Songs like Body And Soul by Barry Harris
Based on a tempo of (+/- 10%) and a similar genre
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Barry Harris
Body And Soul
82 bpm • A# min • 04:01 • -22.02db
27% Popularity • 32% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
27% Popularity • 32% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Chet Baker Quartet
But Not for Me (Instrumental)
82 bpm • F min • 03:05 • -11.85db
33% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
33% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
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Johnny Hodges
The Last Time I Saw Paris
82 bpm • C Maj • 02:54 • -21.43db
53% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
53% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Sal Nistico
Ariescene
83 bpm • F min • 05:53 • -12.66db
0% Popularity • 43% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
0% Popularity • 43% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Sonny Clark
Somebody Loves Me
82 bpm • D min • 04:15 • -14db
31% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Barry Harris
I Didn't Know What Time It Was
81 bpm • E min • 04:55 • -17.82db
9% Popularity • 37% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
9% Popularity • 37% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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Billy Taylor
Solace
83 bpm • G# Maj • 02:35 • -19db
43% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
43% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Illinois Jacquet
Limehouse Blues
81 bpm • G# Maj • 07:10 • -12.87db
0% Popularity • 52% Danceability • 41% Energy • 10% Liveness
68% Instrumentalness • 56% Positiveness
0% Popularity • 52% Danceability • 41% Energy • 10% Liveness
68% Instrumentalness • 56% Positiveness
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Wayne Shorter
Black Orpheus
83 bpm • F min • 04:35 • -15db
32% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
32% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
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Johnny Hodges
Three And Six
83 bpm • D# Maj • 02:21 • -17db
16% Popularity • 21% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
16% Popularity • 21% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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The Modern Jazz Quartet
Softly As In A Morning Sunrise
81 bpm • C min • 03:29 • -10db
47% Popularity • 63% Danceability • 33% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
47% Popularity • 63% Danceability • 33% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Barry Harris
A Touch of Kin
81 bpm • C# Maj • 06:15 • -13.8db
1% Popularity • 60% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 37% Positiveness
1% Popularity • 60% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 37% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Art Blakey & The Jazz Messengers
Quick Trick
83 bpm • D Maj • 04:43 • -18.39db
41% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Jeremy Pelt
Little Girl Blue
80 bpm • F Maj • 07:17 • -19db
42% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
42% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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McCoy Tyner Trio
Reaching Fourth
84 bpm • E Maj • 04:22 • -13.22db
35% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
35% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Johnny Hodges
Autumn In New York
84 bpm • F min • 03:37 • -20db
40% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Barry Harris
The Londonderry Air
83 bpm • D# Maj • 04:11 • -20db
26% Popularity • 49% Danceability • 5% Energy • 25% Liveness
90% Instrumentalness • 23% Positiveness
26% Popularity • 49% Danceability • 5% Energy • 25% Liveness
90% Instrumentalness • 23% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Art Blakey & The Jazz Messengers
Invitation
80 bpm • G min • 07:28 • -16.2db
20% Popularity • 35% Danceability • 22% Energy • 17% Liveness
7% Instrumentalness • 37% Positiveness
20% Popularity • 35% Danceability • 22% Energy • 17% Liveness
7% Instrumentalness • 37% Positiveness
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Lee Konitz
Lullaby Of Birdland
80 bpm • C Maj • 09:05 • -15.07db
1% Popularity • 43% Danceability • 30% Energy • 62% Liveness
5% Instrumentalness • 51% Positiveness
1% Popularity • 43% Danceability • 30% Energy • 62% Liveness
5% Instrumentalness • 51% Positiveness
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Johnny Griffin
It's All Right With Me - Remastered 2006...
84 bpm • D min • 05:00 • -6.91db
37% Popularity • 42% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 59% Positiveness
37% Popularity • 42% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 59% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Barry Harris
Lolita - Live From The Jazz Workshop, Sa...
84 bpm • G# Maj • 04:02 • -16.74db
10% Popularity • 63% Danceability • 28% Energy • 70% Liveness
76% Instrumentalness • 60% Positiveness
10% Popularity • 63% Danceability • 28% Energy • 70% Liveness
76% Instrumentalness • 60% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
48% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
48% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Paul Chambers
Dear Old Stockholm - Rudy Van Gelder Edi...
80 bpm • F Maj • 06:44 • -17.98db
28% Popularity • 60% Danceability • 21% Energy • 13% Liveness
78% Instrumentalness • 56% Positiveness
28% Popularity • 60% Danceability • 21% Energy • 13% Liveness
78% Instrumentalness • 56% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Sullivan Fortner
In A Sentimental Mood
85 bpm • C min • 03:24 • -20.25db
25% Popularity • 47% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
25% Popularity • 47% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
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Jackie McLean
Greasy
79 bpm • D# Maj • 07:25 • -14.2db
33% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Johnny Hodges
Sweet Lorraine
79 bpm • F Maj • 02:04 • -16.04db
38% Popularity • 48% Danceability • 6% Energy • 19% Liveness
92% Instrumentalness • 36% Positiveness
38% Popularity • 48% Danceability • 6% Energy • 19% Liveness
92% Instrumentalness • 36% Positiveness
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Don Byas
Candy
79 bpm • A# Maj • 03:18 • -15.39db
25% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
25% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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The Paul Desmond Quintet
Garden In The Rain
86 bpm • G# Maj • 02:48 • -17.08db
16% Popularity • 55% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 37% Positiveness
16% Popularity • 55% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 37% Positiveness
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Fay Claassen
For All We Know
86 bpm • C Maj • 03:55 • -17.27db
1% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Barry Harris
Burgundy
78 bpm • C# Maj • 07:04 • -14.19db
2% Popularity • 57% Danceability • 37% Energy • 15% Liveness
3% Instrumentalness • 55% Positiveness
2% Popularity • 57% Danceability • 37% Energy • 15% Liveness
3% Instrumentalness • 55% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Johnny Hodges
I've Got It Bad And That Ain't Good
86 bpm • A# Maj • 03:35 • -15db
36% Popularity • 35% Danceability • 12% Energy • 13% Liveness
49% Instrumentalness • 14% Positiveness
36% Popularity • 35% Danceability • 12% Energy • 13% Liveness
49% Instrumentalness • 14% Positiveness
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Stanley Turrentine
Dorene Don't Cry, I - Remastered
78 bpm • A# Maj • 06:14 • -11db
42% Popularity • 36% Danceability • 14% Energy • 24% Liveness
29% Instrumentalness • 14% Positiveness
42% Popularity • 36% Danceability • 14% Energy • 24% Liveness
29% Instrumentalness • 14% Positiveness
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Nat Adderley
Work Song
78 bpm • D# Maj • 04:12 • -18db
39% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
39% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
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Jimmy Raney
Yesterdays
78 bpm • G# min • 03:03 • -18db
31% Popularity • 50% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
31% Popularity • 50% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
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Lou Donaldson
Play Ray
78 bpm • D# Maj • 05:31 • -17.34db
41% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
46% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
46% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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Eric Schneider
In A Sentimental Mood
87 bpm • C# Maj • 04:16 • -25.84db
0% Popularity • 43% Danceability • 3% Energy • 9% Liveness
68% Instrumentalness • 16% Positiveness
0% Popularity • 43% Danceability • 3% Energy • 9% Liveness
68% Instrumentalness • 16% Positiveness
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Horace Parlan
My foolish heart
87 bpm • G min • 04:57 • -22.6db
28% Popularity • 41% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
28% Popularity • 41% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Thelonious Monk Septet
Well You Needn't - Opening
88 bpm • F min • 01:26 • -20db
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Barry Harris
I Know That You Know
77 bpm • D# Maj • 03:21 • -20db
11% Popularity • 63% Danceability • 10% Energy • 20% Liveness
89% Instrumentalness • 56% Positiveness
11% Popularity • 63% Danceability • 10% Energy • 20% Liveness
89% Instrumentalness • 56% Positiveness
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The Cannonball Adderley Quintet
Stars Fell On Alabama
77 bpm • A# Maj • 06:14 • -15db
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Eric Schneider
Nature Boy
87 bpm • C min • 05:12 • -15.98db
0% Popularity • 50% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 50% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Hampton Hawes Trio
All The Things You Are
88 bpm • F min • 04:58 • -21db
27% Popularity • 53% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
27% Popularity • 53% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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Sal Nistico
Just Friends
88 bpm • C Maj • 06:40 • -11.95db
0% Popularity • 53% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
0% Popularity • 53% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
46% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
46% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Barry Harris
I'm Old Fashioned
77 bpm • F Maj • 06:21 • -23.87db
7% Popularity • 40% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
7% Popularity • 40% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Bobby Timmons Trio
Softly, As In A Morning Sunrise
88 bpm • C# Maj • 05:30 • -31.43db
27% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
27% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
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The Cannonball Adderley Quintet
You're A Weaver Of Dreams
88 bpm • C min • 05:34 • -14db
36% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
36% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Kenny Drew
Polka Dots And Moonbeams
76 bpm • F Maj • 04:19 • -21.08db
26% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Billy Strayhorn
Chelsea Bridge
76 bpm • G# Maj • 03:17 • -17.34db
31% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
31% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Hank Jones
My Wish
76 bpm • D min • 03:32 • -27db
37% Popularity • 41% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 16% Positiveness
37% Popularity • 41% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 16% Positiveness
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Barry Harris
My Heart Stood Still
76 bpm • F Maj • 04:00 • -19.33db
9% Popularity • 55% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
9% Popularity • 55% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Paul Bley
My Heart
76 bpm • D min • 02:37 • -11.29db
28% Popularity • 47% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
28% Popularity • 47% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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The Basie-ites
Poor Butterfly
89 bpm • E Maj • 03:17 • -11.21db
1% Popularity • 37% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
1% Popularity • 37% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Sonny Clark
All Of You
89 bpm • F min • 03:53 • -15.28db
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Kenny Dorham
Mack The Knife
75 bpm • D min • 03:03 • -17db
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Red Garland Trio
Little Girl Blue - Instrumental
89 bpm • D# Maj • 05:04 • -19.08db
28% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
28% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Art Pepper
You'd Be So Nice to Come Home To
89 bpm • F Maj • 05:27 • -11.74db
45% Popularity • 66% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 66% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Bud Shank
Just In Time
89 bpm • C min • 03:45 • -12.34db
36% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
36% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
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Tina Brooks
Star Eyes
89 bpm • F min • 08:15 • -11db
35% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Barry Harris
Louise
90 bpm • F Maj • 03:44 • -17.02db
9% Popularity • 50% Danceability • 14% Energy • 13% Liveness
77% Instrumentalness • 29% Positiveness
9% Popularity • 50% Danceability • 14% Energy • 13% Liveness
77% Instrumentalness • 29% Positiveness
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Blue Mitchell
Kinda Vague
89 bpm • F min • 06:25 • -20.32db
20% Popularity • 51% Danceability • 15% Energy • 15% Liveness
69% Instrumentalness • 46% Positiveness
20% Popularity • 51% Danceability • 15% Energy • 15% Liveness
69% Instrumentalness • 46% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
39% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
39% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Gerry Mulligan Quartet
The Nearness Of You
75 bpm • D# Maj • 02:53 • -15.44db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Red Garland Trio
Teach Me Tonight - Instrumental
90 bpm • C min • 09:02 • -17.72db
24% Popularity • 59% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
24% Popularity • 59% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Paul Gonsalves
I Cover The Waterfront
75 bpm • G min • 04:05 • -25.21db
38% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
38% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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Gerry Mulligan & Johnny Hodges
Shady Side
75 bpm • C Maj • 07:04 • -17.66db
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Tal Farlow
Autumn In New York
75 bpm • G min • 05:03 • -21.79db
30% Popularity • 59% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
30% Popularity • 59% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
27% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Lennie Tristano
Atonement
74 bpm • A min • 02:32 • -19.87db
32% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
32% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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The Basie-ites
Sometimes I Feel like a Motherless Child
74 bpm • A min • 03:35 • -11.74db
0% Popularity • 25% Danceability • 20% Energy • 9% Liveness
7% Instrumentalness • 9% Positiveness
0% Popularity • 25% Danceability • 20% Energy • 9% Liveness
7% Instrumentalness • 9% Positiveness
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Lee Konitz
Moonlight In Vermont
74 bpm • F min • 03:59 • -21.41db
19% Popularity • 39% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
19% Popularity • 39% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Billy Strayhorn
Something To Live For
91 bpm • G Maj • 03:02 • -20.74db
23% Popularity • 41% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
23% Popularity • 41% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
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Tal Farlow
Little Girl Blue
74 bpm • F Maj • 03:22 • -35.39db
29% Popularity • 57% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
29% Popularity • 57% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Ray Brown Trio
Take The 'A' Train
74 bpm • E min • 06:17 • -26.77db
23% Popularity • 45% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
23% Popularity • 45% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Quincy Jones
For Lena And Lennie
73 bpm • C Maj • 04:19 • -18.13db
42% Popularity • 44% Danceability • 9% Energy • 9% Liveness
64% Instrumentalness • 21% Positiveness
42% Popularity • 44% Danceability • 9% Energy • 9% Liveness
64% Instrumentalness • 21% Positiveness
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John Coltrane Quartet
All Or Nothing At All
92 bpm • G Maj • 03:35 • -11.89db
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Hank Mobley
Little Girl Blue
92 bpm • G# Maj • 08:43 • -20db
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
24% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
24% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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The Basie-ites
Blue Moon
93 bpm • F min • 03:22 • -12.73db
0% Popularity • 40% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
0% Popularity • 40% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
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Sal Nistico
7 F
93 bpm • F min • 03:30 • -12.47db
0% Popularity • 56% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 56% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Fay Claassen
Without A Song
93 bpm • A# Maj • 04:26 • -14.95db
1% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Lennie Tristano
Inflight
93 bpm • F min • 02:05 • -17db
51% Popularity • 52% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 54% Positiveness
51% Popularity • 52% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 54% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
44% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Barry Harris
The Last One
93 bpm • G Maj • 04:59 • -12.42db
3% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
3% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Hodges
Warm Valley
93 bpm • F Maj • 03:20 • -12db
45% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
45% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
42% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
42% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Sal Nistico
Mamblue
93 bpm • A# min • 05:43 • -10.42db
1% Popularity • 63% Danceability • 48% Energy • 26% Liveness
68% Instrumentalness • 80% Positiveness
1% Popularity • 63% Danceability • 48% Energy • 26% Liveness
68% Instrumentalness • 80% Positiveness
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The Basie-ites
Stairway to the Stars
93 bpm • F Maj • 03:00 • -13.54db
0% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Brecker
Midnight Mood
93 bpm • F Maj • 06:23 • -16.88db
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
