Songs like Body By Crystal by Spike Fuck
Based on a tempo of (+/- 10%) and a similar genre
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Spike Fuck
Body By Crystal
122 bpm • D Maj • 05:03 • -8.93db
32% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Amen Dunes
Ethio Song
122 bpm • D# min • 05:05 • -6db
15% Popularity • 31% Danceability • 65% Energy • 7% Liveness
61% Instrumentalness • 36% Positiveness
15% Popularity • 31% Danceability • 65% Energy • 7% Liveness
61% Instrumentalness • 36% Positiveness
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Cut Worms
Castle In The Clouds
122 bpm • E Maj • 04:22 • -9.58db
31% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Clean
Crazy
122 bpm • C Maj • 02:43 • -10.01db
33% Popularity • 65% Danceability • 62% Energy • 40% Liveness
74% Instrumentalness • 72% Positiveness
33% Popularity • 65% Danceability • 62% Energy • 40% Liveness
74% Instrumentalness • 72% Positiveness
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Nap Eyes
No Fear of Hellfire
122 bpm • A Maj • 07:32 • -11.89db
23% Popularity • 52% Danceability • 68% Energy • 14% Liveness
26% Instrumentalness • 59% Positiveness
23% Popularity • 52% Danceability • 68% Energy • 14% Liveness
26% Instrumentalness • 59% Positiveness
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Royal Headache
Wouldn't You Know
123 bpm • G Maj • 04:17 • -7.59db
34% Popularity • 46% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 46% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Spike Fuck
Body by Crystal
122 bpm • D Maj • 05:03 • -10.92db
10% Popularity • 70% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
10% Popularity • 70% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
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Boomgates
Hold Me Now
122 bpm • G Maj • 03:26 • -5.42db
10% Popularity • 50% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 87% Positiveness
10% Popularity • 50% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 87% Positiveness
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MJ Lenderman
Someone Get The Grill Out Of The Rain
123 bpm • D# Maj • 01:13 • -13db
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
15% Instrumentalness • 62% Positiveness
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
15% Instrumentalness • 62% Positiveness
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Willie J Healey
Subterraneans
121 bpm • G Maj • 05:51 • -9.78db
35% Popularity • 52% Danceability • 33% Energy • 10% Liveness
23% Instrumentalness • 55% Positiveness
35% Popularity • 52% Danceability • 33% Energy • 10% Liveness
23% Instrumentalness • 55% Positiveness
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Dick Diver
Head Back
121 bpm • C Maj • 05:36 • -9.33db
16% Popularity • 60% Danceability • 52% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
16% Popularity • 60% Danceability • 52% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
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The Pesos
High Hopes
121 bpm • A Maj • 02:56 • -6.03db
32% Popularity • 62% Danceability • 80% Energy • 9% Liveness
33% Instrumentalness • 69% Positiveness
32% Popularity • 62% Danceability • 80% Energy • 9% Liveness
33% Instrumentalness • 69% Positiveness
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Good Sad Happy Bad
Blessed
120 bpm • G Maj • 03:36 • -8.31db
30% Popularity • 66% Danceability • 66% Energy • 25% Liveness
35% Instrumentalness • 60% Positiveness
30% Popularity • 66% Danceability • 66% Energy • 25% Liveness
35% Instrumentalness • 60% Positiveness
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Eric Copeland
Motor
124 bpm • B min • 02:37 • -10.43db
14% Popularity • 88% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
14% Popularity • 88% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
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Dry Cleaning
Conversation
124 bpm • B min • 04:47 • -6.77db
32% Popularity • 58% Danceability • 73% Energy • 12% Liveness
32% Instrumentalness • 51% Positiveness
32% Popularity • 58% Danceability • 73% Energy • 12% Liveness
32% Instrumentalness • 51% Positiveness
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Twerps
Anything New
124 bpm • D Maj • 02:57 • -5.06db
12% Popularity • 40% Danceability • 76% Energy • 18% Liveness
29% Instrumentalness • 49% Positiveness
12% Popularity • 40% Danceability • 76% Energy • 18% Liveness
29% Instrumentalness • 49% Positiveness
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Dick Diver
Through the D
121 bpm • A# Maj • 02:37 • -7.94db
13% Popularity • 64% Danceability • 63% Energy • 11% Liveness
70% Instrumentalness • 95% Positiveness
13% Popularity • 64% Danceability • 63% Energy • 11% Liveness
70% Instrumentalness • 95% Positiveness
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Warehouse
Super Low
120 bpm • F# min • 03:35 • -4.89db
34% Popularity • 69% Danceability • 84% Energy • 22% Liveness
22% Instrumentalness • 65% Positiveness
34% Popularity • 69% Danceability • 84% Energy • 22% Liveness
22% Instrumentalness • 65% Positiveness
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Baxter Dury
Oscar Brown
124 bpm • F Maj • 05:35 • -11.5db
29% Popularity • 46% Danceability • 39% Energy • 37% Liveness
68% Instrumentalness • 31% Positiveness
29% Popularity • 46% Danceability • 39% Energy • 37% Liveness
68% Instrumentalness • 31% Positiveness
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BODEGA
Bodega Birth
120 bpm • F# Maj • 01:50 • -4.37db
42% Popularity • 79% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
42% Popularity • 79% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
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rogov
The Sun Keeps on Shining
124 bpm • G Maj • 03:30 • -7.48db
29% Popularity • 52% Danceability • 73% Energy • 15% Liveness
33% Instrumentalness • 15% Positiveness
29% Popularity • 52% Danceability • 73% Energy • 15% Liveness
33% Instrumentalness • 15% Positiveness
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Grapetooth
Mile After Mile
120 bpm • D Maj • 03:48 • -7.82db
21% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Dick Diver
Alice
123 bpm • E Maj • 02:35 • -5db
21% Popularity • 51% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
21% Popularity • 51% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
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Ciggie Witch
Meet Me in the Middle
124 bpm • C Maj • 03:40 • -7.85db
16% Popularity • 53% Danceability • 70% Energy • 13% Liveness
6% Instrumentalness • 41% Positiveness
16% Popularity • 53% Danceability • 70% Energy • 13% Liveness
6% Instrumentalness • 41% Positiveness
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ShitKid
Yooouuu
120 bpm • C# min • 02:17 • -7db
34% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Locate S,1
Owe It 2 the Girls
120 bpm • E Maj • 04:00 • -6.57db
12% Popularity • 68% Danceability • 74% Energy • 39% Liveness
2% Instrumentalness • 77% Positiveness
12% Popularity • 68% Danceability • 74% Energy • 39% Liveness
2% Instrumentalness • 77% Positiveness
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EXEK
Unetiquetted
120 bpm • A min • 04:54 • -6.74db
18% Popularity • 63% Danceability • 71% Energy • 12% Liveness
30% Instrumentalness • 50% Positiveness
18% Popularity • 63% Danceability • 71% Energy • 12% Liveness
30% Instrumentalness • 50% Positiveness
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Spike Fuck
Tomorrow We Get Healthy
120 bpm • C Maj • 05:03 • -10.69db
37% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Dick Diver
Year in Pictures
120 bpm • D Maj • 04:09 • -9.69db
13% Popularity • 74% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
13% Popularity • 74% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
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Cola
Blank Curtain
120 bpm • A Maj • 04:31 • -9.4db
30% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
30% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
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Sunfruits
Above the Clouds
120 bpm • E Maj • 03:53 • -7.52db
21% Popularity • 72% Danceability • 79% Energy • 25% Liveness
6% Instrumentalness • 89% Positiveness
21% Popularity • 72% Danceability • 79% Energy • 25% Liveness
6% Instrumentalness • 89% Positiveness
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The Slingers
This Time
120 bpm • C Maj • 05:16 • -7.04db
19% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Tommy Allen
Ghosts in the Walls
120 bpm • C Maj • 03:18 • -9.12db
20% Popularity • 63% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 63% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Cohen
