Songs like Blueprint for Solo Piano #23: Mid Spring - Afternoon by Garrett Fisher
Based on a tempo of (+/- 10%) and a similar genre
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Garrett Fisher
Along These Shores
72 bpm • D min • 04:44 • -24.22db
0% Popularity • 18% Danceability • 0% Energy • 14% Liveness
65% Instrumentalness • 47% Positiveness
0% Popularity • 18% Danceability • 0% Energy • 14% Liveness
65% Instrumentalness • 47% Positiveness
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Françoise Atlan
A la una yo naci
72 bpm • A min • 02:30 • -22.95db
15% Popularity • 48% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 48% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Du Ciel
Silence
72 bpm • G# min • 01:17 • -46.29db
11% Popularity • 17% Danceability • 0% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
11% Popularity • 17% Danceability • 0% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
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Hildegard von Bingen
Misericordia - O quam amara est illa
71 bpm • C Maj • 02:06 • -29db
17% Popularity • 17% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
17% Popularity • 17% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Cristobal de Morales
Parce mihi, Domine
73 bpm • A# Maj • 05:20 • -25.85db
13% Popularity • 7% Danceability • 4% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 4% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
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Palisander
Tarantellas I (Arr. for Recorders and Ba...
73 bpm • G min • 02:04 • -22.34db
13% Popularity • 48% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 43% Positiveness
13% Popularity • 48% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 43% Positiveness
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Garrett Fisher
Blueprint for Solo Piano #23: Mid Spring...
72 bpm • C# Maj • 01:48 • -21.47db
0% Popularity • 47% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
0% Popularity • 47% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Nyman
No Time in Eternity: VI. The Watch
71 bpm • E min • 01:57 • -23.17db
8% Popularity • 28% Danceability • 4% Energy • 26% Liveness
24% Instrumentalness • 15% Positiveness
8% Popularity • 28% Danceability • 4% Energy • 26% Liveness
24% Instrumentalness • 15% Positiveness
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The Royal Wind Music
Fortune and Glory
73 bpm • G# min • 03:55 • -16.49db
14% Popularity • 29% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
14% Popularity • 29% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Anthony Holborne
Dances: As It Fell On A Holie Eve
73 bpm • G min • 00:57 • -20.7db
7% Popularity • 73% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 90% Positiveness
7% Popularity • 73% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 90% Positiveness
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Vaudry de Saizenay
Aus Manuscrit Saizenay: I. Le Rémouleur
73 bpm • G# Maj • 01:09 • -10db
8% Popularity • 52% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 74% Positiveness
8% Popularity • 52% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 74% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada Doulce Mem...
73 bpm • D min • 03:01 • -20.79db
10% Popularity • 28% Danceability • 10% Energy • 12% Liveness
40% Instrumentalness • 16% Positiveness
10% Popularity • 28% Danceability • 10% Energy • 12% Liveness
40% Instrumentalness • 16% Positiveness
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Garrett Fisher
Earth, Wind, Wood and Flesh
72 bpm • G min • 04:00 • -15.5db
0% Popularity • 27% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 27% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Claudin de Sermisy
Au joly boys
73 bpm • G# min • 01:57 • -31.57db
11% Popularity • 14% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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The Royal Wind Music
The Blue Dream (Sininen Uni)
71 bpm • G# min • 02:04 • -35.17db
16% Popularity • 11% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
16% Popularity • 11% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Una Verge Naixer�...
73 bpm • G min • 01:55 • -24db
13% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Krzysztof Borek
Missa Mater Matris (After Des Prez's NJE...
