • -12.49db
24% Popularity • 15% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
24% Popularity • 15% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Yasuharu Takanashi
ALL OUT!!
137 bpm • C Maj • 02:17 • -12db
20% Popularity • 50% Danceability • 66% Energy • 16% Liveness
81% Instrumentalness • 54% Positiveness
20% Popularity • 50% Danceability • 66% Energy • 16% Liveness
81% Instrumentalness • 54% Positiveness
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Junichi Matsumoto
Celebrate Your Happiness...!!
137 bpm • E Maj • 03:05 • -17db
16% Popularity • 19% Danceability • 24% Energy • 35% Liveness
50% Instrumentalness • 8% Positiveness
16% Popularity • 19% Danceability • 24% Energy • 35% Liveness
50% Instrumentalness • 8% Positiveness
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hil
Sorrow_UBW Extended
137 bpm • E min • 02:10 • -21db
32% Popularity • 21% Danceability • 7% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 7% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
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Akira Senju
Lurking
138 bpm • D min • 01:20 • -22db
36% Popularity • 38% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 9% Positiveness
36% Popularity • 38% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 9% Positiveness
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Michiru
『JORAN』MAIN THEME
140 bpm • E min • 03:23 • -9.94db
12% Popularity • 24% Danceability • 26% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 26% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
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藤澤慶昌
大切な仲間
140 bpm • C Maj • 02:02 • -12.26db
20% Popularity • 39% Danceability • 22% Energy • 28% Liveness
20% Instrumentalness • 6% Positiveness
20% Popularity • 39% Danceability • 22% Energy • 28% Liveness
20% Instrumentalness • 6% Positiveness
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Kotaro Nakagawa
Guren
140 bpm • F min • 01:39 • -14db
22% Popularity • 61% Danceability • 50% Energy • 12% Liveness
91% Instrumentalness • 55% Positiveness
22% Popularity • 61% Danceability • 50% Energy • 12% Liveness
91% Instrumentalness • 55% Positiveness
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Yoko Shimomura
Edge of Existence
136 bpm • F min • 03:16 • -10.04db
40% Popularity • 46% Danceability • 83% Energy • 23% Liveness
89% Instrumentalness • 58% Positiveness
40% Popularity • 46% Danceability • 83% Energy • 23% Liveness
89% Instrumentalness • 58% Positiveness
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帆足圭吾
Wakusen
140 bpm • G Maj • 02:41 • -8.6db
14% Popularity • 55% Danceability • 98% Energy • 18% Liveness
73% Instrumentalness • 64% Positiveness
14% Popularity • 55% Danceability • 98% Energy • 18% Liveness
73% Instrumentalness • 64% Positiveness
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加藤達也
Strong Desire
136 bpm • E min • 02:17 • -12.37db
39% Popularity • 40% Danceability • 72% Energy • 32% Liveness
76% Instrumentalness • 10% Positiveness
39% Popularity • 40% Danceability • 72% Energy • 32% Liveness
76% Instrumentalness • 10% Positiveness
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Hiroyuki Sawano
1616
140 bpm • D Maj • 03:22 • -14db
15% Popularity • 60% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
15% Popularity • 60% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Michiru Oshima
等価交換
140 bpm • D min • 01:08 • -17.28db
30% Popularity • 44% Danceability • 24% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
30% Popularity • 44% Danceability • 24% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
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Michiru
終末のイゼッタ
136 bpm • D# Maj • 05:14 • -12.03db
19% Popularity • 23% Danceability • 34% Energy • 9% Liveness
70% Instrumentalness • 10% Positiveness
19% Popularity • 23% Danceability • 34% Energy • 9% Liveness
70% Instrumentalness • 10% Positiveness
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Shiro SAGISU
Breakthrough Even
140 bpm • A# Maj • 01:45 • -6.99db
27% Popularity • 58% Danceability • 70% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
27% Popularity • 58% Danceability • 70% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
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Vanguard Sound
Mythoclast
136 bpm • C Maj • 03:20 • -11db
28% Popularity • 46% Danceability • 76% Energy • 7% Liveness
81% Instrumentalness • 11% Positiveness
28% Popularity • 46% Danceability • 76% Energy • 7% Liveness
81% Instrumentalness • 11% Positiveness
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Takafumi Wada
大罪な人たちは怖い人?
