Songs like Blush by Leon Vynehall
Based on a tempo of (+/- 10%) and a similar genre
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Kink
Fish Feeling
122 bpm • G Maj • 06:22 • -12db
5% Popularity • 83% Danceability • 50% Energy • 71% Liveness
89% Instrumentalness • 48% Positiveness
5% Popularity • 83% Danceability • 50% Energy • 71% Liveness
89% Instrumentalness • 48% Positiveness
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Todd Terje
Jungelknugen - Prins Thomas Remix
122 bpm • E min • 08:56 • -10.28db
11% Popularity • 83% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
11% Popularity • 83% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Leon Vynehall
Blush
122 bpm • F min • 08:30 • -7db
29% Popularity • 63% Danceability • 87% Energy • 35% Liveness
5% Instrumentalness • 41% Positiveness
29% Popularity • 63% Danceability • 87% Energy • 35% Liveness
5% Instrumentalness • 41% Positiveness
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Kornél Kovács
Szikra
122 bpm • G min • 06:41 • -10.14db
44% Popularity • 80% Danceability • 93% Energy • 27% Liveness
74% Instrumentalness • 87% Positiveness
44% Popularity • 80% Danceability • 93% Energy • 27% Liveness
74% Instrumentalness • 87% Positiveness
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Glenn Astro
A Bit Warmer
122 bpm • A# Maj • 05:39 • -8db
14% Popularity • 97% Danceability • 75% Energy • 6% Liveness
76% Instrumentalness • 51% Positiveness
14% Popularity • 97% Danceability • 75% Energy • 6% Liveness
76% Instrumentalness • 51% Positiveness
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Chaos In The CBD
816 To Nunhead
122 bpm • F# min • 06:19 • -11.05db
39% Popularity • 73% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 61% Positiveness
39% Popularity • 73% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 61% Positiveness
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Session Victim
Bring It Back
122 bpm • F min • 06:21 • -10db
27% Popularity • 75% Danceability • 79% Energy • 9% Liveness
68% Instrumentalness • 59% Positiveness
27% Popularity • 75% Danceability • 79% Energy • 9% Liveness
68% Instrumentalness • 59% Positiveness
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Todd Terje
Jungelknugen - Four Tet Remix
122 bpm • D min • 08:00 • -9.73db
26% Popularity • 76% Danceability • 87% Energy • 56% Liveness
93% Instrumentalness • 11% Positiveness
26% Popularity • 76% Danceability • 87% Energy • 56% Liveness
93% Instrumentalness • 11% Positiveness
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Leon Vynehall
Wahness
122 bpm • C# Maj • 06:50 • -7.96db
16% Popularity • 86% Danceability • 63% Energy • 15% Liveness
69% Instrumentalness • 48% Positiveness
16% Popularity • 86% Danceability • 63% Energy • 15% Liveness
69% Instrumentalness • 48% Positiveness
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Galcher Lustwerk
Idhouse
122 bpm • B min • 05:36 • -11.8db
11% Popularity • 69% Danceability • 65% Energy • 13% Liveness
69% Instrumentalness • 41% Positiveness
11% Popularity • 69% Danceability • 65% Energy • 13% Liveness
69% Instrumentalness • 41% Positiveness
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HNNY
Caypio
122 bpm • A# Maj • 08:48 • -11.27db
18% Popularity • 79% Danceability • 66% Energy • 11% Liveness
84% Instrumentalness • 69% Positiveness
18% Popularity • 79% Danceability • 66% Energy • 11% Liveness
84% Instrumentalness • 69% Positiveness
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Chaos In The CBD
Luxury Motivation
122 bpm • F# min • 05:48 • -14.18db
45% Popularity • 76% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
45% Popularity • 76% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Kevin Griffiths
Acid Splash - Leon Vynehall Translation
122 bpm • A# min • 08:25 • -9.77db
1% Popularity • 76% Danceability • 78% Energy • 22% Liveness
6% Instrumentalness • 47% Positiveness
1% Popularity • 76% Danceability • 78% Energy • 22% Liveness
6% Instrumentalness • 47% Positiveness
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New Jackson
From Night To Night
122 bpm • B min • 06:07 • -10.08db
9% Popularity • 81% Danceability • 58% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 81% Danceability • 58% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