71 bpm • C min • 09:09 • -21.29db
9% Popularity • 9% Danceability • 22% Energy • 36% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 22% Energy • 36% Liveness
1% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Fides - Ego Fides
73 bpm • A min • 02:29 • -26db
18% Popularity • 10% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 10% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Gasparo Zanetti
Aria del Gran Duca
71 bpm • F Maj • 02:52 • -19.34db
9% Popularity • 34% Danceability • 28% Energy • 11% Liveness
98% Instrumentalness • 48% Positiveness
9% Popularity • 34% Danceability • 28% Energy • 11% Liveness
98% Instrumentalness • 48% Positiveness
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Rory Dall O'Cathain
The Fidler's Contemt
73 bpm • F Maj • 01:46 • -34db
15% Popularity • 42% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 37% Positiveness
15% Popularity • 42% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 37% Positiveness
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Garrett Fisher
The Passion of St. Thomas More: Act I Sc...
73 bpm • D min • 05:37 • -31.89db
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Jan Pieterszoon Sweelinck
Mein junges Leben hat ein End
70 bpm • A min • 02:53 • -26.29db
11% Popularity • 12% Danceability • 1% Energy • 14% Liveness
51% Instrumentalness • 33% Positiveness
11% Popularity • 12% Danceability • 1% Energy • 14% Liveness
51% Instrumentalness • 33% Positiveness
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Loyset Compère
In nomine Iesu: Adoramus te
70 bpm • C Maj • 01:39 • -25db
9% Popularity • 21% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 8% Positiveness
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Olivier Messiaen
O sacrum convivium!
74 bpm • F# Maj • 05:34 • -25.12db
7% Popularity • 7% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Ecclesia, BN 64
70 bpm • B Maj • 01:24 • -30.95db
10% Popularity • 19% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 19% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Josquin des Prez
Parfons regretz, NJE 29.19
74 bpm • E min • 06:22 • -17.22db
9% Popularity • 12% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
9% Popularity • 12% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Garrett Fisher
Blueprint for Solo Piano #31: Late Fall ...
74 bpm • F# min • 03:54 • -18.33db
0% Popularity • 14% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
0% Popularity • 14% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Giovanni Paolo Cima
Capriccio
70 bpm • D min • 03:30 • -26db
12% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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Jan Pieterszoon Sweelinck
Miserere
70 bpm • F min • 01:47 • -25.32db
17% Popularity • 11% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 11% Positiveness
17% Popularity • 11% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 11% Positiveness
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Andrea Falconieri
Brando dicho el Melo
70 bpm • C Maj • 01:27 • -15.9db
9% Popularity • 41% Danceability • 61% Energy • 75% Liveness
48% Instrumentalness • 96% Positiveness
9% Popularity • 41% Danceability • 61% Energy • 75% Liveness
48% Instrumentalness • 96% Positiveness
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Mary Ann Tedstone Glover
Aura Levis
70 bpm • G Maj • 02:28 • -13.78db
9% Popularity • 21% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Selma Bruna
Blanca y Morena
74 bpm • F Maj • 01:14 • -20.31db
10% Popularity • 18% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Garrett Fisher
The Passion of St. Thomas More: Act II S...
70 bpm • A min • 04:00 • -28.84db
0% Popularity • 7% Danceability • 2% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 2% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Pierre Attaingnant
La berouïsse
70 bpm • D Maj • 02:35 • -19db
9% Popularity • 24% Danceability • 27% Energy • 29% Liveness
96% Instrumentalness • 37% Positiveness
9% Popularity • 24% Danceability • 27% Energy • 29% Liveness
96% Instrumentalness • 37% Positiveness
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Ensemble Project Ars Nova
Tousjours
74 bpm • G Maj • 03:01 • -25.37db
10% Popularity • 11% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
10% Popularity • 11% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
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Bartolomé de Selma y Salaverde
Canzon quinta a tre
74 bpm • C Maj • 03:37 • -18db
7% Popularity • 17% Danceability • 30% Energy • 69% Liveness
39% Instrumentalness • 37% Positiveness
7% Popularity • 17% Danceability • 30% Energy • 69% Liveness
39% Instrumentalness • 37% Positiveness
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Marin Marais
Deuxième Livre de Pièces de Viole: Tom...