140 bpm • D Maj • 01:20 • -15.28db
10% Popularity • 72% Danceability • 19% Energy • 10% Liveness
68% Instrumentalness • 33% Positiveness
10% Popularity • 72% Danceability • 19% Energy • 10% Liveness
68% Instrumentalness • 33% Positiveness
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Hiroyuki Sawano
攻響組曲 DEVIL 第四楽章: sA†An
140 bpm • F Maj • 04:13 • -11.4db
18% Popularity • 54% Danceability • 89% Energy • 10% Liveness
49% Instrumentalness • 14% Positiveness
18% Popularity • 54% Danceability • 89% Energy • 10% Liveness
49% Instrumentalness • 14% Positiveness
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Yoshihisa Hirano
Death Note Theme
140 bpm • D Maj • 02:24 • -3.69db
42% Popularity • 34% Danceability • 55% Energy • 11% Liveness
52% Instrumentalness • 50% Positiveness
42% Popularity • 34% Danceability • 55% Energy • 11% Liveness
52% Instrumentalness • 50% Positiveness
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Junichi Matsumoto
弓のアンソロジー
141 bpm • D Maj • 02:50 • -13.9db
30% Popularity • 21% Danceability • 21% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
30% Popularity • 21% Danceability • 21% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
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MAYUKO
王様ランキング -メインテー�...
140 bpm • A Maj • 02:06 • -6db
33% Popularity • 55% Danceability • 56% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
33% Popularity • 55% Danceability • 56% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
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藤澤慶昌
駆け引き
135 bpm • C# Maj • 02:46 • -8.74db
14% Popularity • 64% Danceability • 90% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 64% Danceability • 90% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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鈴木克崇
Es it foron! - A Prayer
135 bpm • G min • 04:42 • -7.77db
23% Popularity • 36% Danceability • 72% Energy • 10% Liveness
42% Instrumentalness • 8% Positiveness
23% Popularity • 36% Danceability • 72% Energy • 10% Liveness
42% Instrumentalness • 8% Positiveness
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Hiroyuki Sawano
Vぉ1℃→Ki母∪
140 bpm • D min • 04:31 • -11.01db
14% Popularity • 18% Danceability • 41% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 41% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Keiichi Okabe
Enemy's Roar
142 bpm • A Maj • 01:12 • -9.68db
32% Popularity • 56% Danceability • 95% Energy • 17% Liveness
70% Instrumentalness • 48% Positiveness
32% Popularity • 56% Danceability • 95% Energy • 17% Liveness
70% Instrumentalness • 48% Positiveness
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Junichi Matsumoto
魔法のシルエット
142 bpm • D min • 01:44 • -16.14db
25% Popularity • 44% Danceability • 11% Energy • 13% Liveness
16% Instrumentalness • 15% Positiveness
25% Popularity • 44% Danceability • 11% Energy • 13% Liveness
16% Instrumentalness • 15% Positiveness
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東京混声合唱団
難敵
142 bpm • A min • 04:05 • -9.53db
15% Popularity • 40% Danceability • 75% Energy • 11% Liveness
77% Instrumentalness • 16% Positiveness
15% Popularity • 40% Danceability • 75% Energy • 11% Liveness
77% Instrumentalness • 16% Positiveness
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Yutaka Yamada
不動の剣
142 bpm • C# min • 03:48 • -10db
33% Popularity • 31% Danceability • 68% Energy • 24% Liveness
92% Instrumentalness • 10% Positiveness
33% Popularity • 31% Danceability • 68% Energy • 24% Liveness
92% Instrumentalness • 10% Positiveness
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Yoshihiro Ike
愛別離苦
134 bpm • G min • 03:03 • -11.44db
9% Popularity • 16% Danceability • 30% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 30% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Hiroyuki Sawano
COAL TAR
140 bpm • B min • 04:13 • -8.57db
8% Popularity • 48% Danceability • 90% Energy • 26% Liveness
72% Instrumentalness • 17% Positiveness
8% Popularity • 48% Danceability • 90% Energy • 26% Liveness
72% Instrumentalness • 17% Positiveness
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mpi
Möbius
142 bpm • D# min • 03:53 • -7.7db
41% Popularity • 58% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 58% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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照井順政
Red Scale
134 bpm • D Maj • 02:28 • -9.47db
45% Popularity • 66% Danceability • 67% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 66% Danceability • 67% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Takafumi Wada
