Songs like Born to Be Alive - Extended Version by Patrick Hernandez
Based on a tempo of (+/- 10%) and a similar genre
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Patrick Hernandez
Born to Be Alive - Extended Version
131 bpm • G Maj • 05:54 • -8.85db
41% Popularity • 76% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 76% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Buggles
Video Killed The Radio Star - Single Ver...
131 bpm • C# Maj • 03:17 • -10.8db
55% Popularity • 74% Danceability • 79% Energy • 29% Liveness
1% Instrumentalness • 51% Positiveness
55% Popularity • 74% Danceability • 79% Energy • 29% Liveness
1% Instrumentalness • 51% Positiveness
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Divine
Shoot Your Shot
131 bpm • F Maj • 06:31 • -13.67db
44% Popularity • 72% Danceability • 69% Energy • 5% Liveness
58% Instrumentalness • 81% Positiveness
44% Popularity • 72% Danceability • 69% Energy • 5% Liveness
58% Instrumentalness • 81% Positiveness
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Gibson Brothers
Que Sera Mi Vida
131 bpm • F# Maj • 05:52 • -6.49db
47% Popularity • 59% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 59% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Laura Branigan
Gloria
131 bpm • A Maj • 04:49 • -6.81db
70% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
70% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
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Elton John
Don't Go Breaking My Heart
131 bpm • F Maj • 04:35 • -8.82db
81% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
81% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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INXS
Original Sin
131 bpm • A Maj • 05:17 • -7.26db
57% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Buggles
Video Killed The Radio Star
131 bpm • C# Maj • 04:12 • -11.55db
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Patrick Hernandez
Born to Be Alive - The Original
131 bpm • D Maj • 03:08 • -5.81db
73% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
73% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Tiffany
I Think We're Alone Now
131 bpm • G Maj • 03:48 • -12.13db
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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New Order
Blue Monday '88
130 bpm • G Maj • 04:04 • -8.49db
66% Popularity • 68% Danceability • 89% Energy • 6% Liveness
38% Instrumentalness • 95% Positiveness
66% Popularity • 68% Danceability • 89% Energy • 6% Liveness
38% Instrumentalness • 95% Positiveness
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Irene Cara
Fame
131 bpm • C min • 05:16 • -8.76db
67% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Earth, Wind & Fire
Boogie Wonderland
132 bpm • D min • 04:48 • -10.79db
76% Popularity • 80% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
76% Popularity • 80% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 03:26 • -12.32db
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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New Order
Blue Monday
130 bpm • C Maj • 07:29 • -13.34db
72% Popularity • 76% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
72% Popularity • 76% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
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Queen
A Kind Of Magic - Remastered 2011
130 bpm • A Maj • 04:24 • -5.87db
72% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
72% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The Proclaimers
I'm Gonna Be (500 Miles)
132 bpm • E Maj • 03:39 • -5.18db
76% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
76% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Patrick Hernandez
Born to Be Alive - Reborn Extended
132 bpm • D Maj • 05:27 • -7.97db
20% Popularity • 72% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 72% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 04:36 • -9.51db
59% Popularity • 68% Danceability • 57% Energy • 18% Liveness
9% Instrumentalness • 76% Positiveness
59% Popularity • 68% Danceability • 57% Energy • 18% Liveness
9% Instrumentalness • 76% Positiveness
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The Communards
Don't Leave Me This Way
132 bpm • D# Maj • 04:31 • -5.6db
67% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
67% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Ann Lee
2 Times - Original
130 bpm • C Maj • 03:50 • -6.24db
66% Popularity • 85% Danceability • 88% Energy • 36% Liveness
2% Instrumentalness • 90% Positiveness
66% Popularity • 85% Danceability • 88% Energy • 36% Liveness
2% Instrumentalness • 90% Positiveness
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Aqua
Barbie Girl
130 bpm • C# min • 03:17 • -11db
76% Popularity • 81% Danceability • 88% Energy • 37% Liveness
22% Instrumentalness • 96% Positiveness
76% Popularity • 81% Danceability • 88% Energy • 37% Liveness
22% Instrumentalness • 96% Positiveness
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Whigfield
Saturday Night - Radio Mix
130 bpm • B Maj • 04:07 • -11.78db
68% Popularity • 73% Danceability • 78% Energy • 10% Liveness
9% Instrumentalness • 96% Positiveness
68% Popularity • 73% Danceability • 78% Energy • 10% Liveness
9% Instrumentalness • 96% Positiveness
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Patrick Hernandez
Born to Be Alive - Reborn Version
132 bpm • D Maj • 03:21 • -7.44db
38% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Van Halen
Jump - 2015 Remaster
130 bpm • C Maj • 04:01 • -6.22db
78% Popularity • 57% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
78% Popularity • 57% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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In-Grid
Tu Es Foutu - Radio Edit
132 bpm • G# min • 03:38 • -6.28db
60% Popularity • 92% Danceability • 80% Energy • 16% Liveness
40% Instrumentalness • 72% Positiveness
60% Popularity • 92% Danceability • 80% Energy • 16% Liveness
40% Instrumentalness • 72% Positiveness
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Gloria Gaynor
Can't Take My Eyes Off of You - Radio Ed...
130 bpm • A# Maj • 04:08 • -4.41db
54% Popularity • 73% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 73% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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The Communards
Never Can Say Goodbye
132 bpm • F Maj • 04:51 • -7.98db
54% Popularity • 58% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
54% Popularity • 58% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
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The Rubettes
Sugar Baby Love
130 bpm • C Maj • 03:29 • -9.04db
55% Popularity • 42% Danceability • 77% Energy • 36% Liveness
2% Instrumentalness • 79% Positiveness
55% Popularity • 42% Danceability • 77% Energy • 36% Liveness
2% Instrumentalness • 79% Positiveness
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Patrick Hernandez
Born to Be Alive - Reborn Instrumental
132 bpm • D Maj • 03:20 • -9.2db
29% Popularity • 72% Danceability • 75% Energy • 12% Liveness
92% Instrumentalness • 89% Positiveness
29% Popularity • 72% Danceability • 75% Energy • 12% Liveness
92% Instrumentalness • 89% Positiveness
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Rick James
Super Freak
132 bpm • A min • 03:25 • -8.25db
72% Popularity • 84% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 84% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Peaches & Herb
Shake Your Groove Thing
133 bpm • A Maj • 05:46 • -6.65db
60% Popularity • 86% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
60% Popularity • 86% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Boys Town Gang
Can't Take My Eyes Off You - Original Ex...
129 bpm • A# Maj • 09:49 • -12.03db
61% Popularity • 64% Danceability • 76% Energy • 6% Liveness
69% Instrumentalness • 72% Positiveness
61% Popularity • 64% Danceability • 76% Energy • 6% Liveness
69% Instrumentalness • 72% Positiveness
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Miquel Brown
So Many Men, So Little Time
129 bpm • F# min • 08:16 • -8.85db
17% Popularity • 72% Danceability • 76% Energy • 17% Liveness
16% Instrumentalness • 68% Positiveness
17% Popularity • 72% Danceability • 76% Energy • 17% Liveness
16% Instrumentalness • 68% Positiveness
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Chris Norman
Stumblin' In - 2017 Remaster
129 bpm • G Maj • 03:59 • -11.52db
68% Popularity • 76% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
68% Popularity • 76% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Patrick Hernandez
Born to Be Alive - The Original Instrume...
132 bpm • D Maj • 03:10 • -5.29db
12% Popularity • 68% Danceability • 90% Energy • 22% Liveness
1% Instrumentalness • 95% Positiveness
12% Popularity • 68% Danceability • 90% Energy • 22% Liveness
1% Instrumentalness • 95% Positiveness
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Sheila
Spacer - Version single
133 bpm • A min • 03:39 • -8.85db
41% Popularity • 65% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 65% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Paradisio
Bailando
133 bpm • F# Maj • 03:49 • -8.76db
65% Popularity • 65% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
65% Popularity • 65% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Culture Beat
Mr. Vain
133 bpm • A min • 05:36 • -7.95db
67% Popularity • 68% Danceability • 100% Energy • 33% Liveness
26% Instrumentalness • 40% Positiveness
67% Popularity • 68% Danceability • 100% Energy • 33% Liveness
26% Instrumentalness • 40% Positiveness
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Ice Mc
Think About the Way
133 bpm • D min • 04:20 • -8.9db
64% Popularity • 76% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
64% Popularity • 76% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Cher
Believe
133 bpm • F# Maj • 03:59 • -6.72db
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Patrick Hernandez
I Give You a Rendez-Vous
129 bpm • D Maj • 03:31 • -10db
30% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Run–D.M.C.
It's Like That
129 bpm • G Maj • 04:10 • -11.21db
64% Popularity • 85% Danceability • 87% Energy • 13% Liveness
45% Instrumentalness • 67% Positiveness
64% Popularity • 85% Danceability • 87% Energy • 13% Liveness
45% Instrumentalness • 67% Positiveness
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
84% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
84% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Ms Project
Disco Medley - Bonus Track
133 bpm • G Maj • 04:45 • -5db
22% Popularity • 58% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 58% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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MC Hammer
U Can't Touch This
133 bpm • B min • 04:17 • -13.22db
73% Popularity • 87% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
73% Popularity • 87% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Righeira
Vamos a la Playa
129 bpm • A min • 03:37 • -9.53db
53% Popularity • 94% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 94% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
71% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Dr. Alban
It's My Life
129 bpm • G Maj • 03:59 • -7.7db
72% Popularity • 66% Danceability • 93% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
72% Popularity • 66% Danceability • 93% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
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Village People
Can't Stop the Music
133 bpm • A min • 03:38 • -10.33db
50% Popularity • 78% Danceability • 63% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 78% Danceability • 63% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
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The Trammps
Disco Inferno
129 bpm • A# Maj • 10:59 • -12.36db
57% Popularity • 80% Danceability • 63% Energy • 10% Liveness
36% Instrumentalness • 97% Positiveness
57% Popularity • 80% Danceability • 63% Energy • 10% Liveness
36% Instrumentalness • 97% Positiveness
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ABBA
Lay All Your Love On Me
133 bpm • D min • 04:34 • -7.84db
77% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
77% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
55% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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La Bouche
Sweet Dreams - Radio Version
134 bpm • B min • 03:24 • -12.53db
60% Popularity • 65% Danceability • 85% Energy • 7% Liveness
6% Instrumentalness • 86% Positiveness
60% Popularity • 65% Danceability • 85% Energy • 7% Liveness
6% Instrumentalness • 86% Positiveness
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Village People
Macho Man
133 bpm • F Maj • 05:21 • -9.1db
55% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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KISS
I Was Made For Lovin' You
128 bpm • E Maj • 04:31 • -6.22db
82% Popularity • 77% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
82% Popularity • 77% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Nick Kamen
I Promised Myself
128 bpm • A Maj • 04:00 • -12.28db
61% Popularity • 58% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 58% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Playahitty
The Summer Is Magic (Radio Mix)
134 bpm • F# min • 03:56 • -7.85db
62% Popularity • 69% Danceability • 94% Energy • 39% Liveness
13% Instrumentalness • 92% Positiveness
62% Popularity • 69% Danceability • 94% Energy • 39% Liveness
13% Instrumentalness • 92% Positiveness
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Dead Or Alive
You Spin Me Round (Like a Record)
128 bpm • F# min • 03:15 • -3.76db
74% Popularity • 55% Danceability • 96% Energy • 43% Liveness
7% Instrumentalness • 92% Positiveness
74% Popularity • 55% Danceability • 96% Energy • 43% Liveness
7% Instrumentalness • 92% Positiveness
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Depeche Mode
Just Can't Get Enough
128 bpm • C Maj • 03:40 • -9.36db
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
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Donna Summer
I Feel Love - 12" Version
128 bpm • F Maj • 08:15 • -14.07db
60% Popularity • 69% Danceability • 79% Energy • 10% Liveness
71% Instrumentalness • 96% Positiveness
60% Popularity • 69% Danceability • 79% Energy • 10% Liveness
71% Instrumentalness • 96% Positiveness
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Shocking Blue
Venus
128 bpm • B min • 03:07 • -6.47db
65% Popularity • 69% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 96% Positiveness
65% Popularity • 69% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 96% Positiveness
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The Trammps
Disco Inferno
128 bpm • F Maj • 03:38 • -6.34db
60% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Eiffel 65
Blue (Da Ba Dee) - Gabry Ponte Ice Pop R...
128 bpm • G min • 04:43 • -11.47db
71% Popularity • 82% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
71% Popularity • 82% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Patrick Hernandez
Disco Queen
134 bpm • E Maj • 03:25 • -9.97db
20% Popularity • 76% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 76% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Diana Ross
Chain Reaction
128 bpm • B Maj • 03:50 • -12.99db
57% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Baccara
Sorry, I'm a Lady
128 bpm • G# min • 03:38 • -7.09db
33% Popularity • 59% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 59% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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4 Non Blondes
What's Up?
134 bpm • D Maj • 04:55 • -10.04db
80% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
80% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Olivia Newton-John
Xanadu
128 bpm • F# Maj • 03:28 • -9.11db
61% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Bronski Beat
Smalltown Boy
135 bpm • F min • 05:02 • -10.62db
77% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
77% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Patrick Hernandez
Born To Be Alive - Tribute To The Disco ...
128 bpm • C# Maj • 02:24 • -7.02db
1% Popularity • 77% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 77% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Steve Miller Band
Abracadabra
127 bpm • A min • 05:08 • -13.26db
68% Popularity • 79% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 79% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Donna Summer
On The Radio
127 bpm • E min • 04:01 • -13.92db
60% Popularity • 73% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 73% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Roy Orbison
Oh, Pretty Woman
127 bpm • A Maj • 02:58 • -9.48db
77% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
77% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Village People
In the Navy - Original Version 1979
127 bpm • A min • 05:39 • -6.99db
57% Popularity • 72% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 72% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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La Bouche
Be My Lover
135 bpm • C# min • 04:01 • -10.17db
70% Popularity • 67% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 81% Positiveness
70% Popularity • 67% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 81% Positiveness
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Ace of Base
Beautiful Life
135 bpm • C min • 03:41 • -5.27db
67% Popularity • 75% Danceability • 99% Energy • 17% Liveness
1% Instrumentalness • 75% Positiveness
67% Popularity • 75% Danceability • 99% Energy • 17% Liveness
1% Instrumentalness • 75% Positiveness
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No Mercy
Where Do You Go
127 bpm • A# min • 04:32 • -11.02db
67% Popularity • 73% Danceability • 83% Energy • 7% Liveness
12% Instrumentalness • 96% Positiveness
67% Popularity • 73% Danceability • 83% Energy • 7% Liveness
12% Instrumentalness • 96% Positiveness
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Donna Summer
I Feel Love
127 bpm • C Maj • 05:55 • -15.58db
56% Popularity • 67% Danceability • 71% Energy • 9% Liveness
69% Instrumentalness • 96% Positiveness
56% Popularity • 67% Danceability • 71% Energy • 9% Liveness
69% Instrumentalness • 96% Positiveness
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ABBA
Voulez-Vous
127 bpm • B min • 05:09 • -6.93db
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Village People
YMCA
126 bpm • F# Maj • 03:22 • -7.87db
67% Popularity • 74% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
67% Popularity • 74% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Eurythmics
Here Comes the Rain Again - Remastered V...
126 bpm • C Maj • 04:54 • -7.9db
66% Popularity • 65% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
66% Popularity • 65% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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a-ha
The Sun Always Shines on T.V.
126 bpm • A min • 05:02 • -8.79db
64% Popularity • 49% Danceability • 84% Energy • 25% Liveness
7% Instrumentalness • 22% Positiveness
64% Popularity • 49% Danceability • 84% Energy • 25% Liveness
7% Instrumentalness • 22% Positiveness
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Talk Talk
It's My Life - 1997 Remaster
126 bpm • C Maj • 03:52 • -8db
70% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
70% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
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Donna Summer
Last Dance - Single Version
126 bpm • D# Maj • 03:19 • -10.31db
57% Popularity • 34% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 34% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Scatman John
Scatman (ski-ba-bop-ba-dop-bop)
136 bpm • F min • 03:35 • -10.9db
71% Popularity • 65% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
71% Popularity • 65% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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ABBA
Does Your Mother Know
136 bpm • G Maj • 03:13 • -5.68db
69% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
69% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Bananarama
Venus
126 bpm • A Maj • 03:49 • -4.81db
70% Popularity • 72% Danceability • 96% Energy • 28% Liveness
61% Instrumentalness • 91% Positiveness
70% Popularity • 72% Danceability • 96% Energy • 28% Liveness
61% Instrumentalness • 91% Positiveness
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Anita Ward
Ring My Bell
126 bpm • F min • 08:11 • -13.07db
62% Popularity • 78% Danceability • 56% Energy • 3% Liveness
9% Instrumentalness • 97% Positiveness
62% Popularity • 78% Danceability • 56% Energy • 3% Liveness
9% Instrumentalness • 97% Positiveness
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Earth, Wind & Fire
September
126 bpm • A Maj • 03:36 • -7.89db
83% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
83% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Real McCoy
Another Night
126 bpm • G Maj • 03:56 • -7.58db
61% Popularity • 81% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
61% Popularity • 81% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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The Rolling Stones
(I Can't Get No) Satisfaction - Mono Ver...
136 bpm • D Maj • 03:42 • -7.89db
78% Popularity • 72% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 93% Positiveness
78% Popularity • 72% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 93% Positiveness
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ABBA
The Winner Takes It All
126 bpm • F# Maj • 04:54 • -6.75db
75% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
75% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Captain Hollywood Project
More And More - Single Version
126 bpm • G Maj • 04:13 • -11.86db
63% Popularity • 66% Danceability • 85% Energy • 9% Liveness
84% Instrumentalness • 71% Positiveness
63% Popularity • 66% Danceability • 85% Energy • 9% Liveness
84% Instrumentalness • 71% Positiveness
