Songs like Bon Ton Roulet by Lonnie Brooks
Based on a tempo of (+/- 10%) and a similar genre
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Brandon Santini
Things You Putting Down
144 bpm • G Maj • 04:18 • -4.9db
11% Popularity • 59% Danceability • 68% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
11% Popularity • 59% Danceability • 68% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
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Lonnie Brooks
Teenage Boogie Man
144 bpm • D Maj • 03:35 • -12.17db
1% Popularity • 61% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 61% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Katie Webster
Two-Fisted Mama
144 bpm • C Maj • 03:23 • -14db
35% Popularity • 55% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 55% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Lightnin' Hopkins
Shake It Baby
145 bpm • C min • 04:55 • -13.44db
24% Popularity • 52% Danceability • 51% Energy • 10% Liveness
19% Instrumentalness • 73% Positiveness
24% Popularity • 52% Danceability • 51% Energy • 10% Liveness
19% Instrumentalness • 73% Positiveness
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The Fabulous Thunderbirds
Walkin' To My Baby
145 bpm • G Maj • 02:25 • -5.26db
27% Popularity • 73% Danceability • 69% Energy • 24% Liveness
3% Instrumentalness • 91% Positiveness
27% Popularity • 73% Danceability • 69% Energy • 24% Liveness
3% Instrumentalness • 91% Positiveness
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Earl King
Come Let The Good Times Roll
145 bpm • A Maj • 02:47 • -8.43db
28% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Dawkins
Kold Actions
145 bpm • C Maj • 07:17 • -20.88db
34% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
34% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
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Lonnie Brooks
Bon Ton Roulet
144 bpm • G Maj • 03:53 • -9.64db
14% Popularity • 68% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 68% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Raful Neal
Blues On The Moon
145 bpm • A# min • 02:56 • -13db
31% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
31% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
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William Clarke
Looking To The Future
145 bpm • A Maj • 04:07 • -13db
23% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Lazy Lester
Bye Bye Baby
142 bpm • G Maj • 02:43 • -11.72db
22% Popularity • 50% Danceability • 72% Energy • 36% Liveness
10% Instrumentalness • 82% Positiveness
22% Popularity • 50% Danceability • 72% Energy • 36% Liveness
10% Instrumentalness • 82% Positiveness
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The Fabulous Thunderbirds
You're Gonna Miss Me
146 bpm • G min • 04:16 • -7.35db
24% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Ronnie Baker Brooks
You Wrong for That Now
146 bpm • G Maj • 03:39 • -5.81db
3% Popularity • 64% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
3% Popularity • 64% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Lonnie Brooks
Worked Up Woman
143 bpm • D Maj • 03:25 • -12.25db
4% Popularity • 67% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
4% Popularity • 67% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Little Charlie & The Nightcats
Dump That Chump
147 bpm • F# min • 03:23 • -14db
28% Popularity • 67% Danceability • 55% Energy • 16% Liveness
2% Instrumentalness • 85% Positiveness
28% Popularity • 67% Danceability • 55% Energy • 16% Liveness
2% Instrumentalness • 85% Positiveness
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Earl Hooker
Rockin' with Kid
146 bpm • G Maj • 02:05 • -3.01db
25% Popularity • 61% Danceability • 89% Energy • 11% Liveness
86% Instrumentalness • 97% Positiveness
25% Popularity • 61% Danceability • 89% Energy • 11% Liveness
86% Instrumentalness • 97% Positiveness
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Magic Slim
Don't Say That No More
147 bpm • D Maj • 03:44 • -9.32db
15% Popularity • 69% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 90% Positiveness
15% Popularity • 69% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 90% Positiveness
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Roomful Of Blues
Every Dog Has Its Day
141 bpm • A min • 02:39 • -3.5db
34% Popularity • 68% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 68% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Curtis Salgado
