Songs like Bony Moronie by Larry Williams
Based on a tempo of (+/- 10%) and a similar genre
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Larry Williams
Ting-A-Ling
158 bpm • A# Maj • 02:03 • -7.51db
4% Popularity • 50% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
4% Popularity • 50% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Big Joe Turner
Lipstick, Powder and Paint
158 bpm • A# Maj • 02:29 • -6db
21% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Ray Smith
Rockin' Little Angel
158 bpm • C Maj • 02:18 • -5db
28% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Big Bopper
Purple People Eater Meets The Witch Doct...
159 bpm • D# Maj • 02:14 • -9.12db
9% Popularity • 71% Danceability • 71% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 71% Danceability • 71% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Johnny & The Hurricanes
Ja-Da
157 bpm • D Maj • 02:04 • -11.78db
16% Popularity • 66% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 66% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Buddy Holly & The Crickets
Tell Me How
157 bpm • A Maj • 02:00 • -12.71db
27% Popularity • 53% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 53% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Larry Williams
Bony Moronie
158 bpm • C# Maj • 03:07 • -12db
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Gary U.S. Bonds
New Orleans
159 bpm • D Maj • 02:53 • -7.64db
35% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket (Alternate T...
159 bpm • F Maj • 02:22 • -7.9db
22% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Johnny Burnette
Sweet Suzie
156 bpm • A Maj • 02:21 • -11db
25% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Danny & The Juniors
Twistin' USA
161 bpm • C# min • 02:31 • -5.78db
15% Popularity • 45% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 45% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
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Ruth Brown
Lucky Lips
161 bpm • A# Maj • 02:09 • -12.04db
34% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Williams
Ting-A-Ling
159 bpm • A# Maj • 02:04 • -11.49db
13% Popularity • 48% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 48% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Gary U.S. Bonds
New Orleans
161 bpm • D Maj • 02:47 • -9.18db
9% Popularity • 49% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 49% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket
161 bpm • C Maj • 02:20 • -4.57db
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Big Joe Turner
Midnight Special Train
154 bpm • C Maj • 02:39 • -6db
20% Popularity • 62% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 62% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Warren Smith
Red Cadillac And A Black Moustache
154 bpm • D Maj • 02:40 • -10.56db
20% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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The Big Bopper
Little Red Riding Hood
162 bpm • C min • 02:12 • -6db
33% Popularity • 61% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 61% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Larry Williams
Bonnie Moronie
157 bpm • C# Maj • 02:41 • -6.92db
1% Popularity • 44% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 44% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Wynonie Harris
Lovin' Machine
162 bpm • G# Maj • 02:30 • -2db
20% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Lloyd Price
Mailman Blues
162 bpm • F min • 02:12 • -8.34db
31% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
31% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
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Big Joe Turner
Love Roller Coaster
162 bpm • E min • 01:57 • -8.02db
18% Popularity • 55% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 55% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Ernie Fields
In The Mood
162 bpm • C# Maj • 02:38 • -7.12db
16% Popularity • 43% Danceability • 94% Energy • 28% Liveness
96% Instrumentalness • 97% Positiveness
16% Popularity • 43% Danceability • 94% Energy • 28% Liveness
96% Instrumentalness • 97% Positiveness
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The Big Bopper
White Lightnin'
154 bpm • E Maj • 02:14 • -7db
37% Popularity • 69% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 69% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Janis Martin
Cracker Jack
163 bpm • G# Maj • 02:08 • -4db
15% Popularity • 53% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 53% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Ronnie Self
Rocky Road Blues
153 bpm • D Maj • 02:29 • -10.9db
27% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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The Diamonds
Little Darlin'
153 bpm • F# Maj • 02:09 • -10.1db
47% Popularity • 63% Danceability • 61% Energy • 19% Liveness
20% Instrumentalness • 64% Positiveness
47% Popularity • 63% Danceability • 61% Energy • 19% Liveness
20% Instrumentalness • 64% Positiveness
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Wynonie Harris
Lollipop Mama
163 bpm • A# Maj • 02:51 • -1.03db
7% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Larry Williams
I Can't Stop Loving You - Bonus Track
153 bpm • D min • 02:32 • -5.47db
0% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Montez
Let's Dance
153 bpm • C# Maj • 02:29 • -6.3db
45% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Gary U.S. Bonds
Quarter to Three
164 bpm • C min • 02:30 • -9.32db
35% Popularity • 46% Danceability • 82% Energy • 84% Liveness
4% Instrumentalness • 90% Positiveness
35% Popularity • 46% Danceability • 82% Energy • 84% Liveness
4% Instrumentalness • 90% Positiveness
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Ritchie Valens
That's My Little Suzie
152 bpm • G Maj • 01:52 • -7db
38% Popularity • 65% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 65% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:27 • -8.55db
34% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Ray Smith
Rockin' Bandit
152 bpm • G Maj • 02:07 • -7.73db
18% Popularity • 60% Danceability • 69% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
18% Popularity • 60% Danceability • 69% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
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Larry Williams
Bony Moronie
164 bpm • F min • 02:41 • -14db
20% Popularity • 71% Danceability • 48% Energy • 16% Liveness
15% Instrumentalness • 97% Positiveness
20% Popularity • 71% Danceability • 48% Energy • 16% Liveness
15% Instrumentalness • 97% Positiveness
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The Clovers
Hey, Miss Fannie
165 bpm • C# Maj • 02:26 • -12.2db
25% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Gary U.S. Bonds
Not Me
165 bpm • C# Maj • 02:37 • -8.92db
19% Popularity • 35% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 35% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Ike Turner
Rocket 88
165 bpm • A# Maj • 02:49 • -8.06db
39% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
39% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Frankie Ford
Cheatin' Woman
151 bpm • A# Maj • 02:03 • -8.28db
10% Popularity • 59% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 59% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Lee Riley
Flyin' Saucers Rock 'n' Roll - Remastere...
165 bpm • D Maj • 02:02 • -8.97db
38% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Glen Glenn
Laurie Ann
166 bpm • D# Maj • 02:45 • -9.74db
19% Popularity • 62% Danceability • 70% Energy • 33% Liveness
53% Instrumentalness • 90% Positiveness
19% Popularity • 62% Danceability • 70% Energy • 33% Liveness
53% Instrumentalness • 90% Positiveness
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Connie Francis
Lipstick On Your Collar
166 bpm • G Maj • 02:19 • -10db
45% Popularity • 53% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 53% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Rydell
Swingin' School
151 bpm • F Maj • 02:14 • -5.48db
10% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Freddy Cannon
Palisades Park
166 bpm • F min • 01:54 • -9.2db
26% Popularity • 49% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 49% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Fabian
Tiger
166 bpm • G Maj • 02:31 • -10.21db
26% Popularity • 59% Danceability • 84% Energy • 63% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 59% Danceability • 84% Energy • 63% Liveness
0% Instrumentalness • 95% Positiveness
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Billy Lee Riley
Your Cash Ain't Nothin' But Trash
151 bpm • C Maj • 00:58 • -10.79db
30% Popularity • 61% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 61% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Sleepy LaBeef
Honey Hush
150 bpm • A Maj • 02:47 • -12.33db
25% Popularity • 51% Danceability • 76% Energy • 27% Liveness
72% Instrumentalness • 90% Positiveness
25% Popularity • 51% Danceability • 76% Energy • 27% Liveness
72% Instrumentalness • 90% Positiveness
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Charlie Gracie
Fabulous
166 bpm • D# Maj • 02:19 • -7.56db
23% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Marvin Rainwater
Whole Lotta Woman
150 bpm • A Maj • 02:38 • -5.74db
23% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Vince Taylor
Brand New Cadillac (Alternate Take)
167 bpm • A# min • 02:36 • -7.87db
24% Popularity • 45% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 45% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Clarence "Frogman" Henry
Loving Cajun Style
167 bpm • F Maj • 01:58 • -10.74db
31% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Lee Riley
Flying Saucer Rock'n Roll
167 bpm • D Maj • 02:02 • -4.58db
27% Popularity • 34% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 34% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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The Collins Kids
Hot Rod - Remastered
167 bpm • E Maj • 01:51 • -7db
20% Popularity • 56% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
20% Popularity • 56% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
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The Crickets
I Fought The Law
149 bpm • G Maj • 02:14 • -7db
40% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Roy Milton
You Got Me Reeling and Rocking - Remaste...
168 bpm • F Maj • 02:05 • -7.99db
22% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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The Regents
Barbara Ann
168 bpm • F Maj • 02:15 • -13db
38% Popularity • 26% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 26% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Wynona Carr
'Til The Well Runs Dry
167 bpm • G Maj • 02:04 • -8db
32% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
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Bill Haley & His Comets
Shake, Rattle And Roll
168 bpm • F Maj • 02:29 • -6.94db
55% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Warren Smith
Rock 'n' Roll Ruby - Remastered 2022
149 bpm • D Maj • 02:50 • -9.33db
33% Popularity • 74% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 74% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Danny & The Juniors
Back to the Hop
168 bpm • A# Maj • 02:08 • -9db
29% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Charlie Feathers
Everybody's Loving My Baby
148 bpm • F Maj • 02:15 • -8.77db
23% Popularity • 63% Danceability • 88% Energy • 14% Liveness
15% Instrumentalness • 88% Positiveness
23% Popularity • 63% Danceability • 88% Energy • 14% Liveness
15% Instrumentalness • 88% Positiveness
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Gene Vincent
Lotta Lovin'
168 bpm • G Maj • 02:11 • -14.61db
43% Popularity • 56% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 56% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Larry Williams
Little School Girl
168 bpm • G Maj • 01:53 • -10.36db
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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LaVern Baker
Voodoo Voodoo
148 bpm • C min • 01:49 • -5db
24% Popularity • 74% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
24% Popularity • 74% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Bobby Hendricks
Itchy Twitchy Feeling
148 bpm • D Maj • 02:28 • -7.44db
12% Popularity • 57% Danceability • 64% Energy • 6% Liveness
4% Instrumentalness • 95% Positiveness
12% Popularity • 57% Danceability • 64% Energy • 6% Liveness
4% Instrumentalness • 95% Positiveness
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Boyd Bennett
Seventeen
169 bpm • G min • 02:07 • -11db
15% Popularity • 52% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 52% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Crickets
Love's Made A Fool Of You
148 bpm • E Maj • 02:04 • -8.16db
21% Popularity • 56% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 56% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Carl Perkins
Blue Suede Shoes
169 bpm • E min • 02:14 • -7.32db
55% Popularity • 55% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 55% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Williams
Short Fat Fanny
148 bpm • C Maj • 02:22 • -12.56db
4% Popularity • 74% Danceability • 60% Energy • 5% Liveness
12% Instrumentalness • 98% Positiveness
4% Popularity • 74% Danceability • 60% Energy • 5% Liveness
12% Instrumentalness • 98% Positiveness
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Janis Martin
My Boy Elvis
169 bpm • F Maj • 02:11 • -4db
24% Popularity • 61% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 61% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Big Joe Turner
Honey Hush
169 bpm • G min • 02:42 • -8db
28% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy Jones
Good Timin'
147 bpm • D# Maj • 02:08 • -7.68db
46% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Big Bopper
Pink Petticoats
169 bpm • A# Maj • 02:12 • -5db
27% Popularity • 50% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 98% Positiveness
27% Popularity • 50% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 98% Positiveness
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Dion & The Belmonts
I Can't Go On (Rosalie)
147 bpm • D Maj • 02:15 • -7.71db
29% Popularity • 34% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 34% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
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Larry Williams
Jelly Belly Nellie
147 bpm • G Maj • 01:59 • -8.18db
4% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
4% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Frankie Lymon
I Want You to Be My Girl
170 bpm • E Maj • 02:57 • -10.89db
8% Popularity • 49% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 49% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Huelyn Duvall
Pucker Paint
170 bpm • G Maj • 02:10 • -5.83db
31% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ritchie Valens
Fast Freight
147 bpm • A Maj • 02:01 • -9.82db
35% Popularity • 48% Danceability • 78% Energy • 19% Liveness
90% Instrumentalness • 91% Positiveness
35% Popularity • 48% Danceability • 78% Energy • 19% Liveness
90% Instrumentalness • 91% Positiveness
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The Collins Kids
Party
170 bpm • D Maj • 01:37 • -10db
27% Popularity • 52% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 52% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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The Five Keys
She's the Most
170 bpm • G# Maj • 02:12 • -9.92db
16% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Larry Williams
Marie Marie
147 bpm • G Maj • 02:51 • -11.93db
2% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Janis Martin
All Right Baby
170 bpm • A Maj • 01:38 • -5.14db
25% Popularity • 35% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 35% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Jackie Wilson
That's Why (I Love You So)
147 bpm • F Maj • 02:06 • -8db
36% Popularity • 72% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 72% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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The Crests
The Angels Listened In
146 bpm • C Maj • 02:03 • -4.81db
31% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Ritchie Valens
Boney Maronie
146 bpm • F Maj • 02:47 • -7.67db
37% Popularity • 65% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 65% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Day
Little Turtle Dove
146 bpm • D Maj • 02:49 • -12.89db
14% Popularity • 60% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 60% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Tom Hansen
Jeansong
146 bpm • D Maj • 03:44 • -11.41db
1% Popularity • 47% Danceability • 43% Energy • 7% Liveness
2% Instrumentalness • 10% Positiveness
1% Popularity • 47% Danceability • 43% Energy • 7% Liveness
2% Instrumentalness • 10% Positiveness
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The Clovers
Love Love Love
171 bpm • F# Maj • 02:05 • -14.94db
19% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Big Joe Turner
Morning, Noon and Night
146 bpm • G# Maj • 02:42 • -6db
14% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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LaVern Baker
Jim Dandy
171 bpm • C# Maj • 02:10 • -7.93db
37% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Larry Williams
Short Fat Fannie
146 bpm • C Maj • 02:26 • -11db
54% Popularity • 66% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
54% Popularity • 66% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Billy Lee Riley
Chuck Berry Medley: Johnny, B. Goode / T...
145 bpm • E Maj • 02:52 • -7.79db
14% Popularity • 52% Danceability • 92% Energy • 80% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 92% Energy • 80% Liveness
0% Instrumentalness • 86% Positiveness
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Ritchie Valens
Cry, Cry, Cry
145 bpm • D# Maj • 02:14 • -5db
33% Popularity • 60% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 60% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Jones
Handy Man
145 bpm • A# Maj • 02:04 • -7db
38% Popularity • 48% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 48% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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The Big Bopper
Chantilly Lace
172 bpm • D# Maj • 02:25 • -6.05db
57% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
57% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Eddie Bond
Flip, Flop Mama
145 bpm • G Maj • 02:09 • -7db
20% Popularity • 57% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 57% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Larry Williams
Short Fat Fannie - Remastered
145 bpm • C Maj • 02:23 • -9.11db
1% Popularity • 64% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
1% Popularity • 64% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Little Richard
Keep A-Knockin'
172 bpm • G# Maj • 02:16 • -13.32db
45% Popularity • 40% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 40% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
