Songs like Bomb Crater by Volker Bertelmann
Based on a tempo of (+/- 10%) and a similar genre
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Howard Shore
Courthouse
84 bpm • B min • 01:11 • -22.79db
36% Popularity • 41% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
36% Popularity • 41% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Son Lux
Jobu Tupaki
84 bpm • C Maj • 02:03 • -17.69db
23% Popularity • 22% Danceability • 35% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 35% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Robin Carolan
Bloð Inside / I Choose Both
84 bpm • F# Maj • 02:09 • -17.71db
25% Popularity • 12% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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The Prestige
Sacrifice
84 bpm • A min • 05:15 • -24.05db
14% Popularity • 8% Danceability • 12% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 12% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Johan Söderqvist
After the Fight
84 bpm • A# min • 01:05 • -20.25db
26% Popularity • 11% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Remains
84 bpm • F min • 02:58 • -19.54db
48% Popularity • 8% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 8% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
12 Hours Before
84 bpm • C Maj • 02:31 • -20db
39% Popularity • 18% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Alexandre Desplat
The Blue Fairy
84 bpm • C Maj • 02:31 • -24.22db
12% Popularity • 9% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Marco Beltrami
Leaving the Farm
83 bpm • E Maj • 01:34 • -21.34db
33% Popularity • 9% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Learning to Drive
83 bpm • A# Maj • 01:47 • -17.19db
16% Popularity • 24% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
16% Popularity • 24% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Daniel Hart
Now I'm Ready, I'm Ready Now
83 bpm • F Maj • 04:01 • -15.26db
29% Popularity • 16% Danceability • 27% Energy • 10% Liveness
56% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 27% Energy • 10% Liveness
56% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Bomb Crater
84 bpm • D# Maj • 03:39 • -28.45db
32% Popularity • 9% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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chuck e. myers 'sea'
Hall of the Keepers
83 bpm • D min • 04:02 • -23.56db
30% Popularity • 8% Danceability • 14% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 14% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Michael Giacchino
Riddles, Riddles Everywhere
83 bpm • A# min • 01:54 • -17.08db
36% Popularity • 46% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
36% Popularity • 46% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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David Buckley
There Is Hope
85 bpm • G min • 04:25 • -23db
19% Popularity • 9% Danceability • 8% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 8% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
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Gustavo Santaolalla
All Gone (Flashbacks)
85 bpm • C Maj • 01:10 • -32.55db
30% Popularity • 18% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Mychael Danna
Old Ground
83 bpm • C# Maj • 04:26 • -27.81db
24% Popularity • 11% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Jed Kurzel
Spores
85 bpm • G Maj • 02:17 • -21.47db
25% Popularity • 24% Danceability • 21% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 21% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Naoki Sato
Godzilla-1.0 Pride
85 bpm • A# Maj • 02:41 • -19.83db
30% Popularity • 14% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
30% Popularity • 14% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Nathan Johnson
Harlan's Plan
85 bpm • D Maj • 03:15 • -19.17db
26% Popularity • 22% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Paul
85 bpm • G min • 01:42 • -13.46db
41% Popularity • 17% Danceability • 18% Energy • 18% Liveness
48% Instrumentalness • 3% Positiveness
41% Popularity • 17% Danceability • 18% Energy • 18% Liveness
48% Instrumentalness • 3% Positiveness
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Gustavo Santaolalla
All Gone (In Vain)
85 bpm • B min • 01:05 • -23.47db
25% Popularity • 15% Danceability • 8% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 8% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Son Lux
Evelyn All At Once
85 bpm • C# Maj • 02:29 • -14db
24% Popularity • 19% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Dan Romer
I Wonder Why You Made Me
85 bpm • C min • 01:33 • -32.24db
0% Popularity • 10% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
0% Popularity • 10% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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John Williams
Padmé's Ruminations
86 bpm • D Maj • 03:18 • -31.52db
37% Popularity • 9% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
37% Popularity • 9% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
26% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Mark Isham
Time Passing II
82 bpm • A Maj • 01:17 • -24db
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Son Lux
What a Fast Elevator!
85 bpm • C Maj • 02:44 • -19.92db
22% Popularity • 20% Danceability • 33% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 33% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Bridge of Death
86 bpm • B min • 04:44 • -17.43db
34% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
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Robin Carolan
A Burning Barn
82 bpm • C Maj • 01:24 • -16.7db
31% Popularity • 13% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Bat's True Calling
82 bpm • F min • 03:05 • -20.39db
35% Popularity • 8% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
56% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
56% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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David Buckley
The Pillow Wall
86 bpm • F# min • 01:10 • -26.55db
47% Popularity • 16% Danceability • 7% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 7% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Volker Bertelmann
All Quiet On The Western Front
82 bpm • G min • 02:39 • -22.93db
37% Popularity • 8% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
37% Popularity • 8% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Mychael Danna
A Little Bit of Faith
82 bpm • C Maj • 01:09 • -24db
42% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Kevin Kiner
Birth of Ahsoka
82 bpm • C Maj • 01:33 • -13.82db
22% Popularity • 18% Danceability • 27% Energy • 16% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 18% Danceability • 27% Energy • 16% Liveness
95% Instrumentalness • 8% Positiveness
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West Dylan Thordson
Backfire
86 bpm • D# Maj • 01:12 • -20.76db
39% Popularity • 13% Danceability • 10% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
39% Popularity • 13% Danceability • 10% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Gustavo Santaolalla
The Last of Us (Vengeance)
86 bpm • F# min • 02:59 • -28.35db
32% Popularity • 12% Danceability • 3% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 3% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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James Newton Howard
First Crop Circles
87 bpm • G Maj • 03:15 • -32.62db
21% Popularity • 9% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Secret Mission
82 bpm • G Maj • 02:37 • -20.29db
3% Popularity • 8% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 8% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Steven Price
Refugees
86 bpm • F Maj • 02:42 • -18.81db
25% Popularity • 15% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
25% Popularity • 15% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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Johan Söderqvist
Battle Victorious
87 bpm • C# min • 01:08 • -14.49db
30% Popularity • 22% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 22% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Nathan Johnson
Copa Spook Show
81 bpm • B min • 02:06 • -13.9db
7% Popularity • 22% Danceability • 14% Energy • 18% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 14% Energy • 18% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Anne Nikitin
Jupiter
87 bpm • A min • 03:07 • -16.88db
32% Popularity • 17% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Tjaden
81 bpm • D# Maj • 01:29 • -17db
42% Popularity • 19% Danceability • 21% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
42% Popularity • 19% Danceability • 21% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
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Anže Rozman
Alamosaurus
81 bpm • A min • 02:21 • -19.1db
19% Popularity • 8% Danceability • 28% Energy • 38% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 28% Energy • 38% Liveness
96% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
The Quarantine Zone
87 bpm • E Maj • 01:45 • -23.36db
28% Popularity • 14% Danceability • 18% Energy • 10% Liveness
60% Instrumentalness • 2% Positiveness
28% Popularity • 14% Danceability • 18% Energy • 10% Liveness
60% Instrumentalness • 2% Positiveness
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Dustin O'Halloran
Escape the Station
87 bpm • G Maj • 02:25 • -15.91db
18% Popularity • 14% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Kevin Kiner
Ahsoka Returns
87 bpm • A min • 02:59 • -11.55db
25% Popularity • 9% Danceability • 30% Energy • 20% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 30% Energy • 20% Liveness
89% Instrumentalness • 4% Positiveness
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Son Lux
Specks Of Time
81 bpm • B min • 02:49 • -17.04db
31% Popularity • 25% Danceability • 11% Energy • 7% Liveness
62% Instrumentalness • 5% Positiveness
31% Popularity • 25% Danceability • 11% Energy • 7% Liveness
62% Instrumentalness • 5% Positiveness
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West Dylan Thordson
Checkmate
80 bpm • D Maj • 02:08 • -24db
37% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Carter Burwell
The Island Comes to Church
88 bpm • F min • 01:09 • -16.66db
25% Popularity • 22% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
25% Popularity • 22% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
38% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Thomas Newman
The Boche
80 bpm • G min • 03:21 • -41.95db
27% Popularity • 18% Danceability • 1% Energy • 11% Liveness
48% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 1% Energy • 11% Liveness
48% Instrumentalness • 3% Positiveness
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Nathan Johnson
On the Eve of Harlan's Demise
88 bpm • D Maj • 03:58 • -26.78db
26% Popularity • 16% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Uniform
88 bpm • F min • 01:49 • -14.76db
37% Popularity • 23% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
37% Popularity • 23% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
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West Dylan Thordson
David & Elijah
80 bpm • C Maj • 01:45 • -25.69db
47% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
47% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Jed Kurzel
Neutrino Burst
80 bpm • G Maj • 02:57 • -13.86db
23% Popularity • 18% Danceability • 45% Energy • 9% Liveness
71% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 45% Energy • 9% Liveness
71% Instrumentalness • 3% Positiveness
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Secession Studios
Entering the Light
88 bpm • D Maj • 02:55 • -21.18db
14% Popularity • 18% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Daniel Hart
I Promise You Will Not Come To Harm
88 bpm • D Maj • 03:14 • -17.08db
23% Popularity • 37% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 37% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
The Execution
88 bpm • C Maj • 01:36 • -21.9db
19% Popularity • 20% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
19% Popularity • 20% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Paul Haslinger
Phoenix
80 bpm • C# min • 01:57 • -36db
32% Popularity • 24% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 12% Positiveness
32% Popularity • 24% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 12% Positiveness
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Clint Mansell
We Will Heal
88 bpm • G Maj • 03:27 • -17.04db
21% Popularity • 28% Danceability • 27% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
21% Popularity • 28% Danceability • 27% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Danny Bensi and Saunder Jurriaans
Make History
88 bpm • C Maj • 01:13 • -33.41db
41% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Casey Tells the Truth
80 bpm • C# Maj • 01:40 • -38db
39% Popularity • 27% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
39% Popularity • 27% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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James Newton Howard
Edit on the Hood
80 bpm • D min • 01:07 • -16.66db
21% Popularity • 28% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Lost (Part One)
80 bpm • F Maj • 03:06 • -16.86db
20% Popularity • 25% Danceability • 27% Energy • 12% Liveness
79% Instrumentalness • 12% Positiveness
20% Popularity • 25% Danceability • 27% Energy • 12% Liveness
79% Instrumentalness • 12% Positiveness
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Mac Quayle
Retribution
89 bpm • D min • 03:55 • -16db
26% Popularity • 33% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
26% Popularity • 33% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Gustavo Santaolalla
The Choice
80 bpm • E min • 01:23 • -29.58db
29% Popularity • 14% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
29% Popularity • 14% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Atli Örvarsson
Irrevocable
79 bpm • C# Maj • 03:10 • -16.96db
23% Popularity • 13% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 13% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Remember
89 bpm • B Maj • 01:49 • -26.47db
42% Popularity • 18% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
42% Popularity • 18% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Thomas Newman
Mentions in Dispatches
79 bpm • A# Maj • 03:44 • -37db
27% Popularity • 7% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Mychael Danna
Can't Miss Prospect
79 bpm • E min • 02:05 • -18.23db
26% Popularity • 7% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Stephen Barton
Through Darkness
79 bpm • C Maj • 05:35 • -19.65db
25% Popularity • 7% Danceability • 4% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
25% Popularity • 7% Danceability • 4% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Clint Mansell
"We're Not Programs, GERTY, We're People...
89 bpm • C Maj • 05:10 • -22.73db
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Ordinary Man
89 bpm • G min • 02:07 • -19.23db
45% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
33% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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James Newton Howard
Search for the Plate
79 bpm • D min • 01:02 • -16.87db
13% Popularity • 43% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
13% Popularity • 43% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Howard Shore
Pressure of the Church
89 bpm • A min • 01:37 • -29.44db
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Steven Price
Fury Drives Into Camp
90 bpm • G min • 01:50 • -18db
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Dustin O'Halloran
Birth
79 bpm • G min • 01:38 • -19.73db
15% Popularity • 15% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
15% Popularity • 15% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Amie Doherty
Caught In A Weird Loop
90 bpm • A# min • 01:25 • -12.1db
29% Popularity • 43% Danceability • 33% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
29% Popularity • 43% Danceability • 33% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Hesham Nazih
Eye of Horus
78 bpm • C# Maj • 01:11 • -15.37db
25% Popularity • 14% Danceability • 24% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
25% Popularity • 14% Danceability • 24% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Dan Romer
Owen
79 bpm • D Maj • 01:20 • -23.46db
33% Popularity • 18% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
33% Popularity • 18% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
34% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Mark Isham
So You Will Go
90 bpm • E Maj • 03:21 • -29.24db
17% Popularity • 10% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Scarf
78 bpm • C min • 00:53 • -19.63db
29% Popularity • 24% Danceability • 20% Energy • 11% Liveness
33% Instrumentalness • 3% Positiveness
29% Popularity • 24% Danceability • 20% Energy • 11% Liveness
33% Instrumentalness • 3% Positiveness
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Mathias Rehfeldt
Epilogue
78 bpm • F Maj • 05:52 • -15.79db
22% Popularity • 12% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Newman
The Rapids
78 bpm • A min • 01:29 • -28.83db
27% Popularity • 20% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Steven Price
I'm Scared Too
90 bpm • C min • 03:45 • -22db
32% Popularity • 10% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Yellow Leaf
90 bpm • E min • 03:42 • -15.58db
15% Popularity • 10% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Dan Romer
After the Play
78 bpm • D Maj • 01:41 • -20.67db
19% Popularity • 20% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
19% Popularity • 20% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
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The Prestige
Man's Reach Exceeds His Imagination
91 bpm • C Maj • 02:08 • -18db
18% Popularity • 10% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
18% Popularity • 10% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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David Buckley
This Is Fiddler's Green
90 bpm • G min • 03:27 • -24.1db
22% Popularity • 12% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
22% Popularity • 12% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Marco Beltrami
Old Man Logan
78 bpm • C Maj • 02:45 • -26.3db
23% Popularity • 17% Danceability • 2% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness