Songs like Both Sides Now by Joni Mitchell
Based on a tempo of (+/- 10%) and a similar genre
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The Byrds
Ballad of Easy Rider
97 bpm • D Maj • 02:04 • -12db
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
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Laura Marling
For You
97 bpm • C Maj • 03:57 • -16db
46% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Joni Mitchell
Both Sides Now
97 bpm • F# Maj • 04:33 • -15.1db
55% Popularity • 62% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 62% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Bruce Springsteen
New York City Serenade
97 bpm • F# min • 09:58 • -10db
37% Popularity • 32% Danceability • 49% Energy • 40% Liveness
2% Instrumentalness • 33% Positiveness
37% Popularity • 32% Danceability • 49% Energy • 40% Liveness
2% Instrumentalness • 33% Positiveness
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Emitt Rhodes
Lullabye
98 bpm • C Maj • 01:05 • -21.37db
51% Popularity • 48% Danceability • 6% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
51% Popularity • 48% Danceability • 6% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
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Gillian Welch
The Way It Goes
98 bpm • F min • 04:01 • -9.08db
37% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Yusuf / Cat Stevens
The First Cut Is The Deepest - Stereo Ve...
96 bpm • G Maj • 03:00 • -7db
60% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Buffy Sainte-Marie
Universal Soldier
98 bpm • G# Maj • 02:20 • -15.61db
41% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Joni Mitchell
Trouble Child
98 bpm • C Maj • 04:00 • -13.26db
37% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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J.J. Cale
After Midnight
96 bpm • D Maj • 02:23 • -19.32db
63% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
63% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
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Neil Young with The Stray Gators
Journey Through the Past
96 bpm • C Maj • 02:21 • -11.93db
42% Popularity • 52% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 52% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Art Garfunkel
A Heart In New York
96 bpm • D min • 03:11 • -18.94db
35% Popularity • 44% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 44% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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John Cale
Andalucia
98 bpm • F Maj • 03:54 • -17.42db
35% Popularity • 52% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
35% Popularity • 52% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
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Peter, Paul and Mary
Early Mornin' Rain
96 bpm • A# Maj • 03:08 • -19db
43% Popularity • 53% Danceability • 25% Energy • 14% Liveness
32% Instrumentalness • 62% Positiveness
43% Popularity • 53% Danceability • 25% Energy • 14% Liveness
32% Instrumentalness • 62% Positiveness
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Indigo Girls
Closer to Fine
98 bpm • A Maj • 04:01 • -6db
62% Popularity • 54% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 54% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
59% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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James Taylor
Anywhere like Heaven - 2019 Remaster
95 bpm • G Maj • 03:27 • -15db
42% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Pete Townshend
Annie
95 bpm • D Maj • 02:56 • -20.75db
33% Popularity • 43% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
33% Popularity • 43% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Joni Mitchell
You Turn Me On, I'm a Radio - arr. Liam ...
99 bpm • D# Maj • 03:04 • -16.99db
32% Popularity • 46% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 46% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Peter, Paul and Mary
Early Mornin' Rain - 2004 Remaster
96 bpm • A# Maj • 03:05 • -18db
35% Popularity • 54% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
35% Popularity • 54% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
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Fleetwood Mac
Over My Head
99 bpm • D Maj • 03:34 • -16.53db
58% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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The Roches
On the Road to Fairfax County
95 bpm • C Maj • 04:46 • -16.22db
15% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nick Drake
Which Will
95 bpm • B min • 02:56 • -9.57db
53% Popularity • 63% Danceability • 36% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
53% Popularity • 63% Danceability • 36% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
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Lou Reed
Style It Takes
99 bpm • C Maj • 02:54 • -14.84db
34% Popularity • 46% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
34% Popularity • 46% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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George Harrison
Mama You've Been on My Mind (Demo)
99 bpm • A Maj • 03:05 • -15.51db
43% Popularity • 64% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 64% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Peter, Paul and Mary
The First Time Ever I Saw Your Face
99 bpm • D Maj • 03:08 • -25db
35% Popularity • 45% Danceability • 5% Energy • 11% Liveness
32% Instrumentalness • 25% Positiveness
35% Popularity • 45% Danceability • 5% Energy • 11% Liveness
32% Instrumentalness • 25% Positiveness
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Aimee Mann
You Do
99 bpm • C# Maj • 03:45 • -11.78db
32% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Laura Marling
Strange Girl
99 bpm • D Maj • 03:21 • -9.89db
42% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Forbert
Romeo's Tune
95 bpm • A Maj • 03:32 • -5.65db
61% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
61% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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Cowboy Junkies
I'm So Lonesome I Could Cry
99 bpm • G# Maj • 05:25 • -25.16db
34% Popularity • 33% Danceability • 6% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
34% Popularity • 33% Danceability • 6% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Leonard Cohen
Tower of Song
100 bpm • E Maj • 05:39 • -21db
43% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Paul McCartney
Every Night - 2011 Remaster
94 bpm • E Maj • 02:33 • -12db
59% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
59% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Labi Siffre
Crying, Laughing, Loving, Lying
100 bpm • G Maj • 03:03 • -15db
57% Popularity • 51% Danceability • 39% Energy • 8% Liveness
39% Instrumentalness • 35% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 8% Liveness
39% Instrumentalness • 35% Positiveness
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Laura Marling
Kathy’s Song - Recorded at Spotify Stu...
95 bpm • A Maj • 02:44 • -14.83db
37% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Roches
Can We Go Home Now
100 bpm • C Maj • 08:38 • -17.25db
8% Popularity • 65% Danceability • 18% Energy • 9% Liveness
9% Instrumentalness • 26% Positiveness
8% Popularity • 65% Danceability • 18% Energy • 9% Liveness
9% Instrumentalness • 26% Positiveness
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John Martyn
Over The Hill
94 bpm • A min • 02:52 • -13.01db
50% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Beatles
Blackbird - Remastered 2009
94 bpm • G Maj • 02:18 • -14.36db
78% Popularity • 69% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
78% Popularity • 69% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Judee Sill
Lady-O - Remastered
94 bpm • G Maj • 03:13 • -18db
27% Popularity • 37% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 33% Positiveness
27% Popularity • 37% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 33% Positiveness
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Joni Mitchell
Woman of Heart and Mind
100 bpm • B Maj • 02:38 • -13.71db
32% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Marling
Rambling Man
94 bpm • F Maj • 03:16 • -8.89db
44% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Nico
These Days
93 bpm • F Maj • 03:30 • -17.64db
66% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
66% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Crosby & Nash
Lay Me Down
93 bpm • A# min • 03:36 • -10.6db
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tia Blake
Black Is the Colour
101 bpm • A min • 02:28 • -24.78db
41% Popularity • 40% Danceability • 2% Energy • 24% Liveness
1% Instrumentalness • 35% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 24% Liveness
1% Instrumentalness • 35% Positiveness
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Judee Sill
Jesus Was a Cross Maker
101 bpm • C Maj • 03:29 • -11.48db
37% Popularity • 34% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 34% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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The Mamas & The Papas
Dream A Little Dream Of Me
93 bpm • G Maj • 03:14 • -13.14db
75% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Marling
Blues Run The Game
93 bpm • B Maj • 02:38 • -11.5db
38% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Joni Mitchell
A Case of You
101 bpm • C# Maj • 04:23 • -9.9db
57% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Peter, Paul and Mary
Don't Think Twice, It's All Right
102 bpm • D# Maj • 03:16 • -22.53db
56% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Maggie and Terre Roche
Malachy's
92 bpm • G Maj • 03:20 • -11.82db
13% Popularity • 45% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 45% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Gillian Welch
Everything Is Free
102 bpm • C Maj • 04:47 • -14.77db
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Bedouine
Thirteen
102 bpm • A# Maj • 03:04 • -11db
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Donovan
Colours
102 bpm • E Maj • 02:44 • -15.61db
48% Popularity • 45% Danceability • 48% Energy • 39% Liveness
62% Instrumentalness • 68% Positiveness
48% Popularity • 45% Danceability • 48% Energy • 39% Liveness
62% Instrumentalness • 68% Positiveness
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Fleetwood Mac
Songbird - 2004 Remaster
92 bpm • F Maj • 03:20 • -15.52db
65% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
65% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Indigo Girls
Galileo
103 bpm • F Maj • 04:12 • -8db
48% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Brian Wilson
Love And Mercy
102 bpm • A Maj • 03:13 • -10.97db
37% Popularity • 52% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 52% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Gillian Welch
April the 14th, Pt. 1
102 bpm • G# Maj • 05:08 • -15.89db
21% Popularity • 69% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 69% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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James Taylor
You've Got a Friend - 2019 Remaster
92 bpm • A Maj • 04:28 • -18.63db
67% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
67% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Fleetwood Mac
Warm Ways
92 bpm • D# Maj • 03:54 • -21.29db
46% Popularity • 63% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 63% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Joni Mitchell
Just Like This Train
103 bpm • C Maj • 04:24 • -12.85db
37% Popularity • 66% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 66% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Vashti Bunyan
Train Song
103 bpm • E min • 02:15 • -9.89db
31% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Donovan
Jersey Thursday
103 bpm • C min • 02:11 • -17.87db
45% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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James Taylor
Long Ago and Far Away - 2019 Remaster
103 bpm • B Maj • 02:20 • -19.59db
45% Popularity • 66% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
45% Popularity • 66% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Indigo Girls
Don't Think Twice, It's All Right
103 bpm • D# Maj • 03:21 • -5db
42% Popularity • 48% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 48% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 43% Positiveness
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Jackson Browne
The Pretender
103 bpm • G Maj • 05:51 • -7.98db
53% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Judee Sill
Crayon Angels
91 bpm • A Maj • 02:45 • -16.47db
41% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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John Martyn
Lay It All Down
104 bpm • D Maj • 01:50 • -23db
37% Popularity • 65% Danceability • 10% Energy • 11% Liveness
21% Instrumentalness • 38% Positiveness
37% Popularity • 65% Danceability • 10% Energy • 11% Liveness
21% Instrumentalness • 38% Positiveness
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Valerie Carter
Heartache
104 bpm • G# Maj • 02:56 • -19.83db
8% Popularity • 34% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 34% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Paul McCartney
Junk - 2011 Remaster
91 bpm • A Maj • 01:55 • -17.7db
58% Popularity • 71% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 71% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Karen Dalton
Are You Leaving for the Country
90 bpm • D Maj • 03:14 • -12.77db
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jackson Browne
Rosie - Remastered
104 bpm • E Maj • 03:41 • -14db
42% Popularity • 57% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 57% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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The Chieftains
The Magdalene Laundries
104 bpm • A Maj • 04:58 • -12.02db
42% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Nick Drake
One Of These Things First
90 bpm • E Maj • 04:50 • -18.45db
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
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Lou Reed
Walk On the Wild Side
105 bpm • C Maj • 04:14 • -16.73db
72% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Bush
The Man with the Child in His Eyes
90 bpm • C Maj • 02:38 • -10.59db
53% Popularity • 25% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 25% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Elvis Costello
Toledo
105 bpm • D Maj • 04:34 • -11.1db
39% Popularity • 74% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 74% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Jackson Browne
For a Dancer - Remastered
104 bpm • C Maj • 04:46 • -10db
35% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bruce Springsteen
Meeting Across the River
105 bpm • G# Maj • 03:16 • -10.38db
40% Popularity • 46% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 46% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Nick Drake
Northern Sky
90 bpm • F min • 03:44 • -18db
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
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Graham Nash
Sleep Song
105 bpm • C Maj • 03:00 • -23db
30% Popularity • 44% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 44% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Judee Sill
The Vigilante - Remastered
105 bpm • B min • 03:50 • -13db
22% Popularity • 42% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 42% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Herbie Hancock
The Tea Leaf Prophecy (Lay Down Your Arm...
105 bpm • F min • 06:33 • -12.79db
18% Popularity • 68% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 68% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Big Star
Blue Moon
105 bpm • C Maj • 02:07 • -16.38db
23% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Joni Mitchell
People's Parties
105 bpm • D Maj • 02:15 • -15.38db
42% Popularity • 60% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 60% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Buffalo Springfield
Kind Woman
105 bpm • A Maj • 04:15 • -16db
44% Popularity • 68% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 68% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Gordon Lightfoot
Early Morning Rain
105 bpm • F Maj • 03:18 • -16db
55% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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k.d. lang
Save Me
89 bpm • C Maj • 04:32 • -13.9db
32% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kate Bush
Suspended In Gaffa - 2018 Remaster
105 bpm • A min • 03:54 • -14db
48% Popularity • 66% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 66% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Tim Hardin
Misty Roses
106 bpm • A Maj • 01:59 • -21db
42% Popularity • 78% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
42% Popularity • 78% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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Joni Mitchell
Blue Boy
106 bpm • A min • 02:54 • -13.4db
35% Popularity • 52% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
35% Popularity • 52% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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The Velvet Underground
Sunday Morning
106 bpm • F min • 02:55 • -13.27db
67% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Cowboy Junkies
Sun Comes Up, It's Tuesday Morning
106 bpm • E Maj • 03:56 • -13.67db
36% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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RodrÃguez
I Think Of You
89 bpm • A Maj • 03:25 • -6db
57% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Indigo Girls
Least Complicated
106 bpm • A Maj • 04:10 • -10db
44% Popularity • 58% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 58% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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John Martyn
Bless The Weather
106 bpm • D# min • 04:27 • -20db
30% Popularity • 55% Danceability • 18% Energy • 11% Liveness
38% Instrumentalness • 46% Positiveness
30% Popularity • 55% Danceability • 18% Energy • 11% Liveness
38% Instrumentalness • 46% Positiveness
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Joni Mitchell
Chelsea Morning
88 bpm • E Maj • 02:31 • -8.85db
42% Popularity • 57% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 57% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Gordon Lightfoot
Beautiful
107 bpm • E min • 03:23 • -16.49db
46% Popularity • 59% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
46% Popularity • 59% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
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Paul McCartney
Bluebird - 2010 Remaster
88 bpm • F min • 03:23 • -10.75db
47% Popularity • 76% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 76% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness