Songs like Blues For Rampart Street by Ida Cox
Based on a tempo of (+/- 10%) and a similar genre
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Coleman Hawkins Quintet
Stuffy
104 bpm • A# min • 09:03 • -20.09db
0% Popularity • 55% Danceability • 28% Energy • 25% Liveness
30% Instrumentalness • 68% Positiveness
0% Popularity • 55% Danceability • 28% Energy • 25% Liveness
30% Instrumentalness • 68% Positiveness
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William Clarke
Must Be Jelly
104 bpm • C Maj • 07:03 • -15db
20% Popularity • 78% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 78% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Coleman Hawkins Quartet
Go Li'l Liza
104 bpm • F Maj • 06:23 • -14db
32% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
32% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
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Helen Humes
Million Dollar Secret
104 bpm • F# Maj • 04:07 • -19.18db
17% Popularity • 65% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 65% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Genevieve Davis
Haven't Got a Dollar to Pay Your House R...
104 bpm • F Maj • 03:28 • -13.05db
23% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmy Rogers
You're The One - Single Version
104 bpm • A# Maj • 02:32 • -13db
35% Popularity • 74% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 74% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Ida Cox
Blues For Rampart Street
104 bpm • F min • 02:57 • -15db
13% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Gladys Bentley
Boogie'n My Woogie
104 bpm • A# Maj • 02:35 • -10.56db
15% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Lang
Pickin' My Way
103 bpm • G Maj • 03:00 • -10.7db
14% Popularity • 76% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
14% Popularity • 76% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
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Lonnie Johnson
I'm Not Rough
103 bpm • G# Maj • 02:59 • -15.03db
21% Popularity • 65% Danceability • 23% Energy • 17% Liveness
78% Instrumentalness • 65% Positiveness
21% Popularity • 65% Danceability • 23% Energy • 17% Liveness
78% Instrumentalness • 65% Positiveness
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Homesick James
Homesick's Blues
103 bpm • B Maj • 03:08 • -13db
24% Popularity • 50% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 82% Positiveness
24% Popularity • 50% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 82% Positiveness
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Blind Boy Fuller
Baby You Gotta Change Your Mind
105 bpm • F min • 03:12 • -11db
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
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Ida Cox
I Love My Man Better Than I Love Myself
105 bpm • A# Maj • 02:56 • -8.95db
0% Popularity • 50% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 50% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Hadda Brooks
Anytime, Anyplace, Anywhere
103 bpm • D min • 03:09 • -9.18db
25% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Big Miller
Hello Little Girl
103 bpm • A# Maj • 04:09 • -6.8db
17% Popularity • 59% Danceability • 73% Energy • 72% Liveness
3% Instrumentalness • 79% Positiveness
17% Popularity • 59% Danceability • 73% Energy • 72% Liveness
3% Instrumentalness • 79% Positiveness
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Coleman Hawkins Quintet
Cross Town
106 bpm • F# Maj • 05:08 • -16.1db
0% Popularity • 64% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
0% Popularity • 64% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
16% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
16% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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Tampa Red
Anna Lou Blues
106 bpm • A# Maj • 02:54 • -8db
21% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
21% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
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Ida Cox
Moanin' Groanin' Blues
103 bpm • D min • 02:44 • -10.91db
0% Popularity • 53% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 53% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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King Solomon Hill
Whoopee Blues
102 bpm • F# min • 03:11 • -12.08db
25% Popularity • 62% Danceability • 26% Energy • 12% Liveness
24% Instrumentalness • 60% Positiveness
25% Popularity • 62% Danceability • 26% Energy • 12% Liveness
24% Instrumentalness • 60% Positiveness
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Irma Thomas
Back Water Blues
106 bpm • D Maj • 03:30 • -10.33db
21% Popularity • 63% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 63% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Benny Goodman
Wholly Cats
106 bpm • D min • 03:02 • -12.8db
29% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Meschiya Lake and The Little Big Horns
Lucky Devil
106 bpm • C Maj • 04:54 • -14.43db
13% Popularity • 55% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 55% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Bernie Young
I'm Leavin' Here Blues
102 bpm • A# Maj • 03:03 • -12.75db
0% Popularity • 62% Danceability • 16% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 62% Danceability • 16% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Ida Cox
Blues for Rampart Street
103 bpm • F Maj • 03:02 • -12.01db
0% Popularity • 62% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 62% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Rogers
Goin' Away Baby - Single Version
102 bpm • G Maj • 02:46 • -14.97db
30% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Liggins
Whiskey, Gin & Wine
106 bpm • G# Maj • 02:33 • -13db
9% Popularity • 71% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 71% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Robert Lockwood, Jr.
