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Blunder
Songs like
Blunder
by
whatever mike
Based on a tempo of (+/- 10%) and a similar genre
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Saint Claire
LO
78 bpm • A Maj • 02:46 • -7db
28% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Juice
Workin' on Lovin'
78 bpm • A Maj • 03:54 • -4.51db
48% Popularity • 48% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Hayley Gene Penner
White Stripes
78 bpm • B min • 03:22 • -8db
25% Popularity • 66% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Tor Miller
The Dirt
78 bpm • B Maj • 03:45 • -8.6db
35% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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JONES Jnr.
Sunlight
78 bpm • A min • 03:24 • -6.35db
26% Popularity • 58% Danceability • 55% Energy • 9% Liveness
20% Instrumentalness • 29% Positiveness
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Sam Fischer
Getting Older
78 bpm • E Maj • 03:29 • -5.41db
28% Popularity • 76% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Lawrence
The Weather (Acoustic)
78 bpm • C# Maj • 03:10 • -7.3db
46% Popularity • 37% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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JT Roach
Tipsy Love
77 bpm • D# Maj • 03:01 • -13.71db
24% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Refs
Boarding It Up
77 bpm • D# min • 03:28 • -6.72db
15% Popularity • 30% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Kevin Garrett
Title Track
77 bpm • C# Maj • 04:28 • -12db
25% Popularity • 52% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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whatever mike
Lost Anyways
79 bpm • G Maj • 02:45 • -7.36db
7% Popularity • 55% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Mikey Jose
Stay @ Home
77 bpm • B Maj • 03:51 • -10.9db
23% Popularity • 77% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Cautious Clay
Cold War
77 bpm • C# min • 03:22 • -10db
59% Popularity • 65% Danceability • 47% Energy • 10% Liveness
25% Instrumentalness • 46% Positiveness
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Suzy Jones
Commit Me
79 bpm • F Maj • 03:09 • -5.61db
16% Popularity • 24% Danceability • 74% Energy • 47% Liveness
0% Instrumentalness • 49% Positiveness
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John Splithoff
Make It Happen
77 bpm • A Maj • 03:24 • -4.49db
36% Popularity • 72% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Kevin Garrett
It Don't Bother Me At All
79 bpm • B Maj • 04:07 • -13db
26% Popularity • 33% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jay Warren
Lipstick on a Champagne Flute
79 bpm • G# min • 03:47 • -8.14db
11% Popularity • 71% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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The Roosevelts
Love in Color
77 bpm • A min • 03:34 • -8db
13% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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whatever mike
Forest
79 bpm • F Maj • 02:49 • -9.57db
6% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Thirdstory
Still In Love
77 bpm • G# Maj • 03:26 • -5.29db
38% Popularity • 52% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Zaidi
Choose You Twice.
79 bpm • D Maj • 03:55 • -11.57db
32% Popularity • 37% Danceability • 27% Energy • 14% Liveness
11% Instrumentalness • 60% Positiveness
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Camille Trust
Lavender
79 bpm • C# Maj • 03:46 • -13.22db
13% Popularity • 37% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Kessler
Known Like This
79 bpm • D Maj • 03:23 • -10db
22% Popularity • 35% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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BAILEN
Your Love Is All I Know
77 bpm • C Maj • 03:39 • -9db
41% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Kevin Garrett
Running From
79 bpm • F min • 03:14 • -7.69db
19% Popularity • 58% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 54% Positiveness
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Grace Weber
More Than Friends
80 bpm • G# Maj • 03:17 • -8.08db
15% Popularity • 31% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Wingtip
Song For Julia
80 bpm • A Maj • 03:11 • -11.63db
24% Popularity • 50% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Francisco Martin
Wild Girl
80 bpm • C# Maj • 04:45 • -5.53db
36% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Cautious Clay
Call Me
80 bpm • F# min • 03:01 • -12.51db
29% Popularity • 69% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
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ASL
EARLY TO THE PARTY
80 bpm • D Maj • 02:48 • -5.34db
27% Popularity • 52% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Slaters
Danger
80 bpm • C Maj • 03:52 • -8.87db
29% Popularity • 71% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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whatever mike
Love Is Coming Out
80 bpm • C# Maj • 02:55 • -4.81db
15% Popularity • 80% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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JP Saxe
Anybody Else
76 bpm • C# min • 03:36 • -6.56db
34% Popularity • 66% Danceability • 52% Energy • 20% Liveness
3% Instrumentalness • 30% Positiveness
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Koko Deniro
Water Bed
80 bpm • F Maj • 02:03 • -6.67db
28% Popularity • 75% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Cautious Clay
Cold War (Stripped)
80 bpm • G# min • 03:51 • -8.16db
31% Popularity • 85% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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John Splithoff
Sing to You - Acoustic
76 bpm • F# Maj • 03:36 • -8.27db
44% Popularity • 72% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Kevin Garrett
Coloring
76 bpm • C Maj • 03:39 • -10db
40% Popularity • 63% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Joel Ansett
Sugar Coat
80 bpm • F# Maj • 03:20 • -6.62db
20% Popularity • 70% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Kyle Thornton & The Company
Talk Is Cheap
76 bpm • G# Maj • 03:59 • -10.38db
28% Popularity • 70% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Jackson Breit
Stickwitu
76 bpm • A Maj • 02:41 • -12.17db
36% Popularity • 26% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Boom Forest
Prying Eyes
81 bpm • F# Maj • 03:27 • -8.55db
20% Popularity • 63% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Day
Sour Inside
81 bpm • G Maj • 03:42 • -6.64db
38% Popularity • 47% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kevin Garrett
Factor In
76 bpm • C# Maj • 03:27 • -8.26db
36% Popularity • 64% Danceability • 54% Energy • 14% Liveness
5% Instrumentalness • 63% Positiveness
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Jak Lizard
Jenny
81 bpm • F Maj • 02:31 • -5.07db
22% Popularity • 55% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Jobe
Love in the Morning
75 bpm • G min • 02:59 • -6db
32% Popularity • 76% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Miki Ratsula
Captivate
75 bpm • G min • 03:45 • -5.66db
23% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Thirdstory
Over (When We Said Goodbye)
81 bpm • C Maj • 03:30 • -9db
36% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Shadowboxers
Forever
81 bpm • A Maj • 03:17 • -5.92db
28% Popularity • 59% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
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Kevin Garrett
Hard Work
80 bpm • C# Maj • 03:22 • -8.58db
32% Popularity • 52% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Drew Cole
Kings and Queens
81 bpm • C# Maj • 03:09 • -10.15db
26% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Zachary Knowles
no place like hope
75 bpm • G# Maj • 04:12 • -15db
32% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Shoos Off
Song for Radio
75 bpm • A# Maj • 03:43 • -10db
32% Popularity • 54% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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AceQuared
Pancakes
81 bpm • A Maj • 03:22 • -10db
26% Popularity • 54% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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MisterWives
decide to be happy
75 bpm • F min • 03:27 • -5.11db
46% Popularity • 59% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Kevin Garrett
Love You Less
75 bpm • C Maj • 04:43 • -11.54db
28% Popularity • 63% Danceability • 32% Energy • 10% Liveness
11% Instrumentalness • 34% Positiveness
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John Splithoff
Proud
75 bpm • C# Maj • 03:03 • -6.59db
26% Popularity • 72% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Refs
Roots
81 bpm • E Maj • 02:45 • -10db
22% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Noah Mac
The Soliloquy
81 bpm • A min • 03:13 • -9.74db
18% Popularity • 39% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Rocky Block
Lover
75 bpm • A min • 03:52 • -12.29db
21% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kyle Thornton & The Company
Fall In Love
82 bpm • C Maj • 03:45 • -9.77db
30% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Williams
Marina
74 bpm • C Maj • 04:42 • -16.13db
20% Popularity • 49% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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UTAH
All I See Is You
82 bpm • G Maj • 03:26 • -10.23db
29% Popularity • 70% Danceability • 72% Energy • 12% Liveness
15% Instrumentalness • 46% Positiveness
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Brasstracks
Too Far Too Fast
82 bpm • F# min • 03:28 • -4db
27% Popularity • 60% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Claire Ernst
Fate
82 bpm • C# Maj • 03:21 • -8.77db
23% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Toulouse
San Junipero
82 bpm • D Maj • 03:56 • -6.05db
17% Popularity • 63% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 37% Positiveness
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Victoria IX
Sweet Time
82 bpm • F# min • 03:56 • -7db
18% Popularity • 46% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Amber Mark
Can You Hear Me?
82 bpm • C# Maj • 03:49 • -6db
34% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Bleed the Rads
To the Class of-
82 bpm • B Maj • 03:45 • -14db
20% Popularity • 90% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Anna Shoemaker
Funny
82 bpm • D Maj • 03:09 • -7.99db
12% Popularity • 73% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Emma Jayne
Selfish
83 bpm • G# Maj • 03:31 • -8.34db
9% Popularity • 65% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Ripe
Backup
83 bpm • G# min • 03:44 • -6.99db
37% Popularity • 69% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Refs
Pain Goes Away
83 bpm • G Maj • 03:28 • -4.4db
29% Popularity • 42% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Elliot Root
Take Your Money
83 bpm • G# Maj • 05:04 • -6.74db
16% Popularity • 31% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Joel Ansett
Cadillac
83 bpm • C# Maj • 03:14 • -8.92db
29% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Fintan
Light Personified
83 bpm • C min • 03:20 • -10db
29% Popularity • 68% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Cautious Clay
Wildfire
83 bpm • E Maj • 03:19 • -7.89db
26% Popularity • 51% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Daktyl
6 Letters
73 bpm • C# Maj • 02:46 • -8.43db
38% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kate K-S
See Me Now
84 bpm • A min • 03:39 • -9.74db
1% Popularity • 37% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kevin Garrett
Gone Again
84 bpm • F Maj • 03:19 • -8db
25% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Yam Haus
Mama
84 bpm • A Maj • 02:42 • -8.56db
30% Popularity • 74% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Juice
Sugar
84 bpm • G Maj • 03:29 • -3db
29% Popularity • 48% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Ashe
Used To It (Stripped)
84 bpm • D# Maj • 03:40 • -11.55db
27% Popularity • 58% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Molly with Charles
Playing with the Moon
85 bpm • D Maj • 04:05 • -13.3db
23% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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NSTASIA
Belong to You
85 bpm • A Maj • 03:19 • -7.36db
30% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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On The Rocks
Can't Take My Eyes Off You
85 bpm • B Maj • 04:03 • -7.33db
1% Popularity • 33% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Garth.
Human Nature
71 bpm • B min • 03:58 • -8.87db
12% Popularity • 31% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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CLAY
Orange
85 bpm • C Maj • 03:32 • -6.56db
43% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Opia
TWIDFY
85 bpm • E min • 02:58 • -12.68db
16% Popularity • 38% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Spencer Sutherland
NONE of this has been about you
71 bpm • G# Maj • 02:33 • -6.16db
26% Popularity • 66% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Refs
New York
71 bpm • C# Maj • 02:49 • -7.23db
12% Popularity • 41% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Thirdstory
G Train
86 bpm • F# min • 04:11 • -8db
26% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Maths Time Joy
Count On Me
87 bpm • B Maj • 04:10 • -10db
16% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Grace Lee
Walk Slow
87 bpm • D Maj • 03:11 • -10.91db
11% Popularity • 41% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Mr. Popular
When It Rains
87 bpm • E Maj • 02:37 • -9db
25% Popularity • 33% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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LOONY
iN CODE
70 bpm • C Maj • 03:07 • -7.8db
31% Popularity • 71% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Alec Bailey
Roseanne
87 bpm • F# min • 02:44 • -6.65db
24% Popularity • 63% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Thirdstory
G Train
86 bpm • F# min • 03:35 • -7.42db
34% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Maths Time Joy
Going Nowhere (Stripped)
70 bpm • D Maj • 03:14 • -12.07db
25% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Shadowboxers
I Can't Stop Thinking About You
87 bpm • G Maj • 04:42 • -10.68db
36% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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SondorBlue
The Moon and You
87 bpm • E min • 04:39 • -7db
23% Popularity • 32% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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