Yesterday’s On My Mind
124 bpm • D min • 03:17 • -7db
35% Popularity • 72% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 74% Positiveness
35% Popularity • 72% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 74% Positiveness
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Milk Music
Caged Dogs Run Wild
124 bpm • A min • 01:41 • -7.56db
10% Popularity • 20% Danceability • 32% Energy • 8% Liveness
65% Instrumentalness • 20% Positiveness
10% Popularity • 20% Danceability • 32% Energy • 8% Liveness
65% Instrumentalness • 20% Positiveness
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Cola
Blank Curtain
120 bpm • A Maj • 04:31 • -9db
32% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
32% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
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Free Weed
Later
120 bpm • G Maj • 02:33 • -7.89db
22% Popularity • 83% Danceability • 66% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
22% Popularity • 83% Danceability • 66% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
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Dick Diver
Hammock Days
124 bpm • C# min • 03:45 • -9.89db
9% Popularity • 63% Danceability • 66% Energy • 10% Liveness
44% Instrumentalness • 40% Positiveness
9% Popularity • 63% Danceability • 66% Energy • 10% Liveness
44% Instrumentalness • 40% Positiveness
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Total Control
Luxury Vacuum
120 bpm • D Maj • 04:46 • -6.25db
14% Popularity • 70% Danceability • 68% Energy • 10% Liveness
46% Instrumentalness • 33% Positiveness
14% Popularity • 70% Danceability • 68% Energy • 10% Liveness
46% Instrumentalness • 33% Positiveness
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A. Savage
Thawing Dawn
124 bpm • C# min • 05:05 • -10db
38% Popularity • 45% Danceability • 50% Energy • 10% Liveness
21% Instrumentalness • 69% Positiveness
38% Popularity • 45% Danceability • 50% Energy • 10% Liveness
21% Instrumentalness • 69% Positiveness
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Floodlights
Nullarbor
124 bpm • D Maj • 04:26 • -5.96db
37% Popularity • 45% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 45% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Pop Filter
Romance at the Petrol Station
120 bpm • G Maj • 03:42 • -9.21db
10% Popularity • 52% Danceability • 61% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
10% Popularity • 52% Danceability • 61% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
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Boomgates
Natural Progression
124 bpm • D Maj • 04:05 • -6.22db
9% Popularity • 44% Danceability • 72% Energy • 10% Liveness
24% Instrumentalness • 37% Positiveness
9% Popularity • 44% Danceability • 72% Energy • 10% Liveness
24% Instrumentalness • 37% Positiveness
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Good Sad Happy Bad
Honey
124 bpm • C# min • 02:21 • -10db
20% Popularity • 75% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
20% Popularity • 75% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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Thibault
See The World
125 bpm • D# Maj • 02:59 • -7.81db
20% Popularity • 46% Danceability • 69% Energy • 16% Liveness
77% Instrumentalness • 37% Positiveness
20% Popularity • 46% Danceability • 69% Energy • 16% Liveness
77% Instrumentalness • 37% Positiveness
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Damaged Bug
Eggs at Night
119 bpm • B min • 02:58 • -6.41db
28% Popularity • 70% Danceability • 90% Energy • 75% Liveness
81% Instrumentalness • 76% Positiveness
28% Popularity • 70% Danceability • 90% Energy • 75% Liveness
81% Instrumentalness • 76% Positiveness
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Omni
Courtesy Call
125 bpm • F Maj • 03:46 • -7.01db
25% Popularity • 83% Danceability • 26% Energy • 6% Liveness
26% Instrumentalness • 57% Positiveness
25% Popularity • 83% Danceability • 26% Energy • 6% Liveness
26% Instrumentalness • 57% Positiveness
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Part Time
Pussy of My Dreams
125 bpm • E Maj • 03:00 • -11.75db
26% Popularity • 68% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 68% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Montero
Adriana
125 bpm • C# min • 04:12 • -6.08db
26% Popularity • 31% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 31% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Snowy Band
Never Change
125 bpm • D Maj • 04:41 • -8.61db
10% Popularity • 70% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
10% Popularity • 70% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Insecure Men
The Saddest Man in Penge
125 bpm • D Maj • 01:55 • -8.03db
15% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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John Andrews & The Yawns
Drivers
119 bpm • E min • 04:00 • -6.12db
30% Popularity • 55% Danceability • 55% Energy • 58% Liveness
94% Instrumentalness • 44% Positiveness
30% Popularity • 55% Danceability • 55% Energy • 58% Liveness
94% Instrumentalness • 44% Positiveness
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Dick Diver
Languages of Love
125 bpm • D Maj • 02:18 • -7.76db
9% Popularity • 70% Danceability • 66% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
9% Popularity • 70% Danceability • 66% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
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David Kilgour
Smoke you right out of here
125 bpm • A Maj • 02:50 • -13.4db
24% Popularity • 66% Danceability • 49% Energy • 27% Liveness
22% Instrumentalness • 32% Positiveness
24% Popularity • 66% Danceability • 49% Energy • 27% Liveness
22% Instrumentalness • 32% Positiveness
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Floodlights
Proud and Well
125 bpm • G Maj • 04:30 • -6.68db
19% Popularity • 48% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
19% Popularity • 48% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
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Juan Wauters
Woke Up Feeling Like Sleeping
119 bpm • F# min • 01:42 • -4.82db
40% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Insecure Men
I Don't Wanna Dance
119 bpm • D Maj • 03:36 • -6.89db
21% Popularity • 57% Danceability • 69% Energy • 10% Liveness
18% Instrumentalness • 39% Positiveness
21% Popularity • 57% Danceability • 69% Energy • 10% Liveness
18% Instrumentalness • 39% Positiveness
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The Clean
Stars
125 bpm • E Maj • 05:21 • -9.84db
26% Popularity • 53% Danceability • 78% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
26% Popularity • 53% Danceability • 78% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
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Dick Diver
Calendar Days
119 bpm • C Maj • 02:55 • -5.62db
27% Popularity • 43% Danceability • 70% Energy • 13% Liveness
50% Instrumentalness • 41% Positiveness
27% Popularity • 43% Danceability • 70% Energy • 13% Liveness
50% Instrumentalness • 41% Positiveness
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Boomgates
Cartons and Cans
126 bpm • G Maj • 02:12 • -7.5db
17% Popularity • 60% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 60% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Floodlights
Backyard
119 bpm • C Maj • 03:46 • -6.58db
25% Popularity • 41% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 41% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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The Ocean Party
Mine
118 bpm • C Maj • 03:33 • -7.09db
19% Popularity • 51% Danceability • 65% Energy • 35% Liveness
6% Instrumentalness • 48% Positiveness
19% Popularity • 51% Danceability • 65% Energy • 35% Liveness
6% Instrumentalness • 48% Positiveness
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Chastity Belt
Black Sail
126 bpm • B Maj • 04:03 • -10db
36% Popularity • 55% Danceability • 69% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
36% Popularity • 55% Danceability • 69% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
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Silver Jews
Punks In The Beerlight
126 bpm • A min • 03:30 • -6db
43% Popularity • 46% Danceability • 83% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
43% Popularity • 46% Danceability • 83% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
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Jen Cloher
Analysis Paralysis
126 bpm • C Maj • 07:45 • -10db
16% Popularity • 59% Danceability • 68% Energy • 11% Liveness
77% Instrumentalness • 93% Positiveness
16% Popularity • 59% Danceability • 68% Energy • 11% Liveness
77% Instrumentalness • 93% Positiveness
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Kurt Vile
Losing It
118 bpm • C# min • 01:33 • -10.52db
43% Popularity • 55% Danceability • 38% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 55% Danceability • 38% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Sofie Royer
99 Glimpses
126 bpm • E min • 03:18 • -7.26db
23% Popularity • 65% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 65% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Hecks
Heat Wave
126 bpm • D Maj • 03:59 • -7db
10% Popularity • 82% Danceability • 69% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
10% Popularity • 82% Danceability • 69% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
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Bnny
Take That Back
118 bpm • E min • 02:05 • -9.49db
41% Popularity • 59% Danceability • 78% Energy • 21% Liveness
68% Instrumentalness • 78% Positiveness
41% Popularity • 59% Danceability • 78% Energy • 21% Liveness
68% Instrumentalness • 78% Positiveness
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Ultimate Painting
Central Park Blues
118 bpm • G# min • 04:14 • -6.85db
31% Popularity • 61% Danceability • 70% Energy • 9% Liveness
50% Instrumentalness • 60% Positiveness
31% Popularity • 61% Danceability • 70% Energy • 9% Liveness
50% Instrumentalness • 60% Positiveness
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Sneaks
PBNJ
126 bpm • G Maj • 02:38 • -10db
35% Popularity • 80% Danceability • 82% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
35% Popularity • 80% Danceability • 82% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
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Country Teasers
Golden Apples
126 bpm • A Maj • 03:28 • -8.43db
37% Popularity • 81% Danceability • 68% Energy • 10% Liveness
58% Instrumentalness • 75% Positiveness
37% Popularity • 81% Danceability • 68% Energy • 10% Liveness
58% Instrumentalness • 75% Positiveness
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Gregor
Bugs
126 bpm • C# min • 04:54 • -10.34db
8% Popularity • 60% Danceability • 50% Energy • 23% Liveness
50% Instrumentalness • 30% Positiveness
8% Popularity • 60% Danceability • 50% Energy • 23% Liveness
50% Instrumentalness • 30% Positiveness
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Silver Jews
I'm Gonna Love The Hell Out Of You
126 bpm • G Maj • 02:57 • -12.15db
33% Popularity • 64% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Bonny Doon
Saw a Light
118 bpm • D Maj • 05:28 • -12.53db
31% Popularity • 50% Danceability • 29% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
31% Popularity • 50% Danceability • 29% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Ultimate Painting
Kodiak
118 bpm • C Maj • 03:08 • -7db
37% Popularity • 78% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
37% Popularity • 78% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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Bad Bangs
Hearts
118 bpm • B min • 02:34 • -6.44db
19% Popularity • 67% Danceability • 84% Energy • 34% Liveness
35% Instrumentalness • 52% Positiveness
19% Popularity • 67% Danceability • 84% Energy • 34% Liveness
35% Instrumentalness • 52% Positiveness
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The Stroppies
Gravity Is Stern
127 bpm • C Maj • 03:25 • -7.85db
14% Popularity • 67% Danceability • 80% Energy • 8% Liveness
33% Instrumentalness • 62% Positiveness
14% Popularity • 67% Danceability • 80% Energy • 8% Liveness
33% Instrumentalness • 62% Positiveness
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Eddy Current Suppression Ring
I Can Be a Jerk
117 bpm • A Maj • 02:32 • -6db
21% Popularity • 61% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 61% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Snowy Band
The Rest Of Your Life
127 bpm • G# Maj • 02:54 • -8.94db
21% Popularity • 67% Danceability • 63% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
21% Popularity • 67% Danceability • 63% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
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Poppy Jean Crawford
Jonsies Gonesies
127 bpm • A Maj • 04:14 • -8.28db
17% Popularity • 50% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
17% Popularity • 50% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
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Chastity Belt
Nip Slip
127 bpm • A Maj • 01:58 • -14db
38% Popularity • 66% Danceability • 50% Energy • 11% Liveness
50% Instrumentalness • 17% Positiveness
38% Popularity • 66% Danceability • 50% Energy • 11% Liveness
50% Instrumentalness • 17% Positiveness
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Cobra Man
Ociffer
127 bpm • B Maj • 04:05 • -3.66db
25% Popularity • 53% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 53% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Scott & Charlene's Wedding
Salt in Your Hair
127 bpm • C# Maj • 04:26 • -5.93db
13% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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PAINT
Daily Gazette
117 bpm • F Maj • 02:37 • -7.78db
24% Popularity • 64% Danceability • 60% Energy • 9% Liveness
58% Instrumentalness • 86% Positiveness
24% Popularity • 64% Danceability • 60% Energy • 9% Liveness
58% Instrumentalness • 86% Positiveness
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The Nerves
Many Roads to Follow - Demo
127 bpm • E Maj • 02:14 • -11db
36% Popularity • 55% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
36% Popularity • 55% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Dry Cleaning
Sit Down Meal
127 bpm • G Maj • 03:43 • -8.42db
6% Popularity • 59% Danceability • 69% Energy • 13% Liveness
71% Instrumentalness • 34% Positiveness
6% Popularity • 59% Danceability • 69% Energy • 13% Liveness
71% Instrumentalness • 34% Positiveness
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Boomgates
Cows Come Home
127 bpm • C Maj • 04:11 • -5.86db
13% Popularity • 49% Danceability • 76% Energy • 20% Liveness
31% Instrumentalness • 52% Positiveness
13% Popularity • 49% Danceability • 76% Energy • 20% Liveness
31% Instrumentalness • 52% Positiveness
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The Men
Candy
127 bpm • F Maj • 03:16 • -6.66db
13% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Chastity Belt
Drone
117 bpm • A Maj • 04:33 • -7db
39% Popularity • 36% Danceability • 73% Energy • 11% Liveness
33% Instrumentalness • 50% Positiveness
39% Popularity • 36% Danceability • 73% Energy • 11% Liveness
33% Instrumentalness • 50% Positiveness
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The Stroppies
Burning Bright
127 bpm • G Maj • 02:30 • -7.99db
11% Popularity • 61% Danceability • 70% Energy • 17% Liveness
93% Instrumentalness • 97% Positiveness
11% Popularity • 61% Danceability • 70% Energy • 17% Liveness
93% Instrumentalness • 97% Positiveness
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Billy Changer
Barbarella
127 bpm • C min • 02:10 • -6.64db
42% Popularity • 64% Danceability • 62% Energy • 10% Liveness
85% Instrumentalness • 22% Positiveness
42% Popularity • 64% Danceability • 62% Energy • 10% Liveness
85% Instrumentalness • 22% Positiveness
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Silver Jews
Suffering Jukebox
128 bpm • G Maj • 04:21 • -10.86db
44% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
44% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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Skink Tank
Melbourne Water
127 bpm • F Maj • 04:06 • -2.98db
17% Popularity • 54% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 54% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Bitch Prefect
Bad Decisions
116 bpm • C Maj • 03:17 • -5.68db
14% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie the Wheel
Number One
128 bpm • A Maj • 06:07 • -7.05db
14% Popularity • 70% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 68% Positiveness
14% Popularity • 70% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 68% Positiveness
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Boomgates
Widow Maker
128 bpm • A Maj • 03:05 • -9.16db
13% Popularity • 53% Danceability • 66% Energy • 21% Liveness
5% Instrumentalness • 91% Positiveness
13% Popularity • 53% Danceability • 66% Energy • 21% Liveness
5% Instrumentalness • 91% Positiveness
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BODEGA
Charlie
116 bpm • D# min • 02:32 • -6.37db
32% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
