Songs like Borders Without Lines by Herlin Riley
Based on a tempo of (+/- 10%) and a similar genre
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Ray Bryant
Milestones
157 bpm • F Maj • 04:13 • -18.6db
21% Popularity • 41% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 82% Positiveness
21% Popularity • 41% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 82% Positiveness
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John Scofield
I'll Catch You
157 bpm • G# Maj • 07:57 • -17.83db
12% Popularity • 50% Danceability • 20% Energy • 9% Liveness
7% Instrumentalness • 40% Positiveness
12% Popularity • 50% Danceability • 20% Energy • 9% Liveness
7% Instrumentalness • 40% Positiveness
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Herlin Riley
Borders Without Lines
157 bpm • G Maj • 04:49 • -8.22db
6% Popularity • 43% Danceability • 78% Energy • 5% Liveness
22% Instrumentalness • 68% Positiveness
6% Popularity • 43% Danceability • 78% Energy • 5% Liveness
22% Instrumentalness • 68% Positiveness
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Bob Curnow's L.A. Big Band
Have You Heard
158 bpm • G min • 06:06 • -11.05db
18% Popularity • 51% Danceability • 46% Energy • 17% Liveness
14% Instrumentalness • 61% Positiveness
18% Popularity • 51% Danceability • 46% Energy • 17% Liveness
14% Instrumentalness • 61% Positiveness
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Vincent Herring
Have You Met Miss Jones?
156 bpm • F Maj • 04:48 • -15.33db
12% Popularity • 58% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 49% Positiveness
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Joshua Redman Quartet
Alone in the Morning
155 bpm • G Maj • 05:05 • -14.54db
22% Popularity • 54% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Kurt Rosenwinkel
Minor Blues
154 bpm • D# min • 05:54 • -12.36db
30% Popularity • 39% Danceability • 50% Energy • 10% Liveness
61% Instrumentalness • 61% Positiveness
30% Popularity • 39% Danceability • 50% Energy • 10% Liveness
61% Instrumentalness • 61% Positiveness
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Peter Bernstein Quartet
Jive Coffee
153 bpm • G# Maj • 09:43 • -16.33db
15% Popularity • 39% Danceability • 35% Energy • 12% Liveness
38% Instrumentalness • 62% Positiveness
15% Popularity • 39% Danceability • 35% Energy • 12% Liveness
38% Instrumentalness • 62% Positiveness
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Herlin Riley
Connection to Congo Square
158 bpm • A# min • 05:31 • -7.06db
3% Popularity • 53% Danceability • 88% Energy • 6% Liveness
56% Instrumentalness • 74% Positiveness
3% Popularity • 53% Danceability • 88% Energy • 6% Liveness
56% Instrumentalness • 74% Positiveness
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Sean Jones
Transitions
152 bpm • F min • 05:19 • -5.02db
8% Popularity • 37% Danceability • 89% Energy • 16% Liveness
76% Instrumentalness • 40% Positiveness
8% Popularity • 37% Danceability • 89% Energy • 16% Liveness
76% Instrumentalness • 40% Positiveness
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Jim Rotondi
Biru Kirusai
153 bpm • G# min • 05:26 • -9.45db
7% Popularity • 35% Danceability • 62% Energy • 10% Liveness
50% Instrumentalness • 63% Positiveness
7% Popularity • 35% Danceability • 62% Energy • 10% Liveness
50% Instrumentalness • 63% Positiveness
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Curtis Fuller Quintet
Twelve-Inch
151 bpm • G min • 06:27 • -19db
18% Popularity • 50% Danceability • 15% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
18% Popularity • 50% Danceability • 15% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
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Christian Sands
Yesterday
150 bpm • A# min • 07:22 • -12.39db
11% Popularity • 37% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
11% Popularity • 37% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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The Blue Mitchell Quintet
March On Selma - Remastered 2005/Rudy Va...
150 bpm • F min • 06:16 • -9.47db
30% Popularity • 48% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 48% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Sydney Claire
Slap That Bass
149 bpm • C# Maj • 03:13 • -10.68db
0% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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John Scofield
Door #3
149 bpm • G# Maj • 05:48 • -12.16db
12% Popularity • 54% Danceability • 42% Energy • 14% Liveness
11% Instrumentalness • 36% Positiveness
12% Popularity • 54% Danceability • 42% Energy • 14% Liveness
11% Instrumentalness • 36% Positiveness
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Thrasher Dream Trio
Spartacus: Love Theme
150 bpm • E min • 03:38 • -11.87db
8% Popularity • 52% Danceability • 76% Energy • 74% Liveness
1% Instrumentalness • 50% Positiveness
8% Popularity • 52% Danceability • 76% Energy • 74% Liveness
1% Instrumentalness • 50% Positiveness
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Christian McBride Trio
Down by the Riverside
149 bpm • F# min • 06:48 • -15db
11% Popularity • 50% Danceability • 36% Energy • 61% Liveness
94% Instrumentalness • 42% Positiveness
11% Popularity • 50% Danceability • 36% Energy • 61% Liveness
94% Instrumentalness • 42% Positiveness
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Wycliffe Gordon
Dig This!!
148 bpm • G min • 06:00 • -12.88db
22% Popularity • 54% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 61% Positiveness
22% Popularity • 54% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 61% Positiveness
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The Blue Mitchell Quintet
Perception - Remastered 2005/Rudy Van Ge...
148 bpm • F min • 05:42 • -11.41db
21% Popularity • 57% Danceability • 51% Energy • 26% Liveness
11% Instrumentalness • 76% Positiveness
21% Popularity • 57% Danceability • 51% Energy • 26% Liveness
11% Instrumentalness • 76% Positiveness
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Cyrus Chestnut
Darn That Dream
148 bpm • G Maj • 05:05 • -24.55db
43% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
43% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Woody Shaw
Theme for Maxine
167 bpm • F Maj • 07:15 • -13.32db
15% Popularity • 40% Danceability • 33% Energy • 21% Liveness
84% Instrumentalness • 46% Positiveness
15% Popularity • 40% Danceability • 33% Energy • 21% Liveness
84% Instrumentalness • 46% Positiveness
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Duke Jordan
No problem
147 bpm • G min • 06:47 • -13db
29% Popularity • 43% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 49% Positiveness
29% Popularity • 43% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 49% Positiveness
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Jeff Hamilton Trio
Hat's Dance
147 bpm • C Maj • 04:27 • -11.54db
12% Popularity • 73% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 60% Positiveness
12% Popularity • 73% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 60% Positiveness
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Wycliffe Gordon
The Breaks
147 bpm • F min • 03:37 • -10.79db
0% Popularity • 58% Danceability • 44% Energy • 8% Liveness
14% Instrumentalness • 83% Positiveness
0% Popularity • 58% Danceability • 44% Energy • 8% Liveness
14% Instrumentalness • 83% Positiveness
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Seamus Blake
Blues for the Real Human Beings
147 bpm • B Maj • 04:19 • -10.39db
29% Popularity • 48% Danceability • 43% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
29% Popularity • 48% Danceability • 43% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
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Cannonball Adderley Quartet
Serenata
168 bpm • D min • 04:16 • -10.3db
17% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Thad Jones
Ahunk Ahunk - Remixed & Remastered 1994
147 bpm • F Maj • 07:55 • -8db
18% Popularity • 58% Danceability • 51% Energy • 10% Liveness
9% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 51% Energy • 10% Liveness
9% Instrumentalness • 56% Positiveness
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Hank Jones Trio
Queen of Hearts
146 bpm • G# Maj • 03:58 • -26.88db
17% Popularity • 60% Danceability • 9% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
17% Popularity • 60% Danceability • 9% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
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Charlie Parker And His Orchestra
My Little Suede Shoes
146 bpm • C min • 03:04 • -14db
43% Popularity • 62% Danceability • 42% Energy • 8% Liveness
25% Instrumentalness • 93% Positiveness
43% Popularity • 62% Danceability • 42% Energy • 8% Liveness
25% Instrumentalness • 93% Positiveness
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Wayne Shorter
Adventures Aboard the Golden Mean (The W...
169 bpm • D Maj • 04:30 • -13.69db
16% Popularity • 48% Danceability • 36% Energy • 95% Liveness
70% Instrumentalness • 51% Positiveness
16% Popularity • 48% Danceability • 36% Energy • 95% Liveness
70% Instrumentalness • 51% Positiveness
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George Cables
Bésame Mucho
146 bpm • C Maj • 07:49 • -22.92db
8% Popularity • 50% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 56% Positiveness
8% Popularity • 50% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 56% Positiveness
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Eric Reed
New Morning
146 bpm • D Maj • 09:30 • -16.48db
21% Popularity • 37% Danceability • 12% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
21% Popularity • 37% Danceability • 12% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
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Ingrid Jensen
The Faction of Cool
170 bpm • A# Maj • 06:31 • -10.37db
9% Popularity • 63% Danceability • 50% Energy • 8% Liveness
65% Instrumentalness • 61% Positiveness
9% Popularity • 63% Danceability • 50% Energy • 8% Liveness
65% Instrumentalness • 61% Positiveness
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Blue Mitchell
Straight Up And Down - Rudy Van Gelder 2...
145 bpm • A# min • 06:36 • -9.81db
9% Popularity • 43% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 43% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Kenny Barron Trio
Bud Like
145 bpm • G# Maj • 05:28 • -12.67db
12% Popularity • 38% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
12% Popularity • 38% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
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Paul Chambers
You'd Be So Nice To Come Home To - Rudy ...
170 bpm • A# Maj • 07:17 • -19.01db
27% Popularity • 46% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 61% Positiveness
27% Popularity • 46% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 61% Positiveness
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Hampton Hawes Trio
Blues The Most
145 bpm • G min • 05:43 • -19.2db
26% Popularity • 55% Danceability • 20% Energy • 12% Liveness
80% Instrumentalness • 49% Positiveness
26% Popularity • 55% Danceability • 20% Energy • 12% Liveness
80% Instrumentalness • 49% Positiveness
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Christian McBride Big Band
Don Is
170 bpm • F min • 06:32 • -12.87db
8% Popularity • 50% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 64% Positiveness
8% Popularity • 50% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 64% Positiveness
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Art Farmer
Mox Nix - Remastered
171 bpm • D min • 04:41 • -16db
19% Popularity • 46% Danceability • 21% Energy • 7% Liveness
38% Instrumentalness • 50% Positiveness
19% Popularity • 46% Danceability • 21% Energy • 7% Liveness
38% Instrumentalness • 50% Positiveness
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Carla Bley
Life Goes On: And On
171 bpm • E Maj • 04:10 • -14.75db
27% Popularity • 50% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
27% Popularity • 50% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Kenny Barron Trio
Magic Dance
171 bpm • C# Maj • 07:50 • -13.31db
20% Popularity • 36% Danceability • 47% Energy • 10% Liveness
91% Instrumentalness • 49% Positiveness
20% Popularity • 36% Danceability • 47% Energy • 10% Liveness
91% Instrumentalness • 49% Positiveness
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Lafayette Harris, Jr.
Blues for Barry Harris
172 bpm • F Maj • 05:03 • -15.5db
38% Popularity • 41% Danceability • 39% Energy • 12% Liveness
20% Instrumentalness • 66% Positiveness
38% Popularity • 41% Danceability • 39% Energy • 12% Liveness
20% Instrumentalness • 66% Positiveness
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Wardell Gray
Twisted
172 bpm • A# Maj • 03:04 • -10.61db
31% Popularity • 43% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 43% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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John Autin
Don't Explain
172 bpm • D min • 08:36 • -13.06db
0% Popularity • 36% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
0% Popularity • 36% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Art Farmer
The Touch Of Your Lips - Remastered
145 bpm • C Maj • 04:54 • -17.6db
35% Popularity • 59% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
35% Popularity • 59% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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Christian McBride Big Band
Road Song
143 bpm • G min • 06:39 • -10db
11% Popularity • 61% Danceability • 50% Energy • 8% Liveness
86% Instrumentalness • 77% Positiveness
11% Popularity • 61% Danceability • 50% Energy • 8% Liveness
86% Instrumentalness • 77% Positiveness
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Ben Paterson
Around the Block
143 bpm • C# Maj • 03:33 • -13.75db
11% Popularity • 56% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 49% Positiveness
11% Popularity • 56% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 49% Positiveness
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Rodney Whitaker
When You Played with Roy
173 bpm • G min • 06:04 • -8.51db
8% Popularity • 48% Danceability • 63% Energy • 7% Liveness
76% Instrumentalness • 70% Positiveness
8% Popularity • 48% Danceability • 63% Energy • 7% Liveness
76% Instrumentalness • 70% Positiveness
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Tom Harrell
The Fast
142 bpm • A# Maj • 06:38 • -8.92db
8% Popularity • 40% Danceability • 62% Energy • 10% Liveness
83% Instrumentalness • 56% Positiveness
8% Popularity • 40% Danceability • 62% Energy • 10% Liveness
83% Instrumentalness • 56% Positiveness
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Doug Raney
Mr. P.C.
