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Boo-Woo
Songs like
Boo-Woo
by
Harry James
Based on a tempo of (+/- 10%) and a similar genre
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Harry James
Raffles
107 bpm • F min • 02:35 • -11.24db
0% Popularity • 52% Danceability • 58% Energy • 33% Liveness
29% Instrumentalness • 68% Positiveness
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Bea Wain
Heart and Soul
107 bpm • A min • 03:09 • -14db
29% Popularity • 61% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Crosby & The Bob Cats
Sugar Foot Stomp
107 bpm • C Maj • 03:05 • -10db
22% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
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Clyde McCoy and His Orchestra
Sugar Blues
107 bpm • G Maj • 03:00 • -7.9db
19% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
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Benny Goodman Quartet
Ida, Sweet As Apple Cider
108 bpm • G# Maj • 03:44 • -17.34db
18% Popularity • 63% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness
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James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
44% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
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Harry James
The Arrival
107 bpm • A# Maj • 02:44 • -10.5db
0% Popularity • 46% Danceability • 72% Energy • 30% Liveness
74% Instrumentalness • 74% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
108 bpm • D# Maj • 03:27 • -14.18db
32% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • E Maj • 02:38 • -10.64db
40% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
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Rudy Vallee and His Connecticut Yankees
I'm Just a Vagabond Lover
106 bpm • A# Maj • 03:18 • -19.24db
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
23% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
24% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Harry James
Sleepy Time Gal
107 bpm • G# Maj • 02:28 • -6.22db
19% Popularity • 55% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 79% Positiveness
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Les Elgart
Varsity Drag
108 bpm • G min • 01:41 • -11db
24% Popularity • 67% Danceability • 58% Energy • 10% Liveness
85% Instrumentalness • 93% Positiveness
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Bob Crosby
Way Back Home
106 bpm • D# Maj • 02:54 • -11db
40% Popularity • 66% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Tony Martin
Lilacs in the Rain
106 bpm • G Maj • 02:41 • -17db
19% Popularity • 34% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Guy Lombardo & His Royal Canadians
Charmaine
108 bpm • F Maj • 03:03 • -14.48db
16% Popularity • 35% Danceability • 15% Energy • 20% Liveness
20% Instrumentalness • 37% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
26% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Artie Shaw
Moonglow
106 bpm • A# Maj • 03:33 • -18.84db
49% Popularity • 53% Danceability • 11% Energy • 28% Liveness
44% Instrumentalness • 39% Positiveness
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Maxine Sullivan
It Was a Lover and His Lass
108 bpm • A# Maj • 03:18 • -15.4db
18% Popularity • 73% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Gene Austin
After You Have Gone
108 bpm • A# Maj • 02:21 • -14.25db
8% Popularity • 49% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Eckstine
As Long As I Live
108 bpm • C min • 02:50 • -15.57db
19% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Bix Beiderbecke
There'll Come A Time
106 bpm • F Maj • 02:57 • -14db
43% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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Harry James
Tango Blues
109 bpm • F# Maj • 03:06 • -12.48db
0% Popularity • 46% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 56% Positiveness
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Adrian Rollini
Ah, But is It Love
109 bpm • C Maj • 02:58 • -13db
17% Popularity • 60% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Ella Fitzgerald and Her Savoy Eight
If You Ever Change Your Mind
105 bpm • A# Maj • 03:04 • -12.75db
35% Popularity • 80% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
14% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Tommy Dorsey
Fools Rush In (Where Angels Fear To Trea...
110 bpm • G min • 03:11 • -15.58db
33% Popularity • 45% Danceability • 5% Energy • 58% Liveness
1% Instrumentalness • 32% Positiveness
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Jimmy Durante
Once to Every Heart
105 bpm • F# Maj • 02:55 • -11.31db
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Fats Waller
My Very Good Friend the Milkman - Remast...
110 bpm • F Maj • 03:30 • -13.78db
27% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
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Bob Crosby
I Don'T Know Whether to Laugh or Cry ove...
104 bpm • C min • 01:48 • -11.44db
28% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
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Harry James
Manhattan Serenade
104 bpm • A# min • 02:53 • -8.11db
3% Popularity • 41% Danceability • 22% Energy • 24% Liveness
3% Instrumentalness • 35% Positiveness
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The Merry Macs
I Got Rings on My Fingers
110 bpm • G# Maj • 02:30 • -15.32db
23% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Pete Fountain
A Closer Walk
110 bpm • F Maj • 02:10 • -15.21db
34% Popularity • 60% Danceability • 29% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Tommy Dorsey
I'm Gettin' Sentimental Over You
104 bpm • A Maj • 03:37 • -16.84db
32% Popularity • 51% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Warren Vaché
You Must Have Been a Beautiful Baby
104 bpm • D min • 02:42 • -16.96db
20% Popularity • 66% Danceability • 8% Energy • 8% Liveness
9% Instrumentalness • 58% Positiveness
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Harry James
Cherry
104 bpm • G# Maj • 03:11 • -10.87db
6% Popularity • 52% Danceability • 27% Energy • 8% Liveness
21% Instrumentalness • 40% Positiveness
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Geraldo & His Orchestra
Long Ago & Far Away
103 bpm • G# min • 03:07 • -17db
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Glenn Miller & The Army Air Force Band
Stormy Weather (Keeps Raining All The Ti...
111 bpm • D# Maj • 04:14 • -12.84db
10% Popularity • 31% Danceability • 25% Energy • 43% Liveness
5% Instrumentalness • 20% Positiveness
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Kitty Kallen
I'm Beginning To See The Light - Altern...
111 bpm • F min • 03:14 • -14.28db
4% Popularity • 77% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 40% Positiveness
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Joanie Sommers
I'm Old-Fashioned - Remastered
111 bpm • A min • 02:04 • -10.79db
35% Popularity • 68% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Fats Waller
When Somebody Thinks You're Wonderful - ...
111 bpm • A# Maj • 03:37 • -12db
33% Popularity • 70% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
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Harry James
September Song
111 bpm • F Maj • 03:14 • -15.29db
3% Popularity • 44% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Jerome Kern
Smoke Gets In Your Eyes - (RKO film "Rob...
103 bpm • G# Maj • 03:15 • -7db
22% Popularity • 72% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
21% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Tommy Dorsey
Dolores
102 bpm • C min • 02:54 • -15.03db
31% Popularity • 58% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Benny Goodman Quartet
Moonglow - Take 2
112 bpm • G# Maj • 03:10 • -15.45db
22% Popularity • 62% Danceability • 17% Energy • 10% Liveness
52% Instrumentalness • 39% Positiveness
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Harry James
Trumpet Blues
103 bpm • A# Maj • 02:41 • -6.49db
10% Popularity • 47% Danceability • 58% Energy • 28% Liveness
68% Instrumentalness • 64% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Kitty Kallen
The Wonder Of You
102 bpm • G Maj • 03:14 • -15.07db
18% Popularity • 55% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Pete Fountain
You're Nobody 'Til Somebody Loves You
113 bpm • C min • 02:53 • -17.33db
34% Popularity • 57% Danceability • 17% Energy • 30% Liveness
81% Instrumentalness • 50% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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June Christy
How High The Moon - Remastered
113 bpm • F min • 02:33 • -8db
36% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Harry James
Block Party
103 bpm • D# Maj • 02:11 • -10db
0% Popularity • 53% Danceability • 63% Energy • 34% Liveness
17% Instrumentalness • 74% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
113 bpm • D# Maj • 03:14 • -13.02db
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Pete Fountain
Stranger On The Shore
101 bpm • A# Maj • 05:13 • -15.2db
28% Popularity • 40% Danceability • 14% Energy • 11% Liveness
77% Instrumentalness • 23% Positiveness
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Ruth Etting
You're the Cream in My Coffee
113 bpm • G Maj • 03:07 • -13.06db
26% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
31% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Gene Austin
Ain't She Sweet
113 bpm • D# Maj • 02:34 • -13.32db
20% Popularity • 76% Danceability • 26% Energy • 77% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Crosby
Did Anyone Ever Tell You Mrs Murphy
101 bpm • C# Maj • 01:29 • -21db
39% Popularity • 78% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
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Dinah Washington
I Can't Believe That You're In Love With...
101 bpm • D# Maj • 02:47 • -10db
39% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Harry James
Moonlight Bay
113 bpm • G# Maj • 02:46 • -10.81db
3% Popularity • 44% Danceability • 38% Energy • 84% Liveness
58% Instrumentalness • 71% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
28% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Cab Calloway
Moon Glow
114 bpm • F min • 03:11 • -10.01db
13% Popularity • 68% Danceability • 22% Energy • 10% Liveness
58% Instrumentalness • 55% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Fats Waller
It's A Sin To Tell A Lie
114 bpm • C Maj • 02:53 • -15.57db
29% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
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Bob Crosby & The Bob Cats
Can't We Be Friends?
101 bpm • D min • 02:57 • -13.15db
41% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Sidney Bechet
When The Sun Sets Down South
114 bpm • F min • 03:08 • -11db
28% Popularity • 51% Danceability • 30% Energy • 8% Liveness
39% Instrumentalness • 55% Positiveness
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Benny Goodman Trio
Where or When
100 bpm • E min • 03:22 • -11.9db
42% Popularity • 70% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
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Bob Crosby
Let'S Go Around Together
100 bpm • C Maj • 02:28 • -13.25db
20% Popularity • 57% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Sammy Davis Jr. | Dean Martin
Sam's Song
115 bpm • D min • 02:45 • -11.75db
38% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
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Harry James
James Session
115 bpm • C# Maj • 05:04 • -8.72db
8% Popularity • 55% Danceability • 72% Energy • 12% Liveness
61% Instrumentalness • 30% Positiveness
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Lee Wiley
You Turned The Tables On Me
115 bpm • C# Maj • 02:47 • -19.16db
28% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Tommy Dorsey
Oh! Look at Me Now
115 bpm • D min • 03:15 • -15.39db
27% Popularity • 82% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Chick Webb
Midnite in a Madhouse (Midnite in Harlem...
100 bpm • G min • 02:36 • -10.89db
19% Popularity • 61% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Benny Goodman Trio
But Not For Me
115 bpm • F min • 02:25 • -14db
39% Popularity • 73% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 56% Positiveness
► Preview
Harry James
I'm Beginning To See The Light
115 bpm • G# Maj • 03:07 • -10.71db
16% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Artie Shaw
Deep Purple
115 bpm • A# Maj • 03:13 • -15.2db
30% Popularity • 58% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Larry Clinton
Where in the World
115 bpm • G# Maj • 02:52 • -11.35db
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Harry James
I'm Beginning to See the Light
115 bpm • G# Maj • 03:09 • -11.68db
20% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Billy Eckstine
Lost In Loveliness
116 bpm • D Maj • 03:00 • -15db
15% Popularity • 34% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Annette Hanshaw
Would You Like to Take a Walk
116 bpm • F# Maj • 03:41 • -7.66db
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Benny Goodman Quartet
Whispering
99 bpm • D# Maj • 03:23 • -15.83db
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
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