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Both Sides of the Line
Songs like
Both Sides of the Line
by
Dr. Dog
Based on a tempo of (+/- 10%) and a similar genre
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Dr. Dog
Ladada
146 bpm • G# Maj • 03:38 • -7.23db
34% Popularity • 45% Danceability • 73% Energy • 23% Liveness
19% Instrumentalness • 85% Positiveness
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Cage The Elephant
Come a Little Closer
148 bpm • C# min • 03:49 • -1.79db
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The Growlers
Dope on a Rope
146 bpm • G Maj • 04:10 • -3.86db
57% Popularity • 42% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Supergrass
Alright
146 bpm • E min • 03:00 • -4.81db
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
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Peach Pit
Being so Normal
148 bpm • F# min • 03:40 • -8.89db
55% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Radical Face
Welcome Home, Son
145 bpm • F# Maj • 04:47 • -10.76db
71% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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The Front Bottoms
Twin Size Mattress
145 bpm • E Maj • 04:24 • -5.53db
68% Popularity • 32% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
77% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Her's
Dorothy
145 bpm • C# min • 04:06 • -4.15db
55% Popularity • 52% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 91% Positiveness
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Briston Maroney
Caroline
150 bpm • G Maj • 03:25 • -10.64db
59% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Big Thief
Masterpiece - 2023 Remaster
144 bpm • E Maj • 03:50 • -5.54db
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Mt. Joy
Silver Lining
144 bpm • C Maj • 03:18 • -6.53db
77% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Florence + The Machine
Dog Days Are Over
150 bpm • G Maj • 04:12 • -5.26db
81% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Mac DeMarco
Heart To Heart
150 bpm • G# min • 03:31 • -16.13db
84% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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girl in red
girls
150 bpm • F Maj • 03:18 • -14.46db
71% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Current Joys
A Different Age
144 bpm • D Maj • 06:52 • -10.62db
63% Popularity • 63% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
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Briston Maroney
Freakin' Out On the Interstate
144 bpm • E Maj • 04:11 • -5.02db
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Car Seat Headrest
Bodys
144 bpm • D Maj • 06:46 • -7.36db
57% Popularity • 52% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Dr. Dog
The Truth
143 bpm • A Maj • 04:26 • -8.29db
34% Popularity • 41% Danceability • 56% Energy • 45% Liveness
68% Instrumentalness • 45% Positiveness
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Beach Bunny
Prom Queen
144 bpm • E Maj • 02:16 • -7.49db
80% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Mac DeMarco
Freaking Out The Neighborhood
143 bpm • G# min • 02:53 • -5.74db
55% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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The Lumineers
Cleopatra
151 bpm • G# Maj • 03:21 • -6.77db
70% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Buttertones
Orpheus Under the Influence
152 bpm • D Maj • 02:14 • -6.55db
59% Popularity • 36% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Dr. Dog
Jackie Wants a Black Eye
143 bpm • C Maj • 03:04 • -5.37db
40% Popularity • 51% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 71% Positiveness
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Tame Impala
New Person, Same Old Mistakes
152 bpm • G# Maj • 06:03 • -6.74db
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
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Young the Giant
Mind Over Matter (Reprise)
152 bpm • C Maj • 03:50 • -6.35db
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Real Estate
It's Real
152 bpm • D Maj • 02:48 • -5.44db
53% Popularity • 42% Danceability • 86% Energy • 12% Liveness
10% Instrumentalness • 72% Positiveness
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Faye Webster
Kingston
142 bpm • A# min • 03:22 • -9.13db
78% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
70% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Local Natives
When Am I Gonna Lose You
142 bpm • B Maj • 04:24 • -4.66db
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dr. Dog
Someday
142 bpm • C Maj • 03:20 • -8.37db
28% Popularity • 42% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Beach House
Myth
142 bpm • D# Maj • 04:18 • -6.24db
46% Popularity • 45% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 42% Positiveness
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Her's
Harvey
142 bpm • A Maj • 03:31 • -6.15db
67% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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The Districts
Long Distance
141 bpm • E Maj • 06:35 • -7.59db
44% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Whitney
Golden Days
153 bpm • F Maj • 04:02 • -5.25db
47% Popularity • 39% Danceability • 70% Energy • 55% Liveness
43% Instrumentalness • 65% Positiveness
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MGMT
When You Die
141 bpm • B min • 04:23 • -4.56db
65% Popularity • 64% Danceability • 94% Energy • 16% Liveness
2% Instrumentalness • 50% Positiveness
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Elliott Smith
Say Yes - Remastered 2017
154 bpm • F Maj • 02:19 • -18.93db
58% Popularity • 51% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Rayland Baxter
Yellow Eyes
154 bpm • A# Maj • 03:50 • -7.9db
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Mother Mother
Burning Pile
140 bpm • F Maj • 04:22 • -3.72db
74% Popularity • 52% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Dream, Ivory
welcome and goodbye
140 bpm • C min • 02:20 • -5.18db
76% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
72% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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BADBADNOTGOOD
Time Moves Slow
140 bpm • B min • 04:33 • -10.83db
67% Popularity • 59% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Mac DeMarco
Moonlight on the River
140 bpm • A Maj • 07:02 • -8.63db
78% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
76% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Young the Giant
Mind Over Matter
155 bpm • C Maj • 04:04 • -4.45db
75% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dr. Dog
Army Of Ancients
139 bpm • F Maj • 04:01 • -6.6db
6% Popularity • 54% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
76% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Fruit Bats
The Bottom of It
156 bpm • C Maj • 03:01 • -10.73db
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Mac DeMarco
Watching Him Fade Away
139 bpm • D# Maj • 02:23 • -17.98db
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Big Thief
Velvet Ring - 2023 Remaster
139 bpm • C Maj • 02:35 • -11.94db
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Dr. Dog
Buzzing In The Light
138 bpm • G Maj • 04:01 • -10db
39% Popularity • 55% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 28% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Still Woozy
Goodie Bag
138 bpm • G min • 02:26 • -12.3db
77% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Mac DeMarco
This Old Dog
139 bpm • D# Maj • 02:30 • -10.86db
63% Popularity • 75% Danceability • 40% Energy • 21% Liveness
10% Instrumentalness • 61% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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Good Morning
Warned You
138 bpm • F# Maj • 02:16 • -16.4db
61% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
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Dr. Dog
Take Me Into Town
156 bpm • A Maj • 04:23 • -6.87db
26% Popularity • 50% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Her's
She Needs Him
157 bpm • C# Maj • 05:14 • -5.92db
64% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
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Mazzy Star
Fade Into You
157 bpm • A Maj • 04:55 • -13.93db
82% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
83% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Dr. Dog
The Rabbit, The Bat and The Reindeer
138 bpm • A# Maj • 03:28 • -6db
8% Popularity • 72% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Smiths
There Is a Light That Never Goes Out - 2...
136 bpm • E Maj • 04:04 • -5.86db
82% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Cage The Elephant
Cold Cold Cold
136 bpm • F Maj • 03:34 • -6.07db
70% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Dr. Dog
Say Something
137 bpm • A min • 05:34 • -8db
28% Popularity • 39% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Mac DeMarco
Preoccupied
159 bpm • G# Maj • 03:59 • -15.42db
65% Popularity • 81% Danceability • 21% Energy • 12% Liveness
7% Instrumentalness • 48% Positiveness
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TV Girl
Blue Hair
136 bpm • E Maj • 03:37 • -6.38db
85% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Grizzly Bear
Two Weeks
160 bpm • F Maj • 04:06 • -6db
71% Popularity • 53% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Boyscott
Nova Scotia 500
135 bpm • F# min • 03:12 • -4.52db
60% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Rainbow Kitten Surprise
Mission to Mars
160 bpm • G Maj • 02:34 • -10.95db
58% Popularity • 69% Danceability • 48% Energy • 21% Liveness
1% Instrumentalness • 43% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
75% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
59% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
71% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Mac DeMarco
20191009 I Like Her
134 bpm • D Maj • 02:16 • -13.88db
74% Popularity • 87% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Djo
Chateau (Feel Alright)
135 bpm • G Maj • 04:32 • -12db
74% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Eyedress
Something About You
133 bpm • A min • 02:33 • -8.74db
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
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girl in red
bad idea!
162 bpm • C# Maj • 03:39 • -6.1db
74% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
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Beach Fossils
Down the Line
162 bpm • G Maj • 02:38 • -6.57db
64% Popularity • 62% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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The Growlers
Going Gets Tough
162 bpm • G# Maj • 03:28 • -6db
62% Popularity • 50% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
63% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Both Sides of the Line