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Boogie Back Accra
Songs like
Boogie Back Accra
by
The Shaolin Afronauts
Based on a tempo of (+/- 10%) and a similar genre
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Cochemea
Al-Mu'tasim
181 bpm • F min • 04:37 • -11db
14% Popularity • 40% Danceability • 47% Energy • 18% Liveness
60% Instrumentalness • 68% Positiveness
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The Shaolin Afronauts
Boogie Back Accra
180 bpm • G min • 04:11 • -6.65db
11% Popularity • 55% Danceability • 59% Energy • 13% Liveness
80% Instrumentalness • 55% Positiveness
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The Poets Of Rhythm
Serengeti Stroke
179 bpm • A# Maj • 03:39 • -7.05db
28% Popularity • 64% Danceability • 82% Energy • 6% Liveness
86% Instrumentalness • 96% Positiveness
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The Cactus Channel
Laika
177 bpm • G min • 04:51 • -6.21db
8% Popularity • 32% Danceability • 77% Energy • 33% Liveness
85% Instrumentalness • 35% Positiveness
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Hypnotic Brass Ensemble
Gagut
184 bpm • D min • 05:50 • -6.64db
8% Popularity • 39% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Ikebe Shakedown
Out of the Shadows
177 bpm • A min • 03:57 • -8.1db
14% Popularity • 54% Danceability • 60% Energy • 18% Liveness
92% Instrumentalness • 74% Positiveness
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Chlorine Free
Gather Soul
176 bpm • D Maj • 03:52 • -10.39db
27% Popularity • 74% Danceability • 57% Energy • 39% Liveness
92% Instrumentalness • 68% Positiveness
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The Seven Ups
Senora Doll
175 bpm • G# Maj • 04:10 • -10.23db
14% Popularity • 65% Danceability • 63% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
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The Poets Of Rhythm
Discern/Define
178 bpm • D Maj • 04:07 • -8.7db
35% Popularity • 53% Danceability • 78% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Nomo
Round the Way
174 bpm • A min • 04:28 • -6.93db
8% Popularity • 34% Danceability • 69% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
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Jungle Fire
Efori
174 bpm • G Maj • 03:58 • -6.68db
9% Popularity • 57% Danceability • 92% Energy • 6% Liveness
86% Instrumentalness • 96% Positiveness
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Mulatu Astatke
An Epic Story
174 bpm • B min • 05:01 • -8.77db
21% Popularity • 39% Danceability • 67% Energy • 34% Liveness
79% Instrumentalness • 58% Positiveness
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Feqadu Amde-mesqel
Asmarina (My Asmara)
173 bpm • A min • 04:58 • -11db
34% Popularity • 39% Danceability • 49% Energy • 14% Liveness
60% Instrumentalness • 70% Positiveness
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The Olympians
Venus
186 bpm • A# min • 04:01 • -7.72db
36% Popularity • 33% Danceability • 52% Energy • 18% Liveness
75% Instrumentalness • 58% Positiveness
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Delvon Lamarr Organ Trio
Memphis
173 bpm • A# Maj • 04:34 • -9db
25% Popularity • 58% Danceability • 55% Energy • 8% Liveness
51% Instrumentalness • 92% Positiveness
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The Budos Band
Crimson Skies
188 bpm • E min • 03:34 • -9.52db
27% Popularity • 40% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 83% Positiveness
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Chris Joss
Tea Age Sea
172 bpm • B Maj • 05:19 • -8.87db
14% Popularity • 74% Danceability • 79% Energy • 7% Liveness
44% Instrumentalness • 97% Positiveness
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The Tony Benson Sextet
Ugali
173 bpm • G Maj • 05:23 • -9.15db
29% Popularity • 65% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
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Hypnotic Brass Ensemble
Ibn Abd Al- Malik
172 bpm • C Maj • 03:26 • -5.77db
13% Popularity • 61% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
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Yazz Ahmed
Jamil Jamal
172 bpm • A# Maj • 08:12 • -10.78db
20% Popularity • 38% Danceability • 45% Energy • 6% Liveness
90% Instrumentalness • 47% Positiveness
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Menahan Street Band
Karina
172 bpm • D Maj • 03:25 • -9.08db
32% Popularity • 35% Danceability • 56% Energy • 9% Liveness
88% Instrumentalness • 36% Positiveness
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Clutchy Hopkins
3:02
171 bpm • G# min • 03:00 • -8.54db
36% Popularity • 71% Danceability • 82% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
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The Poets Of Rhythm
More Mess on My Thing
190 bpm • C Maj • 04:12 • -6.18db
54% Popularity • 54% Danceability • 87% Energy • 5% Liveness
89% Instrumentalness • 96% Positiveness
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The Sorcerers
Opening Titles
171 bpm • A# min • 04:49 • -7.85db
35% Popularity • 71% Danceability • 62% Energy • 8% Liveness
53% Instrumentalness • 88% Positiveness
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The Sugarman 3
Pure Cane
170 bpm • A# min • 04:00 • -5.89db
14% Popularity • 57% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 62% Positiveness
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Voilaaa
Niarela
170 bpm • F Maj • 03:57 • -8.22db
26% Popularity • 85% Danceability • 82% Energy • 9% Liveness
61% Instrumentalness • 96% Positiveness
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Brownout
My Uzi Weighs a Ton
170 bpm • A min • 02:54 • -7.47db
14% Popularity • 58% Danceability • 69% Energy • 17% Liveness
89% Instrumentalness • 57% Positiveness
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The Cactus Channel
Wooden Boy, Pt. 1
169 bpm • F min • 04:31 • -6.47db
25% Popularity • 52% Danceability • 66% Energy • 40% Liveness
82% Instrumentalness • 44% Positiveness
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Menahan Street Band
Tired of Fighting
168 bpm • A min • 03:31 • -7.78db
45% Popularity • 59% Danceability • 73% Energy • 7% Liveness
95% Instrumentalness • 85% Positiveness
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Akalé Wubé
Mèmona
169 bpm • F# min • 05:59 • -8.65db
13% Popularity • 31% Danceability • 70% Energy • 23% Liveness
74% Instrumentalness • 64% Positiveness
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Chicken Curry & His Pop Percussion Orchestra
Librium
168 bpm • F min • 03:50 • -11.87db
12% Popularity • 60% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 93% Positiveness
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The Mighty Imperials
The Matador
194 bpm • A Maj • 03:00 • -13.22db
24% Popularity • 44% Danceability • 83% Energy • 28% Liveness
95% Instrumentalness • 91% Positiveness
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Brownout
Arabeesh
167 bpm • F min • 03:57 • -6.06db
12% Popularity • 59% Danceability • 84% Energy • 9% Liveness
57% Instrumentalness • 90% Positiveness
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Mulatu Astatke
Mulatu
196 bpm • D Maj • 03:14 • -6.18db
27% Popularity • 60% Danceability • 87% Energy • 35% Liveness
66% Instrumentalness • 84% Positiveness
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The Shaolin Afronauts
Rise With the Blind
165 bpm • G Maj • 04:35 • -6.57db
19% Popularity • 56% Danceability • 82% Energy • 32% Liveness
70% Instrumentalness • 79% Positiveness
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Los Sospechos
Mirror Door
165 bpm • B Maj • 02:33 • -10.35db
21% Popularity • 56% Danceability • 47% Energy • 6% Liveness
75% Instrumentalness • 94% Positiveness
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Polyrhythmics
Liam Rides a Pony
165 bpm • F# min • 04:18 • -6.9db
19% Popularity • 65% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 98% Positiveness
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The Soul Surfers
T.S.S. Groove
164 bpm • D Maj • 03:21 • -6.67db
8% Popularity • 62% Danceability • 79% Energy • 10% Liveness
90% Instrumentalness • 89% Positiveness
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True Loves
Shambling
164 bpm • A# min • 04:10 • -5.84db
31% Popularity • 54% Danceability • 75% Energy • 10% Liveness
75% Instrumentalness • 90% Positiveness
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Whitefield Brothers
Pamukkale
199 bpm • A Maj • 03:58 • -5.35db
12% Popularity • 38% Danceability • 89% Energy • 10% Liveness
69% Instrumentalness • 87% Positiveness
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The Shaolin Afronauts
Salt Flat Muscle
196 bpm • D min • 05:36 • -13.28db
7% Popularity • 15% Danceability • 86% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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The Funk Ark
High Noon
163 bpm • A Maj • 06:00 • -5.37db
11% Popularity • 56% Danceability • 92% Energy • 12% Liveness
17% Instrumentalness • 96% Positiveness
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Chlorine Free
Kill the Fly
164 bpm • F min • 03:45 • -9.56db
14% Popularity • 79% Danceability • 69% Energy • 8% Liveness
68% Instrumentalness • 96% Positiveness
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Chris Joss
Keep on Digging
161 bpm • D min • 03:22 • -6.88db
26% Popularity • 61% Danceability • 86% Energy • 12% Liveness
73% Instrumentalness • 97% Positiveness
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Sons Of Kemet
In The Castle Of My Skin
160 bpm • F min • 05:23 • -9.64db
24% Popularity • 61% Danceability • 87% Energy • 27% Liveness
90% Instrumentalness • 95% Positiveness
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Brownout
Brown Wind and Fire
160 bpm • C min • 03:01 • -10.18db
28% Popularity • 59% Danceability • 61% Energy • 7% Liveness
71% Instrumentalness • 82% Positiveness
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Karl Hector & The Malcouns
Mission Control
159 bpm • D min • 03:05 • -8.22db
34% Popularity • 74% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 92% Positiveness
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The Funk Ark
Funky Southern
203 bpm • G# Maj • 05:38 • -5.65db
11% Popularity • 51% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Sugarman 3
Down to It
159 bpm • A# min • 04:13 • -6.25db
13% Popularity • 36% Danceability • 97% Energy • 5% Liveness
73% Instrumentalness • 60% Positiveness
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Manu Dibango
Sax City
159 bpm • G Maj • 03:16 • -6db
37% Popularity • 57% Danceability • 76% Energy • 3% Liveness
34% Instrumentalness • 65% Positiveness
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Mulatu Astatke
Mulatu - Stereo Master
158 bpm • C# Maj • 05:03 • -13.38db
33% Popularity • 46% Danceability • 43% Energy • 18% Liveness
28% Instrumentalness • 76% Positiveness
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Chris Joss
Sleazy Backdoor
158 bpm • G# min • 03:56 • -9.69db
21% Popularity • 77% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Whitefield Brothers
Sem Yelesh
157 bpm • G# Maj • 03:21 • -4.18db
12% Popularity • 42% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 46% Positiveness
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Brownout
By The Time I Get To Arizona
157 bpm • F min • 03:36 • -5.78db
16% Popularity • 50% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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Fanga
Kononi
156 bpm • A Maj • 08:42 • -7db
10% Popularity • 76% Danceability • 64% Energy • 8% Liveness
9% Instrumentalness • 78% Positiveness
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Manu Dibango
African Carnaval
158 bpm • G Maj • 03:16 • -6.03db
28% Popularity • 64% Danceability • 70% Energy • 5% Liveness
87% Instrumentalness • 84% Positiveness
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Mulatu Astatke
Dewel
157 bpm • D# min • 05:42 • -7.92db
20% Popularity • 52% Danceability • 76% Energy • 13% Liveness
90% Instrumentalness • 46% Positiveness
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The Shaolin Afronauts
Bebe & Lorraine
155 bpm • B min • 08:23 • -13.94db
5% Popularity • 43% Danceability • 55% Energy • 23% Liveness
87% Instrumentalness • 84% Positiveness
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The Mighty Imperials
Jody's Walk
154 bpm • C Maj • 02:34 • -8.4db
44% Popularity • 67% Danceability • 97% Energy • 13% Liveness
87% Instrumentalness • 97% Positiveness
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Chris Joss
Danger Buds
154 bpm • A# min • 02:59 • -6.6db
33% Popularity • 72% Danceability • 56% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
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Outer Space
Coma Cluster
154 bpm • G min • 04:21 • -9.88db
11% Popularity • 55% Danceability • 55% Energy • 38% Liveness
76% Instrumentalness • 68% Positiveness
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Ikebe Shakedown
The Beast
153 bpm • A min • 03:45 • -8db
35% Popularity • 74% Danceability • 62% Energy • 7% Liveness
8% Instrumentalness • 87% Positiveness
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Boogie Back Accra