Songs like Bottle and Mary Jane by Jelly Roll
Based on a tempo of (+/- 10%) and a similar genre
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Jawga Boyz
All The Girls Wanna Ride
180 bpm • A min • 03:25 • -6db
58% Popularity • 78% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 78% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Jelly Roll
Bottle and Mary Jane
180 bpm • B min • 02:52 • -7.67db
71% Popularity • 55% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
71% Popularity • 55% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Austin Snell
Pray All The Way Home
180 bpm • F# Maj • 02:24 • -5db
70% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
70% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Justin Champagne
When I Pull Up
180 bpm • F# Maj • 02:26 • -6db
64% Popularity • 58% Danceability • 70% Energy • 16% Liveness
4% Instrumentalness • 56% Positiveness
64% Popularity • 58% Danceability • 70% Energy • 16% Liveness
4% Instrumentalness • 56% Positiveness
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Tom MacDonald
America
180 bpm • D# min • 03:23 • -7db
51% Popularity • 68% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 68% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Natural
Never Know
180 bpm • D min • 03:00 • -10.1db
31% Popularity • 40% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 40% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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LECADE
When Im Gone
179 bpm • G# min • 02:10 • -11.39db
72% Popularity • 45% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
72% Popularity • 45% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jelly Roll
Dancing With The Devil
180 bpm • A Maj • 03:37 • -4.78db
52% Popularity • 39% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 39% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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mgk
Bad Mother F*cker
182 bpm • A# min • 03:33 • -4.99db
63% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Giovannie and the Hired Guns
Ramon Ayala
182 bpm • E Maj • 02:48 • -4.11db
57% Popularity • 49% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 49% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Jason Aldean
My Kinda Party
177 bpm • C min • 04:44 • -4.25db
63% Popularity • 41% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
63% Popularity • 41% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Justin Champagne
Do the Lasso
178 bpm • G Maj • 02:46 • -10.73db
45% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Cory Marks
Outlaws & Outsiders
176 bpm • A Maj • 03:17 • -3.81db
62% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Jelly Roll
Mobile Home (demo)
179 bpm • G Maj • 02:21 • -11.98db
42% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Cooper Alan
Colt 45 (Country Remix)
184 bpm • F min • 03:23 • -3.3db
63% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Rvshvd
For The Streets
176 bpm • D min • 02:45 • -5.02db
56% Popularity • 51% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 51% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 20% Positiveness
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Kid Rock
Cocky
184 bpm • A Maj • 03:57 • -3.2db
57% Popularity • 62% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 62% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Lathan Warlick
My Way
176 bpm • G Maj • 02:24 • -5db
53% Popularity • 69% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 69% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Koe Wetzel
Kuntry & Wistern
185 bpm • E Maj • 04:01 • -5.03db
59% Popularity • 50% Danceability • 82% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 50% Danceability • 82% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
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HARDY
ONE BEER
186 bpm • D Maj • 02:53 • -8.35db
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Jason Aldean
She's Country
172 bpm • C# min • 03:40 • -2.83db
72% Popularity • 55% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
72% Popularity • 55% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Rvshvd
Cottonmouth (Rock Mix)
186 bpm • G# min • 02:45 • -5.16db
51% Popularity • 38% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 38% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Brantley Gilbert
Read Me My Rights
174 bpm • C# Maj • 03:56 • -4.79db
40% Popularity • 42% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 42% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Austin Tolliver
Ghost In My Truck
172 bpm • E min • 02:34 • -6.43db
32% Popularity • 48% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 48% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Grow
Kiss My Ass
172 bpm • B Maj • 02:41 • -4.66db
58% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Wallen
Cowgirls
172 bpm • G# Maj • 03:01 • -3.81db
82% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
82% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Tucker Wetmore
Wind Up Missin' You
172 bpm • F# Maj • 02:46 • -5.63db
73% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Hueston
Joy Ride
190 bpm • B min • 02:39 • -9.35db
59% Popularity • 27% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 27% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tom MacDonald
Your America
170 bpm • D Maj • 03:15 • -7.08db
46% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jelly Roll
Son Of A Sinner (demo)
171 bpm • D Maj • 03:55 • -11.48db
40% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Bailey Zimmerman
Small Town Crazy
170 bpm • G Maj • 02:42 • -2.85db
57% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Austin Snell
Muddy Water Rockstar
170 bpm • C# Maj • 02:32 • -4.11db
56% Popularity • 45% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 45% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Conner Smith
Creek Will Rise
170 bpm • C# Maj • 02:49 • -3.56db
59% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Kidd G
Teenage Dream
170 bpm • B Maj • 02:36 • -4.99db
54% Popularity • 51% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 51% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Justin Champagne
BackRoads
170 bpm • F Maj • 03:38 • -6db
48% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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LECADE
Slow
170 bpm • C# Maj • 03:08 • -18db
56% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Bailey Zimmerman
Where It Ends
170 bpm • A Maj • 02:59 • -5.07db
79% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
79% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Jelly Roll
Kill A Man
170 bpm • F Maj • 03:04 • -6.04db
50% Popularity • 39% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 39% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Bubba Sparxxx
Put in Work
168 bpm • C# min • 03:31 • -7.63db
47% Popularity • 76% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 76% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Chris Ryan
Scared To Go To Church
168 bpm • C Maj • 03:34 • -5.78db