Kindhearted Woman Blues
102 bpm • D Maj • 02:42 • -10.35db
24% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Trixie Smith
My Daddy Rocks Me
102 bpm • C min • 02:54 • -10db
24% Popularity • 78% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 78% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Roy Milton
R.M. Blues
101 bpm • C Maj • 02:59 • -11db
23% Popularity • 68% Danceability • 43% Energy • 11% Liveness
42% Instrumentalness • 59% Positiveness
23% Popularity • 68% Danceability • 43% Energy • 11% Liveness
42% Instrumentalness • 59% Positiveness
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Ida Cox
I've Got the Blues for Rampart Street
102 bpm • A# min • 02:48 • -8.87db
0% Popularity • 64% Danceability • 26% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 64% Danceability • 26% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Rick Estrin & The Nightcats
Zonin'
107 bpm • F Maj • 03:31 • -6db
16% Popularity • 64% Danceability • 61% Energy • 5% Liveness
9% Instrumentalness • 88% Positiveness
16% Popularity • 64% Danceability • 61% Energy • 5% Liveness
9% Instrumentalness • 88% Positiveness
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Memphis Slim
Ballin' The Jack
107 bpm • G Maj • 02:27 • -11db
27% Popularity • 81% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
27% Popularity • 81% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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The New Orleans Jazz Vipers
I Hope You're Comin' Back to New Orleans
101 bpm • C Maj • 02:58 • -7.48db
22% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Memphis Minnie
Blues Everywhere
107 bpm • A# Maj • 02:49 • -10.83db
14% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Otis Spann's South Side Piano
Burning Fire
101 bpm • D Maj • 03:18 • -12.95db
7% Popularity • 56% Danceability • 43% Energy • 13% Liveness
29% Instrumentalness • 65% Positiveness
7% Popularity • 56% Danceability • 43% Energy • 13% Liveness
29% Instrumentalness • 65% Positiveness
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Ida Cox
One Hour Mama
102 bpm • F Maj • 02:56 • -5.87db
1% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Bunk Johnson
Low Down Blues
107 bpm • G# Maj • 02:45 • -13db
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
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Alberta Hunter
I'm Having A Good Time
107 bpm • D# Maj • 02:35 • -12.21db
25% Popularity • 72% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 72% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Perline Ellison
New That Ain't Right
101 bpm • A# min • 02:59 • -11.08db
15% Popularity • 73% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 73% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Memphis Minnie
Moaning the Blues
101 bpm • A Maj • 03:06 • -14.59db
14% Popularity • 62% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 65% Positiveness
14% Popularity • 62% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 65% Positiveness
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Lil Green
Country Boy Blues
101 bpm • G Maj • 02:55 • -17.64db
5% Popularity • 77% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
5% Popularity • 77% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Ida Cox
Lovin' Is the Thing I'm Wild About
101 bpm • D# Maj • 03:01 • -10.24db
0% Popularity • 60% Danceability • 21% Energy • 21% Liveness
2% Instrumentalness • 59% Positiveness
0% Popularity • 60% Danceability • 21% Energy • 21% Liveness
2% Instrumentalness • 59% Positiveness
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Earl Hooker
End Of The Blues
100 bpm • G Maj • 04:27 • -11db
28% Popularity • 59% Danceability • 34% Energy • 21% Liveness
72% Instrumentalness • 56% Positiveness
28% Popularity • 59% Danceability • 34% Energy • 21% Liveness
72% Instrumentalness • 56% Positiveness
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Benny Goodman Sextet
Boy Meets Goy (Grand Slam)
100 bpm • F Maj • 02:52 • -10.13db
11% Popularity • 61% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 93% Positiveness
11% Popularity • 61% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 93% Positiveness
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Arthur "Big Boy" Crudup
Mean Old 'Frisco Blues
100 bpm • A# Maj • 02:35 • -15.94db
28% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Henry Butler
Basin St. Blues
108 bpm • D# Maj • 05:01 • -13.1db
14% Popularity • 46% Danceability • 66% Energy • 34% Liveness
84% Instrumentalness • 59% Positiveness
14% Popularity • 46% Danceability • 66% Energy • 34% Liveness
84% Instrumentalness • 59% Positiveness
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Victoria Spivey
Garter Snake Blues
100 bpm • C Maj • 03:17 • -11.26db
17% Popularity • 79% Danceability • 21% Energy • 25% Liveness
68% Instrumentalness • 72% Positiveness
17% Popularity • 79% Danceability • 21% Energy • 25% Liveness
68% Instrumentalness • 72% Positiveness
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Ida Cox
Hard, Oh Lord
108 bpm • D# Maj • 03:46 • -15.86db
1% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Kevin Mahogany
Old Men Sing the Blues
108 bpm • G min • 07:22 • -11.67db
11% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Eddie Boyd
Third Degree
100 bpm • D Maj • 03:17 • -10db
11% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Eddie Taylor
Big Town Playboy
100 bpm • E Maj • 02:59 • -7.58db
28% Popularity • 57% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 57% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Roy Milton
R. M. Blues
99 bpm • D Maj • 03:08 • -16.26db
13% Popularity • 70% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
13% Popularity • 70% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Professor Longhair
Mardi Gras in New Orleans
109 bpm • A# Maj • 03:25 • -9.21db
32% Popularity • 50% Danceability • 47% Energy • 67% Liveness
7% Instrumentalness • 85% Positiveness
32% Popularity • 50% Danceability • 47% Energy • 67% Liveness
7% Instrumentalness • 85% Positiveness
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Eric Bibb
Little Rain
99 bpm • D Maj • 04:04 • -17db
12% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ida Cox
Chicago Bound Blues
99 bpm • C# Maj • 02:41 • -12.47db
0% Popularity • 55% Danceability • 28% Energy • 27% Liveness
1% Instrumentalness • 56% Positiveness
0% Popularity • 55% Danceability • 28% Energy • 27% Liveness
1% Instrumentalness • 56% Positiveness
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Joe Liggins
Pink Champagne
99 bpm • F Maj • 03:03 • -9db
29% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Lonnie Johnson
Blues For Chris
109 bpm • G Maj • 05:05 • -24.08db
8% Popularity • 63% Danceability • 4% Energy • 12% Liveness
36% Instrumentalness • 19% Positiveness
8% Popularity • 63% Danceability • 4% Energy • 12% Liveness
36% Instrumentalness • 19% Positiveness
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Harry Belafonte
In the Evening Mama
109 bpm • A# Maj • 03:30 • -12.65db
21% Popularity • 62% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 62% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ma Rainey
Oh Papa Blues
109 bpm • A# Maj • 02:52 • -12.23db
12% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Fenton Robinson
Texas Flood - Remastered
109 bpm • A Maj • 04:21 • -4.81db
36% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
36% Popularity • 65% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Going To Chicago Blues
110 bpm • G# Maj • 04:58 • -10.48db
13% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Carey Bell
Stop That Train, Conductor
110 bpm • C Maj • 03:40 • -13.73db
11% Popularity • 61% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 61% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Babs Gonzales
Professor Bop
99 bpm • C min • 02:27 • -18db
13% Popularity • 75% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 75% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Alberta Hunter
I've Got A Mind To Ramble
110 bpm • A min • 04:13 • -14.39db
18% Popularity • 71% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 71% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Sunnyland Slim
Baby How Long
99 bpm • F Maj • 02:43 • -10.37db
24% Popularity • 58% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 76% Positiveness
24% Popularity • 58% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 76% Positiveness
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Maria Muldaur
Delta Bound
99 bpm • C Maj • 03:32 • -10.21db
11% Popularity • 63% Danceability • 23% Energy • 40% Liveness
2% Instrumentalness • 52% Positiveness
11% Popularity • 63% Danceability • 23% Energy • 40% Liveness
2% Instrumentalness • 52% Positiveness
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Ida Cox
Fogyism
110 bpm • F Maj • 04:28 • -18.13db
1% Popularity • 51% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 51% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Arnett Cobb
Black Velvet
110 bpm • A# Maj • 05:22 • -13.94db
6% Popularity • 66% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 66% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Camille Howard
X-Temporaneous Boogie
98 bpm • B min • 02:04 • -11db
27% Popularity • 60% Danceability • 73% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
27% Popularity • 60% Danceability • 73% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Louis Jordan
Let The Good Times Roll
110 bpm • C Maj • 02:42 • -9db
35% Popularity • 70% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 70% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Victoria Spivey
Black Snake Swing
110 bpm • C Maj • 03:04 • -8.58db
7% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
7% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
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J.B. Lenoir
Eisenhower Blues
98 bpm • A# min • 02:52 • -11.59db
32% Popularity • 78% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 78% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Albert Ammons
Boogie Woogie Prayer
98 bpm • C Maj • 02:03 • -16.48db
22% Popularity • 53% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 97% Positiveness
22% Popularity • 53% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 97% Positiveness
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Di Anne Price
Tonight's the Night
110 bpm • F Maj • 03:05 • -15.5db
13% Popularity • 69% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 69% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Bumble Bee Slim
When Somebody Loses
98 bpm • C Maj • 02:49 • -12.47db
7% Popularity • 65% Danceability • 26% Energy • 26% Liveness
82% Instrumentalness • 84% Positiveness
7% Popularity • 65% Danceability • 26% Energy • 26% Liveness
82% Instrumentalness • 84% Positiveness
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Ida Cox
Ida Cox's Lawdy, Lawdy Blues (Take 4)
98 bpm • A# min • 02:41 • -9.97db
0% Popularity • 57% Danceability • 34% Energy • 40% Liveness
11% Instrumentalness • 67% Positiveness
0% Popularity • 57% Danceability • 34% Energy • 40% Liveness
11% Instrumentalness • 67% Positiveness
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Louis Jordan
Nobody Knows You When You Are Down And O...
111 bpm • G Maj • 02:58 • -11.32db
19% Popularity • 57% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 57% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Roomful Of Blues
2 Point 8
111 bpm • D# Maj • 03:19 • -4db
11% Popularity • 59% Danceability • 90% Energy • 28% Liveness
91% Instrumentalness • 85% Positiveness
11% Popularity • 59% Danceability • 90% Energy • 28% Liveness
91% Instrumentalness • 85% Positiveness
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Black Bottom Stompers
Black Snake Blues
98 bpm • C Maj • 04:14 • -15.62db
25% Popularity • 66% Danceability • 14% Energy • 5% Liveness
70% Instrumentalness • 46% Positiveness
25% Popularity • 66% Danceability • 14% Energy • 5% Liveness
70% Instrumentalness • 46% Positiveness
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Jimmy Rogers
Money, Marbles And Chalk - Single Versio...
98 bpm • B min • 03:20 • -14db
27% Popularity • 57% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 57% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Ada Brown
Evil Mama Blues
111 bpm • D# Maj • 03:04 • -7.86db
15% Popularity • 76% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 76% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Ida Cox
Chattanooga Blues
98 bpm • C min • 02:47 • -10.16db
0% Popularity • 64% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 64% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Floyd Dixon
Getting' Ready
97 bpm • A# Maj • 02:49 • -14.06db
22% Popularity • 71% Danceability • 35% Energy • 24% Liveness
13% Instrumentalness • 75% Positiveness
22% Popularity • 71% Danceability • 35% Energy • 24% Liveness
13% Instrumentalness • 75% Positiveness
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J.B. Lenoir
Alabama Blues
97 bpm • F# Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Lowell Fulson
Low Society
97 bpm • D# Maj • 02:30 • -11.46db
42% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Tampa Red
It Hurts Me Too
97 bpm • A# Maj • 02:33 • -8db
23% Popularity • 63% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Otis Spann's South Side Piano
Spann's Stomp
97 bpm • C Maj • 02:21 • -13db
29% Popularity • 50% Danceability • 65% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
29% Popularity • 50% Danceability • 65% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
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Ida Cox
Weary Way Blues
98 bpm • C Maj • 02:47 • -8.92db
0% Popularity • 79% Danceability • 26% Energy • 25% Liveness
54% Instrumentalness • 64% Positiveness
0% Popularity • 79% Danceability • 26% Energy • 25% Liveness
54% Instrumentalness • 64% Positiveness
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Phillip Walker
Happy Man Blues
97 bpm • F Maj • 03:02 • -9db
20% Popularity • 58% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
20% Popularity • 58% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
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Tommy Johnson
Big Road Blues
112 bpm • G# Maj • 03:12 • -13db
15% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Son House
Walking Blues
112 bpm • B Maj • 06:35 • -11.16db
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Lafayette Leake
Fine Little Angel (Take 1)
112 bpm • F Maj • 03:39 • -11.05db
13% Popularity • 57% Danceability • 50% Energy • 12% Liveness
18% Instrumentalness • 82% Positiveness
13% Popularity • 57% Danceability • 50% Energy • 12% Liveness
18% Instrumentalness • 82% Positiveness
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Jackie Wilson
Rainy Day Blues
112 bpm • C Maj • 02:14 • -9.97db
19% Popularity • 51% Danceability • 26% Energy • 12% Liveness
7% Instrumentalness • 43% Positiveness
19% Popularity • 51% Danceability • 26% Energy • 12% Liveness
7% Instrumentalness • 43% Positiveness
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Ida Cox
Death Letter Blues
111 bpm • D# Maj • 03:37 • -16.41db
1% Popularity • 52% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 52% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Josh White
Black And Evil Blues
112 bpm • G# Maj • 03:12 • -14.7db
16% Popularity • 73% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 73% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Louis Jordan
Blue Light Boogie
97 bpm • F# Maj • 05:11 • -5.66db
10% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Slim Harpo
What's Goin' on Baby
112 bpm • D Maj • 02:46 • -11.88db
23% Popularity • 74% Danceability • 13% Energy • 20% Liveness
15% Instrumentalness • 72% Positiveness
23% Popularity • 74% Danceability • 13% Energy • 20% Liveness
15% Instrumentalness • 72% Positiveness