One Night Only
147 bpm • F Maj • 02:49 • -6.49db
30% Popularity • 53% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
30% Popularity • 53% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
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Mighty Joe Young
Wishy Washy Woman
141 bpm • D Maj • 03:04 • -7.32db
12% Popularity • 64% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 64% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Johnnie Johnson
Hush on Hush
147 bpm • A Maj • 03:22 • -13.85db
9% Popularity • 60% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 63% Positiveness
9% Popularity • 60% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 63% Positiveness
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The Fabulous Thunderbirds
Please Don't Lie To Me
148 bpm • F# Maj • 02:08 • -6.9db
15% Popularity • 61% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 61% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Joe Louis Walker
Mean Old Train
148 bpm • E Maj • 03:03 • -7.55db
20% Popularity • 51% Danceability • 53% Energy • 16% Liveness
23% Instrumentalness • 71% Positiveness
20% Popularity • 51% Danceability • 53% Energy • 16% Liveness
23% Instrumentalness • 71% Positiveness
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Billy Branch
Nobody But You
148 bpm • A# Maj • 03:07 • -6.63db
25% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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J. B. Hutto
Lulu Belle's Here
148 bpm • G Maj • 03:41 • -9.19db
25% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
25% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
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Marcia Ball
My Heart And Soul
140 bpm • F Maj • 03:14 • -3.94db
23% Popularity • 65% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 65% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Magic Slim
Stranded On The Highway
140 bpm • F# min • 04:25 • -8.79db
13% Popularity • 60% Danceability • 68% Energy • 19% Liveness
6% Instrumentalness • 95% Positiveness
13% Popularity • 60% Danceability • 68% Energy • 19% Liveness
6% Instrumentalness • 95% Positiveness
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Long John Hunter
Old Red
149 bpm • G Maj • 02:43 • -9.08db
0% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Billy Boy Arnold
Don't Stay Out All Night
140 bpm • D Maj • 03:16 • -7.51db
24% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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C.J. Chenier
Louisiana Down Home Blues (aka Down Home...
139 bpm • A# Maj • 03:55 • -10.28db
12% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Phillip Walker
Someday You'll Have These Blues
149 bpm • C Maj • 02:40 • -13.7db
2% Popularity • 47% Danceability • 50% Energy • 54% Liveness
91% Instrumentalness • 85% Positiveness
2% Popularity • 47% Danceability • 50% Energy • 54% Liveness
91% Instrumentalness • 85% Positiveness
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Lonnie Brooks
In The Dark
139 bpm • G min • 05:22 • -17db
25% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Willie Dixon
Crazy For My Baby
139 bpm • F Maj • 02:51 • -12.59db
21% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Zuzu Bollin
Big Legs
139 bpm • F min • 02:37 • -13.78db
9% Popularity • 60% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 68% Positiveness
9% Popularity • 60% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 68% Positiveness
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Rick Estrin & The Nightcats
Back From The Dead
150 bpm • A Maj • 02:48 • -3.97db
14% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Professor Longhair
How Long Has That Train Been Gone
138 bpm • F Maj • 05:35 • -13.73db
11% Popularity • 64% Danceability • 47% Energy • 22% Liveness
32% Instrumentalness • 90% Positiveness
11% Popularity • 64% Danceability • 47% Energy • 22% Liveness
32% Instrumentalness • 90% Positiveness
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Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
26% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Lazy Lester
Alligator Shuffle
137 bpm • A Maj • 02:45 • -10.1db
29% Popularity • 46% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
29% Popularity • 46% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Slim Harpo
My Little Queen Bee (Got A Brand New Kin...
137 bpm • F Maj • 02:36 • -6.03db
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Big Walter Horton
Sugar Mama
151 bpm • A Maj • 03:16 • -12db
19% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Katie Webster
Love Deluxe
136 bpm • G Maj • 03:22 • -11db
21% Popularity • 69% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 87% Positiveness
21% Popularity • 69% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 87% Positiveness
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Eddy Clearwater
Too Old To Get Married
153 bpm • C Maj • 03:55 • -3db
11% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
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Saffire-The Uppity Blues Women
Going Down To The River
136 bpm • G Maj • 03:13 • -3db
15% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Lazy Lester
I'm Gonna Leave You Baby
137 bpm • A# Maj • 02:12 • -7.49db
26% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Slim Harpo
Little Queen Bee (Got a Brand New King)
136 bpm • C min • 02:38 • -11.74db
25% Popularity • 57% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
25% Popularity • 57% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Hoochie Coochie Blues Band
Don´t Go No Further
135 bpm • B min • 02:37 • -8.78db
16% Popularity • 41% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 41% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Katie Webster
Lord, I Wonder
136 bpm • D# Maj • 04:03 • -14.96db
12% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Otis Spann
Take A Little Walk With Me - Remastered
135 bpm • A Maj • 03:27 • -9db
27% Popularity • 48% Danceability • 49% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
27% Popularity • 48% Danceability • 49% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
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Harmonica Shah
Baby, You Have Got to Change
135 bpm • C min • 04:46 • -4.09db
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Lazy Lester
Dark End Of The Street
136 bpm • F Maj • 02:56 • -13db
22% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Lonnie Brooks
Messed Up Again
135 bpm • E min • 03:23 • -10.02db
9% Popularity • 57% Danceability • 79% Energy • 16% Liveness
1% Instrumentalness • 77% Positiveness
9% Popularity • 57% Danceability • 79% Energy • 16% Liveness
1% Instrumentalness • 77% Positiveness
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Johnny Copeland
Every Dog's Got His Day
135 bpm • C Maj • 04:54 • -7.89db
15% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Johnnie Johnson
Can You Stand It
154 bpm • C Maj • 02:46 • -13.25db
16% Popularity • 65% Danceability • 59% Energy • 20% Liveness
6% Instrumentalness • 85% Positiveness
16% Popularity • 65% Danceability • 59% Energy • 20% Liveness
6% Instrumentalness • 85% Positiveness
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Detroit Junior
Some Nerve
134 bpm • D Maj • 03:05 • -14.22db
27% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Katie Webster
After You Get Rid Of Me
135 bpm • C Maj • 05:34 • -13.88db
17% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Lazy Lester
Rooster Blues
135 bpm • A Maj • 03:02 • -7db
19% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Boy Arnold
Move On Down The Road
134 bpm • G Maj • 03:00 • -11db
31% Popularity • 56% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 87% Positiveness
31% Popularity • 56% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 87% Positiveness
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Marcia Ball
Something's Got a Hold of Me
155 bpm • C Maj • 03:45 • -6.46db
6% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
6% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Professor Longhair
Cry To Me - Remastered
133 bpm • A# Maj • 03:37 • -7.37db
24% Popularity • 66% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 66% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Lonnie Brooks
Temporary Insanity
133 bpm • G Maj • 03:40 • -11.48db
12% Popularity • 68% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 93% Positiveness
12% Popularity • 68% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 93% Positiveness
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Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Long John Hunter
Time And Time Again
133 bpm • G# Maj • 04:23 • -7.95db
6% Popularity • 59% Danceability • 83% Energy • 16% Liveness
14% Instrumentalness • 71% Positiveness
6% Popularity • 59% Danceability • 83% Energy • 16% Liveness
14% Instrumentalness • 71% Positiveness
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Billy Boy Arnold
Left My Happy Home
155 bpm • F Maj • 02:34 • -9.66db
30% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Marcia Ball
The Tattooed Lady and The Alligator Man
156 bpm • D Maj • 03:38 • -4.42db
17% Popularity • 54% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 54% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Phantom Blues Band
Boogah Man
157 bpm • G Maj • 03:27 • -6.92db
11% Popularity • 50% Danceability • 79% Energy • 34% Liveness
2% Instrumentalness • 61% Positiveness
11% Popularity • 50% Danceability • 79% Energy • 34% Liveness
2% Instrumentalness • 61% Positiveness
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Professor Longhair
It's My Fault, Darling - Remastered
156 bpm • C Maj • 04:54 • -5.5db
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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William Clarke
Saturday Night Blues
132 bpm • F Maj • 02:40 • -6.1db
28% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Long John Hunter
It's Hard To Please a Woman
132 bpm • D Maj • 03:45 • -7.18db
1% Popularity • 62% Danceability • 67% Energy • 7% Liveness
6% Instrumentalness • 73% Positiveness
1% Popularity • 62% Danceability • 67% Energy • 7% Liveness
6% Instrumentalness • 73% Positiveness
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Zuzu Bollin
Why Don't You Eat Where You Slept Last N...
132 bpm • A# Maj • 02:54 • -16.3db
25% Popularity • 61% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 82% Positiveness
25% Popularity • 61% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 82% Positiveness
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Byther Smith
I'm A Honey Bee
132 bpm • D Maj • 02:42 • -11db
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
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U.P. Wilson
Shakin' Dem Bones
157 bpm • C Maj • 03:47 • -10.91db
26% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
26% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Lonnie Brooks
Watch What You Got
157 bpm • F Maj • 04:13 • -14.89db
2% Popularity • 50% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 50% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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Lester Davenport
Slow Down Baby
157 bpm • C Maj • 05:58 • -16.27db
27% Popularity • 45% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
27% Popularity • 45% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
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The Fabulous Thunderbirds
Rock With Me
131 bpm • E Maj • 02:38 • -5db
24% Popularity • 61% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 61% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Luther "Guitar Junior" Johnson
Got To Have Money
158 bpm • D Maj • 03:20 • -16.96db
27% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Phillip Walker
El Paso Blues
158 bpm • C Maj • 04:28 • -17.97db
1% Popularity • 53% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 53% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -11.63db
24% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Lonnie Brooks
One More Shot
158 bpm • D Maj • 02:36 • -9.01db
28% Popularity • 49% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 49% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Marcia Ball
Louella
159 bpm • C# Maj • 04:27 • -6db
33% Popularity • 49% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 49% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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William Clarke
Gambling For My Bread
130 bpm • A# Maj • 03:25 • -12.78db
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Little Charlie & The Nightcats
Slap Happy
130 bpm • E Maj • 03:47 • -4db
10% Popularity • 56% Danceability • 90% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
10% Popularity • 56% Danceability • 90% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
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Phillip Walker
Dressin' Tasty
131 bpm • G# Maj • 03:51 • -9.15db
13% Popularity • 48% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
13% Popularity • 48% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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A.C. Reed
These Blues Is Killing Me
159 bpm • B min • 03:07 • -7.41db
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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Lonnie Brooks
It's Your World aka Do What You Set Out ...
131 bpm • C min • 05:46 • -12.96db
4% Popularity • 51% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
4% Popularity • 51% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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Pee Wee Crayton
Every Night
159 bpm • G# Maj • 02:50 • -14db
24% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
24% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Sonny Boy Williamson II
Trying To Get Back On My Feet - Stereo V...
130 bpm • D Maj • 02:08 • -9.97db
31% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Big Walter Horton
Have Mercy
130 bpm • C Maj • 03:45 • -14db
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
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Kenny Neal
Hooked On Your Love
160 bpm • A Maj • 04:45 • -9.94db
16% Popularity • 58% Danceability • 69% Energy • 19% Liveness
11% Instrumentalness • 91% Positiveness
16% Popularity • 58% Danceability • 69% Energy • 19% Liveness
11% Instrumentalness • 91% Positiveness
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Eddie Burns
Hastings Street Special
129 bpm • F Maj • 03:34 • -7.77db
13% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
13% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
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Lonnie Brooks
Born In Louisiana
160 bpm • G min • 05:08 • -10.56db
1% Popularity • 34% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 34% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11.35db
10% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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William Clarke
I Feel Like Jumping
129 bpm • F Maj • 03:29 • -10.91db
17% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Phillip Walker
Don't Tell Me
161 bpm • G Maj • 03:18 • -16.19db
1% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Long John Hunter
Looking for My Baby
128 bpm • G Maj • 03:48 • -6.66db
1% Popularity • 76% Danceability • 73% Energy • 19% Liveness
59% Instrumentalness • 89% Positiveness
1% Popularity • 76% Danceability • 73% Energy • 19% Liveness
59% Instrumentalness • 89% Positiveness
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Marcia Ball
Down The Road
162 bpm • C Maj • 04:13 • -3.47db
12% Popularity • 49% Danceability • 95% Energy • 96% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 49% Danceability • 95% Energy • 96% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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Jimmy Rogers
Rock With You Baby
128 bpm • A# Maj • 04:12 • -11.08db
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
