Songs like Borrow My Heart (Acoustic) [Hargrave Lane Sessions] by Taylor Henderson
Based on a tempo of (+/- 10%) and a similar genre
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Mitch James
Old News
101 bpm • F Maj • 03:50 • -7.4db
39% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Clinton Washington
Give It Up
101 bpm • C# Maj • 04:00 • -6db
17% Popularity • 76% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 76% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Human Nature
Nobody Just Like You
101 bpm • G Maj • 02:44 • -4.32db
33% Popularity • 78% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 78% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Rixton
Beautiful Excuses
101 bpm • G# Maj • 04:09 • -5.95db
33% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Shane Piasecki
Run Away With Me
101 bpm • C# Maj • 03:47 • -12.35db
7% Popularity • 76% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 76% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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![Borrow My Heart (Acoustic) [Hargrave Lane Sessions] cover art](https://i.scdn.co/image/ab67616d00001e0235bd553348ffe31714f8bfda)
Taylor Henderson
Borrow My Heart (Acoustic) [Hargrave Lan...
101 bpm • A# Maj • 04:19 • -12db
8% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Nathan Angelo
Forgetting You
101 bpm • B Maj • 03:47 • -9.24db
20% Popularity • 38% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 38% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Wanted
Running Out Of Reasons
100 bpm • F# Maj • 03:46 • -3.73db
27% Popularity • 63% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 63% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Katy McAllister
Amazing For A Minute
101 bpm • G# Maj • 03:46 • -6.83db
17% Popularity • 59% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 59% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Something in the Night
I'm Not Fine at All
102 bpm • D Maj • 03:54 • -7.11db
13% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Mitch James
Apologise
100 bpm • E Maj • 03:54 • -8.79db
20% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Justice Crew
Que Sera
100 bpm • G# Maj • 03:32 • -4.02db
47% Popularity • 58% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 58% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Gabz
Lighters (The One)
102 bpm • C min • 02:44 • -5db
33% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Anthony Callea
The King of Wishful Thinking
102 bpm • B Maj • 03:25 • -6.27db
19% Popularity • 72% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 72% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Sebastian
Attention - The Voice Australia 2020 Per...
100 bpm • C# min • 01:26 • -10db
17% Popularity • 77% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 77% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Keen
Old Scars
100 bpm • G Maj • 03:45 • -8.78db
11% Popularity • 62% Danceability • 53% Energy • 12% Liveness
10% Instrumentalness • 46% Positiveness
11% Popularity • 62% Danceability • 53% Energy • 12% Liveness
10% Instrumentalness • 46% Positiveness
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Mitch James
All The Ways To Say Goodbye
102 bpm • A# min • 03:05 • -8.1db
32% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Yo Preston
Love Yourself Vs. Fuck Yourself - Love Y...
100 bpm • E Maj • 03:44 • -8db
43% Popularity • 82% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 82% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Timomatic
Rest Of Our Lives
100 bpm • C min • 03:49 • -3.62db
8% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Hailee Steinfeld
Starving - Acoustic
100 bpm • E Maj • 03:01 • -8.35db
53% Popularity • 79% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 79% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Cause
I Need You Here with Me
100 bpm • G# Maj • 02:33 • -6.51db
34% Popularity • 59% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 59% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Johnny Ruffo
Let's Get Lost
103 bpm • G# min • 02:58 • -5.99db
26% Popularity • 58% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 58% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
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Mitch James
Saving Time
102 bpm • G Maj • 02:50 • -7.4db
17% Popularity • 67% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 67% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Reuben Koops
Two Little Words (I Do)
99 bpm • F# Maj • 03:13 • -10.13db
24% Popularity • 63% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 63% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Shane Piasecki
My Two Cents
103 bpm • C# Maj • 03:02 • -11.36db
20% Popularity • 80% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 80% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Tim Halperin
She Sets Me Free
103 bpm • A Maj • 03:33 • -4.92db
15% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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MKTO
Goodbye Song
99 bpm • C Maj • 03:51 • -5.22db
44% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Train
Play That Song
99 bpm • C min • 04:03 • -2.07db
63% Popularity • 39% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 39% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Matthew Morrison
Still Got Tonight
99 bpm • D# Maj • 04:29 • -5db
28% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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OneRepublic
Something I Need
99 bpm • G Maj • 04:00 • -6.96db
59% Popularity • 68% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
59% Popularity • 68% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Sebastian
Numb - The Voice Australia 2020 Performa...
99 bpm • F min • 01:43 • -10.65db
22% Popularity • 34% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 34% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Fletcher Pilon
Infinite Child
103 bpm • E Maj • 03:32 • -11.11db
15% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Benji Matthews
Daydream
104 bpm • D# Maj • 03:27 • -7.18db
17% Popularity • 63% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 63% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Natalie Taylor
Latch
104 bpm • G# Maj • 02:57 • -8db
43% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Cameron Collective
Call On Me
98 bpm • C Maj • 02:28 • -6.9db
23% Popularity • 75% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 75% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Reece Mastin
Girls (All Around the World)
104 bpm • C Maj • 03:17 • -3db
24% Popularity • 69% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 69% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Cody Simpson
Sun Go Down
104 bpm • C Maj • 03:07 • -8.94db
17% Popularity • 65% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 65% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Mitch James
Won't Bother Me
104 bpm • C Maj • 03:12 • -6db
20% Popularity • 84% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 84% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Chris Sebastian
I Found You
104 bpm • E Maj • 03:17 • -6.31db
29% Popularity • 66% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 66% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Daughtry
Cinderella
104 bpm • B Maj • 03:13 • -5.97db
34% Popularity • 78% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 78% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Cameron Collective
Call On Me - Acoustic Version
98 bpm • C Maj • 02:28 • -7.03db
17% Popularity • 75% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 75% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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The Saturdays
My Heart Takes Over
104 bpm • A Maj • 04:06 • -2.08db
34% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Jacquie
Tears Fall
98 bpm • C# min • 03:34 • -5.03db
23% Popularity • 62% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 62% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 20% Positiveness
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Justice Crew
Rise & Fall
98 bpm • B Maj • 03:43 • -5db
30% Popularity • 58% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 58% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Alyssa Reid
Dangerous
104 bpm • A# Maj • 03:39 • -3.19db
32% Popularity • 70% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 70% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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The Veronicas
If You Love Someone
98 bpm • A# Maj • 03:00 • -4.65db
46% Popularity • 62% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 62% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Jake Miller
First Flight Home
98 bpm • G Maj • 03:11 • -5.69db
27% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Megan & Liz
Are You Happy Now?
98 bpm • E Maj • 03:11 • -2db
22% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Taylor Henderson
Choir Girl
97 bpm • A Maj • 03:11 • -4.02db
12% Popularity • 37% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 37% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
62% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Mitch James
Sunday Morning
104 bpm • G# min • 03:23 • -5.75db
44% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Dean Geyer
If You Don't Mean It
105 bpm • A min • 03:12 • -3.82db
22% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Robin Berrygold
Going to the River to Pray
105 bpm • F# min • 03:48 • -6.16db
23% Popularity • 60% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 60% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Daryl Braithwaite
Love Songs
105 bpm • E Maj • 03:15 • -4.41db
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Taylor Henderson
Love Somebody
105 bpm • C# Maj • 03:05 • -9.66db
33% Popularity • 88% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 88% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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![500 Miles (Acoustic) [feat. Louise Rademakers] cover art](https://i.scdn.co/image/ab67616d00001e0274a451fa808abb69b2f507b0)
Jefr Tale
500 Miles (Acoustic)
105 bpm • E Maj • 02:49 • -12.15db
29% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Conrad Sewell
Healing Hands
105 bpm • C Maj • 04:10 • -5db
44% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Cyrus Villanueva
Stone
97 bpm • G Maj • 03:32 • -3.97db
20% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Robin Berrygold
I Keep Going to the River to Pray
105 bpm • F# min • 03:35 • -5.89db
37% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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MKTO
Nowhere
97 bpm • C# min • 03:10 • -4.52db
28% Popularity • 66% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 66% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jules Larson
Running Wild
97 bpm • C# Maj • 03:48 • -7.04db
27% Popularity • 53% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 53% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Rixton
Hotel Ceiling
105 bpm • A# Maj • 03:10 • -7.76db
51% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ed Sheeran
Hearts Don't Break Around Here
105 bpm • G Maj • 04:08 • -7.88db
61% Popularity • 60% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
61% Popularity • 60% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Alyssa Ryan
On the Day We Fell in Love
96 bpm • E Maj • 03:01 • -4db
35% Popularity • 71% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 71% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 51% Positiveness
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Alfie Arcuri
Red
97 bpm • E Maj • 03:31 • -4.71db
13% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Henderson
I Won't Let You Go
106 bpm • C Maj • 03:22 • -3.59db
21% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Justice Crew
Ride Until the Sun
106 bpm • C Maj • 02:44 • -4.73db
17% Popularity • 73% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 73% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Jess & Matt
Sydney to Me
96 bpm • B Maj • 03:24 • -6db
12% Popularity • 49% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 49% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Gavin DeGraw
You Got Me
106 bpm • F# Maj • 03:47 • -8.9db
40% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Dave Barnes
Until You
106 bpm • D# Maj • 04:05 • -6.37db
32% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Joey Stamper
Perfect / Can’t Help Falling in Love
96 bpm • G# Maj • 03:10 • -10.51db
31% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Wesley Dean
Been A Long Time
96 bpm • D Maj • 03:05 • -4.88db
19% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Justice Crew
Fly
106 bpm • F# min • 03:38 • -3.78db
22% Popularity • 68% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 68% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Rixton
Appreciated
106 bpm • C# Maj • 03:52 • -6.39db
44% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Tori Kelly
I Was Made For Loving You
106 bpm • D Maj • 03:08 • -11.94db
34% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Ruffo
Untouchable
107 bpm • G Maj • 03:13 • -4.87db
15% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Ricki-Lee
Happy Ever After - Radio Edit
107 bpm • E Maj • 03:45 • -5.48db
16% Popularity • 40% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 40% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Hunter Parrish
Sitting At Home
107 bpm • C# Maj • 02:51 • -4db
20% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Andrea Faustini
I Didn't Know My Own Strength
107 bpm • F Maj • 03:21 • -5.6db
30% Popularity • 37% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 37% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Cyrus Villanueva
Love Me Like You Do
95 bpm • B min • 04:16 • -5.55db
12% Popularity • 43% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 43% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Bella Ferraro
Forgot You
95 bpm • D Maj • 03:39 • -2db
19% Popularity • 65% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 65% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 44% Positiveness
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Btwn Us
Perfect / Can't Help Falling in Love
95 bpm • G# Maj • 03:15 • -7.39db
34% Popularity • 62% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 62% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Yo Preston
Closer Vs Fast Car
95 bpm • F# min • 03:20 • -9db
25% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Marlisa
Forever Young
95 bpm • A# Maj • 03:28 • -4.49db
19% Popularity • 69% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 69% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Forever in Your Mind
Sweet Little Something
95 bpm • B Maj • 03:32 • -5.99db
23% Popularity • 86% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 86% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Anthony Callea
Higher Love
95 bpm • E Maj • 04:44 • -5.16db
7% Popularity • 68% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 68% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Jake Quickenden
Can't Stand the Rain
95 bpm • B Maj • 03:41 • -5.03db
8% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Keith Urban
Way Too Long
108 bpm • C# min • 03:15 • -6.51db
30% Popularity • 61% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 61% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Jess & Matt
Heart of Glass
94 bpm • D Maj • 03:16 • -6.21db
8% Popularity • 35% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 35% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Altiyan Childs
Somewhere In The World
94 bpm • G Maj • 03:59 • -4.83db
17% Popularity • 46% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 46% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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The Script
Army of Angels
94 bpm • C Maj • 03:58 • -6.6db
37% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Anthony Callea
Rain
108 bpm • D# Maj • 03:48 • -4.97db
22% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Missy Higgins
Futon Couch
94 bpm • G Maj • 03:25 • -7.07db
42% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Meghan Trainor
Close Your Eyes
94 bpm • G Maj • 03:40 • -5.75db
45% Popularity • 63% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 63% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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The George Twins
Falling Hard
109 bpm • C Maj • 02:28 • -9.47db
22% Popularity • 89% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 89% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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The Time Keepers
You and I Collide
94 bpm • B Maj • 04:10 • -9db
35% Popularity • 60% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 60% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Jason Reeves
Save My Heart
109 bpm • B Maj • 03:44 • -5db
33% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Vanessa Amorosi
Perfect
109 bpm • F# Maj • 04:47 • -3.27db
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