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Danilo Plessow
Raw Cuts - Recloose Remix
122 bpm • A# min • 06:28 • -7db
12% Popularity • 68% Danceability • 74% Energy • 70% Liveness
53% Instrumentalness • 62% Positiveness
12% Popularity • 68% Danceability • 74% Energy • 70% Liveness
53% Instrumentalness • 62% Positiveness
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Frits Wentink
Shrewd
122 bpm • C# min • 05:00 • -10db
20% Popularity • 90% Danceability • 69% Energy • 6% Liveness
21% Instrumentalness • 67% Positiveness
20% Popularity • 90% Danceability • 69% Energy • 6% Liveness
21% Instrumentalness • 67% Positiveness
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Lauer
Tearsh
122 bpm • A min • 06:25 • -8db
22% Popularity • 70% Danceability • 91% Energy • 16% Liveness
56% Instrumentalness • 87% Positiveness
22% Popularity • 70% Danceability • 91% Energy • 16% Liveness
56% Instrumentalness • 87% Positiveness
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Isolée
Mangrove
122 bpm • A Maj • 07:38 • -10.02db
16% Popularity • 83% Danceability • 67% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
16% Popularity • 83% Danceability • 67% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
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Laurence Guy
Les Mur
122 bpm • E min • 06:49 • -13db
34% Popularity • 97% Danceability • 45% Energy • 10% Liveness
68% Instrumentalness • 36% Positiveness
34% Popularity • 97% Danceability • 45% Energy • 10% Liveness
68% Instrumentalness • 36% Positiveness
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Kink
Tropic
122 bpm • B min • 05:32 • -10.97db
7% Popularity • 66% Danceability • 70% Energy • 20% Liveness
46% Instrumentalness • 56% Positiveness
7% Popularity • 66% Danceability • 70% Energy • 20% Liveness
46% Instrumentalness • 56% Positiveness
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Avalon Emerson
Quoi!
122 bpm • C# Maj • 07:14 • -8.17db
17% Popularity • 75% Danceability • 92% Energy • 37% Liveness
83% Instrumentalness • 76% Positiveness
17% Popularity • 75% Danceability • 92% Energy • 37% Liveness
83% Instrumentalness • 76% Positiveness
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John Talabot
Voices
122 bpm • D Maj • 06:52 • -11.98db
23% Popularity • 77% Danceability • 72% Energy • 7% Liveness
85% Instrumentalness • 71% Positiveness
23% Popularity • 77% Danceability • 72% Energy • 7% Liveness
85% Instrumentalness • 71% Positiveness
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Dam Swindle
The Wrap Around
122 bpm • G# min • 07:11 • -9.11db
34% Popularity • 85% Danceability • 53% Energy • 33% Liveness
30% Instrumentalness • 32% Positiveness
34% Popularity • 85% Danceability • 53% Energy • 33% Liveness
30% Instrumentalness • 32% Positiveness
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Todd Terje
Strandbar
122 bpm • D Maj • 04:28 • -10db
40% Popularity • 74% Danceability • 89% Energy • 37% Liveness
91% Instrumentalness • 69% Positiveness
40% Popularity • 74% Danceability • 89% Energy • 37% Liveness
91% Instrumentalness • 69% Positiveness
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Isolée
Favouride
122 bpm • A# min • 06:37 • -13db
18% Popularity • 74% Danceability • 63% Energy • 8% Liveness
78% Instrumentalness • 19% Positiveness
18% Popularity • 74% Danceability • 63% Energy • 8% Liveness
78% Instrumentalness • 19% Positiveness
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Kink
Leko - Session Victim Remix
122 bpm • C# Maj • 05:25 • -7.22db
44% Popularity • 67% Danceability • 94% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
44% Popularity • 67% Danceability • 94% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
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Axel Boman
Paris 2006
122 bpm • D min • 06:30 • -11.93db
34% Popularity • 86% Danceability • 49% Energy • 17% Liveness
88% Instrumentalness • 73% Positiveness
34% Popularity • 86% Danceability • 49% Energy • 17% Liveness
88% Instrumentalness • 73% Positiveness
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FYI Chris
House Dog
122 bpm • F# Maj • 07:52 • -8.13db
20% Popularity • 72% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
20% Popularity • 72% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
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Perfume Advert
Mirror Shield
122 bpm • A# min • 07:37 • -10db
12% Popularity • 81% Danceability • 62% Energy • 39% Liveness
12% Instrumentalness • 71% Positiveness
12% Popularity • 81% Danceability • 62% Energy • 39% Liveness
12% Instrumentalness • 71% Positiveness
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Agua Re
Holy Dance - Large Sound Mix
122 bpm • A min • 04:56 • -8.57db
35% Popularity • 80% Danceability • 91% Energy • 11% Liveness
85% Instrumentalness • 75% Positiveness
35% Popularity • 80% Danceability • 91% Energy • 11% Liveness
85% Instrumentalness • 75% Positiveness
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Session Victim
The Haunted House
122 bpm • A# min • 06:31 • -10.14db
15% Popularity • 66% Danceability • 76% Energy • 11% Liveness
78% Instrumentalness • 63% Positiveness
15% Popularity • 66% Danceability • 76% Energy • 11% Liveness
78% Instrumentalness • 63% Positiveness
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Shadow Child
Steak Fingers - Rimbaudian Orchestral re...
122 bpm • F# Maj • 05:38 • -7.57db
9% Popularity • 68% Danceability • 84% Energy • 8% Liveness
86% Instrumentalness • 80% Positiveness
9% Popularity • 68% Danceability • 84% Energy • 8% Liveness
86% Instrumentalness • 80% Positiveness
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Oskar Offermann & Moomin
Hardmood
122 bpm • A min • 06:11 • -13.98db
13% Popularity • 92% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 88% Positiveness
13% Popularity • 92% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 88% Positiveness
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DJ Koze
Knee on Belly
122 bpm • C# Maj • 06:05 • -11.18db
13% Popularity • 87% Danceability • 47% Energy • 18% Liveness
56% Instrumentalness • 37% Positiveness
13% Popularity • 87% Danceability • 47% Energy • 18% Liveness
56% Instrumentalness • 37% Positiveness
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Joe Goddard
Bassline '12
122 bpm • C# Maj • 09:07 • -7.39db
13% Popularity • 76% Danceability • 74% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
13% Popularity • 76% Danceability • 74% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
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Leon Vynehall
Be Brave, Clench Fists
122 bpm • C# Maj • 06:45 • -12.07db
15% Popularity • 65% Danceability • 83% Energy • 61% Liveness
88% Instrumentalness • 25% Positiveness
15% Popularity • 65% Danceability • 83% Energy • 61% Liveness
88% Instrumentalness • 25% Positiveness
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Session Victim
Matching Half
122 bpm • G min • 06:53 • -12.3db
17% Popularity • 71% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 80% Positiveness
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Mount Liberation Unlimited
Double Dance Lover (Radio Version)
122 bpm • G min • 07:46 • -8.57db
19% Popularity • 81% Danceability • 69% Energy • 10% Liveness
19% Instrumentalness • 82% Positiveness
19% Popularity • 81% Danceability • 69% Energy • 10% Liveness
19% Instrumentalness • 82% Positiveness
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Avalon Emerson
2000 Species of Cacti
123 bpm • F# Maj • 05:45 • -8.85db
17% Popularity • 76% Danceability • 79% Energy • 35% Liveness
92% Instrumentalness • 84% Positiveness
17% Popularity • 76% Danceability • 79% Energy • 35% Liveness
92% Instrumentalness • 84% Positiveness
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Florian Kupfer
Feelin
121 bpm • A min • 07:33 • -6.56db
16% Popularity • 69% Danceability • 94% Energy • 10% Liveness
86% Instrumentalness • 72% Positiveness
16% Popularity • 69% Danceability • 94% Energy • 10% Liveness
86% Instrumentalness • 72% Positiveness
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Hauke Freer
XK - mixed
121 bpm • F Maj • 04:42 • -10.9db
14% Popularity • 68% Danceability • 91% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
14% Popularity • 68% Danceability • 91% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
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Leon Vynehall
It's Just (House Of Dupree)
121 bpm • C# Maj • 08:45 • -9.19db
30% Popularity • 77% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 77% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Kowton
Glock & Roll
123 bpm • B Maj • 05:20 • -5.6db
15% Popularity • 79% Danceability • 89% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 79% Danceability • 89% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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TEE MANGO
This Is Where I'll Stay (With U)
123 bpm • A min • 05:45 • -8.1db
17% Popularity • 85% Danceability • 63% Energy • 27% Liveness
19% Instrumentalness • 94% Positiveness
17% Popularity • 85% Danceability • 63% Energy • 27% Liveness
19% Instrumentalness • 94% Positiveness
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DJ Slym Fas
Luv Music
123 bpm • F# Maj • 05:57 • -6.44db
11% Popularity • 79% Danceability • 80% Energy • 16% Liveness
6% Instrumentalness • 54% Positiveness
11% Popularity • 79% Danceability • 80% Energy • 16% Liveness
6% Instrumentalness • 54% Positiveness
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Danilo Plessow
Send a Prayer - Pt.2
121 bpm • G Maj • 05:37 • -7db
34% Popularity • 87% Danceability • 91% Energy • 94% Liveness
34% Instrumentalness • 71% Positiveness
34% Popularity • 87% Danceability • 91% Energy • 94% Liveness
34% Instrumentalness • 71% Positiveness
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Michael Kiwanuka
Love & Hate - Leon Vynehall Love Rework
123 bpm • C min • 06:33 • -9.96db
18% Popularity • 68% Danceability • 68% Energy • 7% Liveness
7% Instrumentalness • 36% Positiveness
18% Popularity • 68% Danceability • 68% Energy • 7% Liveness
7% Instrumentalness • 36% Positiveness
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Lindstrøm
Tensions
123 bpm • C# min • 06:28 • -10.29db
26% Popularity • 79% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
26% Popularity • 79% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Lauer
Antinat
123 bpm • C Maj • 06:50 • -6.52db
14% Popularity • 66% Danceability • 87% Energy • 12% Liveness
92% Instrumentalness • 77% Positiveness
14% Popularity • 66% Danceability • 87% Energy • 12% Liveness
92% Instrumentalness • 77% Positiveness
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Laurence Guy
Anchor
121 bpm • B Maj • 04:47 • -12.58db
42% Popularity • 71% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
42% Popularity • 71% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Bruce Trail
Bridgework
123 bpm • C min • 07:15 • -7.68db
31% Popularity • 80% Danceability • 68% Energy • 14% Liveness
87% Instrumentalness • 30% Positiveness
31% Popularity • 80% Danceability • 68% Energy • 14% Liveness
87% Instrumentalness • 30% Positiveness
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Krywald & Farrer
Spoon Billed Sandpiper
123 bpm • F min • 06:39 • -6.07db
17% Popularity • 70% Danceability • 85% Energy • 11% Liveness
61% Instrumentalness • 17% Positiveness
17% Popularity • 70% Danceability • 85% Energy • 11% Liveness
61% Instrumentalness • 17% Positiveness
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Severn Beach
We Continue - Vynehall's Basement Dub
121 bpm • A# min • 06:54 • -11.29db
0% Popularity • 94% Danceability • 55% Energy • 8% Liveness
20% Instrumentalness • 34% Positiveness
0% Popularity • 94% Danceability • 55% Energy • 8% Liveness
20% Instrumentalness • 34% Positiveness
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letherette
Frugaloo
121 bpm • A# min • 03:33 • -8.67db
13% Popularity • 77% Danceability • 73% Energy • 6% Liveness
86% Instrumentalness • 36% Positiveness
13% Popularity • 77% Danceability • 73% Energy • 6% Liveness
86% Instrumentalness • 36% Positiveness
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Kink
Leko - Original Version
123 bpm • G Maj • 06:32 • -9db
11% Popularity • 68% Danceability • 83% Energy • 19% Liveness
84% Instrumentalness • 37% Positiveness
11% Popularity • 68% Danceability • 83% Energy • 19% Liveness
84% Instrumentalness • 37% Positiveness
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Omar S
Thank U 4 Letting Me Be Myself
123 bpm • F# Maj • 07:39 • -9.31db
32% Popularity • 81% Danceability • 52% Energy • 11% Liveness
79% Instrumentalness • 94% Positiveness
32% Popularity • 81% Danceability • 52% Energy • 11% Liveness
79% Instrumentalness • 94% Positiveness
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Shanti Celeste
Days Like This
123 bpm • C Maj • 06:55 • -8.58db
22% Popularity • 93% Danceability • 43% Energy • 4% Liveness
1% Instrumentalness • 55% Positiveness
22% Popularity • 93% Danceability • 43% Energy • 4% Liveness
1% Instrumentalness • 55% Positiveness
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Kornél Kovács
Metropolis
121 bpm • D Maj • 06:03 • -8.96db
16% Popularity • 68% Danceability • 80% Energy • 42% Liveness
3% Instrumentalness • 53% Positiveness
16% Popularity • 68% Danceability • 80% Energy • 42% Liveness
3% Instrumentalness • 53% Positiveness
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Leon Vynehall
Trouble - Parts I, II, & III (Chapter V)...
123 bpm • F# min • 03:59 • -12.74db
3% Popularity • 50% Danceability • 76% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
3% Popularity • 50% Danceability • 76% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
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Laurence Guy
Saw You for the First Time
121 bpm • G min • 06:44 • -12.11db
52% Popularity • 80% Danceability • 53% Energy • 8% Liveness
89% Instrumentalness • 71% Positiveness
52% Popularity • 80% Danceability • 53% Energy • 8% Liveness
89% Instrumentalness • 71% Positiveness
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Lauer
Trainmann - Tensnake Franceman Mix
123 bpm • F min • 07:36 • -9.57db
32% Popularity • 74% Danceability • 52% Energy • 8% Liveness
67% Instrumentalness • 55% Positiveness
32% Popularity • 74% Danceability • 52% Energy • 8% Liveness
67% Instrumentalness • 55% Positiveness
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Axel Boman
Not So Much
121 bpm • C min • 04:06 • -11.2db
36% Popularity • 90% Danceability • 37% Energy • 8% Liveness
81% Instrumentalness • 81% Positiveness
36% Popularity • 90% Danceability • 37% Energy • 8% Liveness
81% Instrumentalness • 81% Positiveness
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Hunee
Hiding The Moon
121 bpm • B min • 07:04 • -7.84db
10% Popularity • 70% Danceability • 71% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
10% Popularity • 70% Danceability • 71% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Levon Vincent
UK Spring Vibes
123 bpm • B min • 05:51 • -10db
18% Popularity • 82% Danceability • 52% Energy • 11% Liveness
76% Instrumentalness • 67% Positiveness
18% Popularity • 82% Danceability • 52% Energy • 11% Liveness
76% Instrumentalness • 67% Positiveness
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Gnork
Yoga on E
121 bpm • G Maj • 06:20 • -8.83db
20% Popularity • 55% Danceability • 72% Energy • 12% Liveness
83% Instrumentalness • 44% Positiveness
20% Popularity • 55% Danceability • 72% Energy • 12% Liveness
83% Instrumentalness • 44% Positiveness
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Nachtbraker
Backstabber
121 bpm • F Maj • 06:47 • -11.77db
29% Popularity • 87% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 45% Positiveness
29% Popularity • 87% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 45% Positiveness
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Laurence Guy
Kojak
121 bpm • D min • 05:01 • -12.99db
43% Popularity • 85% Danceability • 58% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
43% Popularity • 85% Danceability • 58% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
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Black Loops
Sex - Bonus Track
121 bpm • D Maj • 06:26 • -8.91db
41% Popularity • 78% Danceability • 46% Energy • 10% Liveness
82% Instrumentalness • 41% Positiveness
41% Popularity • 78% Danceability • 46% Energy • 10% Liveness
82% Instrumentalness • 41% Positiveness
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Session Victim
Up to Rise
121 bpm • F# Maj • 07:45 • -10.41db
13% Popularity • 60% Danceability • 81% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
13% Popularity • 60% Danceability • 81% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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DJ Heure
Sunny Jam