激戦~光明
134 bpm • A min • 05:23 • -6.04db
12% Popularity • 33% Danceability • 89% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
12% Popularity • 33% Danceability • 89% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Nobuaki Nobusawa
鈴羽
134 bpm • A min • 01:40 • -27.89db
34% Popularity • 27% Danceability • 4% Energy • 27% Liveness
93% Instrumentalness • 19% Positiveness
34% Popularity • 27% Danceability • 4% Energy • 27% Liveness
93% Instrumentalness • 19% Positiveness
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Yoshihiro Ike
修羅道
133 bpm • A# min • 02:05 • -8.63db
12% Popularity • 44% Danceability • 65% Energy • 7% Liveness
82% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 65% Energy • 7% Liveness
82% Instrumentalness • 18% Positiveness
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Hiroyuki Sawano
交狂詩 GeHeNa 第二楽章: A-maimon
135 bpm • A# min • 03:36 • -9.49db
17% Popularity • 56% Danceability • 95% Energy • 20% Liveness
77% Instrumentalness • 18% Positiveness
17% Popularity • 56% Danceability • 95% Energy • 20% Liveness
77% Instrumentalness • 18% Positiveness
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Hideakira Kimura
Lightning in the Moon
143 bpm • G Maj • 02:38 • -11db
21% Popularity • 40% Danceability • 71% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
21% Popularity • 40% Danceability • 71% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Kenji Kawai
JITSURYOKU HA ELITE
143 bpm • A min • 02:27 • -8db
35% Popularity • 51% Danceability • 92% Energy • 3% Liveness
89% Instrumentalness • 56% Positiveness
35% Popularity • 51% Danceability • 92% Energy • 3% Liveness
89% Instrumentalness • 56% Positiveness
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Takeharu Ishimoto
The Beginning of the End
144 bpm • C min • 04:27 • -5.27db
30% Popularity • 17% Danceability • 66% Energy • 8% Liveness
38% Instrumentalness • 12% Positiveness
30% Popularity • 17% Danceability • 66% Energy • 8% Liveness
38% Instrumentalness • 12% Positiveness
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Asami Tachibana
Monochrome Prologue
133 bpm • G# Maj • 01:38 • -8db
29% Popularity • 25% Danceability • 65% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 25% Danceability • 65% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Audio Highs
どっちが先に枯れるか、勝負�...
144 bpm • F min • 02:14 • -8db
9% Popularity • 47% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
9% Popularity • 47% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Hiroyuki Sawano
Genesi§
135 bpm • A Maj • 03:17 • -7.67db
19% Popularity • 45% Danceability • 82% Energy • 22% Liveness
77% Instrumentalness • 20% Positiveness
19% Popularity • 45% Danceability • 82% Energy • 22% Liveness
77% Instrumentalness • 20% Positiveness
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Keiichi Okabe
Battle Cry
144 bpm • A min • 03:32 • -7.72db
18% Popularity • 46% Danceability • 64% Energy • 18% Liveness
11% Instrumentalness • 19% Positiveness
18% Popularity • 46% Danceability • 64% Energy • 18% Liveness
11% Instrumentalness • 19% Positiveness
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高田龍一
The Invisible Fear
144 bpm • C Maj • 01:26 • -21db
19% Popularity • 62% Danceability • 20% Energy • 9% Liveness
83% Instrumentalness • 15% Positiveness
19% Popularity • 62% Danceability • 20% Energy • 9% Liveness
83% Instrumentalness • 15% Positiveness
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James Harris
EMIYA / I should do this
144 bpm • E min • 03:04 • -14.6db
35% Popularity • 30% Danceability • 46% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
35% Popularity • 30% Danceability • 46% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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岡部啓一
Alien Manifestation
144 bpm • A Maj • 06:27 • -12.23db
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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帆足圭吾
Saikidou
132 bpm • A Maj • 02:52 • -13.49db
13% Popularity • 17% Danceability • 51% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 51% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Hiroyuki Sawano
BGM的-suite 1st-Mov.:E戦場-Aria
142 bpm • C min • 02:58 • -16.93db
14% Popularity • 22% Danceability • 43% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
14% Popularity • 22% Danceability • 43% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Keiichi Okabe
Battle Anthem
144 bpm • A min • 03:02 • -6.37db
27% Popularity • 46% Danceability • 59% Energy • 26% Liveness
3% Instrumentalness • 29% Positiveness
27% Popularity • 46% Danceability • 59% Energy • 26% Liveness
3% Instrumentalness • 29% Positiveness
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Akira Senju
Xing Symphony -Overture-
132 bpm • D min • 01:30 • -10.62db
28% Popularity • 59% Danceability • 82% Energy • 14% Liveness
97% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 82% Energy • 14% Liveness
97% Instrumentalness • 24% Positiveness
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Takafumi Wada
魔神 ダハーカ
132 bpm • E min • 03:20 • -7.43db
15% Popularity • 55% Danceability • 80% Energy • 23% Liveness
91% Instrumentalness • 27% Positiveness
15% Popularity • 55% Danceability • 80% Energy • 23% Liveness
91% Instrumentalness • 27% Positiveness
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Nobuaki Nobusawa
オペレーションアークライト
132 bpm • C min • 01:43 • -12.73db
22% Popularity • 41% Danceability • 74% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
22% Popularity • 41% Danceability • 74% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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帆足圭吾
Shippatou
132 bpm • F Maj • 02:24 • -7.22db
12% Popularity • 36% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 36% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
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Hiroyuki Sawano
phosphorus十snowman2
144 bpm • G Maj • 01:57 • -7.71db
7% Popularity • 54% Danceability • 56% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
7% Popularity • 54% Danceability • 56% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
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Keiichi Okabe
Banquet of Massacre
144 bpm • A min • 06:01 • -7.86db
31% Popularity • 48% Danceability • 90% Energy • 30% Liveness
86% Instrumentalness • 23% Positiveness
31% Popularity • 48% Danceability • 90% Energy • 30% Liveness
86% Instrumentalness • 23% Positiveness
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Evan Call
One Last Adventure
131 bpm • A Maj • 02:28 • -18.92db
45% Popularity • 20% Danceability • 2% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
45% Popularity • 20% Danceability • 2% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Yasuharu Takanashi
Kishuu
145 bpm • E min • 02:00 • -9db
33% Popularity • 43% Danceability • 81% Energy • 13% Liveness
94% Instrumentalness • 52% Positiveness
33% Popularity • 43% Danceability • 81% Energy • 13% Liveness
94% Instrumentalness • 52% Positiveness
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阿保剛
岡部の挑戦
132 bpm • E min • 02:04 • -11db
21% Popularity • 55% Danceability • 80% Energy • 14% Liveness
88% Instrumentalness • 86% Positiveness
21% Popularity • 55% Danceability • 80% Energy • 14% Liveness
88% Instrumentalness • 86% Positiveness
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Kenji Kawai
Unknown
145 bpm • B min • 01:40 • -16.53db
13% Popularity • 65% Danceability • 37% Energy • 21% Liveness
61% Instrumentalness • 4% Positiveness
13% Popularity • 65% Danceability • 37% Energy • 21% Liveness
61% Instrumentalness • 4% Positiveness
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![[Solo-Leveling]SymphonicSuite-Lv.7 cover art](https://i.scdn.co/image/ab67616d00001e02b113cc5549ee59e0db460545)
Hiroyuki Sawano
[Solo-Leveling]SymphonicSuite-Lv.7
144 bpm • D Maj • 04:22 • -10.33db
22% Popularity • 38% Danceability • 59% Energy • 9% Liveness
76% Instrumentalness • 30% Positiveness
22% Popularity • 38% Danceability • 59% Energy • 9% Liveness
76% Instrumentalness • 30% Positiveness
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Keiichi Okabe
Battle Chorus
144 bpm • A min • 04:44 • -7.66db
24% Popularity • 44% Danceability • 84% Energy • 27% Liveness
75% Instrumentalness • 10% Positiveness
24% Popularity • 44% Danceability • 84% Energy • 27% Liveness
75% Instrumentalness • 10% Positiveness
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Evan Call
Zoltraak
145 bpm • G min • 02:20 • -8.23db
53% Popularity • 45% Danceability • 82% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
53% Popularity • 45% Danceability • 82% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
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Masayoshi Soken
Torn from the Heavens
145 bpm • C min • 05:11 • -13.22db
36% Popularity • 41% Danceability • 49% Energy • 41% Liveness
90% Instrumentalness • 39% Positiveness
36% Popularity • 41% Danceability • 49% Energy • 41% Liveness
90% Instrumentalness • 39% Positiveness
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藤澤慶昌
金でデレは買えない
131 bpm • A min • 02:34 • -8db
23% Popularity • 70% Danceability • 72% Energy • 6% Liveness
18% Instrumentalness • 69% Positiveness
23% Popularity • 70% Danceability • 72% Energy • 6% Liveness
18% Instrumentalness • 69% Positiveness
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小畑貴裕
廃墟の神殿
131 bpm • F# Maj • 02:40 • -15.42db
9% Popularity • 19% Danceability • 28% Energy • 8% Liveness
73% Instrumentalness • 7% Positiveness
9% Popularity • 19% Danceability • 28% Energy • 8% Liveness
73% Instrumentalness • 7% Positiveness
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Hiroyuki Sawano
[Solo-Leveling]SymphonicSuite-Lv.9
144 bpm • A min • 03:02 • -7.2db
23% Popularity • 49% Danceability • 85% Energy • 18% Liveness
89% Instrumentalness • 30% Positiveness
23% Popularity • 49% Danceability • 85% Energy • 18% Liveness
89% Instrumentalness • 30% Positiveness
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Yoshihisa Hirano
Fight for Friends
146 bpm • G min • 02:13 • -7.28db
16% Popularity • 23% Danceability • 52% Energy • 9% Liveness
86% Instrumentalness • 32% Positiveness
16% Popularity • 23% Danceability • 52% Energy • 9% Liveness
86% Instrumentalness • 32% Positiveness
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MAYUKO
ある日、この遥かな世界で
146 bpm • F Maj • 01:57 • -6db
16% Popularity • 46% Danceability • 50% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
16% Popularity • 46% Danceability • 50% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Junichi Matsumoto
Lines for the Sadness
130 bpm • C Maj • 03:47 • -23db
22% Popularity • 16% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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BaoUner
Непоколебимость (不屈)
130 bpm • A Maj • 02:20 • -5.65db
19% Popularity • 52% Danceability • 78% Energy • 23% Liveness
97% Instrumentalness • 25% Positiveness
19% Popularity • 52% Danceability • 78% Energy • 23% Liveness
97% Instrumentalness • 25% Positiveness
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芳賀 敬太
絶対魔獣戦線：メソポタミア
130 bpm • D# min • 03:28 • -10db
24% Popularity • 56% Danceability • 66% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
24% Popularity • 56% Danceability • 66% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
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Hiroyuki Sawano
BLUe-eXOSUiTe-toKYOto-志
144 bpm • D Maj • 02:00 • -10.06db
10% Popularity • 24% Danceability • 44% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
10% Popularity • 24% Danceability • 44% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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桶狭間ありさ
Battle royale
130 bpm • A min • 02:50 • -5db
18% Popularity • 71% Danceability • 75% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
18% Popularity • 71% Danceability • 75% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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HOYO-MiX
Pedujara: Ephemeral Cycle
130 bpm • C# Maj • 02:00 • -10.59db
40% Popularity • 65% Danceability • 72% Energy • 37% Liveness
84% Instrumentalness • 38% Positiveness
40% Popularity • 65% Danceability • 72% Energy • 37% Liveness
84% Instrumentalness • 38% Positiveness
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Kenji Kawai
BORDER SHUTSUGEKI
147 bpm • G Maj • 01:56 • -6.44db
30% Popularity • 47% Danceability • 92% Energy • 25% Liveness
94% Instrumentalness • 57% Positiveness
30% Popularity • 47% Danceability • 92% Energy • 25% Liveness
94% Instrumentalness • 57% Positiveness
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Hitomi Kuroishi
Birthplace
130 bpm • B min • 02:25 • -11db
13% Popularity • 38% Danceability • 23% Energy • 19% Liveness
88% Instrumentalness • 5% Positiveness
13% Popularity • 38% Danceability • 23% Energy • 19% Liveness
88% Instrumentalness • 5% Positiveness
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DELiGHTWORKS Sound Team
雷光 ～丑御前戦～
130 bpm • C Maj • 03:13 • -9db
20% Popularity • 63% Danceability • 64% Energy • 32% Liveness
31% Instrumentalness • 38% Positiveness
20% Popularity • 63% Danceability • 64% Energy • 32% Liveness
31% Instrumentalness • 38% Positiveness
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Junichi Matsumoto
魔雫のカケラ
129 bpm • G min • 01:39 • -19.15db
26% Popularity • 50% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 50% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Kensuke Ushio
dream... come true?
129 bpm • A# min • 01:43 • -19db
42% Popularity • 31% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
42% Popularity • 31% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Yutaka Yamada
im dunkeln
129 bpm • E min • 02:26 • -12.25db
19% Popularity • 36% Danceability • 58% Energy • 37% Liveness
62% Instrumentalness • 16% Positiveness
19% Popularity • 36% Danceability • 58% Energy • 37% Liveness
62% Instrumentalness • 16% Positiveness
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Akira Senju
Clash of the Alchemists
129 bpm • A min • 01:45 • -14db
32% Popularity • 56% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
32% Popularity • 56% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
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Kotaro Nakagawa
Misconduct
129 bpm • C min • 01:43 • -9db
19% Popularity • 52% Danceability • 58% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
19% Popularity • 52% Danceability • 58% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
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高橋邦幸
Grandma (Destruction)
148 bpm • E min • 05:31 • -8.24db
46% Popularity • 15% Danceability • 78% Energy • 45% Liveness
90% Instrumentalness • 27% Positiveness
46% Popularity • 15% Danceability • 78% Energy • 45% Liveness
90% Instrumentalness • 27% Positiveness
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芳賀 敬太
最果ての死闘 ～女神ロンゴミ...
130 bpm • G# Maj • 02:56 • -8.47db
16% Popularity • 44% Danceability • 62% Energy • 39% Liveness
71% Instrumentalness • 9% Positiveness
16% Popularity • 44% Danceability • 62% Energy • 39% Liveness
71% Instrumentalness • 9% Positiveness
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Junichi Matsumoto
Magus Bride’s Lacework is Dripping Her...
129 bpm • F Maj • 03:17 • -29db
24% Popularity • 20% Danceability • 1% Energy • 16% Liveness
64% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 1% Energy • 16% Liveness
64% Instrumentalness • 4% Positiveness
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hil
深き眠り_UBW Extended
148 bpm • A min • 03:56 • -13.36db
18% Popularity • 27% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
18% Popularity • 27% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Takashi Ohmama
Fix Release
128 bpm • D Maj • 03:51 • -13.56db
26% Popularity • 38% Danceability • 70% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
26% Popularity • 38% Danceability • 70% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
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Yoshihiro Ike
恩讐の海
129 bpm • C min • 03:34 • -10.76db
20% Popularity • 24% Danceability • 25% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 25% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Hiroyuki Sawano
Gエ19
128 bpm • E min • 04:11 • -13.49db
15% Popularity • 28% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 28% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Nobuaki Nobusawa
鈴羽の焦り
128 bpm • D Maj • 02:30 • -14.1db
22% Popularity • 48% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
22% Popularity • 48% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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照井順政
Resolve
149 bpm • C# min • 03:52 • -5.5db
46% Popularity • 17% Danceability • 85% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
46% Popularity • 17% Danceability • 85% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Audio Highs
終われぬ苦しみ
128 bpm • D min • 02:31 • -7db
18% Popularity • 19% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
18% Popularity • 19% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