45% Popularity • 47% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 47% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Justin Champagne
Number to Heaven
170 bpm • D# min • 03:43 • -8db
46% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Mitchell Tenpenny
Bitches
168 bpm • C# Maj • 03:30 • -4.91db
53% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Drew Green
Good Ol' Man
168 bpm • F# Maj • 03:22 • -7.09db
54% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Kid Rock
Cowboy
167 bpm • C# Maj • 04:17 • -2.92db
63% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
63% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Bryan Martin
Everyone's An Outlaw
166 bpm • C# Maj • 03:20 • -3.83db
69% Popularity • 51% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
69% Popularity • 51% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Crypt
Call It Quits
166 bpm • A Maj • 03:56 • -4.2db
35% Popularity • 64% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 64% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Calhoun
The Prayer
166 bpm • F Maj • 02:54 • -6.48db
40% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Wallen
Wasted On You
196 bpm • B min • 02:58 • -5.24db
84% Popularity • 50% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
84% Popularity • 50% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Jelly Roll
Promise
165 bpm • B Maj • 03:26 • -8.77db
44% Popularity • 44% Danceability • 68% Energy • 23% Liveness
1% Instrumentalness • 32% Positiveness
44% Popularity • 44% Danceability • 68% Energy • 23% Liveness
1% Instrumentalness • 32% Positiveness
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Lil Wyte
Come Ride
164 bpm • C Maj • 03:07 • -3.6db
39% Popularity • 75% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 75% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Austin Tolliver
Dip Low
164 bpm • D Maj • 02:17 • -6.58db
52% Popularity • 74% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 74% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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LECADE
Sober Me Up
198 bpm • A min • 02:27 • -10db
66% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Nelly
Country Boy Do
164 bpm • C# Maj • 02:56 • -3.2db
57% Popularity • 55% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 55% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Jelly Roll
Backslide
200 bpm • C# Maj • 03:03 • -8.44db
54% Popularity • 41% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 41% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Parker McCollum
Burn It Down
162 bpm • D Maj • 03:53 • -5.63db
69% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Austin Meade
Happier Alone
200 bpm • F min • 03:44 • -6.76db
59% Popularity • 32% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 32% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Hollywood Undead
House Of Mirrors
161 bpm • B Maj • 03:25 • -3.82db
57% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Justin Holmes
Damn Addiction (Country Rebel Sessions)
161 bpm • A# Maj • 03:22 • -13.09db
54% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Restless Road
Last Rodeo
160 bpm • B min • 03:15 • -3.95db
55% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Kane Brown
Bury Me in Georgia
160 bpm • D min • 04:02 • -5.82db
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Demun Jones
Take Me Away
160 bpm • C# Maj • 02:49 • -4db
47% Popularity • 65% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 65% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Bryan Martin
More Than The Shine
160 bpm • C# Maj • 02:56 • -4.24db
67% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
67% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Cypress Spring
Country Boy Swag
160 bpm • C Maj • 03:30 • -5.97db
49% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Brantley Gilbert
Bury Me Upside Down
160 bpm • C# Maj • 02:49 • -5.18db
53% Popularity • 49% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 49% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
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Kane Brown
Bury Me in Georgia - Single Edit
160 bpm • D min • 02:50 • -5.75db
62% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jason Aldean
Got What I Got
160 bpm • D# min • 02:58 • -6.66db
65% Popularity • 51% Danceability • 58% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 51% Danceability • 58% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Wallen
Last Night
204 bpm • F# Maj • 02:43 • -5.46db
84% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
84% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
63% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
63% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Jelly Roll
Even Angels Cry
158 bpm • E min • 02:53 • -8.57db
50% Popularity • 54% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 54% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Brantley Gilbert
Off The Rails
158 bpm • C# min • 03:04 • -3.55db
60% Popularity • 39% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 39% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ella Langley
That's Why We Fight
206 bpm • F min • 02:43 • -3.27db
56% Popularity • 36% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 36% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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David Morris
Bored In The USA
157 bpm • A# Maj • 02:22 • -6.38db
50% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jackson Dean
Don't Come Lookin'
156 bpm • A Maj • 03:07 • -6.02db
62% Popularity • 53% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
62% Popularity • 53% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Cypress Spring
Bump in her Country
156 bpm • G Maj • 02:54 • -5.15db
49% Popularity • 63% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 63% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jelly Roll
Need A Favor
158 bpm • F# Maj • 03:17 • -4.25db
79% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
79% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Redferrin
Stuck
156 bpm • E min • 03:09 • -6db
54% Popularity • 64% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 64% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Brantley Gilbert
Heaven By Then
156 bpm • D Maj • 03:02 • -5.08db
54% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jokes On Wokes
Go Woke Go Broke
156 bpm • G Maj • 02:49 • -5.51db
53% Popularity • 57% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 57% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Bryan
But I Got A Beer In My Hand
208 bpm • D Maj • 02:56 • -4.36db
57% Popularity • 40% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 40% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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LECADE
Painkillers
155 bpm • A# Maj • 02:54 • -13db
63% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jelly Roll
Sunday Morning
157 bpm • A# Maj • 03:56 • -5.49db
46% Popularity • 53% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 53% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