74 bpm • D# min • 06:54 • -19.72db
11% Popularity • 12% Danceability • 5% Energy • 14% Liveness
66% Instrumentalness • 7% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 14% Liveness
66% Instrumentalness • 7% Positiveness
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Hildegard von Bingen
Virtutes - O Pater omnipotens
74 bpm • E min • 00:57 • -30.52db
17% Popularity • 18% Danceability • 2% Energy • 11% Liveness
57% Instrumentalness • 24% Positiveness
17% Popularity • 18% Danceability • 2% Energy • 11% Liveness
57% Instrumentalness • 24% Positiveness
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Garrett Fisher
The Passion of St. Thomas More: Act II, ...
70 bpm • D min • 06:33 • -20.83db
0% Popularity • 15% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus a 8 voci
70 bpm • C min • 03:52 • -24.75db
11% Popularity • 7% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
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Michel Lambert
D'un feu secret je me sens consumer
70 bpm • C min • 03:02 • -29.41db
13% Popularity • 12% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
13% Popularity • 12% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Johannes Ockeghem
Alma redemptoris mater
70 bpm • F Maj • 03:49 • -28.88db
15% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
15% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Krzysztof Borek
Missa Mater Matris (After Des Prez's NJE...
75 bpm • C# Maj • 05:47 • -20.83db
10% Popularity • 8% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere a 9: No. 5, Asperges me hyssopo...
75 bpm • B min • 01:07 • -24.14db
11% Popularity • 21% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 21% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 3% Positiveness
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Garrett Fisher
Proposal
74 bpm • D# Maj • 02:06 • -26.25db
0% Popularity • 21% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
0% Popularity • 21% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Anónimo
Maria Pérez, and´eu mui coitado
69 bpm • D Maj • 02:58 • -22db
11% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Jean-Henri d'Anglebert
La Bergère Annette
75 bpm • G min • 04:41 • -21.34db
10% Popularity • 31% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 31% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Anonymous
Cancionero musical de palacio: No. 277, ...
75 bpm • C Maj • 01:48 • -27.54db
10% Popularity • 51% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 51% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Seneve Jolie
Mots Oubliés
75 bpm • B Maj • 01:05 • -44db
14% Popularity • 21% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
14% Popularity • 21% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Loyset Compère
Quis numerare queat: II. Audivit ipse
69 bpm • D min • 02:15 • -18.83db
8% Popularity • 19% Danceability • 18% Energy • 14% Liveness
44% Instrumentalness • 8% Positiveness
8% Popularity • 19% Danceability • 18% Energy • 14% Liveness
44% Instrumentalness • 8% Positiveness
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Josquin des Prez
A l'eure que ie vous
69 bpm • C Maj • 01:26 • -29db
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Gregorio Allegri
Miserere: II. Amplius lavame ; Quoniam i...
69 bpm • E min • 01:20 • -31.93db
19% Popularity • 22% Danceability • 3% Energy • 13% Liveness
3% Instrumentalness • 3% Positiveness
19% Popularity • 22% Danceability • 3% Energy • 13% Liveness
3% Instrumentalness • 3% Positiveness
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Antoine Boësset
Airs de cour mis en tablature de luth: S...
75 bpm • C Maj • 05:40 • -19.95db
12% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Early Music New York
Flosculum amenitatis (Codex Specialnik)
75 bpm • G min • 01:29 • -24.1db
9% Popularity • 14% Danceability • 12% Energy • 12% Liveness
98% Instrumentalness • 7% Positiveness
9% Popularity • 14% Danceability • 12% Energy • 12% Liveness
98% Instrumentalness • 7% Positiveness
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Thomas Tallis
In ieiunio et fletu
75 bpm • G min • 04:32 • -23.77db
12% Popularity • 7% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Orlando Gibbons
The silver Swanne
75 bpm • C Maj • 01:15 • -25.71db
16% Popularity • 17% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VI. Te ergo quæsumus f...
