Songs like Blues Is Trying to Keep up with Me by Lurrie Bell
Based on a tempo of (+/- 10%) and a similar genre
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Byther Smith
I'm A Honey Bee
132 bpm • D Maj • 02:42 • -11db
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
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Lurrie Bell
Blues Is Trying to Keep up with Me
132 bpm • A Maj • 04:13 • -2.5db
4% Popularity • 64% Danceability • 90% Energy • 34% Liveness
1% Instrumentalness • 89% Positiveness
4% Popularity • 64% Danceability • 90% Energy • 34% Liveness
1% Instrumentalness • 89% Positiveness
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Hubert Sumlin
I'll Be Home On Tuesday - Take 2
132 bpm • C Maj • 03:25 • -10db
36% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
36% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
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Clarence "Gatemouth" Brown
Honky Tonk
132 bpm • F Maj • 04:56 • -12db
29% Popularity • 69% Danceability • 55% Energy • 12% Liveness
91% Instrumentalness • 92% Positiveness
29% Popularity • 69% Danceability • 55% Energy • 12% Liveness
91% Instrumentalness • 92% Positiveness
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Nick Moss Band
Lucky Guy
132 bpm • D Maj • 04:32 • -3db
30% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Craig Erickson
No Reply
131 bpm • F# min • 08:04 • -8db
19% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
19% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -11.63db
23% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Michael Burks
Take A Chance On Me, Baby
131 bpm • G Maj • 05:17 • -5.92db
29% Popularity • 38% Danceability • 62% Energy • 12% Liveness
72% Instrumentalness • 57% Positiveness
29% Popularity • 38% Danceability • 62% Energy • 12% Liveness
72% Instrumentalness • 57% Positiveness
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Carey Bell
The Road Is So Long
133 bpm • A Maj • 03:14 • -9.14db
16% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Bonamassa
Reconsider Baby
133 bpm • C min • 06:51 • -6.18db
42% Popularity • 40% Danceability • 65% Energy • 8% Liveness
12% Instrumentalness • 41% Positiveness
42% Popularity • 40% Danceability • 65% Energy • 8% Liveness
12% Instrumentalness • 41% Positiveness
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Lurrie Bell
Just the Blues
134 bpm • G Maj • 06:59 • -9.26db
3% Popularity • 63% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 19% Positiveness
3% Popularity • 63% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 19% Positiveness
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Katie Webster
It's Mighty Hard
130 bpm • A# Maj • 06:30 • -14.54db
27% Popularity • 51% Danceability • 27% Energy • 21% Liveness
11% Instrumentalness • 14% Positiveness
27% Popularity • 51% Danceability • 27% Energy • 21% Liveness
11% Instrumentalness • 14% Positiveness
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Walter Trout
Blues For My Baby
130 bpm • C Maj • 07:57 • -9.25db
17% Popularity • 49% Danceability • 57% Energy • 28% Liveness
2% Instrumentalness • 34% Positiveness
17% Popularity • 49% Danceability • 57% Energy • 28% Liveness
2% Instrumentalness • 34% Positiveness
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Tail Dragger
So Ezee
130 bpm • D Maj • 05:31 • -7.16db
0% Popularity • 58% Danceability • 73% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
0% Popularity • 58% Danceability • 73% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
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Carey Bell
Teardrops
134 bpm • A min • 07:08 • -13.19db
31% Popularity • 51% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
31% Popularity • 51% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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Lil Ed & The Blues Imperials
Nobody's Fault But My Own
130 bpm • G min • 06:49 • -5db
15% Popularity • 37% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 37% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Rod Piazza
The Bounce
129 bpm • A Maj • 03:08 • -10db
19% Popularity • 58% Danceability • 71% Energy • 37% Liveness
86% Instrumentalness • 94% Positiveness
19% Popularity • 58% Danceability • 71% Energy • 37% Liveness
86% Instrumentalness • 94% Positiveness
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Hubert Sumlin
Pickin'
135 bpm • F Maj • 03:01 • -6db
18% Popularity • 70% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
18% Popularity • 70% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
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Katie Webster
After You Get Rid Of Me
135 bpm • C Maj • 05:34 • -13.88db
17% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Copeland
Every Dog's Got His Day
135 bpm • C Maj • 04:54 • -7.89db
15% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Dave Hole
Up All Night Thinking
135 bpm • D Maj • 07:55 • -6.09db
12% Popularity • 36% Danceability • 50% Energy • 98% Liveness
13% Instrumentalness • 23% Positiveness
12% Popularity • 36% Danceability • 50% Energy • 98% Liveness
13% Instrumentalness • 23% Positiveness
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Ronnie EarlThe Broadcasters
Change Is Gonna Come
129 bpm • A# Maj • 06:02 • -4.82db
28% Popularity • 43% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
28% Popularity • 43% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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The Insomniacs
Hoodoo Man Blues
129 bpm • D Maj • 06:14 • -6.99db
9% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lurrie Bell
Blues Had A Baby
135 bpm • G Maj • 04:30 • -6.69db
3% Popularity • 57% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
3% Popularity • 57% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Eddy Clearwater
Blues Hang Out
135 bpm • G Maj • 05:13 • -10.03db
13% Popularity • 69% Danceability • 69% Energy • 36% Liveness
48% Instrumentalness • 84% Positiveness
13% Popularity • 69% Danceability • 69% Energy • 36% Liveness
48% Instrumentalness • 84% Positiveness
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James Armstrong
Change in the Weather
129 bpm • A min • 04:52 • -10.67db
28% Popularity • 73% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
28% Popularity • 73% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11.35db
9% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Rick Estrin & The Nightcats
The Blues Ain't Going Nowhere
135 bpm • G Maj • 05:08 • -4.85db
17% Popularity • 54% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
17% Popularity • 54% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Too Mutz Blues Band
Gotto Keep On Drinking
135 bpm • D# Maj • 07:41 • -10db
11% Popularity • 43% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
11% Popularity • 43% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Harmonica Shah
Baby, You Have Got to Change
135 bpm • C min • 04:46 • -4.09db
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Nick Moss & The Flip Tops
Don't You Lie To Me - Live
136 bpm • C Maj • 08:38 • -3.64db
1% Popularity • 54% Danceability • 88% Energy • 72% Liveness
11% Instrumentalness • 76% Positiveness
1% Popularity • 54% Danceability • 88% Energy • 72% Liveness
11% Instrumentalness • 76% Positiveness
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The Blues Band
Bring on the Blues
128 bpm • C Maj • 04:53 • -6.96db
11% Popularity • 48% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Guitar Shorty
Texas Women
128 bpm • F# min • 04:24 • -5db
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Rick Estrin & The Nightcats
So Long (for Jay P.)
136 bpm • F Maj • 03:23 • -6.05db
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
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Lurrie Bell
Baby Take It Easy
136 bpm • C Maj • 04:16 • -10.78db
1% Popularity • 74% Danceability • 57% Energy • 15% Liveness
17% Instrumentalness • 88% Positiveness
1% Popularity • 74% Danceability • 57% Energy • 15% Liveness
17% Instrumentalness • 88% Positiveness
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Chris Beard
Caught Up
128 bpm • G min • 04:12 • -7.02db
8% Popularity • 74% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 74% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Nick Moss & The Flip Tops
I Wanna Know - Live
128 bpm • C Maj • 07:37 • -4.13db
0% Popularity • 45% Danceability • 78% Energy • 87% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 45% Danceability • 78% Energy • 87% Liveness
0% Instrumentalness • 59% Positiveness
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JT Coldfire
Lee Malone
128 bpm • A Maj • 03:13 • -6.26db
10% Popularity • 57% Danceability • 81% Energy • 22% Liveness
30% Instrumentalness • 72% Positiveness
10% Popularity • 57% Danceability • 81% Energy • 22% Liveness
30% Instrumentalness • 72% Positiveness
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Debbie Davies
It's All Blues
127 bpm • A Maj • 03:36 • -8db
17% Popularity • 78% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 78% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Deborah Coleman
Roll With Me
127 bpm • E min • 04:14 • -5.14db
15% Popularity • 74% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 74% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Lurrie Bell
If It's Too Late
137 bpm • F# min • 03:50 • -5.5db
2% Popularity • 64% Danceability • 83% Energy • 27% Liveness
1% Instrumentalness • 69% Positiveness
2% Popularity • 64% Danceability • 83% Energy • 27% Liveness
1% Instrumentalness • 69% Positiveness
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Kenny Neal
Hoodoo Moon
127 bpm • E Maj • 03:16 • -13.69db
20% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Hubert Sumlin
Easy, Hubert, Easy
127 bpm • B Maj • 03:53 • -11.64db
14% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
14% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
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Gregor Hilden
It's a Man's World
127 bpm • C min • 05:56 • -12db
29% Popularity • 53% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 53% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Michael Burks
Empty Promises
138 bpm • D min • 06:15 • -3.11db
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Lurrie Bell
Hey Hey Baby
127 bpm • C Maj • 03:11 • -4db
10% Popularity • 66% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
10% Popularity • 66% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
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A.C. Reed
I Can't Go This Way
126 bpm • A min • 04:05 • -9db
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Hubert Sumlin
Spanish Greens
126 bpm • A# Maj • 04:19 • -7.72db
18% Popularity • 66% Danceability • 75% Energy • 10% Liveness
95% Instrumentalness • 87% Positiveness
18% Popularity • 66% Danceability • 75% Energy • 10% Liveness
95% Instrumentalness • 87% Positiveness
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Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
26% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Tail Dragger
Tend To Your Business
126 bpm • D Maj • 04:23 • -7.6db
3% Popularity • 62% Danceability • 76% Energy • 76% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 62% Danceability • 76% Energy • 76% Liveness
0% Instrumentalness • 79% Positiveness
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Michael Burks
Make It Rain
126 bpm • G min • 06:59 • -7db
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Mighty Mo Rodgers
Red White & Blues
126 bpm • A min • 03:38 • -7.22db
16% Popularity • 82% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
16% Popularity • 82% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
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Lurrie Bell
Sit Down Baby
137 bpm • A Maj • 03:00 • -3.62db
3% Popularity • 76% Danceability • 76% Energy • 35% Liveness
18% Instrumentalness • 86% Positiveness
3% Popularity • 76% Danceability • 76% Energy • 35% Liveness
18% Instrumentalness • 86% Positiveness
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Lonnie Brooks
In The Dark
139 bpm • G min • 05:22 • -17db
24% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Larry Garner
Miss boss
125 bpm • A Maj • 03:54 • -8.78db
11% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Freund
Worried About That Gal
139 bpm • C min • 05:12 • -10.67db
10% Popularity • 61% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 61% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Luther Johnson
Hush Hush
125 bpm • A Maj • 04:20 • -11.38db
20% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Little Charlie & The Nightcats
If This Is Love
139 bpm • E min • 05:38 • -19db
21% Popularity • 55% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 55% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Lurrie Bell
I Feel so Good
126 bpm • F Maj • 04:14 • -5db
23% Popularity • 70% Danceability • 75% Energy • 28% Liveness
10% Instrumentalness • 86% Positiveness
23% Popularity • 70% Danceability • 75% Energy • 28% Liveness
10% Instrumentalness • 86% Positiveness
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Álvaro Assmar
Stormy Monday
139 bpm • C Maj • 07:24 • -20.06db
11% Popularity • 47% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 22% Positiveness
11% Popularity • 47% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 22% Positiveness
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Mississippi Heat
Jean's Jive
125 bpm • G min • 03:08 • -5db
15% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
15% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
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Nora Jean Bruso
Don't You Remember_
140 bpm • A min • 07:25 • -6.86db
13% Popularity • 53% Danceability • 52% Energy • 6% Liveness
3% Instrumentalness • 44% Positiveness
13% Popularity • 53% Danceability • 52% Energy • 6% Liveness
3% Instrumentalness • 44% Positiveness
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Lil Ed & The Blues Imperials
Deep In My Soul
125 bpm • A# Maj • 04:33 • -5db
18% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
18% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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Jimmy Dawkins
Ruff Times
124 bpm • G Maj • 05:32 • -16.7db
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
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Lurrie Bell
T-Bone Blues Special
125 bpm • A# Maj • 03:21 • -4.63db
2% Popularity • 68% Danceability • 79% Energy • 24% Liveness
4% Instrumentalness • 90% Positiveness
2% Popularity • 68% Danceability • 79% Energy • 24% Liveness
4% Instrumentalness • 90% Positiveness
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Mighty Mo Rodgers
The Boogie Man
124 bpm • G Maj • 02:27 • -10db
29% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Mick Kolassa
Baby's Got Another Lover
141 bpm • E min • 07:25 • -8.3db
39% Popularity • 52% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
39% Popularity • 52% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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Diunna Greenleaf
Sunny Day Friends
124 bpm • C Maj • 03:40 • -4.66db
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Katie Webster
Pussycat Moan
124 bpm • G Maj • 06:02 • -13db
28% Popularity • 64% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 64% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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William Clarke
Sweet Angel's Gone
124 bpm • G Maj • 04:44 • -15db
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Lurrie Bell
I've Got Papers On You Baby
125 bpm • C Maj • 05:32 • -12.99db
2% Popularity • 71% Danceability • 50% Energy • 14% Liveness
20% Instrumentalness • 82% Positiveness
2% Popularity • 71% Danceability • 50% Energy • 14% Liveness
20% Instrumentalness • 82% Positiveness
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Adrian Flores
Cold Cold Feeling
141 bpm • C min • 07:59 • -7.22db
0% Popularity • 55% Danceability • 55% Energy • 13% Liveness
38% Instrumentalness • 50% Positiveness
0% Popularity • 55% Danceability • 55% Energy • 13% Liveness
38% Instrumentalness • 50% Positiveness
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Clarence "Gatemouth" Brown
Ventilator Blues
141 bpm • C Maj • 06:13 • -13.08db
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Guitar Shorty
Neverland
124 bpm • A min • 03:59 • -5db
38% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Tail Dragger
You Gotta Go
123 bpm • D Maj • 04:01 • -8.27db
0% Popularity • 67% Danceability • 67% Energy • 21% Liveness
1% Instrumentalness • 68% Positiveness
0% Popularity • 67% Danceability • 67% Energy • 21% Liveness
1% Instrumentalness • 68% Positiveness
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Roomful Of Blues
It All Went Down The Drain
123 bpm • C Maj • 05:28 • -4.04db
21% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
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Lurrie Bell
You Got To Stop This Mess
125 bpm • C Maj • 03:41 • -11.49db
1% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Mighty Sam McClain
I'm Tired of These Blues
123 bpm • C min • 06:59 • -16.01db
34% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Luther "Guitar Junior" Johnson
Back At the Chiken Shack
123 bpm • G Maj • 05:35 • -11db
8% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
8% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
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Adrián Flores y La Blues Special Band
Sin Retorno
142 bpm • F min • 08:01 • -14.43db
0% Popularity • 53% Danceability • 28% Energy • 10% Liveness
23% Instrumentalness • 46% Positiveness
0% Popularity • 53% Danceability • 28% Energy • 10% Liveness
23% Instrumentalness • 46% Positiveness
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Tinsley Ellis & The Heartfixers
Time To Quit
142 bpm • G min • 09:33 • -11.75db
9% Popularity • 36% Danceability • 41% Energy • 33% Liveness
2% Instrumentalness • 50% Positiveness
9% Popularity • 36% Danceability • 41% Energy • 33% Liveness
2% Instrumentalness • 50% Positiveness
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Lazy Lester
I'm A Man
123 bpm • A# Maj • 04:00 • -12db
34% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
34% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
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Lurrie Bell
Do You Hear
141 bpm • C Maj • 03:56 • -2.34db
2% Popularity • 62% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
2% Popularity • 62% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Clarence "Gatemouth" Brown
What Am I Living For
143 bpm • G Maj • 03:55 • -16.72db
24% Popularity • 55% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
24% Popularity • 55% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
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JT Coldfire
Crazy Sun
122 bpm • C Maj • 06:04 • -8db
17% Popularity • 46% Danceability • 52% Energy • 10% Liveness
15% Instrumentalness • 51% Positiveness
17% Popularity • 46% Danceability • 52% Energy • 10% Liveness
15% Instrumentalness • 51% Positiveness
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Ronnie Baker Brooks
Twine Time
122 bpm • C Maj • 04:15 • -6db
29% Popularity • 75% Danceability • 80% Energy • 53% Liveness
55% Instrumentalness • 96% Positiveness
29% Popularity • 75% Danceability • 80% Energy • 53% Liveness
55% Instrumentalness • 96% Positiveness
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Breezy Rodio
I Win Some More
143 bpm • C Maj • 05:11 • -10db
2% Popularity • 60% Danceability • 41% Energy • 9% Liveness
12% Instrumentalness • 36% Positiveness
2% Popularity • 60% Danceability • 41% Energy • 9% Liveness
12% Instrumentalness • 36% Positiveness
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Mike Zito
Damn Shame
143 bpm • G Maj • 05:33 • -10.69db
11% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lurrie Bell
I'll Be Your 44
142 bpm • C Maj • 04:14 • -9.08db
0% Popularity • 72% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 72% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Debbie Davies
Takin' It All To Vegas
122 bpm • F# min • 03:14 • -7.95db
26% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Hubert Sumlin
I Love
121 bpm • A Maj • 04:15 • -9db
4% Popularity • 53% Danceability • 65% Energy • 69% Liveness
3% Instrumentalness • 69% Positiveness
4% Popularity • 53% Danceability • 65% Energy • 69% Liveness
3% Instrumentalness • 69% Positiveness
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Gregor Hilden
Harlem Stomp
144 bpm • F# min • 02:42 • -4.25db
25% Popularity • 60% Danceability • 81% Energy • 9% Liveness
76% Instrumentalness • 65% Positiveness
25% Popularity • 60% Danceability • 81% Energy • 9% Liveness
76% Instrumentalness • 65% Positiveness
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Johnny Copeland
I De Go Now
121 bpm • C Maj • 06:55 • -12.58db
10% Popularity • 50% Danceability • 43% Energy • 14% Liveness
22% Instrumentalness • 47% Positiveness
10% Popularity • 50% Danceability • 43% Energy • 14% Liveness
22% Instrumentalness • 47% Positiveness
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Mississippi Heat
Cool Twist
121 bpm • G# Maj • 04:03 • -9.75db
2% Popularity • 85% Danceability • 67% Energy • 71% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 85% Danceability • 67% Energy • 71% Liveness
0% Instrumentalness • 96% Positiveness
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Lurrie Bell
Bring Yourself Back To Me
121 bpm • G min • 04:50 • -7.55db
2% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
2% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Hardie
I Walk Alone
144 bpm • A min • 06:15 • -10db
24% Popularity • 67% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
24% Popularity • 67% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness