Songs like Booby Trap Baby by Carter Brothers
Based on a tempo of (+/- 10%) and a similar genre
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King Coleman
Down In The Basement
113 bpm • C min • 02:32 • -7db
15% Popularity • 71% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 71% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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George Jackson
Soul Lovin'
113 bpm • C Maj • 02:07 • -7.99db
9% Popularity • 81% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 81% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Carter Brothers
Booby Trap Baby
113 bpm • F Maj • 02:26 • -12.44db
0% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Don Covay & The Goodtimers
Come See About Me
113 bpm • G# Maj • 03:24 • -11.15db
12% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Nappy Brown
Well, Well, Well Baby LA
113 bpm • C min • 02:38 • -11db
25% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Thunder
In and Out the Window
112 bpm • G# Maj • 02:16 • -11.68db
12% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Bo
Tee Na Na Na Na Nay
113 bpm • F Maj • 02:45 • -9db
17% Popularity • 54% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 54% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 94% Positiveness
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Bobby Moore & The Rhythm Aces
Hey Mr D.J.
114 bpm • F min • 02:52 • -11db
13% Popularity • 76% Danceability • 57% Energy • 16% Liveness
19% Instrumentalness • 86% Positiveness
13% Popularity • 76% Danceability • 57% Energy • 16% Liveness
19% Instrumentalness • 86% Positiveness
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Sugar Pie DeSanto
Good Timing
114 bpm • E min • 02:24 • -6.97db
10% Popularity • 57% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 57% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Black's Combo
Do It - Rat Now
114 bpm • G Maj • 02:11 • -4.01db
10% Popularity • 86% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
10% Popularity • 86% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
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Lee Dorsey
Mess Around
114 bpm • G Maj • 02:28 • -9.54db
14% Popularity • 86% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 86% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Lloyd Price
Oh, Oh, Oh
112 bpm • D# Maj • 02:24 • -9.08db
9% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Swamp Dogg
Captain of Your Ship
114 bpm • C Maj • 02:00 • -8.75db
9% Popularity • 90% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 90% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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The Contours
The Old Miner
114 bpm • E Maj • 02:32 • -10.49db
9% Popularity • 75% Danceability • 47% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 75% Danceability • 47% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
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Clarence "Frogman" Henry
Long Lost And Worried
112 bpm • G# Maj • 02:08 • -6.32db
13% Popularity • 49% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 49% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Arthur Conley
I'm Gonna Forget About You
112 bpm • F# Maj • 02:14 • -11.16db
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Brian Auger
Up Above My Head
112 bpm • C# Maj • 02:38 • -14.71db
11% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Laura Lee
It Ain't What You Do (But How You Do It)
112 bpm • F min • 02:03 • -13db
26% Popularity • 83% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 83% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 90% Positiveness
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The Hi-Stakes
Be My Girl
112 bpm • G min • 03:13 • -8.47db
12% Popularity • 58% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 58% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Baby Washington
Doodlin'
114 bpm • D Maj • 02:29 • -9db
11% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Crescents
Here You Come Again
115 bpm • D# Maj • 02:34 • -10.23db
8% Popularity • 58% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 58% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Little Jerry Williams
I'm the Lover Man
115 bpm • E min • 02:36 • -8db
11% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Ivory Joe Hunter
It's a Doggone Crying Shame
115 bpm • A# Maj • 02:39 • -9.54db
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Charles Sheffield
I Would Be A Sinner
111 bpm • F Maj • 02:03 • -8.64db
15% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Spencer Wiggins
Lonely Man
111 bpm • F# Maj • 02:12 • -7db
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Inez & Charlie Foxx
La De Da I Love You
115 bpm • D Maj • 02:23 • -6.58db
17% Popularity • 70% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 70% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Sugar Pie DeSanto
She's Got Everything
111 bpm • C Maj • 02:33 • -8.27db
14% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 75% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Wynona Carr
What Do You Know (About Love)
115 bpm • F Maj • 02:47 • -12.53db
9% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Titus Turner
Coralee
115 bpm • F min • 02:35 • -5db
11% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Bo
Check Mr. Popeye - Pt. 1
111 bpm • C Maj • 02:16 • -9db
31% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Fenton Robinson
Say You're Leavin'
116 bpm • G min • 02:37 • -9.22db
8% Popularity • 39% Danceability • 58% Energy • 12% Liveness
31% Instrumentalness • 75% Positiveness
8% Popularity • 39% Danceability • 58% Energy • 12% Liveness
31% Instrumentalness • 75% Positiveness
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Jimmy Hughes
I'm A Man Of Action
116 bpm • D Maj • 02:13 • -5.07db
27% Popularity • 76% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
27% Popularity • 76% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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Mamie Perry
My Baby Waited Too Long
116 bpm • G min • 02:46 • -8db
9% Popularity • 64% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
9% Popularity • 64% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Snooks Eaglin
Travellin' Mood
116 bpm • E Maj • 02:19 • -8.88db
15% Popularity • 73% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
15% Popularity • 73% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Carter Brothers
Southern Country Boy
116 bpm • C Maj • 02:48 • -8.31db
0% Popularity • 65% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 65% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy Witherspoon
Love Me Right
116 bpm • A# min • 02:19 • -10.79db
8% Popularity • 70% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 70% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Freddy Houston
If I Had Known
110 bpm • A min • 02:20 • -6.91db
8% Popularity • 67% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 67% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie Jefferson
Some Other Time
116 bpm • A Maj • 01:57 • -6.3db
8% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Thunder
The Chain
116 bpm • C Maj • 02:17 • -9.38db
11% Popularity • 66% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 66% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 81% Positiveness
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Barrett Strong
Misery - Single Version
116 bpm • B Maj • 02:27 • -6.89db
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Carter Brothers
Why Baby Why
110 bpm • F Maj • 04:20 • -9.52db
0% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Gino Parks
Fire - Mono Single
116 bpm • F Maj • 02:46 • -4.96db
16% Popularity • 50% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 50% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Sugar Pie DeSanto
I Don't Wanna Fuss
117 bpm • A Maj • 03:20 • -8.3db
27% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Nash
Ol' Man River
109 bpm • E Maj • 02:50 • -3.75db
7% Popularity • 73% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 73% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Thunder
Al-La-Wetta
116 bpm • G Maj • 02:16 • -11.28db
15% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Gary U.S. Bonds
I Wanta Holler (But The Town's Too Small...
117 bpm • D min • 04:10 • -7.63db
12% Popularity • 32% Danceability • 97% Energy • 61% Liveness
33% Instrumentalness • 28% Positiveness
12% Popularity • 32% Danceability • 97% Energy • 61% Liveness
33% Instrumentalness • 28% Positiveness
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Eddie Bo
Now Let's Popeye - Pt. 2
109 bpm • A min • 02:40 • -10db
9% Popularity • 73% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 73% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Chris Kenner
Packing Up
117 bpm • D# Maj • 02:43 • -10.37db
11% Popularity • 74% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 74% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Giles
Losin' Boy
117 bpm • D Maj • 03:07 • -6.42db
16% Popularity • 62% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
16% Popularity • 62% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Allen Toussaint
How to Pick a Winner - Remastered
109 bpm • G# Maj • 02:38 • -5.8db
22% Popularity • 81% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 81% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Annie Laurie
It Hurts To Be In Love
109 bpm • D Maj • 02:44 • -11db
11% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Sugar Pie DeSanto
Baby It Ain't Right
109 bpm • C Maj • 02:54 • -15.95db
16% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Carter Brothers
Southern Country Boy
117 bpm • C Maj • 03:24 • -8.46db
0% Popularity • 66% Danceability • 52% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 66% Danceability • 52% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
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Mable John
Sweet Devil
109 bpm • G# Maj • 02:28 • -9.69db
13% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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King Coleman
Crazy Feelin'
117 bpm • D# min • 02:47 • -7.74db
11% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Ovations
I Believe I'll Go Back Home
109 bpm • A# Maj • 02:28 • -9db
12% Popularity • 60% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 60% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
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Clarence "Frogman" Henry
Shake Your Money Maker
109 bpm • C Maj • 02:21 • -13.23db
9% Popularity • 66% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 66% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Liggins
Pink Champagne
117 bpm • F Maj • 02:44 • -14.56db
9% Popularity • 77% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
9% Popularity • 77% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
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O.V. Wright
Poor Boy
108 bpm • D# Maj • 02:23 • -5db
11% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Jr. Walker & The All Stars
I Was Made To Love Her
108 bpm • C# Maj • 02:41 • -11.41db
7% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Ruby Johnson
It's Better To Give Than To Receive
118 bpm • G Maj • 03:02 • -9.51db
12% Popularity • 81% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 81% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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The Mighty Hannibal
All Nite Long
108 bpm • G# min • 00:55 • -4.42db
8% Popularity • 67% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 67% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Bixie Crawford
I Hear My Baby
108 bpm • G# Maj • 02:08 • -8.46db
13% Popularity • 68% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 68% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Chuck Berry
In-Go
118 bpm • B Maj • 02:27 • -11.12db
10% Popularity • 74% Danceability • 51% Energy • 17% Liveness
84% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 51% Energy • 17% Liveness
84% Instrumentalness • 88% Positiveness
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Little Jimmy Ray
You Need to Fall in Love
118 bpm • A Maj • 02:29 • -6.28db
11% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Snooks Eaglin
My Head Is Spinnin'
118 bpm • G Maj • 02:20 • -11db
12% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Ernie Fields
Workin' Out
118 bpm • A# Maj • 02:13 • -7.71db
8% Popularity • 51% Danceability • 75% Energy • 18% Liveness
46% Instrumentalness • 84% Positiveness
8% Popularity • 51% Danceability • 75% Energy • 18% Liveness
46% Instrumentalness • 84% Positiveness
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Eddie Bo
It Must Be Love
108 bpm • C min • 02:15 • -9.82db
24% Popularity • 64% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
24% Popularity • 64% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Johnny Adams
Life Is A Struggle
119 bpm • A# Maj • 02:39 • -6.12db
7% Popularity • 73% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 73% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Link Wray
Georgia Pines
108 bpm • A Maj • 03:57 • -11.19db
12% Popularity • 62% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 62% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
21% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Inez & Charlie Foxx
Broken Hearted Fool
108 bpm • E Maj • 02:17 • 0.78db
8% Popularity • 83% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 83% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Spooner's Crowd
Two In The Morning
119 bpm • C Maj • 02:29 • -6.39db
10% Popularity • 51% Danceability • 73% Energy • 90% Liveness
46% Instrumentalness • 62% Positiveness
10% Popularity • 51% Danceability • 73% Energy • 90% Liveness
46% Instrumentalness • 62% Positiveness
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Jackie Wilson
Yeah! Yeah! Yeah!
108 bpm • G# Maj • 02:25 • -8.16db
8% Popularity • 66% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 66% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Nappy Brown
Coal Miner
119 bpm • A# min • 02:38 • -9.31db
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Lee Dorsey
People Gonna Talk
119 bpm • F Maj • 02:27 • -9.6db
11% Popularity • 80% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 80% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Frederick Douglass Kirkpatrick
Do You Have a Soul Cindy
107 bpm • D# Maj • 03:29 • -14.41db
8% Popularity • 54% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
8% Popularity • 54% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
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The Hi-Stakes
Why Do I Have To Give A Reason
119 bpm • F min • 02:34 • -8.07db
9% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
9% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
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Mable John
My Thanks
119 bpm • G# Maj • 02:33 • -10.66db
10% Popularity • 82% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 82% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Jackie Wilson
3 Days 1 Hour 30 Minutes
119 bpm • A Maj • 02:04 • -7.42db
8% Popularity • 73% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 73% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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Earl King
Mama And Papa
119 bpm • E Maj • 02:14 • -7db
31% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Big Maybelle
96 Tears
119 bpm • G Maj • 02:23 • -5db
33% Popularity • 70% Danceability • 85% Energy • 6% Liveness
3% Instrumentalness • 89% Positiveness
33% Popularity • 70% Danceability • 85% Energy • 6% Liveness
3% Instrumentalness • 89% Positiveness
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Willie Wright
Gibble Gobble
119 bpm • F Maj • 03:02 • -8.51db
11% Popularity • 48% Danceability • 77% Energy • 46% Liveness
70% Instrumentalness • 69% Positiveness
11% Popularity • 48% Danceability • 77% Energy • 46% Liveness
70% Instrumentalness • 69% Positiveness
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Art Neville
Rockin' Pneumonia And The Boogie-Woogie ...
120 bpm • C Maj • 02:10 • -10.68db
12% Popularity • 80% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 80% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Snooks Eaglin
That Certain Door
107 bpm • G# Maj • 03:15 • -10.83db
0% Popularity • 78% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 78% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Inez & Charlie Foxx
Don't Do It No More
107 bpm • F Maj • 03:00 • -8db
10% Popularity • 76% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 76% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jerry Butler
Ain't That Loving You Baby
120 bpm • F Maj • 02:44 • -8.95db
8% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby "Blue" Bland
Yield Not To Temptation - Single Version
106 bpm • F Maj • 02:35 • -7.46db
18% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Barbara George
Send for Me If You Need Some Lovin' - Bo...
120 bpm • G Maj • 02:16 • -6.81db
18% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Amos Milburn
I Need Someone
106 bpm • F min • 02:15 • -11db
9% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Snooks Eaglin
Would You
106 bpm • D Maj • 02:10 • -7.98db
20% Popularity • 72% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 72% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Huey "Piano" Smith
Blow Wind Blow
106 bpm • G# Maj • 02:16 • -6.19db
10% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ernie K-Doe
Hello My Lover
106 bpm • E Maj • 02:52 • -9.35db
15% Popularity • 78% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 78% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Mable John
Who Wouldn't Love A Man Like That - Firs...
120 bpm • D Maj • 02:44 • -8.23db
18% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Shorty Long
Devil With The Blue Dress
106 bpm • D# Maj • 03:13 • -15.41db
30% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
30% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
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Clarence "Frogman" Henry
That's When I Guessed
121 bpm • D# Maj • 02:28 • -7.37db
12% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Ruby Johnson
I'd Rather Fight Than Switch - Take 1
106 bpm • A# Maj • 02:17 • -9.79db
31% Popularity • 73% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
