Songs like Boston by Alec Chambers
Based on a tempo of (+/- 10%) and a similar genre
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Rasmus Hagen
Someone Just Like You
170 bpm • C# Maj • 03:16 • -5.76db
38% Popularity • 66% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 66% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Conor Matthews
Take All Night
170 bpm • C# min • 02:42 • -5db
42% Popularity • 58% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 58% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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ayokay
Don't Wanna Be Your Friend
170 bpm • C# min • 02:33 • -5.46db
41% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Alec Chambers
Boston (Remix)
170 bpm • G# Maj • 03:28 • -5.24db
22% Popularity • 49% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 49% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Tim Riehm
Expectations
170 bpm • E Maj • 02:41 • -9db
28% Popularity • 56% Danceability • 45% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
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Emily Vu
Wish I Was With You
170 bpm • C# Maj • 03:18 • -8.4db
27% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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MacKenzie Bourg
Big
170 bpm • D Maj • 02:44 • -5.68db
24% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Rosie Darling
Fucked Up Summer
171 bpm • G Maj • 03:15 • -6db
44% Popularity • 45% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 45% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lana Condor
For Real
169 bpm • C Maj • 02:12 • -9.69db
34% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Alec Chambers
Boston
170 bpm • G# Maj • 03:26 • -5db
36% Popularity • 53% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 53% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Zach Hood
i ain't rich, girl
172 bpm • F Maj • 02:08 • -5.18db
34% Popularity • 51% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 51% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Joel Adams
Fake Friends
172 bpm • C Maj • 02:54 • -4.44db
41% Popularity • 63% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 63% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Nico Collins
Head in Her Heart
172 bpm • A# Maj • 03:28 • -3.42db
49% Popularity • 49% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 49% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ruhde
Simple Love
172 bpm • F Maj • 02:49 • -6.24db
30% Popularity • 65% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 65% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Rosie Darling
Always Almost
167 bpm • C Maj • 03:22 • -8.45db
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Alec Chambers
You Are The Reason
172 bpm • A# Maj • 03:14 • -11.91db
4% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Maisie Peters
Maybe Don't
167 bpm • G Maj • 02:54 • -5.23db
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Caleb Hearn
Silhouette
174 bpm • A# Maj • 02:59 • -12db
51% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jessica Baio
if i never
174 bpm • A# Maj • 02:56 • -7.3db
42% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Kyle Hume
Red Flag
166 bpm • B Maj • 02:21 • -4.46db
57% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Rosie Darling
Witness
174 bpm • D Maj • 03:55 • -9.76db
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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OKAY! KENJI
time to grow up
166 bpm • A# Maj • 02:24 • -5.79db
27% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Zach Hood
Main Character
176 bpm • B Maj • 03:02 • -5db
42% Popularity • 40% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 40% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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david hugo
we made it.
176 bpm • F Maj • 02:44 • -7.91db
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Bravo
Skyfall
176 bpm • G min • 03:22 • -7.35db
35% Popularity • 45% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 45% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 41% Positiveness
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Etham
12:45 - Stripped
164 bpm • F Maj • 02:59 • -10.66db
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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BRDGS
Let Eachother Go
164 bpm • F Maj • 04:07 • -10.24db
28% Popularity • 31% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 31% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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New Rules
Drunk Texts
164 bpm • C# Maj • 03:11 • -7.02db
30% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Kyle Hume
23
163 bpm • G Maj • 02:16 • -4.74db
56% Popularity • 39% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 39% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jamie Miller
Longer
163 bpm • F Maj • 02:55 • -7db
47% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jon Caryl
Roses Are Red (Violets Are Blue)
178 bpm • F# Maj • 03:32 • -9.65db
55% Popularity • 45% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 45% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Alec Chambers
Closure (Acoustic)
178 bpm • G Maj • 02:25 • -8.12db
6% Popularity • 38% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 38% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Emmet
Dumb
180 bpm • D Maj • 02:34 • -9db
12% Popularity • 60% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 60% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Georgia Ku
What Do I Do?
180 bpm • A# Maj • 03:25 • -2.6db
33% Popularity • 42% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 42% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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We Three
hold me, baby
180 bpm • G# Maj • 03:19 • -5.21db
42% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Jamie Miller
It Is What It Is
162 bpm • E Maj • 02:05 • -5.62db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Mack
Guess That's Love
180 bpm • A Maj • 03:15 • -9db
50% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Walk off the Earth
Nicknames
180 bpm • F Maj • 03:06 • -7.62db
30% Popularity • 60% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Gabriel Conte
Break Up Song
180 bpm • G Maj • 02:48 • -8.7db
13% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Joel Adams
Someone to Love
160 bpm • C Maj • 02:52 • -7.06db
42% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Tiger La Flor
lisbon
160 bpm • C# Maj • 02:45 • -10.99db
36% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Emily Zeck
Give It All
160 bpm • C Maj • 03:12 • -7db
25% Popularity • 72% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 72% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Beren Olivia
Red Ripped Sweater
160 bpm • D Maj • 03:22 • -7.56db
28% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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New Rules
Happy Ever After You
159 bpm • A Maj • 02:55 • -4.31db
31% Popularity • 58% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 58% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Jake Cornell
tmrw
158 bpm • B Maj • 03:15 • -9.97db
41% Popularity • 63% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 63% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Lance Tingey
Let's Go Back
182 bpm • G Maj • 02:53 • -7.64db
17% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Zach Hood
Pink Ferrari
158 bpm • D# Maj • 02:29 • -4.22db
45% Popularity • 50% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 50% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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JHart
Temporary
158 bpm • D Maj • 03:01 • -7db
29% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Heather Sommer
talking in my sleep
158 bpm • G# Maj • 02:34 • -5.38db
44% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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salem ilese
Coke & Mentos
183 bpm • G Maj • 02:07 • -5.4db
43% Popularity • 60% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
43% Popularity • 60% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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Rachel Grae
Lived It Twice
158 bpm • A# Maj • 02:53 • -6.07db
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Caleb Hearn
Brown Eyes, Brown Hair
184 bpm • D Maj • 03:06 • -10.83db
53% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Jake Cornell
reason
157 bpm • B Maj • 02:22 • -7.39db
40% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Jack Newsome
All My Friends Are Falling in Love
184 bpm • B min • 03:07 • -5db
30% Popularity • 74% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 74% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Rival
Traffic Light
184 bpm • A# Maj • 02:43 • -5.51db
41% Popularity • 39% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 39% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Alec Chambers
Memories
157 bpm • B Maj • 02:30 • -13.98db
6% Popularity • 42% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 42% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Cameron Sanderson
Please, Listen Close
156 bpm • A Maj • 02:47 • -11.73db
16% Popularity • 59% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
16% Popularity • 59% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Jillian Rossi
under the weather
185 bpm • C# Maj • 02:31 • -8.78db
55% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Cornell
make you sick
184 bpm • C# Maj • 02:01 • -8db
36% Popularity • 57% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 57% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Dylan Brady
You Tomorrow
156 bpm • G# Maj • 03:12 • -5.79db
32% Popularity • 46% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 46% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Kyle Hume
Just My Type
156 bpm • G Maj • 02:42 • -5.59db
54% Popularity • 56% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 56% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Caroline Manning
Sour Strawberry
156 bpm • G Maj • 02:26 • -7.54db
37% Popularity • 82% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 82% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jonny Glenn
Don't Wanna Let You Down
156 bpm • F# Maj • 02:46 • -6.84db
26% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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We Three
i wanna love somebody
156 bpm • A Maj • 03:53 • -7.38db
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jake Cornell
forgive and forget
156 bpm • C min • 02:54 • -9.4db
51% Popularity • 64% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 64% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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good gasoline
Heart in Tokyo
156 bpm • E Maj • 02:58 • -7db
34% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Cole Norton
Perfect
155 bpm • A# Maj • 05:19 • -10.46db
41% Popularity • 51% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 51% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Gion
I Still Love You
186 bpm • B Maj • 03:05 • -6.24db
23% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Alec Chambers
Waves
155 bpm • D Maj • 02:58 • -10.28db
5% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
5% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Etham
Purpose - Stripped
155 bpm • G# Maj • 03:16 • -9.7db
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Chelsea Collins
07 Britney
154 bpm • E Maj • 03:02 • -1.47db
41% Popularity • 48% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 48% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Grayson Gibson
Sunset
188 bpm • A Maj • 03:34 • -7.41db
43% Popularity • 27% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 27% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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AYDAN
Everything To Me
152 bpm • B Maj • 03:11 • -5.82db
31% Popularity • 44% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 44% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Havelin
Gentle
152 bpm • F min • 03:03 • -7.04db
27% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Dylan Emmet
Some Things Don't Change
151 bpm • G Maj • 03:23 • -8.84db
16% Popularity • 33% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 33% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 32% Positiveness
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clide
broken parts
151 bpm • C Maj • 03:05 • -12.42db
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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BRDGS
LA Without You
192 bpm • A Maj • 02:47 • -8.68db
21% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Caleb Hearn
We're Getting Older
151 bpm • G Maj • 02:41 • -9.44db
51% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Alec Chambers
Lost in Translation
150 bpm • A# Maj • 02:57 • -5.81db
6% Popularity • 52% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 52% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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GUNNAR
Can't Say No
150 bpm • F# min • 03:13 • -6db
26% Popularity • 56% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 56% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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AWIN
I think I fell in love with my best frie...
150 bpm • D Maj • 02:35 • -10.01db
28% Popularity • 70% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 70% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Alex Frew
Get Out Alive
150 bpm • C Maj • 03:11 • -5.78db
20% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon Andre
goodbye.
150 bpm • D Maj • 03:28 • -7db
16% Popularity • 66% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 66% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Beren Olivia
Read My Mind
150 bpm • D Maj • 02:58 • -9.2db
40% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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gavn!
Emerald City
150 bpm • B Maj • 02:46 • -10.5db
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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GUNNAR
Missing Someone
150 bpm • D Maj • 02:41 • -5.55db
18% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Hall
gut feelings
148 bpm • G# Maj • 02:51 • -4.14db
28% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Devin Kennedy
Hurt U
148 bpm • D Maj • 02:52 • -8.24db
50% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Alec Chambers
Something to Cry About (GOLDHOUSE Remix)
148 bpm • B min • 03:11 • -8.13db
8% Popularity • 65% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 65% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Christian French
bright side of the moon
148 bpm • B min • 03:10 • -5.88db
41% Popularity • 65% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 65% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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AUSTN
In Betweenin'
147 bpm • D Maj • 03:12 • -4.83db
50% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Francis Karel
Holding On
147 bpm • F Maj • 03:43 • -5.38db
21% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Alex Sampson
And Then Some
146 bpm • A# Maj • 03:09 • -8db
40% Popularity • 56% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 56% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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GUNNAR
Lose Myself
146 bpm • B Maj • 03:27 • -5.22db
17% Popularity • 56% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 56% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
