Songs like Born to Be Blue by Laverne Butler
Based on a tempo of (+/- 10%) and a similar genre
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Massimo Faraò
Isn't It a Pity
97 bpm • D# Maj • 05:48 • -17.08db
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Laverne Butler
Born to Be Blue
97 bpm • D# min • 04:30 • -18.07db
6% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Dakota Staton
Willow Weep For Me
97 bpm • C Maj • 02:30 • -12db
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Katrine Madsen
You Are So Beautiful to Me
97 bpm • C# Maj • 04:33 • -19.5db
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Johanna Linnea Jakobsson
Bewitched, Bothered and Bewildered
97 bpm • F Maj • 06:43 • -16.95db
36% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Nnenna Freelon
My Cherie Amour
97 bpm • A Maj • 03:48 • -10.96db
18% Popularity • 66% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
18% Popularity • 66% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Camille Howard
Has Your Love Grown Cold? - Vocal
97 bpm • C min • 02:40 • -16db
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Laverne Butler
Willow Weep for Me
97 bpm • D# Maj • 05:42 • -14.15db
4% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Karen Rosenberg
Behind Me
96 bpm • D min • 06:20 • -14db
40% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Cassandre McKinley
Plain Gold Ring
96 bpm • F min • 04:27 • -15db
11% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Spencer Day
If I Loved You
98 bpm • G Maj • 04:10 • -11db
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Ida Sand
One for My Baby
98 bpm • F# Maj • 03:49 • -9.68db
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Emma Smith
Makin' Whoopee
96 bpm • F min • 04:24 • -16db
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Silje Nergaard
Every Time We Say Goodbye
98 bpm • A# Maj • 05:18 • -12.07db
22% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Freddy Cole
Don't Change Your Mind About Me
96 bpm • G# Maj • 04:35 • -15.32db
10% Popularity • 53% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 17% Positiveness
10% Popularity • 53% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 17% Positiveness
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Jim Snidero
It's the Talk of the Town
98 bpm • F Maj • 07:04 • -9db
14% Popularity • 38% Danceability • 22% Energy • 33% Liveness
62% Instrumentalness • 24% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 33% Liveness
62% Instrumentalness • 24% Positiveness
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Laverne Butler
In My Own Little Corner
96 bpm • D Maj • 04:34 • -11.75db
2% Popularity • 55% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
2% Popularity • 55% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Suss von Ahn
What a Difference a Day Made
96 bpm • C min • 02:49 • -10db
31% Popularity • 75% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 75% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Nnenna Freelon
Cell Phone Blues
96 bpm • G Maj • 04:38 • -13.17db
11% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Virginie Teychené
Don't Get Scared
96 bpm • F min • 03:36 • -11.86db
16% Popularity • 70% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 70% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Farnsworth
Ojos Cariñosos
96 bpm • G min • 07:44 • -15.3db
37% Popularity • 59% Danceability • 30% Energy • 7% Liveness
68% Instrumentalness • 38% Positiveness
37% Popularity • 59% Danceability • 30% Energy • 7% Liveness
68% Instrumentalness • 38% Positiveness
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Dakota Staton
I Hear Music
96 bpm • F min • 02:33 • -6.8db
34% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Laverne Butler
One for My Baby
98 bpm • D min • 06:06 • -15.44db
5% Popularity • 57% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 57% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Lauren Henderson
Dindi
96 bpm • C Maj • 03:43 • -15db
36% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
36% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Mary Stallings
'Round Midnight
99 bpm • A# min • 05:12 • -12.06db
9% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Freddy Cole
They Didn’t Believe Me
95 bpm • D# Maj • 04:32 • -17.73db
12% Popularity • 55% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 55% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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NYC Jazz Quartett
Paris Match
95 bpm • B min • 03:37 • -7.48db
29% Popularity • 65% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 65% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Laverne Butler
Don't Let the Sun Catch You Crying
98 bpm • C Maj • 03:54 • -15.92db
4% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Gabrielle Stravelli
Dream Dancing
99 bpm • F Maj • 03:50 • -12db
17% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kandace Springs
Soul Eyes
99 bpm • F min • 03:22 • -9.94db
39% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jennifer Leitham
Stick It In Your Ear
95 bpm • D Maj • 04:24 • -16.95db
25% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ruth Cameron
Waitin' For The Train To Come In
100 bpm • C Maj • 03:10 • -15db
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Vanessa Rubin
It's Probably Me
95 bpm • A min • 05:10 • -14db
24% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Laverne Butler
Please Send Me Someone to Love
96 bpm • C min • 04:29 • -13db
11% Popularity • 56% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 56% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Judy Whitmore
I Remember You
100 bpm • C# Maj • 04:05 • -11db
31% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Deelee Dube
Cherokee
94 bpm • G# Maj • 05:38 • -11.13db
37% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Kandace Springs
Gentle Rain
100 bpm • G min • 03:55 • -9.35db
24% Popularity • 56% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
24% Popularity • 56% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
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Ruth Cameron
Happiness Is Just A Thing Called Joe
100 bpm • D# Maj • 05:17 • -16db
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Rigmor Gustafsson
After The Rain
100 bpm • G Maj • 02:52 • -10.87db
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Laverne Butler
Go Away Little Boy
94 bpm • G Maj • 05:12 • -17db
11% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Nikki Yanofsky
Crazy He Calls Me
100 bpm • C# Maj • 02:30 • -11.79db
35% Popularity • 55% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 55% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Ellas Kapell
Cheek to Cheek
100 bpm • G# Maj • 07:03 • -10.85db
17% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Gary Anderson
A Love Like You
94 bpm • D min • 03:32 • -22db
28% Popularity • 48% Danceability • 14% Energy • 19% Liveness
62% Instrumentalness • 43% Positiveness
28% Popularity • 48% Danceability • 14% Energy • 19% Liveness
62% Instrumentalness • 43% Positiveness
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April Barrows
Lost In A Blue Note
100 bpm • A# Maj • 04:24 • -12.3db
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Rigmor Gustafsson
Close to You
94 bpm • C# Maj • 04:03 • -15.55db
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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John Brown
When October Goes
94 bpm • A# Maj • 08:12 • -17.87db
38% Popularity • 36% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
38% Popularity • 36% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Vicki Burns
Siren Song
100 bpm • A# min • 06:20 • -12.99db
31% Popularity • 60% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 60% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sinne Eeg
Remembering You
93 bpm • A# Maj • 06:14 • -18.74db
14% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Brecker
Midnight Mood
93 bpm • F Maj • 06:23 • -16.88db
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
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Yoko Miwa Trio
Think of One
93 bpm • F min • 08:03 • -12.5db
7% Popularity • 43% Danceability • 47% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
7% Popularity • 43% Danceability • 47% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Anthony Strong
Ain't Misbehavin
101 bpm • D min • 04:03 • -7.96db
36% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Sheila Jordan
If You Could See Me Now
93 bpm • A min • 04:32 • -23.03db
10% Popularity • 28% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 28% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Laverne Butler
Since I Fell for You
93 bpm • C# Maj • 04:43 • -17.67db
5% Popularity • 45% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 45% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Sinne Eeg
My One and Only Love
102 bpm • F# min • 05:07 • -18.99db
20% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Katherine Kostoff
It Happens Like That
102 bpm • A min • 03:31 • -10.77db
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Tony DeSare
A Kiss to Build a Dream On
102 bpm • A# Maj • 02:41 • -12.73db
45% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Karen Souza
I Fall in Love Too Easily
92 bpm • C min • 03:46 • -13.63db
35% Popularity • 38% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 38% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Nnenna Freelon
Another Star
92 bpm • A min • 03:44 • -10.25db
10% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Peter Cincotti
Lovers, Secrets, Lies
102 bpm • G Maj • 03:45 • -13db
41% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Erin Boheme
What Love Is
102 bpm • F min • 05:00 • -17db
32% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Vanessa Rubin
Our Love Is Here to Stay
102 bpm • G Maj • 03:37 • -13.14db
14% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tony DeSare
Want You
102 bpm • D# min • 04:36 • -12db
35% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Branford Marsalis Quartet
Dinner for One Please, James
102 bpm • G# Maj • 08:02 • -16.99db
22% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
22% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
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Laverne Butler
Just One of Those Things
102 bpm • F Maj • 04:39 • -10.55db
1% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Indra Rios-Moore
Love Walked In
103 bpm • D Maj • 03:40 • -15.82db
22% Popularity • 49% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
22% Popularity • 49% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Ruth Cameron
Bird Alone - Live
103 bpm • C Maj • 03:26 • -19.26db
10% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Appleyard
Love For Sale
91 bpm • G Maj • 04:09 • -13.34db
8% Popularity • 48% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 48% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Roberta Gambarini
Lover Man
92 bpm • F Maj • 05:58 • -13.55db
16% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Laverne Butler
Check Your Dreams at the Door
103 bpm • D# min • 03:14 • -8.77db
1% Popularity • 26% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 26% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jan Harbeck Quartet
Tangorrus Field
91 bpm • E min • 07:24 • -17.86db
31% Popularity • 47% Danceability • 12% Energy • 15% Liveness
75% Instrumentalness • 16% Positiveness
31% Popularity • 47% Danceability • 12% Energy • 15% Liveness
75% Instrumentalness • 16% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Katrine Madsen
They Can't Take That Away from Me
103 bpm • E min • 03:35 • -18.92db
16% Popularity • 57% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 57% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Roberta Gambarini
So In Love
103 bpm • D Maj • 03:04 • -17.31db
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Brad Hatfield
Slinky Swing
103 bpm • C min • 02:12 • -20.53db
41% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
41% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
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Nnenna Freelon
The Very Thought of You
91 bpm • D# Maj • 06:01 • -16.03db
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Laverne Butler
I Cover the Waterfront
103 bpm • A Maj • 06:12 • -31.94db
1% Popularity • 36% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
1% Popularity • 36% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Sachal Vasandani
Unforgettable
104 bpm • A# Maj • 02:56 • -11.86db
46% Popularity • 49% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
46% Popularity • 49% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Dakota Staton
Say It Ain't So, Joe
91 bpm • A# min • 02:16 • -10.44db
38% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Claire Martin
It's Only a Paper Moon
91 bpm • B min • 04:25 • -13.8db
15% Popularity • 30% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Lina Nyberg
Trial
90 bpm • G Maj • 05:40 • -18db
22% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Ellen Andersson
Blackbird
104 bpm • E Maj • 03:59 • -16.01db
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 55% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 55% Positiveness
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Laverne Butler
Photograph
91 bpm • A min • 04:59 • -27.17db
1% Popularity • 25% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 25% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Miriam Netti
If I Had You
104 bpm • C Maj • 05:20 • -11db
29% Popularity • 59% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 59% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Muriel Zoe
Body And Soul
104 bpm • D# min • 04:22 • -13db
30% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Vanessa Rubin
Black Coffee
104 bpm • B min • 05:27 • -15.43db
8% Popularity • 62% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 62% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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NYC Jazz Quartett
What A Difference A Day Makes
105 bpm • G min • 06:25 • -7.4db
28% Popularity • 48% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 48% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Tierney Sutton
You're Nearer
90 bpm • D# Maj • 03:12 • -22.01db
14% Popularity • 43% Danceability • 3% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
14% Popularity • 43% Danceability • 3% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
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Laverne Butler
Basin Street Blues
105 bpm • G Maj • 04:01 • -15.02db
2% Popularity • 67% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 67% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Katrine Madsen
From a Mother to a Child
90 bpm • G# Maj • 07:28 • -16db
35% Popularity • 31% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 31% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Lizz Wright
Stars Fell On Alabama
90 bpm • D Maj • 03:52 • -14.39db
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Svetlana
Moonlight
105 bpm • F Maj • 05:59 • -11db
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lambert, Hendricks & Ross
Centerpiece
105 bpm • C# Maj • 02:27 • -8db
28% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Lyambiko
Till There Was You
105 bpm • G Maj • 03:02 • -11.63db
19% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Sara Lazarus
It's Crazy
89 bpm • F min • 02:31 • -7.27db
17% Popularity • 57% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 57% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