123 bpm • B min • 06:36 • -10.52db
11% Popularity • 75% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
11% Popularity • 75% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Dauwd
Ritter Sport
121 bpm • F# Maj • 06:37 • -14.09db
17% Popularity • 87% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
17% Popularity • 87% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
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Objekt
Theme from Q
123 bpm • A# min • 07:20 • -8db
27% Popularity • 80% Danceability • 80% Energy • 10% Liveness
71% Instrumentalness • 60% Positiveness
27% Popularity • 80% Danceability • 80% Energy • 10% Liveness
71% Instrumentalness • 60% Positiveness
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Maya Jane Coles
Cherry Bomb
123 bpm • F# Maj • 05:48 • -7.56db
27% Popularity • 79% Danceability • 86% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
27% Popularity • 79% Danceability • 86% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
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Danilo Plessow
Raw Cuts #4
123 bpm • A# min • 05:45 • -7db
25% Popularity • 76% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 56% Positiveness
25% Popularity • 76% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 56% Positiveness
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Telephones
Blaff
121 bpm • C Maj • 08:09 • -9.44db
17% Popularity • 76% Danceability • 84% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
17% Popularity • 76% Danceability • 84% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
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Kornél Kovács
Babasonic
123 bpm • E Maj • 05:01 • -8.42db
22% Popularity • 87% Danceability • 66% Energy • 13% Liveness
89% Instrumentalness • 58% Positiveness
22% Popularity • 87% Danceability • 66% Energy • 13% Liveness
89% Instrumentalness • 58% Positiveness
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Gold Panda
Black Voices
123 bpm • A min • 05:18 • -12db
25% Popularity • 77% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
25% Popularity • 77% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
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Black Loops
Suki
121 bpm • C# Maj • 06:29 • -10db
36% Popularity • 85% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 48% Positiveness
36% Popularity • 85% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 48% Positiveness
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Laurence Guy
Rizzo
121 bpm • B min • 06:07 • -8.75db
15% Popularity • 84% Danceability • 43% Energy • 9% Liveness
74% Instrumentalness • 58% Positiveness
15% Popularity • 84% Danceability • 43% Energy • 9% Liveness
74% Instrumentalness • 58% Positiveness
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DJ BORING
Exotic Feelin'
123 bpm • G min • 08:19 • -10.39db
25% Popularity • 77% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
25% Popularity • 77% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
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Galcher Lustwerk
Life
123 bpm • A# min • 05:01 • -10.77db
27% Popularity • 81% Danceability • 69% Energy • 9% Liveness
91% Instrumentalness • 54% Positiveness
27% Popularity • 81% Danceability • 69% Energy • 9% Liveness
91% Instrumentalness • 54% Positiveness
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Kornél Kovács
Dance... While The Record Spins
123 bpm • G Maj • 05:25 • -4.8db
9% Popularity • 67% Danceability • 96% Energy • 13% Liveness
81% Instrumentalness • 81% Positiveness
9% Popularity • 67% Danceability • 96% Energy • 13% Liveness
81% Instrumentalness • 81% Positiveness
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Leon Vynehall
Beau Sovereign
121 bpm • G Maj • 05:51 • -9.15db
17% Popularity • 76% Danceability • 80% Energy • 25% Liveness
30% Instrumentalness • 35% Positiveness
17% Popularity • 76% Danceability • 80% Energy • 25% Liveness
30% Instrumentalness • 35% Positiveness
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Andy Hart
Sorayama's Mistress
121 bpm • C# min • 06:12 • -9.99db
18% Popularity • 68% Danceability • 94% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
18% Popularity • 68% Danceability • 94% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
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Anthony Naples
Love Loop To Fade
123 bpm • G Maj • 02:03 • -13.06db
46% Popularity • 85% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 79% Positiveness
46% Popularity • 85% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 79% Positiveness
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Francis Inferno Orchestra
Harmony
123 bpm • B min • 05:14 • -12.8db
33% Popularity • 78% Danceability • 59% Energy • 9% Liveness
67% Instrumentalness • 52% Positiveness
33% Popularity • 78% Danceability • 59% Energy • 9% Liveness
67% Instrumentalness • 52% Positiveness
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Dan Kye
iigo
121 bpm • F# Maj • 04:32 • -10.11db
28% Popularity • 88% Danceability • 72% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
28% Popularity • 88% Danceability • 72% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
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Kornél Kovács
On Roofs
123 bpm • D Maj • 05:19 • -10.82db
10% Popularity • 89% Danceability • 84% Energy • 22% Liveness
84% Instrumentalness • 77% Positiveness
10% Popularity • 89% Danceability • 84% Energy • 22% Liveness
84% Instrumentalness • 77% Positiveness
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DJ Koze
Nein König Nein
123 bpm • C# Maj • 07:18 • -11.96db
16% Popularity • 84% Danceability • 57% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 84% Danceability • 57% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Herbert
I Hadn't Known (I Only Heard)
123 bpm • B Maj • 07:22 • -12.58db
39% Popularity • 83% Danceability • 70% Energy • 10% Liveness
72% Instrumentalness • 68% Positiveness
39% Popularity • 83% Danceability • 70% Energy • 10% Liveness
72% Instrumentalness • 68% Positiveness
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Leon Vynehall
Goodthing
123 bpm • D# min • 06:24 • -10.06db
16% Popularity • 70% Danceability • 75% Energy • 13% Liveness
33% Instrumentalness • 10% Positiveness
16% Popularity • 70% Danceability • 75% Energy • 13% Liveness
33% Instrumentalness • 10% Positiveness
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Moodymann
Shades of Jae
121 bpm • D min • 06:55 • -10.47db
33% Popularity • 78% Danceability • 81% Energy • 90% Liveness
13% Instrumentalness • 74% Positiveness
33% Popularity • 78% Danceability • 81% Energy • 90% Liveness
13% Instrumentalness • 74% Positiveness
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Erol Alkan
A Hold On Love
121 bpm • C# min • 06:40 • -9.65db
28% Popularity • 51% Danceability • 69% Energy • 11% Liveness
96% Instrumentalness • 51% Positiveness
28% Popularity • 51% Danceability • 69% Energy • 11% Liveness
96% Instrumentalness • 51% Positiveness
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CTEPEO '57
Kackwursthouse
120 bpm • B min • 05:50 • -12.88db
22% Popularity • 98% Danceability • 45% Energy • 8% Liveness
52% Instrumentalness • 42% Positiveness
22% Popularity • 98% Danceability • 45% Energy • 8% Liveness
52% Instrumentalness • 42% Positiveness
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O'Flynn
Tyrion
120 bpm • F min • 04:47 • -12.5db
16% Popularity • 80% Danceability • 82% Energy • 9% Liveness
25% Instrumentalness • 48% Positiveness
16% Popularity • 80% Danceability • 82% Energy • 9% Liveness
25% Instrumentalness • 48% Positiveness
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TRP
Pano
124 bpm • C# Maj • 05:34 • -7.65db
27% Popularity • 77% Danceability • 77% Energy • 11% Liveness
75% Instrumentalness • 13% Positiveness
27% Popularity • 77% Danceability • 77% Energy • 11% Liveness
75% Instrumentalness • 13% Positiveness
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Dreamatic
Audio Trip
124 bpm • D Maj • 06:49 • -15.64db
21% Popularity • 38% Danceability • 47% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 38% Danceability • 47% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Moodymann
Tribute
120 bpm • G Maj • 06:01 • -9.06db
34% Popularity • 76% Danceability • 75% Energy • 22% Liveness
59% Instrumentalness • 49% Positiveness
34% Popularity • 76% Danceability • 75% Energy • 22% Liveness
59% Instrumentalness • 49% Positiveness