69 bpm • C Maj • 02:31 • -22.78db
11% Popularity • 21% Danceability • 2% Energy • 12% Liveness
30% Instrumentalness • 12% Positiveness
11% Popularity • 21% Danceability • 2% Energy • 12% Liveness
30% Instrumentalness • 12% Positiveness
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Henry Purcell
Thus the Ever Grateful Spring (Spring)
69 bpm • A# min • 02:26 • -21db
18% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Kim André Arnesen
TUVAYHUN: I. The Poor in Spirit
69 bpm • D Maj • 01:58 • -35.2db
8% Popularity • 28% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jan Pieterszoon Sweelinck
Fantasia chromatica
69 bpm • D min • 05:00 • -24db
11% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Thomas Tallis
Suscipe quaeso Domine
75 bpm • C Maj • 10:13 • -20.37db
7% Popularity • 7% Danceability • 13% Energy • 27% Liveness
48% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 13% Energy • 27% Liveness
48% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: IV. Ecce enim veritatem dilexi...
69 bpm • D Maj • 01:22 • -31.66db
22% Popularity • 24% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Victoria Vita Polevá
Easter Stikhere
68 bpm • G min • 02:01 • -25.53db
12% Popularity • 21% Danceability • 5% Energy • 19% Liveness
34% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 19% Liveness
34% Instrumentalness • 4% Positiveness
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Pavel Jurkovič
Pro Tetuu Kapraňovou
68 bpm • G Maj • 02:15 • -22.63db
11% Popularity • 36% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 36% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Green Nature
Deep Sleep, No. 2
76 bpm • A# Maj • 03:38 • -28db
8% Popularity • 23% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Saint Vladimir's Seminary Women's Sextet
Kontakion for the Canon of St. Andrew
76 bpm • C min • 01:40 • -31.28db
14% Popularity • 21% Danceability • 1% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
14% Popularity • 21% Danceability • 1% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
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Marchetto Cara
S'io sedo a l'ombra, Amor
68 bpm • C Maj • 03:15 • -22.42db
8% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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William Byrd
The Galliarde for the Victorie
76 bpm • G Maj • 02:04 • -25.43db
14% Popularity • 20% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 36% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Christopher Tye
ln Nomine Crye
68 bpm • D# min • 01:50 • -13.72db
18% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
18% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
77 bpm • D Maj • 01:53 • -20.99db
15% Popularity • 18% Danceability • 16% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 18% Danceability • 16% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
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Girl Choristers
聖ウルスラのための朝のアン�...
77 bpm • D min • 01:41 • -29.45db
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Serby Laur
Kontomdo
68 bpm • A# Maj • 02:28 • -17.79db
9% Popularity • 49% Danceability • 20% Energy • 20% Liveness
57% Instrumentalness • 93% Positiveness
9% Popularity • 49% Danceability • 20% Energy • 20% Liveness
57% Instrumentalness • 93% Positiveness
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Nicholas Cline
Watersheds: III. A Method of Finding
77 bpm • A Maj • 01:44 • -26.25db
11% Popularity • 15% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Hayne van Ghizegem
De tous bien plaine: I.
77 bpm • A# min • 01:12 • -31db
10% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 60% Positiveness
10% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 60% Positiveness
► Preview
Giovanni Salvatore
Versi sopra la messa della Madonna: IV. ...
77 bpm • C# Maj • 01:02 • -21.9db
25% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Anónimo
De qual engano prendemos
68 bpm • G Maj • 04:13 • -21.87db
11% Popularity • 50% Danceability • 19% Energy • 9% Liveness
20% Instrumentalness • 34% Positiveness
11% Popularity • 50% Danceability • 19% Energy • 9% Liveness
20% Instrumentalness • 34% Positiveness
► Preview
Sjaella
Zieh ein zu deinen Toren
77 bpm • F Maj • 03:53 • -26.74db
14% Popularity • 12% Danceability • 4% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 4% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
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Nana Peradze
Venez adorons
77 bpm • F# min • 01:26 • -27db
20% Popularity • 17% Danceability • 4% Energy • 13% Liveness
15% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 4% Energy • 13% Liveness
15% Instrumentalness • 4% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: II. Gloria
77 bpm • G# min • 06:37 • -19.73db
9% Popularity • 11% Danceability • 20% Energy • 17% Liveness
27% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 20% Energy • 17% Liveness
27% Instrumentalness • 4% Positiveness
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Anonymous
Cancionero musical de palacio: No. 92, D...
67 bpm • C Maj • 01:21 • -30.41db
11% Popularity • 23% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
11% Popularity • 23% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Garrett Fisher
Blueprint for Solo Piano #32: Late Summe...
67 bpm • D Maj • 02:39 • -19.49db
0% Popularity • 51% Danceability • 16% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
0% Popularity • 51% Danceability • 16% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Hildegard von Bingen
Karitas - Ego Karitas
77 bpm • G Maj • 01:19 • -27.22db
21% Popularity • 20% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Walter Frye
So ys emprentid
77 bpm • A min • 03:16 • -26.31db
12% Popularity • 19% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 19% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Josquin des Prez
Ave verum corpus à 2-3
67 bpm • F Maj • 03:48 • -13.76db
9% Popularity • 22% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 22% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Pierre de Manchicourt
Emendemus in melius: I. Emendemus in mel...
77 bpm • C min • 04:59 • -21.6db
7% Popularity • 9% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Anonymous
Cancionero musical de palacio: No. 92, D...
67 bpm • C Maj • 01:41 • -30.38db
11% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
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Arautos do Evangelho
Caligaverunt Oculi Mei
67 bpm • F min • 03:51 • -26.32db
14% Popularity • 10% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Garrett Fisher
Consummation
77 bpm • G Maj • 01:37 • -32.88db
0% Popularity • 14% Danceability • 1% Energy • 16% Liveness
16% Instrumentalness • 15% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 16% Liveness
16% Instrumentalness • 15% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
9% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Marin Marais
Deuxième Livre de Pièces de Viole: Les...
78 bpm • C# Maj • 04:00 • -27.49db
9% Popularity • 10% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: VII. Agnus D...
77 bpm • G# min • 02:46 • -18.28db
8% Popularity • 9% Danceability • 19% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 19% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
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![Folias (Imperfectas) [Harp] cover art](https://i.scdn.co/image/ab67616d00001e02ee51bb12c37d93e807a54227)
La Capella Reial De Catalunya
Folias (Imperfectas) [Harp]
78 bpm • A min • 01:19 • -37.48db
19% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
19% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Anonymous
Cancionero musical de palacio: No. 221, ...
77 bpm • A min • 01:23 • -27.21db
11% Popularity • 25% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
11% Popularity • 25% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Garrett Fisher
Pining Wind
78 bpm • F Maj • 03:32 • -24.85db
0% Popularity • 50% Danceability • 12% Energy • 36% Liveness
90% Instrumentalness • 8% Positiveness
0% Popularity • 50% Danceability • 12% Energy • 36% Liveness
90% Instrumentalness • 8% Positiveness
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James Oswald
II. Aria Moderato
67 bpm • F# Maj • 01:29 • -22.72db
21% Popularity • 53% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 51% Positiveness
21% Popularity • 53% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 51% Positiveness
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Arautos do Evangelho
Amicus Meus
78 bpm • G min • 03:05 • -23.24db
15% Popularity • 14% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Comtessa de Dia
A chantar m'er de so qu'eu no volria
78 bpm • A# min • 06:02 • -22.83db
11% Popularity • 24% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 24% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Gilles Binchois
Triste plaisirs
66 bpm • F min • 02:19 • -32.32db
11% Popularity • 19% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
11% Popularity • 19% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness