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Born Free
Songs like
Born Free
by
John Barry
Based on a tempo of (+/- 10%) and a similar genre
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Jerry Goldsmith
Love Theme from Forever Young
134 bpm • C Maj • 04:03 • -20.33db
14% Popularity • 19% Danceability • 6% Energy • 8% Liveness
27% Instrumentalness • 8% Positiveness
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John Barry
Born Free
134 bpm • F Maj • 04:40 • -20.47db
31% Popularity • 16% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Randy Newman
Leonard - Awakenings - Original Motion P...
134 bpm • D min • 04:32 • -29.97db
16% Popularity • 17% Danceability • 2% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Wedding
135 bpm • A# Maj • 01:42 • -16db
55% Popularity • 24% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Klaus Badelt
Bleeker Street
135 bpm • C Maj • 02:28 • -19.18db
24% Popularity • 20% Danceability • 14% Energy • 11% Liveness
74% Instrumentalness • 6% Positiveness
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Academy of St. Martin in the Fields
I'll Always Go Back To That Church
133 bpm • D Maj • 01:53 • -17.84db
40% Popularity • 23% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 25% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
32% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Randy Edelman
Riverside Walk
135 bpm • G Maj • 05:22 • -19.19db
24% Popularity • 26% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 18% Positiveness
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Anne Dudley
Kissing Town
135 bpm • F Maj • 02:16 • -24db
36% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 20% Positiveness
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Dimitri Tiomkin
High Noon - Theme
136 bpm • D# Maj • 03:13 • -27db
23% Popularity • 16% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Craig Armstrong
Glasgow Love Theme
136 bpm • A Maj • 02:09 • -18.57db
47% Popularity • 20% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Iva Davies
The Far Side of the World
132 bpm • C Maj • 09:19 • -19db
30% Popularity • 26% Danceability • 27% Energy • 25% Liveness
89% Instrumentalness • 13% Positiveness
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Jan A.P. Kaczmarek
Braille
136 bpm • E min • 01:58 • -23.56db
35% Popularity • 18% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Fashion
136 bpm • D Maj • 01:20 • -13.65db
42% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: The Lark Ascending: Op...
132 bpm • B min • 06:25 • -25.38db
32% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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John Barry
The John Dunbar Theme
136 bpm • D# Maj • 02:17 • -24.51db
54% Popularity • 15% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Zbigniew Preisner
Colin Opens His Eyes
136 bpm • F# Maj • 02:00 • -22.18db
35% Popularity • 28% Danceability • 6% Energy • 35% Liveness
32% Instrumentalness • 9% Positiveness
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Andrea Guerra
Atelier Fontana - Main Title
132 bpm • F Maj • 02:30 • -19.2db
49% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Klaus Badelt
Professor Alexander Hartdegen
137 bpm • A min • 03:26 • -17db
29% Popularity • 27% Danceability • 22% Energy • 24% Liveness
52% Instrumentalness • 16% Positiveness
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Lennie Niehaus
The Medals
131 bpm • C Maj • 03:00 • -21.1db
20% Popularity • 27% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Clint Eastwood
Theme from Mystic River
131 bpm • F Maj • 05:03 • -25.89db
28% Popularity • 17% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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John Barry
Chaplin
131 bpm • F Maj • 03:22 • -25.6db
23% Popularity • 16% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Main Theme
138 bpm • C Maj • 03:33 • -10.78db
27% Popularity • 17% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
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Andrea Guerra
La città eterna
137 bpm • C min • 02:13 • -18.58db
47% Popularity • 15% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
46% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Guy Farley
A Guilded Cage
130 bpm • A# min • 02:15 • -31db
45% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Rael Jones
Getting Used to It
130 bpm • A min • 01:57 • -32.09db
28% Popularity • 26% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Louis Armstrong
Sir Hillary's Night Out (Who Will Buy My...
130 bpm • F Maj • 04:46 • -19.45db
14% Popularity • 18% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Nicola Piovani
La vita è bella: La vita è bella
129 bpm • D Maj • 02:38 • -14.34db
39% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Andrea Guerra
Cenerentola - Main Title
129 bpm • C Maj • 00:56 • -17.97db
43% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6 No. 8,...
129 bpm • D# Maj • 01:55 • -24.66db
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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John Barry
Moviola
129 bpm • F min • 04:33 • -20.21db
21% Popularity • 16% Danceability • 16% Energy • 19% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Giacchino
Super 8 Suite
139 bpm • F Maj • 05:54 • -16.38db
21% Popularity • 16% Danceability • 12% Energy • 40% Liveness
81% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Dance Rehearsal
140 bpm • A min • 02:16 • -16.99db
36% Popularity • 32% Danceability • 17% Energy • 11% Liveness
61% Instrumentalness • 26% Positiveness
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Mark Knopfler
I Will Never Love Again
140 bpm • C min • 03:02 • -16db
31% Popularity • 20% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Andrea Guerra
Tema romantico solitario
129 bpm • C Maj • 01:04 • -21.24db
47% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
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Samuel Sim
Emma Woodhouse Was Born
128 bpm • G min • 03:33 • -18.78db
27% Popularity • 30% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
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Pete Anthony
West Wing Suite (Bonus Track)
140 bpm • G Maj • 03:33 • -18.42db
14% Popularity • 14% Danceability • 12% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Iva Davies
The Phasmid
141 bpm • D# min • 02:34 • -19.12db
22% Popularity • 17% Danceability • 16% Energy • 18% Liveness
93% Instrumentalness • 2% Positiveness
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The Chamber Orchestra Of London
Nothing To Forgive
141 bpm • G Maj • 02:34 • -15.43db
28% Popularity • 14% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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John Barry
Farewell / End Title
141 bpm • G Maj • 08:46 • -22.01db
31% Popularity • 14% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
At Home
126 bpm • A min • 01:35 • -30.8db
46% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
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Rachel Portman
End Credits - Instrumental
141 bpm • C Maj • 04:35 • -19.18db
39% Popularity • 14% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Geoffrey Burgon
Going to Brideshead
126 bpm • D Maj • 03:02 • -23.42db
26% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Max Richter
The Shores of Scotland
143 bpm • B min • 01:51 • -12.34db
34% Popularity • 14% Danceability • 46% Energy • 14% Liveness
93% Instrumentalness • 35% Positiveness
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Victor Young
Around The World In 80 Days - Overture
126 bpm • D# Maj • 03:21 • -18.97db
22% Popularity • 25% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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The Chamber Orchestra Of London
A Song And A Dance
143 bpm • C# min • 01:27 • -19.9db
30% Popularity • 52% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Jan A.P. Kaczmarek
The Grand Ball
126 bpm • A min • 02:22 • -12.93db
26% Popularity • 34% Danceability • 33% Energy • 18% Liveness
86% Instrumentalness • 11% Positiveness
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Nicola Piovani
La vita è bella
125 bpm • A Maj • 04:51 • -15.58db
50% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
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Geoffrey Burgon
Orphans of the Storm
125 bpm • C Maj • 04:07 • -20.38db
18% Popularity • 18% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Max Richter
A New Generation
144 bpm • B min • 02:48 • -15.33db
21% Popularity • 14% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 22% Positiveness
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Erich Wolfgang Korngold
The Adventures of Robin Hood: Main Title...
124 bpm • D# Maj • 01:49 • -14db
27% Popularity • 28% Danceability • 27% Energy • 13% Liveness
88% Instrumentalness • 33% Positiveness
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The Intermezzo Orchestra
Saving Private Ryan (Main Theme)
124 bpm • G Maj • 06:12 • -16db
9% Popularity • 19% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Nicola Piovani
Caro Diario: Medici
124 bpm • F Maj • 02:04 • -29.53db
45% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Ron Goodwin
Main Titles
123 bpm • F Maj • 02:59 • -10.75db
19% Popularity • 46% Danceability • 69% Energy • 35% Liveness
92% Instrumentalness • 41% Positiveness
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City of Prague Orchestra
Life is Beautiful
124 bpm • A Maj • 04:05 • -10.86db
13% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Phoenix Symphony
The Magnificent Seven: Main Titles And C...
123 bpm • C min • 04:01 • -17.51db
29% Popularity • 35% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 53% Positiveness
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Louis Armstrong
Escape From Piz Gloria
123 bpm • F min • 04:53 • -13.92db
22% Popularity • 26% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Tan Dun
Crouching Tiger, Hidden Dragon
122 bpm • G Maj • 03:20 • -26.38db
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Smoking Lights
Cast Away Main Title - Theme from Cast A...
122 bpm • A min • 02:33 • -8db
19% Popularity • 50% Danceability • 38% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
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Max Steiner
Main Title - Gone With the Wind
122 bpm • F Maj • 04:06 • -8.33db
32% Popularity • 17% Danceability • 43% Energy • 46% Liveness
85% Instrumentalness • 17% Positiveness
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Geoffrey Burgon
Rain in Venice
122 bpm • G# Maj • 03:12 • -32.32db
28% Popularity • 18% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 8% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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The Chamber Orchestra Of London
Emancipation
149 bpm • E min • 02:15 • -17.05db
28% Popularity • 32% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
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Howard Shore
The Message
120 bpm • B min • 04:36 • -27.74db
21% Popularity • 22% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
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Clint Eastwood
It's Nice Viewing
120 bpm • C Maj • 00:57 • -27db
44% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
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Johnny Pearson
Piano Parchment - 60 Second Edit (A)
120 bpm • D Maj • 01:04 • -18db
34% Popularity • 64% Danceability • 33% Energy • 28% Liveness
92% Instrumentalness • 42% Positiveness
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Jerry Goldsmith
A Meal And A Bath
120 bpm • A min • 08:03 • -19db
13% Popularity • 22% Danceability • 24% Energy • 14% Liveness
61% Instrumentalness • 6% Positiveness
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David Buckley
The Good Wife (Theme)
120 bpm • C min • 02:26 • -18db
18% Popularity • 78% Danceability • 24% Energy • 13% Liveness
94% Instrumentalness • 34% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
48% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Jérôme Lemonnier
Le Miroir des choses
120 bpm • F Maj • 05:20 • -13.46db
19% Popularity • 23% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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An Eligible Quartet
Frank Churchill Arrives
120 bpm • G Maj • 02:06 • -16.69db
30% Popularity • 30% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 22% Positiveness
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Mark Isham
A Land Filled With Wonder
150 bpm • D# Maj • 01:34 • -13db
30% Popularity • 12% Danceability • 31% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Morning On The Beach
120 bpm • C Maj • 02:29 • -20db
24% Popularity • 22% Danceability • 14% Energy • 41% Liveness
43% Instrumentalness • 4% Positiveness
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John Barry
Main Title (expanded) / Looks Like a Sui...
119 bpm • C# min • 07:34 • -21.28db
34% Popularity • 19% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Samuel Sim
The Last Dance
151 bpm • G Maj • 01:43 • -19db
38% Popularity • 44% Danceability • 22% Energy • 17% Liveness
86% Instrumentalness • 19% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Five
119 bpm • F Maj • 01:02 • -22.88db
36% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Howard Shore
The Clocks
117 bpm • D Maj • 04:28 • -24.67db
23% Popularity • 26% Danceability • 8% Energy • 11% Liveness
52% Instrumentalness • 11% Positiveness
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Alexandra Harwood
The Guernsey Literary And Potato Peel Pi...
116 bpm • G Maj • 05:36 • -16.44db
23% Popularity • 21% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Jerry Goldsmith
Spring Cleaning
120 bpm • G min • 02:27 • -24.55db
8% Popularity • 24% Danceability • 6% Energy • 11% Liveness
33% Instrumentalness • 4% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Isham
A Leap
153 bpm • D Maj • 01:03 • -18.4db
38% Popularity • 61% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
34% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Carter Burwell
The Wicked Flee
116 bpm • G Maj • 02:34 • -19.37db
32% Popularity • 37% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 21% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
31% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Jerry Goldsmith
What Did He Do?
117 bpm • D# min • 02:25 • -32.71db
8% Popularity • 18% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Clint Eastwood
Deep In Thought
115 bpm • F Maj • 01:53 • -22db
33% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
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Pino Donaggio
Main Title From Carrie
115 bpm • C min • 02:05 • -25.1db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Geoffrey Burgon
Brideshead Revisited Variations: Theme
114 bpm • C Maj • 02:01 • -13db
19% Popularity • 18% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
Parker & Hachi Walk To The Station
163 bpm • A min • 02:05 • -18db
39% Popularity • 27% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Anne Dudley
Fresh Paint
115 bpm • D min • 02:01 • -19db
34% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Michael Nyman
Lost And Found
164 bpm • B min • 02:27 • -14.19db
30% Popularity • 10% Danceability • 16% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
A Useful Servant
116 bpm • E min • 01:18 • -20.58db
36% Popularity • 18% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
166 bpm • A min • 07:06 • -14.87db
40% Popularity • 28% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Philippe Rombi
La promenade
169 bpm • F Maj • 01:22 • -19.06db
31% Popularity • 8% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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John Barry
Billy Leaves
168 bpm • C# Maj • 00:57 • -32.25db
13% Popularity • 11% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Anne Dudley
Poldark Prelude
164 bpm • G# Maj • 03:41 • -24.08db
31% Popularity • 24% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Fernando Velázquez
He Looked So Happy
170 bpm • D# Maj • 05:02 • -20db
19% Popularity • 8% Danceability • 4% Energy • 24% Liveness
88% Instrumentalness • 4% Positiveness
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Born Free