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Bond: The Release
Songs like
Bond: The Release
by
Gerald Clayton
Based on a tempo of (+/- 10%) and a similar genre
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Gerald Clayton
Bond: The Release
126 bpm • C# min • 03:45 • -19.86db
25% Popularity • 35% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Sophia Domancich
A Confused Game
126 bpm • C# Maj • 02:01 • -8.44db
9% Popularity • 56% Danceability • 88% Energy • 11% Liveness
17% Instrumentalness • 55% Positiveness
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Freddie Hubbard
Dedicated To You
125 bpm • A# Maj • 03:22 • -15db
48% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Mary Lou Williams
It Ain't Necessarily So - Remastered
127 bpm • E min • 04:42 • -22.59db
43% Popularity • 49% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Brad Mehldau Trio
Friends
125 bpm • D Maj • 08:15 • -15db
36% Popularity • 45% Danceability • 31% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
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Wayne Shorter
502 Blues (Drinkin' And Drivin') - Rudy ...
126 bpm • A min • 06:34 • -15.02db
41% Popularity • 47% Danceability • 28% Energy • 12% Liveness
13% Instrumentalness • 24% Positiveness
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Taylor Eigsti
Love For Sale
125 bpm • A# min • 03:13 • -15.57db
32% Popularity • 43% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 61% Positiveness
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Hank Mobley
Fin De L'Affaire - 1998 - Remaster
124 bpm • F min • 06:39 • -14db
42% Popularity • 57% Danceability • 14% Energy • 17% Liveness
5% Instrumentalness • 33% Positiveness
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Benedikt Jahnel Trio
The Circuit
128 bpm • A Maj • 05:10 • -24db
26% Popularity • 40% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Howard McGhee
Tranquillity
124 bpm • F# Maj • 04:10 • -13.63db
14% Popularity • 51% Danceability • 16% Energy • 23% Liveness
79% Instrumentalness • 19% Positiveness
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Peter Erskine
Dear Old Stockholm
124 bpm • C Maj • 07:46 • -22.35db
30% Popularity • 50% Danceability • 12% Energy • 10% Liveness
15% Instrumentalness • 22% Positiveness
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Ben Wendel
Chorale
128 bpm • B Maj • 05:38 • -12.88db
3% Popularity • 36% Danceability • 37% Energy • 19% Liveness
90% Instrumentalness • 15% Positiveness
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Tango Crash
Desde Lejos
128 bpm • G# Maj • 05:07 • -14.08db
8% Popularity • 57% Danceability • 14% Energy • 11% Liveness
57% Instrumentalness • 8% Positiveness
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Jason Moran
Lulu's Back In Town
124 bpm • G# Maj • 02:38 • -14.02db
24% Popularity • 46% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 85% Positiveness
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Roy Hargrove Quintet
Everything I Have Is Yours/Dedicated To ...
124 bpm • D# Maj • 04:49 • -19.56db
13% Popularity • 32% Danceability • 9% Energy • 47% Liveness
94% Instrumentalness • 18% Positiveness
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Ben Street
Rumspringa
124 bpm • G# Maj • 07:28 • -16.4db
25% Popularity • 33% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Wayne Shorter
Yes Or No - Rudy Van Gelder 24 Bit Maste...
129 bpm • E min • 06:39 • -7.87db
41% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Brian Blade
Red River Revel
129 bpm • A min • 09:31 • -15.83db
19% Popularity • 33% Danceability • 36% Energy • 10% Liveness
30% Instrumentalness • 19% Positiveness
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Horace Silver Quintet
Cookin' At The Continental - Rudy Van Ge...
129 bpm • F min • 04:54 • -10db
33% Popularity • 47% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
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Jason Moran
Planet Rock Postscript
123 bpm • G Maj • 02:01 • -16.98db
16% Popularity • 49% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Dave Holland Quartet
Conference Of The Birds
123 bpm • A# Maj • 04:37 • -22.25db
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
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Duke Jordan
They Can't Take That Away From Me
129 bpm • D min • 04:34 • -17.19db
28% Popularity • 63% Danceability • 17% Energy • 6% Liveness
47% Instrumentalness • 47% Positiveness
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Paul Pritchard
Cops On Your Tale
129 bpm • F min • 01:59 • -16.8db
15% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Tord Gustavsen Trio
At A Glance
129 bpm • C# Maj • 04:18 • -17.2db
26% Popularity • 42% Danceability • 15% Energy • 6% Liveness
86% Instrumentalness • 10% Positiveness
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Steve Coleman
Zec
129 bpm • G# Maj • 09:09 • -13.05db
20% Popularity • 51% Danceability • 48% Energy • 29% Liveness
47% Instrumentalness • 68% Positiveness
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Ben Wendel
Jean and Renata
129 bpm • A min • 05:56 • -14.09db
1% Popularity • 53% Danceability • 37% Energy • 33% Liveness
55% Instrumentalness • 34% Positiveness
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The Gerry Mulligan Quintet
Night Lights
123 bpm • C# Maj • 02:53 • -19db
8% Popularity • 39% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
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Kenny Drew
Chartreuse
130 bpm • D Maj • 04:33 • -18.37db
38% Popularity • 54% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Yuri Honing Acoustic Quartet
The Art of Losing Isn't Hard to Master
122 bpm • A# Maj • 05:01 • -17db
21% Popularity • 59% Danceability • 6% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
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André Charlier
Devil Heart
122 bpm • G Maj • 02:25 • -13.51db
25% Popularity • 53% Danceability • 34% Energy • 20% Liveness
74% Instrumentalness • 58% Positiveness
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Gerald Clayton
Major Hope
122 bpm • A min • 06:14 • -16.51db
8% Popularity • 41% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Joshua Redman Quartet
How We Do
122 bpm • F min • 03:33 • -8.58db
24% Popularity • 59% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
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Miles Davis Quartet
When the Lights Are Now
122 bpm • F Maj • 03:26 • -14db
33% Popularity • 64% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Alexander Hawkins
One Tree Found
122 bpm • B Maj • 05:29 • -13.49db
9% Popularity • 50% Danceability • 41% Energy • 10% Liveness
54% Instrumentalness • 37% Positiveness
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Aaron Diehl
Prologue
130 bpm • C# min • 01:58 • -19db
30% Popularity • 43% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
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Oliver Nelson
One For Phil
122 bpm • G min • 03:55 • -14.56db
13% Popularity • 48% Danceability • 6% Energy • 16% Liveness
10% Instrumentalness • 14% Positiveness
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Kneebody
Hold on Longer
122 bpm • E Maj • 03:36 • -9.93db
3% Popularity • 51% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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André Charlier
Devil Heart, Pt. 3
122 bpm • D Maj • 02:25 • -16.66db
16% Popularity • 52% Danceability • 31% Energy • 30% Liveness
92% Instrumentalness • 42% Positiveness
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Gerald Clayton
Snake Bite
121 bpm • A# min • 03:51 • -17.09db
7% Popularity • 39% Danceability • 45% Energy • 28% Liveness
72% Instrumentalness • 48% Positiveness
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Brad Mehldau Trio
Bee Blues
131 bpm • F# Maj • 06:42 • -16.14db
28% Popularity • 57% Danceability • 27% Energy • 9% Liveness
80% Instrumentalness • 46% Positiveness
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Hollywood Trailer Music Orchestra
Just Like a Dame
131 bpm • D Maj • 01:18 • -11.37db
19% Popularity • 32% Danceability • 4% Energy • 12% Liveness
60% Instrumentalness • 86% Positiveness
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Jon Faddis
Instigator
121 bpm • A# min • 04:45 • -13.4db
20% Popularity • 45% Danceability • 44% Energy • 4% Liveness
65% Instrumentalness • 51% Positiveness
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Carsten Dahl
Solar
131 bpm • F min • 02:43 • -13.83db
18% Popularity • 36% Danceability • 52% Energy • 31% Liveness
83% Instrumentalness • 27% Positiveness
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André Charlier
Devil Heart, Pt. 2
121 bpm • B min • 01:40 • -15.8db
23% Popularity • 53% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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Branford Marsalis Quartet
Reika's Loss
131 bpm • A# Maj • 07:53 • -16.38db
15% Popularity • 42% Danceability • 18% Energy • 18% Liveness
57% Instrumentalness • 14% Positiveness
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Walter Smith III
lamplight
121 bpm • C# Maj • 03:37 • -13.59db
37% Popularity • 59% Danceability • 41% Energy • 20% Liveness
81% Instrumentalness • 68% Positiveness
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ARTEMIS
Nocturno
121 bpm • C Maj • 05:27 • -16.97db
38% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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Brad Mehldau Trio
Cheryl
131 bpm • C min • 07:38 • -14.66db
20% Popularity • 48% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 42% Positiveness
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Simon Spang-Hanssen
Wayne Wave
131 bpm • C# min • 04:09 • -9.38db
9% Popularity • 50% Danceability • 54% Energy • 22% Liveness
61% Instrumentalness • 74% Positiveness
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Kneebody
The Trip
132 bpm • C# Maj • 05:10 • -9.91db
8% Popularity • 48% Danceability • 86% Energy • 12% Liveness
67% Instrumentalness • 57% Positiveness
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Christian McBride Trio
East of the Sun (And West of the Moon)
121 bpm • G Maj • 07:41 • -22.17db
29% Popularity • 55% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 28% Positiveness
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Pat Metheny
Law Years
132 bpm • G# Maj • 06:51 • -18.35db
15% Popularity • 37% Danceability • 40% Energy • 20% Liveness
90% Instrumentalness • 71% Positiveness
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Mark Guiliana Jazz Quartet
From You
120 bpm • E min • 05:44 • -14.83db
27% Popularity • 32% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
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Bill Charlap
Who Cares
120 bpm • A min • 03:26 • -22.36db
30% Popularity • 57% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Eric Legnini Trio
Portrait in Black and White "Zingaro"
132 bpm • D# Maj • 02:38 • -19.09db
44% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
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Tim Hagans
Sweet Peach Tree
132 bpm • A min • 06:58 • -12.63db
17% Popularity • 49% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 71% Positiveness
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Vicente Archer
Lighthouse
120 bpm • G Maj • 02:49 • -31.58db
10% Popularity • 79% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
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Bobo Stenson Trio
Kalimba Impressions
120 bpm • A Maj • 03:12 • -22db
35% Popularity • 45% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
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McCoy Tyner Trio
Sunset - 2018 Digitally Remastered
132 bpm • D Maj • 04:43 • -22.01db
27% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Wynton Kelly Trio
Portrait Of Jenny
120 bpm • D# Maj • 04:35 • -18.3db
42% Popularity • 50% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Carlo Muscat
To the Last Man
132 bpm • D Maj • 06:40 • -13.73db
16% Popularity • 47% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 10% Positiveness
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Fred Hersch Trio
Three Little Words - Live
133 bpm • C Maj • 06:00 • -11.73db
18% Popularity • 61% Danceability • 46% Energy • 87% Liveness
6% Instrumentalness • 63% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
35% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Booker Little
Milestones
120 bpm • A# min • 05:34 • -11.13db
22% Popularity • 46% Danceability • 64% Energy • 40% Liveness
81% Instrumentalness • 87% Positiveness
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Hollywood Trailer Music Orchestra
Bogey Nights
133 bpm • G min • 01:04 • -7.15db
13% Popularity • 20% Danceability • 34% Energy • 34% Liveness
94% Instrumentalness • 9% Positiveness
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Branford Marsalis Quartet
Muldoon
133 bpm • A# min • 04:16 • -18.3db
36% Popularity • 43% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
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Bobo Stenson Trio
Doubt Thou The Stars
133 bpm • G min • 07:57 • -22.11db
17% Popularity • 46% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Anthony Wilson
The Plan of Paris
133 bpm • C# Maj • 06:08 • -22.16db
2% Popularity • 57% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Vicente Archer
Round Comes Round
119 bpm • G# Maj • 07:32 • -18.3db
12% Popularity • 43% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 25% Positiveness
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Benny Green
These Are Soulful Days
134 bpm • G min • 06:50 • -19.68db
19% Popularity • 49% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 55% Positiveness
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Tomasz Stańko
Die Weisheit von Le Comte Lautréamont
119 bpm • C min • 06:07 • -17.62db
19% Popularity • 36% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Anat Fort Trio
Nu
119 bpm • B min • 02:50 • -16db
25% Popularity • 39% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 60% Positiveness
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Brad Mehldau Trio
Anything Goes
119 bpm • F Maj • 07:07 • -16.27db
12% Popularity • 42% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 32% Positiveness
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Jason Moran
Gentle Shifts South
119 bpm • F# Maj • 03:31 • -15.52db
16% Popularity • 53% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Hollywood Trailer Music Orchestra
Harlem 3 A.M.
118 bpm • G# Maj • 01:10 • -5.2db
11% Popularity • 44% Danceability • 25% Energy • 32% Liveness
93% Instrumentalness • 83% Positiveness
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Jacky Terrasson
Mirror
135 bpm • F# Maj • 01:49 • -14.06db
25% Popularity • 42% Danceability • 46% Energy • 10% Liveness
75% Instrumentalness • 44% Positiveness
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Tomasz Stanko Quartet
Song For Sarah
135 bpm • E min • 05:30 • -17.57db
12% Popularity • 43% Danceability • 13% Energy • 28% Liveness
89% Instrumentalness • 7% Positiveness
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Melissa Aldana
Free Fall
119 bpm • C Maj • 07:05 • -8db
11% Popularity • 49% Danceability • 61% Energy • 12% Liveness
5% Instrumentalness • 57% Positiveness
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Joshua Redman Quartet
Chill
118 bpm • G# Maj • 07:43 • -18db
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
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Eldar Djangirov
A Night in Tunisia
135 bpm • C Maj • 04:42 • -16.29db
15% Popularity • 40% Danceability • 54% Energy • 14% Liveness
94% Instrumentalness • 57% Positiveness
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Walter Smith III
Stablemates
135 bpm • C# Maj • 09:24 • -6.89db
12% Popularity • 49% Danceability • 60% Energy • 10% Liveness
10% Instrumentalness • 65% Positiveness
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Phineas Newborn Jr.
Afternoon in Paris
118 bpm • G# Maj • 06:45 • -20db
24% Popularity • 64% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
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Ben Wendel
Julia
135 bpm • A# Maj • 05:29 • -21.12db
1% Popularity • 42% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
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Brad Mehldau Trio
Little Person
117 bpm • A# min • 03:53 • -19.36db
34% Popularity • 49% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Alboran Trio
Nic's Road
135 bpm • A min • 06:25 • -20db
14% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
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Danny Grissett
Two Sleepy People
117 bpm • D# Maj • 06:36 • -26.92db
48% Popularity • 45% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Joshua Redman Quartet
Come What May
135 bpm • A# min • 06:46 • -13.66db
41% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
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Trigg & Gusset
Vanishing Gold
117 bpm • D# Maj • 03:40 • -15.11db
14% Popularity • 35% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Gerald Clayton
Bootleg Bruise
117 bpm • G# Maj • 05:07 • -18.74db
8% Popularity • 40% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
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Tomasz Stańko
Morning Heavy Song
136 bpm • C# Maj • 06:43 • -18.6db
18% Popularity • 39% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Larry Goldings
Strays
117 bpm • D# Maj • 05:24 • -24.48db
28% Popularity • 49% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Brad Mehldau Trio
I've Grown Accustomed to Her Face
136 bpm • E Maj • 04:49 • -18.42db
34% Popularity • 52% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Fred Hersch Trio
For All We Know
136 bpm • F min • 07:11 • -20.7db
8% Popularity • 53% Danceability • 17% Energy • 9% Liveness
51% Instrumentalness • 10% Positiveness
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Benny Golson Sextet
Namely You
116 bpm • G min • 04:46 • -15db
31% Popularity • 42% Danceability • 12% Energy • 8% Liveness
80% Instrumentalness • 27% Positiveness
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Furio Di Castri
Blind Streets
116 bpm • F Maj • 04:41 • -21.38db
28% Popularity • 59% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Till Brönner
It Never Entered My Mind
116 bpm • G# Maj • 05:29 • -13.05db
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Benny Green
Ernie's Tune
116 bpm • F# Maj • 03:05 • -26.61db
34% Popularity • 52% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Aaron Goldberg
The Wind In The Night
137 bpm • A# Maj • 05:02 • -25.92db
34% Popularity • 43% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Turner
Nigeria
116 bpm • D# Maj • 05:15 • -9.79db
19% Popularity • 46% Danceability • 49% Energy • 16% Liveness
62% Instrumentalness • 66% Positiveness
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Lee Morgan
I'll Never Be The Same
116 bpm • D# Maj • 07:16 • -10.13db
30% Popularity • 56% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 39% Positiveness
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Bond: The Release