142 bpm • C min • 05:33 • -10.36db
17% Popularity • 34% Danceability • 53% Energy • 20% Liveness
40% Instrumentalness • 70% Positiveness
17% Popularity • 34% Danceability • 53% Energy • 20% Liveness
40% Instrumentalness • 70% Positiveness
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Blue Mitchell
Blue Soul
142 bpm • F min • 04:12 • -11db
16% Popularity • 56% Danceability • 38% Energy • 8% Liveness
23% Instrumentalness • 56% Positiveness
16% Popularity • 56% Danceability • 38% Energy • 8% Liveness
23% Instrumentalness • 56% Positiveness
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Akiko Tsuruga
Mag's Groove
141 bpm • C# Maj • 05:57 • -12.98db
11% Popularity • 49% Danceability • 47% Energy • 24% Liveness
72% Instrumentalness • 48% Positiveness
11% Popularity • 49% Danceability • 47% Energy • 24% Liveness
72% Instrumentalness • 48% Positiveness
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Ben Paterson
I Can't Help It
142 bpm • D# Maj • 04:16 • -17.61db
16% Popularity • 54% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
16% Popularity • 54% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Wycliffe Gordon
Let's Call This
176 bpm • G Maj • 05:18 • -10.68db
1% Popularity • 56% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
1% Popularity • 56% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Connie Han
For the O.G.
139 bpm • F# Maj • 06:48 • -15.3db
8% Popularity • 36% Danceability • 39% Energy • 16% Liveness
84% Instrumentalness • 33% Positiveness
8% Popularity • 36% Danceability • 39% Energy • 16% Liveness
84% Instrumentalness • 33% Positiveness
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Tom Harrell
On the Roof
139 bpm • A Maj • 07:16 • -9.89db
15% Popularity • 66% Danceability • 67% Energy • 19% Liveness
5% Instrumentalness • 76% Positiveness
15% Popularity • 66% Danceability • 67% Energy • 19% Liveness
5% Instrumentalness • 76% Positiveness
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Blue Mitchell
Sir John
178 bpm • F min • 06:04 • -16.46db
23% Popularity • 49% Danceability • 27% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
23% Popularity • 49% Danceability • 27% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
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Jazzmeia Horn
I Remember You
139 bpm • F min • 02:12 • -12db
33% Popularity • 60% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 60% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Ben Paterson
Golden Lady
140 bpm • C# Maj • 05:34 • -14.77db
10% Popularity • 42% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 52% Positiveness
10% Popularity • 42% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 52% Positiveness
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Arne Domnérus
Jeep's Blues
178 bpm • F Maj • 07:04 • -19db
19% Popularity • 44% Danceability • 4% Energy • 26% Liveness
25% Instrumentalness • 40% Positiveness
19% Popularity • 44% Danceability • 4% Energy • 26% Liveness
25% Instrumentalness • 40% Positiveness
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Wycliffe Gordon
Mister P.C.
140 bpm • F min • 06:45 • -11.93db
0% Popularity • 46% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 46% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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David Ostwald
Jubilee Stomp
139 bpm • F min • 03:22 • -6.94db
2% Popularity • 71% Danceability • 80% Energy • 7% Liveness
8% Instrumentalness • 91% Positiveness
2% Popularity • 71% Danceability • 80% Energy • 7% Liveness
8% Instrumentalness • 91% Positiveness
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Herlin Riley
Perpetual Optimism
138 bpm • C Maj • 07:06 • -8.59db
4% Popularity • 51% Danceability • 59% Energy • 13% Liveness
3% Instrumentalness • 71% Positiveness
4% Popularity • 51% Danceability • 59% Energy • 13% Liveness
3% Instrumentalness • 71% Positiveness
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Woody Shaw
Blues for Woody
138 bpm • F min • 07:17 • -14db
7% Popularity • 55% Danceability • 37% Energy • 19% Liveness
77% Instrumentalness • 58% Positiveness
7% Popularity • 55% Danceability • 37% Energy • 19% Liveness
77% Instrumentalness • 58% Positiveness
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Kenny Barron & Dave Holland
The Only One
178 bpm • A# Maj • 06:22 • -20.8db
12% Popularity • 48% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
12% Popularity • 48% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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Vanguard Jazz Orchestra
Up from the Skies
138 bpm • F min • 08:54 • -12.19db
15% Popularity • 45% Danceability • 37% Energy • 10% Liveness
21% Instrumentalness • 38% Positiveness
15% Popularity • 45% Danceability • 37% Energy • 10% Liveness
21% Instrumentalness • 38% Positiveness
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Ben Paterson
Isn't She Lovely
137 bpm • A# min • 03:56 • -16.26db
23% Popularity • 63% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
23% Popularity • 63% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Max Roach
Blues Waltz
179 bpm • D# Maj • 06:31 • -11db
11% Popularity • 45% Danceability • 58% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
11% Popularity • 45% Danceability • 58% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
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Roy Hargrove Quintet
Serenity
137 bpm • F min • 05:34 • -17.03db
9% Popularity • 48% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 48% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Sonny Stitt Quartet
Just Friends
137 bpm • G# Maj • 03:50 • -12db
35% Popularity • 55% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 55% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Victor Goines
The Suffragists
137 bpm • D# Maj • 06:41 • -7.31db
9% Popularity • 47% Danceability • 66% Energy • 6% Liveness
17% Instrumentalness • 64% Positiveness
9% Popularity • 47% Danceability • 66% Energy • 6% Liveness
17% Instrumentalness • 64% Positiveness
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Branford Marsalis Quartet
Snake Hip Waltz
137 bpm • A# min • 05:51 • -8.47db
10% Popularity • 52% Danceability • 58% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
10% Popularity • 52% Danceability • 58% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
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Jim Clayton
Devil May Care
137 bpm • F min • 04:16 • -11.66db
0% Popularity • 67% Danceability • 39% Energy • 10% Liveness
4% Instrumentalness • 65% Positiveness
0% Popularity • 67% Danceability • 39% Energy • 10% Liveness
4% Instrumentalness • 65% Positiveness
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Bob Mintzer All L.A. Band
Slo Funk
180 bpm • C# Maj • 05:23 • -6.93db
12% Popularity • 56% Danceability • 50% Energy • 23% Liveness
70% Instrumentalness • 74% Positiveness
12% Popularity • 56% Danceability • 50% Energy • 23% Liveness
70% Instrumentalness • 74% Positiveness
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John Autin
My Funny Valentine
136 bpm • C min • 05:56 • -12db
0% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Wycliffe Gordon
Blooz Hymn
136 bpm • G Maj • 04:28 • -17.99db
0% Popularity • 43% Danceability • 6% Energy • 5% Liveness
74% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 6% Energy • 5% Liveness
74% Instrumentalness • 32% Positiveness
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Kenny Barron Trio
Lunacy
136 bpm • G Maj • 05:07 • -11db
8% Popularity • 37% Danceability • 71% Energy • 24% Liveness
84% Instrumentalness • 53% Positiveness
8% Popularity • 37% Danceability • 71% Energy • 24% Liveness
84% Instrumentalness • 53% Positiveness
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Sydney Claire
It's Only a Paper Moon
136 bpm • C min • 02:23 • -12.08db
0% Popularity • 51% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 51% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Roy Hargrove Quintet
Alter Ego
136 bpm • B min • 06:33 • -14.53db
14% Popularity • 57% Danceability • 31% Energy • 20% Liveness
39% Instrumentalness • 45% Positiveness
14% Popularity • 57% Danceability • 31% Energy • 20% Liveness
39% Instrumentalness • 45% Positiveness
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Tina Brooks
Talkin' About - Remastered 1999
136 bpm • D# Maj • 07:41 • -13db
16% Popularity • 61% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 62% Positiveness
16% Popularity • 61% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 62% Positiveness
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Christian McBride Big Band
Medgar Evers' Blues
136 bpm • A min • 07:12 • -12.8db
7% Popularity • 56% Danceability • 37% Energy • 13% Liveness
76% Instrumentalness • 43% Positiveness
7% Popularity • 56% Danceability • 37% Energy • 13% Liveness
76% Instrumentalness • 43% Positiveness
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Herbie Nichols
2300 Skiddoo
136 bpm • G# min • 04:43 • -18.22db
18% Popularity • 59% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 59% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Joshua Redman Quartet
Come What May
135 bpm • A# min • 06:46 • -13.66db
41% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
41% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
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Wycliffe Gordon
Stars Fell On Alabama
135 bpm • A# Maj • 04:47 • -25.95db
0% Popularity • 36% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
0% Popularity • 36% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
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Jonathan Kreisberg
I'll Be Seeing You
135 bpm • C min • 07:23 • -19.78db
30% Popularity • 44% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
30% Popularity • 44% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Emily Remler
East To Wes
134 bpm • G min • 06:12 • -19.8db
19% Popularity • 53% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 53% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Christian McBride Big Band
Night Train
135 bpm • F min • 05:21 • -9.15db
16% Popularity • 64% Danceability • 55% Energy • 13% Liveness
89% Instrumentalness • 58% Positiveness
16% Popularity • 64% Danceability • 55% Energy • 13% Liveness
89% Instrumentalness • 58% Positiveness
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Renee Rosnes
Lifewish
134 bpm • A Maj • 07:33 • -15.06db
9% Popularity • 48% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 38% Positiveness
9% Popularity • 48% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 38% Positiveness
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Herlin Riley
Herlin's Hurdle
135 bpm • D Maj • 07:03 • -7.81db
2% Popularity • 43% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 34% Positiveness
2% Popularity • 43% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 34% Positiveness
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Wycliffe Gordon
Yaht Doo Daht Ditt
183 bpm • F Maj • 04:10 • -11.67db
0% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Elvin Jones
Feeling Good
134 bpm • A min • 04:09 • -22db
31% Popularity • 40% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 28% Positiveness
31% Popularity • 40% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 28% Positiveness
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Sonny Clark
Somethin' Special
184 bpm • G min • 06:19 • -12db
30% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Barry Harris
Is You Is Or Is You Ain't My Baby (Take ...
134 bpm • A# min • 05:39 • -19.71db
9% Popularity • 59% Danceability • 18% Energy • 76% Liveness
85% Instrumentalness • 55% Positiveness
9% Popularity • 59% Danceability • 18% Energy • 76% Liveness
85% Instrumentalness • 55% Positiveness
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Joe Lovano
Emperor Jones
184 bpm • G min • 05:14 • -15.01db
30% Popularity • 34% Danceability • 33% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
30% Popularity • 34% Danceability • 33% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
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Michael Brecker Quartet
Delta City Blues
133 bpm • A# Maj • 05:36 • -13db
11% Popularity • 58% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 83% Positiveness
11% Popularity • 58% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 83% Positiveness
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Roy Hargrove Quintet
Greens At The Chicken Shack
134 bpm • G# Maj • 05:44 • -15.13db
14% Popularity • 51% Danceability • 32% Energy • 8% Liveness
49% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 32% Energy • 8% Liveness
49% Instrumentalness • 51% Positiveness
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Sydney Claire
They All Laughed
133 bpm • A# Maj • 02:47 • -11.61db
0% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
